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841: How to Get Creative on Demand with Baronfig’s Joey Cofone

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Joey Cofone says: "Creativity is not about creating. It is about combining."

Joey Cofone shares what it really means to be creative and why everyone can be creative in any role.

You’ll Learn:

  1. Why creativity isn’t just for the “creatives”.
  2. Why we shouldn’t shy away from our fears.
  3. How to come up with ideas on the spot.

About Joey

Joey Cofone is the Founder & CEO of Baronfig, an award-winning designer and entrepreneur, and author of The Laws of Creativity.

Joey has designed and art directed over 100 products from zero to launch. His work has been featured in Fast Company, Bloomberg, New York Magazine, Newsweek, Bon Appétit, Quartz, Mashable, Print, and more. Joey was named a New Visual Artist and, separately, Wunderkind designer, by Print magazine. He is also a 1st place winner of the American Institute of Graphic Arts design competition, Command X.

Joey strives to make work that appeals to curious minds—work that’s beautiful, smart, and communicative. He believes that design is the least of a designer’s worries, that story is at the heart of all tasks, and jumping off cliffs is the only way to grow.

He lives in New York City with his wife, Ariana, and his dog (and writing buddy), Luigi.

Resources Mentioned

Joey Cofone Interview Transcript

Pete Mockaitis
Joey, welcome to How to be Awesome at Your Job.

Joey Cofone
Hello. Hello. I am psyched.

Pete Mockaitis
Oh, I’m psyched too. I want to know so much about your insights, creativity, Baron Fig. I have one of your notebooks on my desk.

Joey Cofone
Surprise.

Pete Mockaitis
It was there before I knew I was talking to you.

Joey Cofone
Watching it the whole time.

Pete Mockaitis
So, I wanted to ask you about your hobby of playing video games but then I learned that you almost died in Tennessee, so I think we need to hear both of these tales. What’s the story here?

Joey Cofone
I did almost die in Tennessee. We discovered this before recording when I said, “Where are you?” and you said, “Tennessee,” and I said, “I almost died there.” And that is because I went hiking the Appalachian Trail when I was 20 maybe, 21. I was in phenomenal shape. I’m not in bad shape now but I was in killer shape then.

And so, it was just me and a buddy, went on the mountain, not underprepared. I will say we did our homework. However, we missed a spring, did not get water, the sun started going down, we became disoriented mentally and then, of course, disoriented because we couldn’t see anything, started not making sense, and we literally had to hang on to each other.

Two very large dudes, walking hand in hand like we were walking down the aisle, all the way through the mountains until we found water. And then we had to sit there and watch it boil before we could drink it. It took, like, 30 minutes to boil this on this little tiny thing. Anyway, I did almost die because I was about to lie down and give up.

And my friend, who is now the COO of Baron Fig, Jay, was there to give me his last little bit of water, and say, “We got to keep going, man.” So, I almost died in Tennessee, but here I am today with you.

Pete Mockaitis
Wow, what a guy.

Joey Cofone
He did. It was his last sip of water and he gave it to me.

Pete Mockaitis
That is beautiful.

Joey Cofone
Yes.

Pete Mockaitis
I’m also thinking about Jeff Boyles, how you could’ve cut that 30 minutes way down.

Joey Cofone
Oh, man. You talk about waiting for a pot to boil, man, I thought it was a lifetime, and then it was the best-tasting water I had ever had in my life even though it was scalding hot.

Pete Mockaitis
Wow, that’s good stuff. Good stuff.

Joey Cofone
Yeah, it was good.

Pete Mockaitis
Well, I’m glad you’re alive and made it out of Tennessee.

Joey Cofone
Thank you.

Pete Mockaitis
And I also wanted to hear about you and video games. Some say they’re a waste of time. You, well, I want to know what you think, but that’s what you like to do, and you are a thought leader in the realm of creativity. So, I’d like to guess that there’s some sort of a connection between video games and creativity, but you tell me.

Joey Cofone
Sure. I would consider myself a thought leader in video games, as a consumer. I’ve been talking about video games and pro video games since I started Baron Fig, and have been interviewed all over the place, and that’s about just over a decade now. So, gaming has become significantly more mainstream in that time but, in my lifetime certainly, gaming has been viewed as a nerdy guy who sits in his parents’ basement type of activity for quite a long time. And only in the last, let’s say, five-ish, seven years has it become really, really mainstream, so I’m glad about that.

I personally prefer XBOX but I’ve owned them, played them all, and I think what’s beautiful about games is that it is, to me, and I’m going to say this, I think it is – ooh, it’s going to hurt too because this is going to come hard – but I believe it is one of the pinnacles of creative expression. And I say that because in a video game you have music, you have visual art, you have programming, you have storytelling, you have a host of other practices, cinematography, all coming together to not only tell you a story like a movie would or a book would, but put you in the center of it.

So, yeah, I love gaming. And if you’re going to sit in front of the TV, you might as well interact with it.

Pete Mockaitis
Well, yeah, I don’t find that statement to be controversial to me at all. Once, I took a look at what’s really going on in terms of was it the Unreal engine or some of the cutting-edge stuff, it is spectacular what is now possible visually. And then I saw, in the pandemic, I was watching, this game is called “Detroit: Become Human” which is fascinating. Fascinating stories.

And I was just watching the game play because I didn’t have my console yet and I was sick with COVID and nothing else to do. And then I saw some of the making of it, and it was nuts. This composer was just talking about how he invented new instruments in order to get the sounds he was going for, for each of the key characters, to really capture the emotional essence. And it’s, like, wow, that is hardcore.

And those millions of dollars spread across a huge staff really is exceptional in terms of many layers of creativity. So, yeah, that makes sense to me.

All right, we’re talking about creativity. You’ve learned a whole lot about it in your years in your career. Can you share with us any particularly surprising, counterintuitive, extra-fascinating discoveries you’ve made about creativity during this time?

Joey Cofone
Oh, my goodness. It is a boatload or, I should say, a book-load, there are so many. I can start with one of the most profound things that I discovered. Before that, let me tell you why I think creativity is so radically important and where it originated for me.

In the introduction to my book, I explained where creativity entered my life. So, it was first grade, seven years old. I walked into the classroom thinking it’s just any other day. Teacher hands out a worksheet. It has a cartoon worm on it. All you got to do is color it, cut it out, put it on the board. No problem, like every other Monday. But this Monday was different because I decided I wanted to have the best worm in the class. So, I get down, I put my arm around my paper, I take out my big-ass box of crayons, and I go to town. And I am thinking, “This is the greatest creation of all time.”

I cut out my worm, I walk up to the board, and I stopped dead in my tracks because, as I look there, on the board, all the other students who have put theirs up, even though it’s different, they color little dots here, maybe one is a little more red, a little more blue, they all feel the same. And so, now I’m like, “I can’t put my…” Little Joey is like, “There’s no way I’m putting my worm on this board. I cannot be one of many.”

And I don’t know where that came from that day but I went back to my desk, and I sat down, and I was about to cry. And I had my head in my hands, I was hiding because I didn’t want anyone to see how upset I was. When I looked down, and what do I see, but the shards of paper that I had cut out the worm. So, I’m taking a look this, crying, and a lightbulb ticks, and I realized I can use them.

So, I draw a microphone, a boombox, and a necklace, cut them out, put them on the worm, put that on the board. Now, the whole class walks up, the teacher gets up behind me, the assistant teacher comes up, and everybody is looking at my worm, and they go, “This is the most amazing thing I have ever seen,” and they’re all shocked.

It was in that moment that I became addicted to creativity. Literally, that feeling, I just wanted it all the time throughout my life. And so, now as I got older and I started Baron Fig and we made all this cool stuff, and then it became time to write a book, and I thought to myself, “You know what, that’s my personal experience. But how can I inject something really profound and extremely objective into the book?”

And so, I discovered what became the cornerstone of my desire to pursue this, which is NASA did a study that found that 98% of five-year-olds are creative geniuses. Okay, 98%. Take a guess what percent it goes down to by the time we hit adulthood.

Pete Mockaitis
Two percent.

Joey Cofone
Two percent. Nailed it.

Pete Mockaitis
Excellent.

Joey Cofone
Somebody did his homework. And so, I realized that, “Wow, this is not an accident.” We are systemically doing a very good job at reducing creativity where it goes from 98% to 2%. And so, now I have my experiences, I have a reason to write this book, put them together, and here we are. And so, that was the very first thing that I encountered about creativity that I thought was incredibly interesting and profound.

Pete Mockaitis
All right. Well, so creativity, it seems like a cool good thing. Like, sure, yeah, better be creative than not creative. I’d love to get your hot take in terms of, for your average professional who’s interested in being more awesome at their job, let’s say they would assert, “You know, I’m not really in a creative role. I don’t sort of invent new stuff. I don’t have to come up with catchy ad campaigns. I just manage projects and interact with folks and go to meetings, and make my PowerPoints and do my analyses, and keep things humming along, and, hopefully, get some improvements in our operations here and there.” What’s the case for why creativity matters to such a person?

Joey Cofone
Well, for two reasons. Number one, everything you mentioned actually requires creativity.

Pete Mockaitis
All right.

Joey Cofone
The idea that creatives are people who make visual pictures or music or something is a common belief but is totally absurd. Creativity is simply the practice of ideas. And when you take and use your ideas, it’s self-expression. So, anytime you’re working on a spreadsheet, or you have to give a presentation, or you have to do a little project management, you are exercising your creativity. This is not a robot. This is not an automaton. You actually have to think about it and come up with a result, and that’s creativity. It doesn’t have to be some grand expression of it.

Every day, we have over 6,000 thoughts, for example, and the idea is that if you are…How do I say this in a way that doesn’t sound silly? If you are an intrepid person, which I hope you are, working on those 6,000 thoughts to make them even better is not only a good idea, it’s kind of a no-brainer to me because, to answer your second reason, is because, as an adult, it is proven that you are, number one, more happy if you involve creative exercises in your work, and, number two, you make more money. Like, statistically, you make 13% more than people who do not integrate creativity. And that’s just for adults.

Organizations, because I want to tie this all together, organizations who integrate creativity are more productive and they have higher revenue growth. So, as an individual and as a group, it is a no-brainer.

Pete Mockaitis
Okay. Well, let’s say we say, “Ooh, I’d like to be in the integrate creativity camp, and see that 13% pay bump and more cool benefits,” can you paint a picture for what that looks like during the course of my work day of, “I’m a person who is integrating creativity” versus “I’m a person who is not integrating creativity”?

Joey Cofone
Yeah, it depends on what it is you do, and what it is you feel challenged by in your experience. For example, I’m a designer so that’s a little bit more obvious, but I don’t do design things all day. The last three weeks, for example, I set up a really complex notion series of documents that basically tracks out the company’s operating and how everybody is related to the projects that are going on. No one would look at that and go, “That’s some traditional creative stuff, bro.”

But it is, of course, creative because you have to problem-solve. So, day to day, it depends what you’re doing. But if you are taking in inputs and then assessing an optimal way to execute something, that’s creativity. It doesn’t have to be any more complex than that.

Pete Mockaitis
So, that’s what integrating creativity looks like, the 13% bump up camp. And then how does one live their work day without integrating creativity?

Joey Cofone
That’s a good point. It’s when you just take what’s given to you and you don’t do anything with it. You just are literally, as someone would call it, a paper-pusher, or you are not trying to make this better, you are not trying to improve in any way upon the processes or the deliverables or the requests that are handed to you. You simply process as if you were a fax machine or a typewriter or something. You get an input and you put an output. The only thing you’re there for is to execute it rather than assess and optimize and then execute.

Pete Mockaitis
Okay. So, I guess I’m thinking about some roles…it’s funny, these are the very jobs I don’t like in terms of I have a spreadsheet of somebody’s hours, and I need to turn that into an invoice to say to somebody, “Pay me. Okay, so there’s, I guess I have to copy, paste, double-check, email.” Okay. Although, I could certainly integrate some creativity there in terms of, “Surely there’s a way I can get some automation going with this.”

Joey Cofone
I was just going to say that.

Pete Mockaitis
“Maybe I can do a research if there’s a software program that can do this, or a little bit of Visual Basic replications, VBA code to accelerate this. Do I want to use a sort or do I want to use a filter in terms of amending these spreadsheets?”

Joey Cofone
Precisely. And now you’re getting it because when you say it that way, it is a no-brainer, of course, that folks who do the latter, and say, “How can I automate this, or optimize it, or change it in a way where it actually takes work later even if it’s a little bit more work now?” they get paid more. It’s obvious. But, believe it or not, a lot of people don’t do it. The majority, unfortunately.

Pete Mockaitis
All right, I can’t believe it. Ooh, geez, when you say majority, it sounds like you’ve got some hard data. Bring it, Joey, what’s the state of the world in terms of folks integrating creativity?

Joey Cofone
I mean, 98% of folks don’t. That’s where we’re at.

Pete Mockaitis
Okay. So, they’re not geniuses according to the NASA situation.

Joey Cofone
Correct.

Pete Mockaitis
Okay. So, you mentioned the part about us systematically crushing the creativity and folks just they age. Do you have any idea for what are some of the drivers, the forces, the principles behind that?

Joey Cofone
Yeah, I do. It’s unfortunately the way we educate our youth is the systematic destruction of creativity. So, it is no wonder that, at five years old you peak, and then you go down. And five years old is when you start school. There are three reasons, primarily, that creativity decreases, things that we teach our kids.

First is that authority, like teachers, principals, deans, and so on, that they’re unquestionable. Well, that’s just not true because those people weren’t always in charge. There are other folks in charge, and those people had to supplant those folks, and so on and so forth. And so, it teaches us that you have to do number two, which is man-made rules have to be followed to a fault. And that means that whatever someone says goes, and you are taught not to question it.

And then the third and the most damaging of all is that the end is visible from the start, Pete. And this is terrible that we teach our kids this, but we teach the end is visible from the start. Now I’ll bring that down to earth. When you are given a book in third grade, and you have to read, I don’t know, Martian Chronicles by Ray Bradbury. And then you know, in two weeks, on Friday, you have to hand in a five-page paper about the plot and my thoughts, including a synopsis.

Cool. Okay. Well, I know everything I have to do before I do anything. Same thing in math, “Solve these ten proofs, hand them in.” Same thing in science, “Read this chapter and build a volcano.” Whatever it is, we are always taught to know the end before we start. Then we go to work, and then in work, our bosses tell us what to do and lay it out so that we know what we have to do before we start.

The problem is we are never taught to deal with the unknown. We are never taught to start without knowing where it could end up. And because of that, people have, unfortunately, more anxiety than ever before, and can’t deal with the curve balls of life. And that’s just a metaphor for creativity, was to make something you have to not know exactly where you’ll end up.

Pete Mockaitis
Now, this anxiety, can you unpack that mechanism or link there? Because we see the end before we start, we are more anxious…

Joey Cofone
Because we don’t, yeah. So, essentially, the modern society right now – what did we have – we had the agricultural age that lasted a long time. Then we had, fast-forward to the industrial age, the information age. Those happened fairly quickly. However, our human instincts, our programming, lags behind by tens of thousands of years. We don’t just evolve, unfortunately, as fast as society changes.

So, what happened back in the day is that when you had fear, ten thousand years ago, 20,000 years ago, that was because it was your body and your instincts making you move away from something that could kill you, the unknown, “Don’t go into that cave because you could die. Don’t go into this unknown land because we don’t know who’s there and defending it.” Fear was a tool. We still have fear but we don’t have life-threatening experiences anymore.

So, this fear, that is a natural part of our programming, is making us move away from things it thinks we can die. In reality, we cannot die in that regard. What happens nowadays is, instead of death, it’s just your ego is bruised, or you’re embarrassed, or you screw up. And so, because of that, this fear that is still a part of our lives, in this totally evolving social structure and the way we go about doing things nowadays, we still feel fear.

And that leads to a ton of anxiety because we have fears, “But I don’t know what to do with them. I don’t know what’s going to happen.” And then we’re taught not to know what the unknown is. And so, when you combine all that, it’s a beautiful recipe for a ton of anxiety.

Pete Mockaitis
I see. So, in a world full of unknowns, when we’ve only been trained and built up our capabilities in a world where the outcome is known in advance, we are sort of ill-equipped for the realities that we are in.

Joey Cofone
Exactly. And then you combine that with the fact that our instinctual reaction, fear reaction, is not really serving us the way it used to.

Pete Mockaitis
Okay. Certainly. Well, let’s get some more creativity flowing. I’m curious, when you mentioned assigning, I think about work in a way that the end is not known before you start, with the difference when you’re making a request of someone, or of yourself, instead of, “I want to find a specific app that does thing,” so we’ve sort of narrowed it to we’re looking for a software application, to, “I need to find a solution which will enable me to pull off this outcome.” Is that sort of the idea, is we keep it open-ended, like, “It could look like any number of things that delivers the goods”?

Joey Cofone
Sure. You’re even already moving probably too far down the line in many cases, where someone comes up to a problem that they haven’t encountered before, and they haven’t even sussed out that they need to find a piece of software to solve it. It is just a bit of a shock and an anxiety-inducing moment, and that’s where we get fear.

And so, actually, fear nowadays is a positive rather than a negative. Thousands of years ago, fear was something that said, “Danger! Danger! Don’t go that direction.” Today, fear, if you are tuned to it, is a, “Hey, man, go in that direction.” Because you’re afraid, you have identified a boundary, “If you go in that direction, you’re able to break a boundary.” Does that make sense?

Pete Mockaitis
Oh, yeah.

Joey Cofone
When I was, I think it was 13 years old, I was sitting in a parking lot, McDonald’s, with my uncle, and we always used to go in together, and have a Big Mac each, and it was a wonderful time. On this particular day, Uncle Ralph decides, “Joey is going in alone.” And I said, “I can’t do it.” And he said, “What do you mean you can’t do it? It’s right there. Just walk in. Order it. You’re a big kid.” I was six foot.

And I said, “I’m afraid.” And I was honest with my uncle. And he grabbed me by the shoulder, and he looked me dead in the eye, and he said, “Because you are afraid, now you must do it.” And sure enough, I went in and I did it, and I never forgot that. And it took me a long time to parse what he meant, but it meant that my fear was showing me a limitation, and when I was able to overcome it, I was able to expand the boundaries of my capabilities.

Pete Mockaitis
Yeah, that’s good stuff. And I don’t think it’s that uncommon. I remember, in high school, there would be times when you meet a group of people, it was like, “Oh, should we order pizza?” And maybe a third of the people in the group were genuinely uncomfortable picking up the phone to call the place to order the pizza. You don’t even have to look at them in the eye. And I found that it’s probably worse now, I’m guessing, in the year 2023, as compared to back in the day for me.

Joey Cofone
Pete, it is bad now. It is bad now. I don’t want to call anyone out but I have experienced people who are close to our age who still won’t pick up the phone and make a call for something simple. Just like saying, “Hey, what time are you guys open to?”

Pete Mockaitis
Yeah. Maybe this is why DoorDash is really doing so well because you don’t have to interact with a human but you still get to eat what you want without moving. It’s a winning offer. All right. Well, let’s talk about this book here, The Laws of Creativity: Unlock Your Originality and Awaken Your Creative Genius.

You got 37 of these laws. Can you list some of them, maybe the top three, four, five that you think are just transformational for a professional who wants to be more awesome at their job, things you can do that don’t take a whole lot of time, effort, energy, pain, and sacrifice, and yet liberate a lot of good creative juiciness?

Joey Cofone
Oh, sure. I can name 37 of them that are really damn good but, since you’re limiting me to a few, I will, I suppose, choose. I’ll tell you right now that Chapter One: Be weird, it’s the law of expression. And it is chapter one for a reason. And it is simply stated, embrace the parts of you that’s called weird. Don’t hide what makes you different. Allow them to flow to the top and be seen.

Now, what does that mean, Joey? That means that, you know how when you grow up, and your parents tell you that you’re really a unique butterfly. And then you get a little older and you realize everybody tells their parents that, and then you don’t feel so unique when you have the same problems and the same challenges that everyone feels, and you kind of feel like you’re not unique at all. Well, actually, you are incredibly unique. They were right.

As what my geometry teacher in high school, Mr. Allen, would say, “Right answer, wrong solution.” They were just saying it because it’s an encouraging thing to say, but, actually, you are incredibly unique. So, Pete, give me three interests that you have. Give me a favorite book, a favorite movie, a favorite video game, or just a…Now, if I say favorite, it might be too much, so just name one you like of each of those three things.

Pete Mockaitis
Okay, sure thing. For a book, well, right now I’m reading The Count of Monte Cristo, which is thrilling.

Joey Cofone
So am I.

Pete Mockaitis
No kidding?

Joey Cofone
How about that? That is wild. That is the book I’m reading.

Pete Mockaitis
I encountered it in an episode of “Wishbone,” the dog, if you watched that show. When I was 12 years old or so. I was like, “Well, that book is awesome.” And so, now, decades later, I was like, “Maybe I’ll go ahead and read that.” And so, that’s fun, about halfway through. No spoilers. So, that’s cool. For a game, boy, from my childhood, “Master of Orion.” You conquer the galaxy. Very strategic kind of form, the way I think, actually. So, we had book, game. And what else?

Joey Cofone
I would say movie.

Pete Mockaitis
Let’s go with Batman, “The Dark Knight.”

Joey Cofone
Ooh, okay. So, we have “The Count of Monte Cristo.” What was the second one?

Pete Mockaitis
“Master of Orion.”

Joey Cofone
“Master of Orion.” I never heard of that one, man. “Master of Orion.” I’m writing these down. Good stuff. And then “The Dark Knight.” Okay. Cool. So, these are three things that you like. And now you have a lot of interests, we’re just going to take three. And let’s say, in each of those categories, we limit it to a thousand.

There are, just in those things, there is a billion permutations, okay? If there’s a thousand options of each. That means that, right away, if you can combine “The Count of Monte Cristo,” the “Master of Orion,” and “The Dark Knight” into something you create as really strong influences, you go from one in eight billion to one in one billion, okay? To one in eight, I’m sorry. My wife always says…

Pete Mockaitis
So, eight humans on the planet who…

Joey Cofone
That have this combination. You go from, I’m sorry, one in eight billion, to one in eight. Pretty interesting. Now, let’s add a fourth thing. Let’s say, what’s a TV show you like?

Pete Mockaitis
“Breaking Bad.”

Joey Cofone
“Breaking Bad.” Walter White.

Pete Mockaitis
I like it kind of dark, I think. It’s like I’m really a friendly person.

Joey Cofone
Oh, all these are like dark. Okay, so with the fourth added, permutations go up into trillion, and now you have 127 times the population of earth. When you put those four things into what you do, you become incredibly unique, and you’re way more than just four things, and there’s way more than just a thousand options. So, you can imagine the actual permutations, and when you get the stuff you like into what you’re doing, it is incredibly unique.

So, let’s take me, for example. I really like philosophy, I really like writing, and I really like the blank page. So, what did I do? I took philosophy, I took writing, and I added narrative, and the blank page, aka notebooks, and I combined those into a brand called Baron Fig that didn’t do notebooks the way I did before, and put it on Kickstarter, looking for 15Gs. We did $168,000 in 30 days, and this was 10 years ago before Kickstarter was a big deal, and that is rise and fall. And people loved it.

And to this day now, Baron Fig has, from that one product that we started with, the notebook, we now have made over 115 products, we ship in 95 countries, we have hundreds of thousands of customers, and we partner with incredible people like Netflix, James Clear, Roxane Gay to make wonderful things. And it is because I started by taking the things that I really liked and figuring out a way how to meld them together.

And anybody could do that, and you could do it on a big scale, like creating a company, you can do it on a small scale, like creating a presentation. But when you put yourself into your things, and as cliché as it sounds, when you be yourself, it becomes incredibly unique.

Pete Mockaitis
Well, that makes sense mathematically. And I guess the holdup is just that people feel uncomfortable being weird, they think they’re going to get a social reprisal of some sort, like, “Ugh, okay.”

Joey Cofone
Pete, well said, dude. Well said. That is the chapter one, is that the problem is weird, the word itself has been weaponized. When we think about it, you are in grammar school, and, “Hey, don’t eat with the weird kid,” or you’re at work, “Don’t have lunch with the weird person.” “Okay, cool.” It’s literally weaponized and it ostracizes the folks in our bubble, in our everyday life, who are different than the rest. And the message it’s saying, the subtext is, “Be like us and conform.”

Now, here’s the really crazy thing though, and this is why the chapter is titled “Be weird” is because inside our bubbles, we force everybody to conform. However, outside of our bubbles, we absolutely celebrate and worship weird people. And I’m going to name a few people, these are not necessarily that I worship or care about but they’re good examples. Lady Gaga, weird, not in my bubble. We love her. Johnny Depp, weird dude. Jack Sparrow, super weird. Freaking love that. Elon Musk, Kanye West, so on and so forth. We celebrate weirdness as long as it’s not in my bubble. And so, when I say…

Pete Mockaitis
“You’re making me uncomfortable now that I have to live within you, but you’re being amazing in this in  the world that I’m enjoying consuming from afar.”

Joey Cofone
Right. So, I’ll end this by saying those folks inside our bubble that people are going, “Hey, don’t sit with that weird guy. Don’t talk to that weird guy,” what I see is the bravest person in the room because they’re the ones, despite being ostracized, are letting themselves be themselves.

Pete Mockaitis
That’s very beautiful. And I do love reading about the weird things that folks do. I heard Bill Gates when he was a youngster, he’d just be in his room for a long, long time. His mom would say, “Oh, Billy,” I don’t know what she called him. Let’s pretend it’s Billy, “Oh, Billy, can you come on down,” and he’d say, “Mom, I’m trying to think,” like he’s just faking for a long time. He still does. He thinks weeks or think weekends, where, “I’m just going to be completely silent and read a bunch of things that are stimulating and useful for my creativity.”

Or, the dude. Hey, you’ve been a game guy. This guy in Japan, I forgot his name, he is one of the geniuses behind Mario and many other super franchises.

Joey Cofone
Miyamoto.

Pete Mockaitis
There you go. Apparently, he just carries around with him a tape measure, and has people guess the length of different objects, he’ll say, “Hey, how long do you think this is?” Like, “I don’t know, seven inches.” They probably use metric over there, centimeters. And so, you check it out, and you thought, “Boy, that’s weird.” And yet there is a little bit of a connection, it becomes like, “Oh, well, so part of your whole genius is representing things in a confined space, the dimensions of a screen or a video game.”

And so, that kind of fits that, it goes down like that. So, it is really fun for me to see the weird things people do. One weird thing I do…Look at you, Joey, you’re already liberating me.

Joey Cofone
Go for it. Let your weird out.

Pete Mockaitis
As soon as I will think of just the most wildly inappropriate thing to say or do in a given situation…

Joey Cofone
And see how people react?

Pete Mockaitis
Yeah. And, in a way, that really does support my strengths in terms of I am pretty good at formulating words that work and people respond to because I’m also good at identifying the exact wrong thing to say. But someone walks in the steam room, I don’t know, this is weird. Let’s say I’m in a sauna or steam room, and so when I’m about ready to get out, if someone just gets in, and I think, “I don’t want to get out immediately because I don’t want to hurt their feelings.” I guess I’m really considerate, not that they care. But the weird thing I’ll do is I’ll think of the exact opposite of that.

Joey Cofone
You scoot next to him?

Pete Mockaitis
And, like, they walk in, and I just sigh, and say, “You know what, F this. I’m out of here.” So, that’s weird and ridiculous.

Joey Cofone
That is ridiculous. I like it.

Pete Mockaitis
But in doing this all of the time, one, it keeps me amused and lighthearted and entertained, but, two, it does kind of hone one of my strengths, which is communicating stuff to folks in a way that’s effective, in terms of I’m effectively trying to learn something with interview questions or I’m effectively trying to persuade, and that’s just, I think it’s funny. Like, the weirdness often, but not always, has relationship or overlap into strengths, genius, giftedness.

Joey Cofone
It does. It does. I like to acronym things.

Pete Mockaitis
All right, let’s do it.

Joey Cofone
If you’re like, “Hey, I’m going to go to the store,” I’ll be like, “H-I-G-T-G-T-S,” and I try to do it as fast as I can, and I have no idea why, but I used to be really good when I was a kid. I would go to bed, acronym-ing every sentence I did. And, lo and behold, like I became an English major, and then I wrote a book, and I think it all kind of ties together the ability to dance around words and letters, and be comfortable with them.

Pete Mockaitis
That’s good. All right. Well, that’s just one law, be weird.

Joey Cofone
Yeah, let’s do another one. I think there’s a powerful one that people are always like, “Man, that makes so much sense.” So, creativity, what is the…? I forget, what are they called? What is the base word of creativity?

Pete Mockaitis
Create?

Joey Cofone
You got it, but you don’t create in creativity. It’s a complete misnomer. It’s ridiculous. Unfortunately, people do think that creativity is creating. It’s not and it sucks because that means people don’t think that they are creative when, in fact, they are. It’s just expressing yourself. So, the law of connection addresses this.

And it says, base concepts can neither be created nor destroyed. They simply merge to form new combinations. Creativity is not about creating. It is about combining. And then I give some examples, and I’m going to give you a few examples right now. The iPhone combines a computer and a phone. The Avengers combine the allure of the gods and the relatability of everybody people. Pokemon, the number one franchise on planet Earth, combines our love of pets and our fascination with fantasy worlds.

Pete Mockaitis
And I would say in collections, too. We like to be collectors.

Joey Cofone
Absolutely. It’s multidimensional for sure. I just base it down into something that you can parse. When you ask…now, I call it the grandparent test, which is when you say, “Hey, grandma or grandpa, what is Tesla?” And they say, “Oh, those are those cars with batteries.” Well, you just figured out exactly the two things that someone combined to make this new thing. Or, Instagram is photography and messaging, so on and so forth.

And so, the number one thing to take away is that when you are being creative, really, you are taking things that exists and just mushing them together. And it’s a much more palatable way of saying, “Hey, maybe I am creative. I do that all the time,” rather than thinking you are creating from scratch because that’s not real.

Pete Mockaitis
Yeah, that sinks. Well, I’ll put you on the spot, Joey. So, your notebook, I’m holding one. What was the genius of combination that went down here?

Joey Cofone
Great question. The genius of combination is that I did not care about the question you just asked. So, it’s the first thing people say, “What’s so special about your notebook?” I don’t know, Pete, what’s so special about Starbucks’ coffee? Does anybody care? No. It’s the brand. It’s the differences, the story that a brand is telling.

So, when I started back in 2013, and all these notebook companies were telling people about the GSM of the paper, and how hard it was pressed, and if it’s soft – what do you call it – textured or smooth. I didn’t say any of that stuff. What I said is, “We made a really damn good notebook because it’s really, really important that you have a place that you can trust to put really important thoughts, because we all put a lot of really treasured ideas into our notebooks.”

When we’re journaling, our deepest thoughts go in there. When we’re brainstorming on a project, something that we’re really excited about, and that we cherish, and that we can see the future, goes in there. A notebook holds so much that’s important. And when I started Baron Fig in 2013, that’s what I spoke about.

Sure. Sure, I made a high-quality notebook. The paper is better than any other notebook. I made a binding that I actually patented that opens totally flat. And I made a cover with cloth that no one had done at the time, and the bookmark is much more high quality. But who cares? At the end of the day, no one is like, “Man, look at that. Look at that bookmark quality.” Doesn’t matter.

I made them good, but the point is I want you to go to our website, I want you to see that the product and the people who created the product speak to you as a human being that puts important things down on paper, that you care about, and that respects it. And that’s what we did, and that’s why we’re still here 10 years later selling notebooks.

Pete Mockaitis
All right. Well, Joey, I’d love to also get your take, let’s say you’re in the heat of battle, it’s time to create, there’s a proposal to write, a thing to make, and you’re just hitting a wall, you’ve got “writer’s block,” or artist block, or just things aren’t firing the way you’d like them to be and have fired historically. How do you get into the groove, the mode, the mojo, the vibe, the flow to make it happen?

Joey Cofone
Good question. I do 50s or 100s. What are they, Joey? Another good question. Fifties or hundreds is you list 50 or 100 ideas about something pertaining to the thing you’re trying to solve. And now here, the real twist is you’re going for quantity. You don’t judge. If it makes sense, you do it. So, I don’t know, if I’m writing or if I want to do a limited edition pen, I just got to write down 50. I don’t care if one is…I’m just coming up with it now.

A green pen, it’s called the pickle edition. Oh, a TV remote control edition. It has a sticker that’s a remote control that you slap on your forehead. Oh, let’s do the forehead edition where you roll the pen on your forehead and it creates really smooth feeling. They’re ridiculous ideas but they solve, even if they’re not good. And so, what happens is you detach yourself from the expectations of the outcome when you do these.

Pete, you’ve heard of the phrase quality over quantity?

Pete Mockaitis
Mm-hmm.

Joey Cofone
Now, very common and it makes sense. You want one nice thing over a bunch of mediocre things, right?

Pete Mockaitis
Yeah.

Joey Cofone
Totally fair. Problem is that phrase speaks to the destination, to the end. That’s like me saying, “Hey, Pete, go to the gym. Be strong.” And you’re like, “What do I do at the gym?” It skips over the middle. So, I’m going to rephrase it for us. Quality over quantity but quantity begets quality. And so, when you do a lot, you end up getting good. No one ever does their first shot on the court, or their first swing of a golf club, or their first chapter of a book, and says, “It came out perfect.”

Yet, when a lot of people who are uninitiated with doing some type of expression like that jump in, they get really upset that they didn’t succeed on the first shot, and that’s just ridiculous. Focus on doing a lot and the good stuff will come.

Pete Mockaitis
All right. Thank you.

Joey Cofone
Thank you, Pete.

Pete Mockaitis
Well, Joey, tell me, anything else you want to make sure to mention before we hear about some of your favorite things?

Joey Cofone
No, I am an open book, man. How do I like to say it? I’m at your service.

Pete Mockaitis
You open and you stay flat.

Joey Cofone
I do stay flat. Patented, yeah.

Pete Mockaitis
Fashion. All right. How about a favorite quote, something you find inspiring?

Joey Cofone
Favorite quote is without a doubt, “The unexamined life is not worth living.” Socrates.

Pete Mockaitis
All right. And a favorite study or experiment or bit of research?

Joey Cofone
Favorite study is, huh, probably Schrodinger’s cat comes to mind just because it’s so misinterpreted. When he pulled that exercise, he was actually proving a point how silly it is that you could think that the cat is alive and dead at the same time. It was like a joke. But now people use it to prove that it’s a possibility, which is so ironic.

Pete Mockaitis
And a favorite book?

Joey Cofone
Favorite book, besides The Laws of Creativity, is The Phantom Tollbooth. Are you familiar with it?

Pete Mockaitis
Oh, yeah.

Joey Cofone
The Phantom Tollbooth is a kids’ book, and it is about a kid who goes into a world of total creativity and playfulness, and the language and the pictures, and it’s absolutely great. You should read it once a year every year so it reminds you in 120 pages what it’s like to think with a kid full of wonder.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Joey Cofone
Coffee. Is that fair?

Pete Mockaitis
Sure.

Joey Cofone
Love coffee.

Pete Mockaitis
And a favorite habit?

Joey Cofone
Favorite habit is I do at least one pushup every day.

Pete Mockaitis
Well, now I’m intrigued. Does it often turn into more than one?

Joey Cofone
It does often turn into a lot more. But the idea that I only need to do one is great. Then I do pushups, then I do some squats, then I do some lunges, and then I do some pullups on the pullup bar. And then, huh, wow, that pushup turned to a lot.

Pete Mockaitis
All right. And is there a key nugget that you share that really seems to connect and resonate with folks; they quote it back to you often?

Joey Cofone
Well, I gave you my favorite one, which is quantity begets quality, so I’m going to stick with that.

Pete Mockaitis
Okay. And if folks want to learn more or get in touch, where would you point them?

Joey Cofone
Go to JoeyCofone.com, and you will find all that you need.

Pete Mockaitis
All right. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Joey Cofone
Well, actually, yeah, I have a call to action. If you go to my website, you could take my free email course which will give you nine of the laws that you can judge for yourself whether you think you have it right about creativity or not.

Pete Mockaitis
Joey, thank you. This has been a treat. I wish you much fun and creativity.

Joey Cofone
Pete, thank you, man. It’s been a pleasure. And, everybody out there, thank you for listening. I hope you have a beautiful day.

838: How to Listen and Solve Problems Like a Master Innovator with Mark Rickmeier

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Mark Rickmeier says: "Fall in love with the right problem before you get too attached to a solution."

Mark Rickmeier shares the specific approaches product innovators use to develop breakthrough solutions.

You’ll Learn:

  1. The double diamond framework for more effective problem solving.
  2. How to quickly generate new, original ideas in two ways.
  3. A handy tool to help you select the most resonant solution.

About Mark

Mark Rickmeier is the Chief Executive Officer at TXI, a boutique strategy and product innovation firm that specializes in UX research, design, and software development and closes the gap between ambition and reality. Over the past 20 years, he has created more than 100 mobile apps, custom-built web applications, and intuitive user experiences.

Resources Mentioned

Mark Rickmeier Interview Transcript

Pete Mockaitis
Mark, welcome to How to be Awesome at Your Job.

Mark Rickmeier
Thank you. I hope I can be awesome today.

Pete Mockaitis
Well, I hope you can, too. I have high hopes and I think the odds are great.

Mark Rickmeier
Starting off strong with optimism. I like it.

Pete Mockaitis
Yeah. Well, we have passed over, well, I guess 50 other people in order to select you, so I think there’s a product innovation lesson in there somewhere.

Mark Rickmeier
Now, I’m feeling all kinds of awesome pressure. Yeah, exactly. I love it.

Pete Mockaitis
So, I’m excited to talk about innovation, creativity, great listening. And could you kick us off by sharing maybe an extra-exciting fun story about a eureka moment, an aha breakthrough, an exciting creative experience that’s just a very fond memory for you that lights you up?

Mark Rickmeier
Yeah. All right, so this is timely because it’s also one of my most poorly timed decisions of all time but still, I think, really important in my life. So, go back a couple of years, I was the COO at the time, and I’d just been asked by our founder, who, he was doing his own self-reflection on his career and his journey. He was recognizing that he was a zero-to-one type person. Loves starting things, being entrepreneurial, but as we were growing the business and expanding it, it was a lot more appealing to me to think about how to grow and scale the business, whereas, he wanted to go back to his entrepreneurial founding roots.

And so, he asked if I would be…if I’d step into the CEO role and help to grow and keep running the business. And, at the time, I was like, “I don’t know,” because I was like already a dad, on school board, and doing some philanthropic work, and this idea of taking on this additional role was both very exciting but also a little intimidating at the time.

And so, I told him, “Give me a minute,” and I took a week off to think about this prospect. And what I often do, I turn to the community to get input from outside my little bubble. And so, I invited nine other CEO-type people to go with me. I found a walking trail in the middle of nowhere in Scotland, and said, “I’m going to take a week away without having Slack, or Twitter, or email, or my family, or my coworkers. It’s just some time to think.”

And I wanted to pick the brains of other people who had done this job, this really crazy stressful job before. And said, “I wanted to ask them about their advice and how to be successful in that role. And rather than calling it a workshop, like we always do in most of our facilitation sessions, we called it a walk shop, because we’re gonna be walking the entire time.

And so, five men, five women go to Scotland to talk about, “What is the job of a CEO? How do you handle that? How do you think about the pressures of the job? And how does that affect your other work-life balance concepts?” It was funny, when we came back, each of us were taking pictures of the trail, and when the trail was really wide, we have good group conversations. When the trail got narrow, we paired off more one on one.

And everyone was talking about this experience that we had. And so, when we came back, on LinkedIn, people were hitting us off with, “That’s a really odd idea, going into the woods for five days. Like, what was that all about?” And people started asking me when the next one was, and I had to tell them, like, “Well, there’s no next one. I got a whole company to run now. What are you talking about? Like, I have a thing, a job I just said yes to.”

And everyone kept asking, so I was like, “All right. Well, I’ll organize another one. I got so much out of it, let’s try the Black Forest of Germany.” And now 18 people said they wanted to go on this to unplug for a week, and have this time to think and to process with other people. And we did a hike for the Black Forest, and, again, when we came back, and everyone was posting stories in that, two people ended up going into business together after that hike. And I got an idea for a thing that became a kickstarter concept, and then that got backed.

And all this creative energy came out of the walk shop that people kept asking when the next one was. So, we did a third, and by that point, when it sold out almost instantly, I was like, “Okay, this is something I want to do and find a way to do more regularly.” So, I’m also the genius that started a travel company during the 2020, brilliant timing, before all that happened.

But as far as a fun, creative experience, one of the best things I do as a gift for myself is, at least once a year, try to shut down away from the day-to-day kind of experience, and get away from what otherwise a very sedentary job, and be on my feet. Quite literally thinking on my feet. This year we’re going to the Algarve in Portugal.

So, 12 of us are going to be hiking, talking about this year, “How do you lead organizations in remote situations? Like, how do you really involve yourself in remote leadership?” Since a lot of us are coming from a place, not that long ago, of running organizations are being involved in a lot of co-located scenarios with team members all side by side, and now we’re living in much more distributed and remote kind of worlds.

And so, there’ll be 12 executives are going to go hiking through Portugal with no distractions and technological interruptions to have those dedicated time together to dig into this kind of stuff.

Pete Mockaitis
That’s great. And can you orient us a bit to what is TXI and Product innovation?

Mark Rickmeier
Yeah, TXI, so it stands for technology, experience, and innovation. So, the three things we care about most. And when we talk about product innovation, it is being able to help our clients think about new ideas for their business that will drive them forward, and then having the designers and engineers that can take those ideas off of a slide deck and make them into reality. So, building a chatbot, or a mobile application, or a web app, or wearable products, like some kind of digital application that can then provide business value.

So, half of our brains are thinking about, “How do we build something right?” which is all the agile background and technological background to build something that scales well on a good tech platform. But beyond that, also, “How do you build the right thing?” which is where we get into some of the design thinking and product innovation, helping clients unlock some value in their business by coming up with new concepts that can then become a digital product.

Pete Mockaitis
And a core skill to doing that well is listening a little better than the average professional, I dare say. Could you make the case for how listening makes the difference and how you listen differently?

Mark Rickmeier
I think it’s two things. I think it’s both finding how you, like the actual skills of active listening, very, very important, but also what you’re listening for. And so, I can give a story here to maybe provide a concept. So, a client came to us, this is in maybe 2015, 2016, just as I was learning the difference, I would say, between custom development and product innovation.

This is a research university in Texas, and they said, “We want to build a mobile app.” And, honestly, up until that point, I would’ve said something silly, like, “Great, we’re really good at building mobile apps. We call them, these products, like MVPs, our minimum viable products.” So, you’re going to give us requirements, we call them stories in agile, and in a few short months, we’ll knock that out, we’ll build you a mobile app.

And, thankfully, we had, at that point, been working with a number of designers that are required to design team in building out more of this design-thinking framework. And the team said, “We hear that you have this idea for this mobile app, which is wonderful, but back up a second. Don’t tell us about the solution. Rather, tell us about the problem you’re trying to solve. Let’s start there.” And that was confusing because, at the time, they’ve talked to a lot of other companies and everyone was doing the same thing, “Tell us about your mobile app, we’ll write a proposal and then you’ll pick the cheapest one.”

And the team said, “Really, just humor us. Who are your users? Let’s start there. Let’s better understand that.” And the case they were making is that “Custom technology is really expensive. To build a custom mobile app could be a quarter to half a million dollars, and before we go do that, let’s just make sure we’re doing the right thing.”

And in their case, their users were their students. They were trying to figure out how to navigate the four years at the university, how to pick a major, how to build trust with an adviser on the administration side, and the team said, “Great. Let’s go talk to some students before we assume that the mobile app, which could cost half a million dollars. That’s an awful lot of money. Let’s just make sure this is the right path.”

So, we spent a few short design sprints, talking to them, getting a better sense of their challenges, what their goals were, doing some rapid prototyping and validation, and came back, after only two weeks, and said, “I don’t think this is what you want to do. Think about if you were student, it’s been a week-long of frustration and anxiety, it’s Friday afternoon, you don’t know who to turn to, what to do, so the first you’re going to do is go to the App Store. Doesn’t make a whole lot of sense.”

“Like, you probably want to talk to a human as soon as possible. And while we could build you a mobile app, and it’ll go live on time and cost half a million dollars, and we don’t think anyone is going to use it, or something that acts more like a chatbot, where if you ask and answer a few certain questions, we can partner you with the right person. That probably we can do in about four to six weeks.”

And so, in this case, it wasn’t just listening to what they were saying, because, again, if we had listened to what they said they wanted, we would’ve built them a mobile app, which would’ve gone live on time but not actually met the need. It was listening for what the real need was and helping them to understand the desire of, like, fall in love with the right problem before you get too attached to a solution.

In this case, they came in with a solution because they really thought mobile app would be the best way to engage students. And, in this case, helping them to listen better was getting them to step away from the, I guess, the solution they were already kind of excited about, and go talk to some students, and go talk to them about what their issues are, and what really will help, and really try to identify the right problem first.

So, the beginning of design thinking, the beginning of product innovation is always seeking to understand and trying to do as much of that before you get too attached to a potential idea. There are lots of ways this is going to scatter. There are lots of apps you could build, or digital products you could build. In this case, it was helping them to realize there was maybe a better problem to focus on, and a cheaper solution to build that would give them a better outcome.

Pete Mockaitis
And when it comes to this active listening and doing it better, do you have sort of a step-by-step or a few key principles? It seems like one is just getting oriented to, “What are you really trying to achieve here? What is success look like?” And taking a step back, zoom out, getting that broader view as oppose to just getting off to the races.

Another principle is engaging with the folks who are actually affected, impacted, going to be using the thing, and to see what their scoop is. What are some of the other favorite principles, or steps, or tips that you find make a world of difference to upgrade your active listening?

Mark Rickmeier
So, some of it is mindset things. So, when you’re working with an organization, I mean, a lot of people come in with already pre-baked ideas of, “This is what’s going to work. This is what’s going to be successful for us.” And to some degrees, especially if you’re looking to do something rather innovative, you have to be willing to invest in a little bit of what we call unlearning. So, yeah, there are things that may have gotten you at this point, but you may need to let go of some of those to be able to make space for a new way or working, or a new approach you might take.

And so, there’s a concept, there’s a mindset of unlearning, of getting rid of maybe old patterns and old ways of doing things to be able to be open to new concepts, and that’s very important. Also, as we said, going in with the mindset of you really want to be open, and so this is where you follow a framework called the double diamond. But if you think about the ways a diamond is drawn, the very first thing is you go wide, and it’s called diversion thinking. You’re trying to get as much exposure to new ideas and outside perspectives as you can.

And then from there, you consolidate down to a point which is identifying what the core problem is. And it’s from there that you can explore and go wide again, and say, “Well, now I know what the real problem we want to solve is. Now, let’s get really creative. Let’s come up with lots of ideas of how we could solve that problem. There are tons of ways to solve problems.”

And then from there, we consolidate down the ones we think are best. And so, it’s important, as we go through that process, to be able to explore different ideas. And then, and this is the hard one, I think, to make sure you’re listening to the best idea, which is not always the most loudest voice or the most executive voice. It’s really helping the best idea to win.

And so, part of the challenge, I’ve always been encouraging that unlearning aspect of letting people to let go of old ways of doing things, but also making sure that, like a single part owner, or a single executive, doesn’t be like, “And this is what we’re going to do,” that you really want the data and the insights to be able to guide the product.

Pete Mockaitis
Well, it’s so funny, as you walked through that double diamond, I’m thinking I was involved in a club in high school called Future Problem-Solvers, and we did exactly this, and I had to pull it up. Step one, identify challenges. You listed like a bunch of challenges. Step two, select the underlying problem. Step three, produce solution ideas. Step four, generate and select criteria. Step five, apply criteria. Step six, develop an action plan.

So, indeed, we’re diverging and converging, and then diverging and then converging. It’s like, “Whoa, okay.”

Mark Rickmeier
“I’ve heard this before.” What’s funny though, how many people think about this jump in at the second one, they’re like, “Okay, let’s start brainstorming. Let’s get some ideas going.” And it’s really hard, you got to back up, they’re like, “We hear you.” And there’s a lot of enthusiasm for generating ideas but are we solving the right problem? Like, let’s back up.

Like, identifying the right problem, way more valuable. Asking the right question, way more valuable than generating a ton of ideas. Like, in this case, how do we brainstorm a whole bunch of great mobile app concepts? It would’ve been fun to do but it wouldn’t have solved the problem what they were looking to solve with the student engagement, so it is hard.

Especially, when people are really jazzed and you’ve got stakeholders really excited about, “Let’s get to the whiteboard and start sketching out apps.” You’ve got to find a way to back them up a bit, and say, “We will get there but, first, let’s talk to some users and make sure we’re identifying the right problems to solve.”

Pete Mockaitis
And so, that’s the broad overview framework perspective for how you’re proceeding. I’m curious, once you get into some of the steps, are there any key things that help you generate more ideas, or key questions that help get to the root of things super effectively?

Mark Rickmeier
Yeah. So, one of the things we’ll do, let’s say we have identified that right problem, and now we all are thinking about the same thing, we like trying to find ways of, again, diverging to get new ideas without being too heavily influenced or kind of biased by a single concept. So, one of the things we might do is ask everyone, it’s a really easy exercise, take a sheet of paper, A4 paper, and fold it in half, and then fold in half, and fold it in half again till you get like a series of creases on the paper that looks like a series of eight squares on a normal paper.

And then within each one, we ask people to draw out concepts. They don’t have to be high-fidelity graphic design. Just draw concepts of what you’re thinking might be a good solution to this problem. And people go about doing that independently, so we don’t have people influencing each other’s ideas or stealing each other’s creative thoughts. We just go diverge there.

And then we do a series of dot-voting where people can go through, they’re walking through, and say, “I like this concept. I like that concept.” And dot-voting is where you put a dot on the idea that you think is most valuable, most interesting. And we found that to be…those two practices to be very effective because, one, everyone can sketch. Sometimes there’s this misconception of, like, only designers can come up with ideas. We like everyone being involved in the ideation side. So, developers, designers, product people all doing some high-level sketching.

And then we also really encourage this practice of dot-voting because what often happens is sometimes, like we said, the most expensive paid person in the room, which is called the HiPPO vote, the highest paid person, or you have an executive will come in, like, “Ooh, this is the right thing,” and then everyone says that. Dot-voting is a nice way for everyone to independently say, “This one really caught my eye. This could be really valuable.”

So, there are techniques that we use in our facilitation to try to get everyone to be part of the generative process, but also find a way to eliminate bias from some of the discussion is kicking around ideas, so that the best idea is not the most executive voice wins out.

Pete Mockaitis
Okay. So, dot-voting is one mechanism by which you’re doing some narrowing and selecting. Do you have any other favorite approaches or criteria?

Mark Rickmeier
One of the things I’ve done, actually, this goes back on the generative side, is getting people to think about like a new way of working. And sometimes, as we say, like, unlearning is very difficult. You have to think about a new way of approaching something. And so, have you ever heard of escape thinking?

Pete Mockaitis
Do tell us.

Mark Rickmeier
So, imagine you have a process, and it’s a process that you assume everyone follows, so everyone does it the same way, and we just assume this is the way it’s done. So, if I were to ask you, like, “How do you go about a typical restaurant experience?” Most people would say, “Well, you get met by the greeter, and then you’re brought to a table, and the waiter brings you a menu, and you order. The waiter brings you your food, you eat. The waiter brings you your receipt, you pay, and you leave.”

And escape thinking is you map out a process that everyone understands, everyone assumes to be true, “This is what it looks like to go to a restaurant,” and you say, “Okay. Table one, we’re going to take this one core component that everyone assumes has to be true. Remove it, and you have to have the exact same outcome.”

So, table one, you have no menu, how do you handle that? Table two, you have the exact same process but you have no waiter. How would that happen? And then you start getting some really creative new ways of thinking, like, “How would I go about doing that if I didn’t have a waiter? Well, I probably would have to have some kind of kiosk at the table or some kind of mobile menu option. Or, if I didn’t have any, if I just walked out of the restaurant, I never paid anything, like with an Uber, you just walk out the cab, how do I still pay for things? How do I organize this?”

Escape thinking for us is an interesting way to facilitate a new kind of ideation to get people to think about new ways of engaging in a process, especially if they’ve been doing it for a long time, and they’ve been following a process that’s, “This is always how it’s been done.” We find that things like that will allow people to try new ways of working and thinking about things in a slightly different way. So, it’s a way of thinking about a process to encourage creativity and allow them to go wide and think of new ways of doing things. And so, it’s a kind of facilitation pattern we can use.

Pete Mockaitis
Okay. And any other perspectives on the convergent, the narrowing down and selecting?

Mark Rickmeier
One of the things, and this is where we get into listening. I find this really interesting. I was trying to experiment with this, especially as we had more remote team members. Obviously, there are tools like Miro. Like, Miro, you can use for facilitation and for things like dot-voting. But I was trying to think about a new way of hearing from people when you don’t have everyone all co-located, and to make sure that there wasn’t more, I guess, influence and bias.

And so, there’s a new facilitation technique I learned about during the pandemic, which I’ve really fallen in love with. It’s a tool called ThoughtExchange. I don’t know if you’re familiar with it. But it’s an interesting way of being able to get to specificity around the concept when you’re trying to hear from lots of different people.

So, an example, when I would run our all-company meetings, I might ask a question, like an AMA, “Ask me anything. What do you want to know about next week?” And then I would assume, when we’re all together, I’d just bump into people in the kitchen, or I could ask them in the hallway, “What do you want to talk about?” Well, I no longer have that as an option during 2020. I did what I thought was next best, which was to do a survey, and say, “What do you all want to talk about next week?”

And then I would assume that the most-frequently mentioned things were the highest priority ones. And so, I would say, “Okay, five people, ten people all mentioned office space. Let’s talk about office space.” A different way of doing prioritization is doing a thing called a ThoughtExchange, which was something I’ve never heard of before.

But the basic concept is that you ask an opening question like this again, “What should we talk about next week?” And then everyone anonymously answers that question. Afterward though, they also then get to see everyone else’s anonymous responses and can up-vote or down-vote, and be like, “Ooh, I didn’t think of that but that’s a five-star idea. This other one, meh, one-star idea. Much rather agree with that.” And you get to all interact in each other’s suggestions.

The reason why that’s really important when you come into prioritization is that if you’re doing a survey, like I would’ve done in my old world, again, I would assume that the most frequently mentioned things, the highest responded are the most important because they kept getting mentioned over and over again.

And so, when we did this, for example, all kinds of responses of like, “Do we need an office space?” “Are we going to renew our lease?” “Are we going to get a new office space?” All these questions about space, and only two people, probably very brave people, were saying things like, “God, I’m going through a lot right now. I wish we could talk more about mental health and anxiety. Like, that’s where I just am feeling really burned out. I wish we could talk more about that.”

But when I saw frequency of mentions, I was like, “Oh, only two people said this. Ten, fifteen people said space, ‘We should talk about space.’” When we did a ThoughtExchange or whatever happened, was that people saw each other’s responses, and everyone anonymously say, “Ooh, you know what, I didn’t think of that, or maybe I wasn’t willing to put myself out there and say that. But now that I see that, I’d much rather talk about burnout and mental health than I would about physical space. That could be in email. Let’s use our precious to give our time to talk about this thing instead.”

And so, we changed the access to say, “Don’t show me frequently mentioned. Show me highest voted,” and that totally changed the prioritization matrix. And now we look at that mental health went from only being mentioned by two people and being like second to the bottom to being second from the top, like one of the most highest voted concepts. Even though it wasn’t frequently mentioned, when people saw it, they’re like, “That’s the thing we should spend our time on.” And it became a much higher priority for our company for discussion.

And so, this idea of a ThoughtExchange where people can interact with each other’s ideas and up-vote them and engage with them allowed us, in six minutes, to get over a hundred interactions on each other’s ideas and stickies, and allow other ideas to bubble up at the top, which would not have happened had we just done with a survey-type approach.

Pete Mockaitis
And when you’re engaged in conversation, maybe you’re doing some one-on-one user research and interviews, etc., are there some key questions you found that just tend to yield cool insights over and over?

Mark Rickmeier
It depends on the nature of the problem we’re trying to solve. I always like, for open-ended things, I like ideas, if we’re talking about the company experience, ideas of what keeps you up at night. Or, if you’re working with someone, what advice would you have to work with me? If someone was working with me for the very first time, what advice would you give a new person for working with me? Like, there’s interesting ideas can always come up from those kinds of questions.

And if it’s very product-focused, then I think it depends on the nature of the problem you’re trying to solve. But I think one of the best questions I like thinking of is, “What is the worst way you could solve this problem?” because that always gets interesting fun answers. And you try to get to the worst possible scenario, and that generates a whole bunch of new creativity. You can say, “All right. If we didn’t do that, what would be a way we could fix that? Or, what will the one small way to tweak that?”

But, generally speaking, if you ask that question, “What’s the worst possible way we could solve this problem?” ultimately, what people do when they answer that is they will bring up some of their latent fears or maybe like things they’re nervous about. Everyone has some concern about maybe a direction a product might go, or a direction an organization might go. And when you ask that silly question, it’ll give them freedom to be like, “Oh, man, I could see it going really horribly down this path if we’re not careful.” It allows them to maybe say the thing they would otherwise be unwilling to say or nervous about saying.

So, I like exploring both, like, the positive direction as well as the kind of the anti-pattern, “What’s the worst thing that could happen?” because even though, hopefully, you’d never pick that path, it gives people the flexibility and the freedom to talk about what would otherwise maybe be unspoken concerns.

Pete Mockaitis
Okay. Cool. And I like that question with regard to what would be the worst way. Could you share with us what are some worst ways to approach innovation, problem-solving, listening, or common mistakes people end up making when they are taking things the double-diamond way?

Mark Rickmeier
Well, the worst thing we’ve seen is that people jump right into the brainstorming, “Let’s get some ideas on the table of the thing we’re going to build,” and we really have to bring them back, to be like, “Let’s talk about the problem we want to solve first.” Like, that’s the first critical mistake, is that people jump in on the wrong foot, on the wrong diamond.

Or, when they actually get to identify what the problem is, that they don’t actually involve the users who will be impacted by the product to be influential in the ideation process. And so, again, you have a top-down product design or executive-driven ideation session. Those are frustrating. When we’ve asked questions, like, “What’s the worst way that this will be solved?” or, “What’s the worst way that this might be rolled out?”

It’s really funny when people would be like, “Oh, we’ll build out a product and we won’t do any training whatsoever.” And then you start thinking about, “Well, how will we solve that?” And you start thinking about, “Well, how do we design something that’s so intuitive, it doesn’t require a lot of training? Maybe we don’t need a product that comes with weeks and weeks of training for people to understand how to use it. What would be the best way to solve that? Maybe it isn’t having more training time. It’s more intuition, like a better intuitive unique way of experience, so we should talk and validate and do more testing on the experience we’re designing.”

So, anyway, as you’re going through and thinking about ideas, you can keep asking that question over and over again about ways you could optimize something. I just like when you are able to take a little bit of levity and humor to it, because humor can often bring out other things people might not be willing to say.

Pete Mockaitis
And when you’re listening to folks, and they are saying stuff, are there any key signals or things you look out for that often surfaces gold?

Mark Rickmeier
I look for, I think, making…so, if we’re doing a good workshop, I like looking for everyone participating, making sure you get input from everyone. We mentioned that, we kind of glossed over it, but when you’re doing this kind of discovery, it’s valuable to have insight from the users, from designers, from developers.

Like, from example, even though an engineer is not a designer, they might say like, “There’s this API we can use. There’s a dataset that we could leverage that’ll make this faster, or maybe a cheaper way of building this. And it’s valuable to get technical info even at that early design stage.” And so, I think one of the things we’re looking for is making sure that no one is too quiet, that everyone has an opportunity to participate.

Even when we’re doing those sketching sessions, because we’re sketching, it’s such a low-fidelity way, I think a lot of people, when they hear that, they’ll bow out, they’re like, “Ah, this is the designer’s job. I’ll step out of the room now.” We really try to encourage that level of participation from everyone to make sure that we get those well-rounded ideas and input.

So, one of the things we’re looking for is just participation, and that people are willing to jump in and be part of that ideation side. I feel like that’s really helpful when we’re doing discovery work to get input from not just a single source.

Pete Mockaitis
Okay. Well, tell me, Mark, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Mark Rickmeier
I think, at the risk of beating a dead horse, I think how you facilitate a room and getting them to really explore the problem set before they get too attached to a solution is the difficult thing to do. And thinking about the group dynamics within the room, also very challenging. I mentioned earlier, when we’re on that hike together through Germany, we had an idea that ended up becoming a kickstarter.

It was thinking about a game we could play within workshops to be able to encourage the right level of discussion. And from that game became a kickstarter which actually became a product that people started playing around, “How do you facilitate really inclusive meetings so that the best ideas are heard?”

And you know like when you’re playing soccer and you hold up a yellow card when someone does the wrong thing? We started looking out for patterns of, like, “This person is interrupting this person, or speaking over someone,” so there are like interaction patterns we wanted to call out as negative interactions in the session.

There were different kinds of penalties we’d hold up a card for. If someone was beating a dead horse, or saying the same thing for the 15th time, or getting so technical they were losing their audience. And then we started thinking about new facilitation techniques, like escape thinking, that could encourage people to try a new way of engaging.

Anyway, we made these series of cards around facilitation patterns and anti-patterns people could follow in discovery and, on a whim, put it out for a kickstarter, and it got backed, which cracked me up. So, in addition to building digital applications, we also built a very analog card game. But it’s been fun to think about when you’re working with a group of humans in a room, how do you get the best out of them? And what are the kind of common patterns to look for or things to think about when facilitating a group?

And I think it’s harder when you’re distributed because you can’t read body language, but all the more important that you’re thinking about, “Who’s interrupting each other? Who’s really being open to ideas? Who hasn’t spoken in a while?” just to make sure that everyone really is participating in a healthy way.

Pete Mockaitis
Okay. Well, now, could you share with us a favorite quote, something you find inspiring?

Mark Rickmeier
Yeah, “Not all who wander are lost,” is a favorite quote of mine from JRR Tolkien. I think a lot about the value I’ve gotten from being able to step away from my desk. Doing that long hike, like I said, at least once a year, I try to give myself like gifts of time, of dedicated time away, but even if you can’t do a five-day hike through Scotland, just an opportunity to step away from your desk, go for a walk.

So much of what we do is sitting down at a desk and typing, and I find that not only is it beneficial for your physical health, but the mental health of getting a break. Doing more walking one-on-ones, doing more walking breaks is particularly something we have to think about in Chicago where it’s freezing and cold outside right now but I think always worth it, so I’ve always loved that quote. “Not all who wander are lost.” That wandering time, let your minds and your leg wander. Both valuable.

Pete Mockaitis
And could you share a favorite study or experiment or bit of research?

Mark Rickmeier
I think some of the best research we’ve done recently, this goes back in the last couple of years, we’ve been thinking about for even our own company, we often ask our customers about how we’re doing, and we found that sometimes customers are more willing to talk to a third party than they are to you directly.

And so, we did a thing called brand insights. We brought in a third-party firm to talk to us about our own experience. They also talked to some of our longest customers, and then talked to people that we did not work with but maybe talked with us early on and chose to go in a different direction, to get a kind of unique perspective on what the customer and employee experience of TXI really is.

And I feel like that third-party insight is really, really valuable, something that sometimes we don’t always think about doing as having someone else help you see yourself. And so, I highly recommend that kind of opportunity to talk to your own customers, but also talk to people who did not work with you, and get insight around your business and your own experience of how that can be shaped. So, that kind of what we call brand insights has been really, really valuable for us. We do it every couple of years.

Pete Mockaitis
All right. And a favorite book?

Mark Rickmeier
There are two. One is really boring. One is really fun. Which one do you want?

Pete Mockaitis
Let’s hear both.

Mark Rickmeier
Okay, the boring one. Well, I should say impactful but dry. It’s a book called Traction. It talks about EOS, or the entrepreneurial operating system, if you’re familiar with that. It’s, basically, if there are books out there that tell you how to run agile projects, how to help you run a project or a program at work, EOS is about, “How do you help run a good company?”

And it has a lot of borrowings from things like Good to Great. Just taking a lot of good principles around running a healthy business that has, well, traction, and that’s why the traction the book is called. So, Traction is all about, “How do you set up a leadership team to have good accountability, good traction in your business, and run a more resilient organization?” It’s dry but I found it to be very, very helpful.

The other book that I really like is a book called Rituals for Work, and it is this pattern of maybe like 50 different rituals you can use within teams, within the entire company, or for individuals. And they talk a lot about how to get the best out of your teams in, like, moments of conflict, which has been a topic on this podcast in the past, moments of ideation and creativity, recognition and reward.

They have all these really interesting rituals you can adopt within your company, within teams, or just for individuals. So, different kinds of rituals and different kinds of levels, and they also just rewrote a new version of the book for what rituals you can adopt within hybrid or remote teams. So, a fun read and a very different kind of book. One is very workshop and practically focused.

Pete Mockaitis
All right. And a favorite tool, something you use to be awesome at your job?

Mark Rickmeier
Well, we talked a little bit about it. I like to cite this tool called ThoughtExchange that allows me to see different kinds of data that I won’t otherwise see in a survey. If I’m trying to get input from a large number of folks and have them interact with each other’s ideas, it’s one of the most innovative things I’ve seen that I’ve been able to use. In addition to the tools we use, like Miro, to get good facilitation exercises, ThoughtExchange provides unique set of insights I wouldn’t have otherwise. So, I’m a big fan.

Pete Mockaitis
And a favorite habit?

Mark Rickmeier
Walking. I try to do it all the time. I try to spend at least an hour a day where I’m away from my desk. There was a great quote, someone was doing interview with Bill Gates and Warren Buffett, and they were asking them about, these two captains of industry, “How do you spend your time? What does your week look like?”

And Bill Gates held up his weekly planner, it’s full of all these things he was doing, his fingers on all these different parts of the business. And then Warren Buffett had like half hour on Tuesday and a half hour on Friday, and the rest was just time for him to consider to read and to think. And his famous quote from that little interview was, “Busy is the new stupid.”

You can spend so much time doing so many things, you’re not giving yourself the time to really think, and giving yourself that space. It’s very hard when you’re jumping between meetings and invoices and emails to be really productive and have meaningful thought about the direction of your product or the direction of your company.

So, the habit I’m trying to instill, especially in the new year, despite the cold, despite the dark, is to get time out of doors and to do those walks where I can really think about where I want to be going, what I want to be doing, and using my time as productively as I can. So, I take it to extremes by doing these long hikes together with other execs. I really find that to be valuable.

But even in a one-hour a day thing, I feel like that habit, and reminding yourself of that, “Busy is the new stupid” mantra, it’s really productive to give yourself that space to think.

Pete Mockaitis
Okay. And is there a key nugget you share that seems to really connect and resonate with folks; they quote it back to you often?

Mark Rickmeier
I think that one, I think “Busy is the new stupid.” It gets quoted back to me quite a lot. I talk about it quite a bit. I even tried to put a block on my time on my calendar that says, “Busy is the new stupid” so people know not to block that time when I’m just thinking and giving myself that carte blanche time as a valuable use of time on my calendar, that I should not be interrupted. So, that one gets quoted back to me quite a lot.

Pete Mockaitis
And if folks are looking to learn more or get in touch with you, where would you point them?

Mark Rickmeier
Certainly, the TXI site, TXIDigital.com. I’m pretty active on LinkedIn and talk about the work that we do, also about this upcoming trip we’re going to be planning to Portugal. That experience is called Walkshop. you can find that on walkshop.io. But, also, I’d say I’m mostly active on LinkedIn these days.

Pete Mockaitis
All right. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Mark Rickmeier
I think too often people are in a rhythm, I’m certainly guilty of this myself, where you have all the stuff to do. And I think when you fall into that rhythm, you fall into a cadence, not unlike when we’re talking about on the product innovation side. There’s a way that you’re operating and to step back and to unlearn old ways of doing things, to give yourself the flexibility and time to consider a new way of working.

It’s hard and super, super valuable. My career has changed dramatically since I took that first long hike with other execs to get ideas from. And I think that’s why I’ve intentionally been carving out that space every year to be doing that kind of experience. So, I think people who are looking to really be awesome in their job and thinking about what they’re doing, give yourself that gift of time to step away from your day to day and think about what part of your job you really enjoy, what part of the job you would want to change.

And I think there’s a great book called Prototyping Your Life. It talks a lot about how you can take the similar design-thinking concept, this double-diamond process, to your day to day, and think about, “What problems I really enjoy solving? How do I want to solve them? How do I want to be working?”

And I would say you can’t figure that out in between meetings. You can’t figure that out when you’re running around doing all bunch of emails. You really need to take that dedicated time to consider where you want to go. So, get out, go for a walk, and think about what you want to be doing. Give yourself that time and precious time to consider where you want to be this year.

Pete Mockaitis
All right. Mark, this has been a treat. I wish you much fun and innovation.

Mark Rickmeier
Thank you very much, sir. Appreciate it.

810: How to Get Stuff Done inside Bureaucracies with Marina Nitze

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Marina Nitze reveals what makes bureaucracies tick and how you can work your way through them.

You’ll Learn:

  1. Why bureaucracies can actually be great
  2. Six favorite bureaucracy hacks
  3. What not to do when trying to challenge a bureaucracy

About Marina

Marina Nitze, co-author of the new book Hack Your Bureaucracy, is a partner at Layer Aleph, a crisis response firm specializing in restoring complex software systems to service. Marina is also a fellow at New America’s New Practice Lab, where she improves America’s foster care system through the Resource Family Working Group and Child Welfare Playbook. Marina was the CTO of the VA after serving as a Senior Advisor on technology in the Obama White House. She lives in Seattle.

Resources Mentioned

Marina Nitze Interview Transcript

Pete Mockaitis
Marina, welcome to How to be Awesome at Your Job.

Marina Nitze
Thanks for having me. Great to be here.

Pete Mockaitis
Well, I’m so excited to hear about your wisdom but, first, I think we need to hear a little bit about your job as a 12-year-old making fan sites for General Hospital.

Marina Nitze
Well, it was the best way to learn HTML back then. It was the days of AOL keywords, and I loved my General Hospital soap opera couples, and it was a great way to learn technology, and that was absolutely the start of my tech career.

Pete Mockaitis
So, at 12 years old, you’re loving General Hospital?

Marina Nitze
Yes, it was our neighbor’s grandma watched it, and I got to sit and watched it with her. And then you get hooked, right? Friday cliffhanger, you got to see what happened Monday, and then you’re running home from the school bus every night.

Pete Mockaitis
That is fun. That’s fun. I have a feeling that in your childhood you probably had a lot of fun conversations with “grownups.” Is that fair to say?

Marina Nitze
I was really bad at being with kids, so, yeah, I mostly just talk to grownups and tried to have my own businesses. Yeah, being an adult is more fun.

Pete Mockaitis
All right. Well, I’m intrigued to hear you’ve got a cool specialty. We’re talking about your book Hack Your Bureaucracy. You’ve worked in some in your career in your days. Could you share with us, any particularly surprising or counterintuitive discovery you’ve made about bureaucracies in general? Is there something most of us have wrong about bureaucracies?

Marina Nitze
I think so. I think bureaucracy is often a four-letter word. We think of them as things that you need to blow up, you need to move around, you need to get rid of. And, for me, the most surprising thing as a Libertarian joining the Federal Government, believing that the whole thing should be blown up, and it totally did not work, was that bureaucracies actually work quite effectively and you can do a lot of effective things to get them to change for the better. And so, learning those techniques was really the impetus behind writing the new book and sharing those with others.

Pete Mockaitis
Well, so tell us more about that. Bureaucracies, in fact, do work effectively. Can you give us some data or evidence or examples there?

Marina Nitze
Well, we kept seeing, when I was in the Federal Government, we had a program called the US Digital Service, which recruited top-tier technologists to come into government for tours of duty. And, repeatedly, kind of the pattern was always the same. They wanted to come in and the first thing they thought was the path to success was getting a waiver or an exception to the rules, or going around the rules, and that worked zero percent of the time.

But what did really work was learning what the rules were, and then not only using them to your advantage, but sometimes changing the rules of the game themselves so that the next thing the bureaucracy was doing was the right thing and the thing that you wanted them to be doing consistently even after you left.

Pete Mockaitis
Okay. So, they were able to accomplish what they were hoping to accomplish by doing things the way that they say are to be done, and that was fine.

Marina Nitze
Yeah. I had a great story there around trying the normal way first, which was one of our bureaucracy hacks. When we wanted to use cloud computing because, at the time, all the websites for veterans were literally operating on computers that were like under people’s desks or, in one case, in a mop closet. And even if you don’t know a lot about technology, computers and mop closets and water should never the twain shall meet.

But one of the big objections that we got to doing this was from the inspector general, who said, “Well, wait a minute. You can’t use cloud computing because you can’t put the cloud in an evidence bag.” And so, by actually going through this process and working with them and understanding how they conducted their investigations, which was they would walk into your office, they would pick up the computer, and they would put it in an evidence bag. They didn’t know how they could do that in a world where cloud computing, and you can’t actually touch the computers anymore.

So, we had to work with them to help them see how they could actually conduct their investigations more effectively.

Pete Mockaitis
Oh, yeah, you don’t have to truck it over to the mop closet.

Marina Nitze
Exactly. You don’t have to lift anything, you don’t have to put it into bags, your back won’t be strained anymore. And then, in the course of following up with that, we ended up hitting the IT approval paperwork had questions, like, “Marina, do you pinky-swear that you jiggled the doorknob to make sure that it was locked on the cloud?”

And you can’t jiggle the doorknob of the cloud either, so you had to actually change the paperwork itself. But in the course of changing the paperwork, now you can say, like, “Hey, is this server in a mop closet?” And if it is, then it doesn’t get approved, “Does this server have backups?” And if it doesn’t, then it doesn’t get approved. “Does this website have business hours?” And if it does, then it doesn’t get approved. And that’s how you can make a really systemic change in a bureaucracy.

Pete Mockaitis
Well, I just need to follow up. So, there was actually an official form somewhere that had the phraseology pinky-swear and jiggle the handle on it? Is that accurate?

Marina Nitze
The pinky-swear is my color, admittedly, but the jiggling the handle was actually literally a security control. We had to promise. I had to swear and sign on a piece of paper that I had jiggled the doorknob to make sure it was locked.

Pete Mockaitis
Oh, this is fun. This is the way I love it, it’s the detailed insight scoop. All right. So, maybe let’s zoom out a bit. What’s the big idea behind the book Hack Your Bureaucracy?

Marina Nitze
Yeah, it’s really the Frank Sinatra test. So, in Frank Sinatra’s song “My Way,” he says, “Hey, if I made it here in New York, I can make it anywhere.” And so, the bureaucracy hacking tactics we learned in the White House, when I was at the VA as the chief technology officer in Department of Defense, when they worked there, we then found, my co-author Nick and I, that when we left, now he’s in venture capital and at Harvard University, I now do IT crises consulting for Fortune 500 companies and I work in state and local governments on foster care, and the bureaucracy hacking tactics still keep working.

And then we tried them in PTAs and Homeowners Associations, and they still keep working. So, the idea is, “Here are some hacks that work in some of the toughest bureaucracies, and they’ll also work in your everyday bureaucracies.”

Pete Mockaitis
Okay. Well, could you share with us an inspiring story of someone who, indeed, successfully hacked their bureaucracy and got something cool done which others may have said is impossible?

Marina Nitze
Absolutely. So, at the VA in 2013, there was a horrible backlog of healthcare applications from veterans that were trying to access VA healthcare, 800,000 of them waiting, pieces of paper waiting in a warehouse. And it was in the news that the inspector general had determined that 100,000 of those veterans had died waiting for the VA to process that paperwork.

And so, the VA was going to do what the VA always did, which was, “We’re going to do more mandatory overtime and more data entry.” But my team believed that there was a different way to go about that, “What if we could bypass the paper and get digital instant enrolment for veterans?” And what unlocked that was actually sitting down with a real veteran whose name was Dominic and, with his permission, we recorded him trying and failing to apply for VA healthcare 12 times.

He called; we hung up on him. He tried to open the website; it wouldn’t load. He tried to open another website; it wouldn’t open. And up until that point, the VA’s belief had been that veterans don’t use the internet because the numbers of veterans that apply online were so small. When, in fact, it was that the websites didn’t work.

And so, when we had this video of Dominic trying and failing so many times, and then it turned out he was actually absolutely eligible, and we were able to enroll him the next morning. We gave him our new mobile form, which is not rocket science, it’s not machine learning. It’s literally a form that was under on your mobile phone. He was able to enroll instantly, and we’ve since enrolled 2 million veterans instantly in VA healthcare through that mobile form.

Pete Mockaitis
That’s beautiful. Okay. So, taking a step back and parsing some insights from that story, it seems that the leadership has a mistaken view of what things are really like on the ground, it seems to be my takeaway there.

Marina Nitze
Yeah, and so our tactic here is you got to talk to real people. No matter where you are, if you’re a brand-new hire, if you’ve been in your role for 30 years, if you’re the leader or if you’re like an entry-level employee, going out and talking to the real people that are really experiencing your service, whatever your company may offer, is the way that you’re going to find those disconnects that you’re not going to find if you never leave the office.

Pete Mockaitis
Well, that is a grand story. Well, so you’ve got 56 such approaches for hacking. I don’t imagine we’d cover all 56 in the time we have here today. But could you maybe give us some of your greatest hits in terms of, and here’s my criteria, how I define greatest hits, that’s widely applicable in terms of it covers many kinds of bureaucracies; it is widely effective in terms of, “By golly, there’s a high percentage of the time this thing gets it done; and it has a good return on effort, if you will, like a little bit of time here can give big returns?” So, I’m putting you on the spot, Marina, if you could give us a few of your favorite bureaucracy hacks that meet these three criteria, what leaps to mind?

Marina Nitze
Absolutely. It would definitely be the space between the silos. So, the bigger your bureaucracy is, the more specialized it gets, the more that there’s different departments, it may even be that your company interacts with other companies through the course of a process. And while there’s tons of defensive antibodies that don’t want to change inside a silo, there’s often absolutely nobody paying attention at the handoffs between the silos. So, it’s a really awesome opportunity to make a really big change.

And I’ll tell you a quick story around this. I was helping a state trying to shorten its foster parent application processing time. And this is really important because, while grandparents, or aunts, or uncles have kiddos in foster care in their home, they’re not getting paid, they’re not getting any financial support until they complete this really byzantine paperwork process. So, it’s really important to get it down.

So, I’m following the claim in this case from start to finish, and this is the advice that anybody can use. If it’s a claim, if it’s a case, if it’s a customer, whatever it may be, follow up from start to finish. When it goes through the fax machine, you go to the other end of the fax machine. When it goes to the mailroom, you go to the mailroom.

And so, I was following this one foster parent application through the office, and I get to this woman, and she says, “Well, now I have to request the applicant’s driving record from the DMV,” and she pulls out the carbon copy triplicate paper, you know the kind you have to like press really hard and it’s different colors, and she says, “Oh, I hate this step so much. The DMV lives in the 19th century. I don’t even have stamps. Like, it takes forever. This sucks.”

And I walked over to the DMV because I’m following the real application, and I say, “Hey, can you show me how you’re processing the driving record request?” And the woman there says, “Oh, yes. We use this electronic system, and the request come in, and we process them same day.” And I said, “Well, wait a minute. I saw a carbon copy paper. Where does that come in?” And she said, “Oh, you were at child welfare. Those people are in the 19th century. They keep sending this carbon copy paper. Why the heck won’t they use my electronic system like everybody else?”

And so, I was able to connect those two individuals and, overnight, shaved 32 days off a process, removed a cumbersome step that nobody wanted to do, and make everybody’s lives easier simply because, in most bureaucracies, nobody ever sees or owns the end-to-end process. And so, if you can just crawl through it, follow your person, you will be shocked at the amount of insights and improvements that you can make.

Pete Mockaitis
You know, Marina, this is the first time someone has made government work sound exciting to me. It’s like, “Oh, my gosh, what a huge value-add,” sorry, consulting language stuck with me. That’s like a huge amount of value for what sounded somewhat easy. Marina, maybe you did a lot of work over many days to pull this off, but that didn’t sound too hard. And, yet, that’s a huge improvement in people’s lives that’s quite touching. And those opportunities exist when you’re inside big bureaucracies.

Call me optimistic, but that almost sounds like a positive, “Oh, I’m in a huge bureaucracy.” “Oh, lucky you. There are so many improvement opportunities you can probably just grab that make a huge impact for not a lot of effort. That’s kind of a cool place to be.”

Marina Nitze
I would agree with you. I’d agree with that. The bigger the fire, the more interested I am. But even if you’re at a smaller bureaucracy, there might be handoffs you do with other outside partners, or maybe you’re interacting with the government as a nonprofit or something. Go follow that application process through and see if there are inefficiencies to be had.

Pete Mockaitis
I love it. Okay. So, we talked about the space between the silos, and following from start to finish. What are some of the other approaches?

Marina Nitze
Picking up the pen. So, I first learned this one, at the VA, for a while, we were missing one of our senior leader roles. We hadn’t hired for it yet and so we were kind of distributing that role’s tasks among the staff. And one of them involved having to go to the White House for a meeting, which sounds really exciting, like everybody would want to do it, but that means waiting in the security line for two hours in the hot sun.

So, I, as the new person on the team, got tagged in to take on this meeting, and I was supposed to write the President’s management agenda, which is a pretty big deal in Federal Government, and one of the tasks of that meeting was, “Hey, can someone write a technology goal on a slide?” And so, I’m looking around figuring other people showed up with their ideas, but, no, here was the blank slide, and so I said, “Oh, I’ll do it. I’m going to write down that the VA should have the first agency digital service to this team, and it should have 75 employees reporting to the CTO,” which was me.

And I assumed someone would come along and edit my slide or delete it or modify it, but, nope, it kept moseying along through the process, and then, lo and behold, the President is announcing the President’s management agenda that includes the goal of having 75 technologists assigned to this CTO of the VA, which is me.

So, then I got to take that slide that I had written because I had picked up a pen and take it and justified hiring these 75 teammates that I really, really needed. And that was a great way in the Federal Government but I since used it all the time to include…we have a story in the book of someone using that to change their condo’s pool policy because there was a lot of bickering around, like, “Is the Homeowners Association going to let us have the pool opened during COVID?”

And I said, “Well, why don’t you write the policy that says it’s open, because then the person that wants to keep the pool closed, they’re going to have to also write a policy and shows up and like get counter votes, so you’re actually raising the bar and effort for them, and making it easier for everybody to do what you want.” And this worked pretty consistently among everybody that I knew that was having this pool problem.

Pete Mockaitis
That’s so cool. And what’s funny, because there was a bit of resistance there, so it’s like, “Ugh, writing a pool policy, that sounds kind of boring and lame. And what do I know about pool policies? I’ve never written anything like this.” But, at the end of the day, everybody just makes it up. Someone just makes it up. You just made it up and you got 75 employees. That’s pretty cool.

And someone else is just making up a pool policy. It’s unlikely that they’re consulting with someone with a tremendous deep expertise in pool matters from an insurance company or law firm, but that’s conceivably possible. But the most parts are like, “Oh, I guess this makes some sense when it comes to having a pool, so it’s the policy. Any input, feedback? Okay, here we go. This is the policy.”

Marina Nitze
Yeah, if you look around, no offense to your particular Homeowners Association, but if you’re looking around it, it’s just made of other regular humans that are just like you and me so there’s no reason why you can’t write a pool policy. And, yeah, maybe somebody will have an edit to it, but if you want the pool open, pick up the pen, draft the policy, see what happens.

Pete Mockaitis
All right. I dig it. Marina, this is awesome. Keep going.

Marina Nitze
All right. I’d love to share a Harry Potter analogy here because I think this is a really, really effective one if you’re ever working with technology. So, there’s a concept called strangling the mainframe, and it’s the idea, like, say you’ve got an old, old system. Everybody’s got one in their company if it’s around long enough, and everybody thinks that the goal is to shut off the old system.

But the old system ends up powering a little bit of everything. It’s going to power HR, IT, something maybe, and everybody’s trying to have this magic huge perfect plan to turn off the old thing and one day magically turn on the new thing. And I’ve never, in the history of time, seen that worked. Like, in all of Western civilization is actually powered by these mainframes.

And so, my best analogy here of how to actually fix this problem, if it’s something you’re facing in your workplace, is a Harry Potter one. And this is a spoiler alert, so if you don’t know how Harry Potter ends, you should skip ahead 60 seconds. That is Voldemort is the mainframe and Harry and his family and the whole wizarding world are trying to destroy the mainframe head on, and it doesn’t work. The mainframe gets more powerful than ever. And after six and a half books, Harry’s lost most of his family, there’s billions of pounds of Muggle property damaged, and Voldemort is stronger than ever.

But what does work are finding the Horcruxes and slowly peeling off bits of the mainframe’s power one bit at a time. So, if you think about it in your organization, maybe you could pull off a little bit of case management, maybe a little bit of claims status tracking, maybe a little bit of HR, such that, at the end, you have a small enough of a puzzle that you can actually replace it in, say, six months or one year.

And so, this is a technique that we use all the time. Even if your company is working, frankly, off of like a really advanced spreadsheet, you still often can’t turn it off overnight. You got to peel off piece by piece. And this can be a really amazing bureaucracy hack and tactic if you’re trying to make change because there may be some new innovation that you want to have seen.

One example here would be around the unemployment claim backlog. In a lot of states, they had a strangle a mainframe tactic of helping stand up a claim status tracker because that’s what everybody wanted to know, “Did you get my claim? When is it going to get paid?” And the mainframes couldn’t support that, but many states stood up and, literally a week, a claim status tracker where everybody checked their status just from their mobile phone by building this little piece off to the side that just syncs to the mainframe once a night.

So, just want to encourage folks to think creatively about how they might strangle their mainframe and what their first Horcrux might be.

Pete Mockaitis
That’s really cool. That’s really cool. What comes to mind is I was in a Facebook group all about professional speakers, and this was only like four years ago, and someone took a photo of a dot matrix printer at a rental car location, and said, “Dot matrix printer is still holding town at the rental car agency.” It’s like, “Yes, that is so weird that those still exists there.” And then that’s intriguing, if you think about it, in terms of…and I don’t know the rationale for why those are still there.

Marina Nitze
They’re all in airports, too. Airport manifests are printed on dot matrix printers.

Pete Mockaitis
Yeah, and maybe that is or is not relevant but if we’re genuinely waiting, I don’t know, an extra 30 seconds per person in line for the dot matrix thing to go through that, then it sounds like it needs to be replaced. But if it’s plugged into a mainframe, or a bigger computer sort, then I guess it’s quite possible that you have an alternative means by which the information is sent to a different printing thing.

As I zoom into these conversations, how I imagine they would go, it’s like, “Oh, well, we can’t change that because it’s connected to the thing. And that thing runs everything, so just don’t even touch it, don’t even think about it. Just forget about it and move on.” And then most of us are not so persistent, shall we say, or stubborn, however you’d like to phrase it, as to dig in a little deeper and further. But if you were to do so, peeling off a little bit at a time is likely to get us a lot farther.

Marina Nitze
Absolutely. That’s the message.

Pete Mockaitis
All right. Cool. Let’s hear another.

Marina Nitze
So, if you’re kind of a staff-level person, a recommendation that we have here is really think about tailoring your pitch to who you need to persuade to your way of thinking. And one of my favorite bureaucracy hacks here was done by a colleague. We needed a bunch of IT executives to approve an API policy. An API is an application programming interface. It’s something that lets two computers talk to each other.

But if you don’t know what an API is, that just sounds like a huge security blackhole, like, “Wait a minute. I’m going to let another computer connect to my computer and take data out of it? Like, that sounds like everybody’s going to hack it and take all the private data out of it. That doesn’t sound safe.” And so, people were pretty opposed to it.

But because they were senior leaders, they had no safe place to ask basic questions about what an API was. They were too senior to ask the basic questions. So, we had to set up a space for them to learn, so we had a session called APIs for Executives, and we held it in a fancy room and had some fancy speakers and fancy invites, and invited them to come.

And at the beginning of the presentation, it said, “You know, hey, we know everybody here knows what APIs are, but just in case,” and then gave a basic 101 review of APIs so that it gave those executives a safe place to learn so they could actually engage in the conversation. And if we hadn’t done that, they would’ve just blocked our policy from day one from a place of fear.

Pete Mockaitis
It feels really brilliant in terms of so you knew exactly what your roadblock was. It’s like, “These folks don’t understand what an API is and they’re afraid to ask. And I can’t just say, ‘Listen, bud, I know you don’t know what you’re talking about, so let me lay it down for you.’” You knew that wasn’t going to fly in this environment.

And so, I’m curious about how you presented that, it’s like, “Oh, wouldn’t you know it? Like, crazy coincidence, this event is happening,” because you had agency in creating the event. So, how did you play that game?

Marina Nitze
Well, it was just about framing it in a totally respectful way. So, like, yeah, it does sound a little bit manipulative. I fully acknowledge that but we had to find a safe place to get them to learn. And having an event called API 101 wasn’t going to do it because they were going to be afraid of, like, being seen in front of their direct reports, potentially, as not knowing. So, we had to create a place that they would feel safe.

And we had a little bit of an advantage. We could also invite them to a fancy White House office room for the event, but you probably have an equivalent wherever your organization may be of creating some sort of safe space for people to learn without making them feel dumb. Because if people feel dumb or threatened, they’re not going to engage with you in a constructive way.

Pete Mockaitis
Yeah, that’s good. All right. Marina, you can just keep going all day. More hacks. Lay it on us.

Marina Nitze
Something that I think is really overlooked that we really encourage is when you’re understanding how process works or when you find a change that you want to make, you have to understand the internal employee impacts of that process the same as you understand how you may want to change it for that end-user or for your customer.

So, often your internal employees have particular risks or incentive frameworks, like their position description said they have to do this or that. Their practice manual says they have to do this or that. They have more steps to do in a day than they can possibly do. So, if you show up with your, like, bright, fancy, new idea for outside customers, that you’re going to have a new customer support model or you’re going to have a new product that makes the internal people have to do seven more steps on their already-over full plate, they are going to resist you, and they are going to fight you.

But if you can understand kind of like my story earlier about the DMV, like neither of those women, they were both busy. They didn’t want to fill out carbon copy paper and mail it to one another. Like, they were happy to take that step off their plate, but you had to acknowledge that it existed in the first place to understand how you could kind of trade, and say, “Okay, I’ll get you two more internal efficiency gains and, in exchange, I need you to do this one extra step that’s going to help my actual project goal.”

Pete Mockaitis
That’s good. Well, now, could you tell us a little bit about what not to do when it comes to hacking a bureaucracy? If we want to make something happen, we’re inside a bureaucracy, we’ve got some really cool things that we should do, what are some things that we absolutely should not do?

Marina Nitze
Yeah, this is a mistake I see people make all the time, and I made it myself a lot in the beginning, which is you can’t try to make the bureaucracy care. Bureaucracies do not have feelings. They have decision criteria. And something I see a lot, and I see this especially in IT, where you want a new IT application approved, or you want to be able to use a spreadsheet software because it’s going to make you more efficient.

But the argument that, like, “Hey, if we don’t get this, there’ll be foster children that are homeless, or there’ll be veterans that don’t get healthcare.” Those are not approval criteria on the approval form. They’re not part of the decision matrix. So, you can beg and plead and make the emotional arguments to the end of time, but if you don’t actually fill out the approval form and meet what it needs, you’re not ever going to get to the goal that you actually want.

So, a big mistake I see people make is trying to make the bureaucracy care. And what, instead, you should do is understand what the bureaucracy cares about and meet those needs even if it may be frustrating and not feel particularly emotionally fulfilling in the moment.

Pete Mockaitis
And so, what’s interesting here is we’re talking about the bureaucracy, it’s like an entity because I’m thinking of it like The Borg. It’s like an entity, a person, a corporate thing unto itself and that doesn’t have feelings. I get you. Like, if we defined bureaucracy as a series of steps or processes, then maybe, first, we should get your definition of bureaucracy. I guess individual humans within the bureaucracy might care, and that could maybe motivate them.

It’s like, “Wow, you’re right. This is a big problem and we need to do something.” So, you maybe even enrolled them and you’ve gotten them on board with some emotions, but you’re not really going to get any traction in terms of making it happen until the actual steps of the form or process or whatever are getting adjusted. Is that a fair synopsis?

Marina Nitze
Absolutely. You might win them over to pay attention to you first, to take your form first, but you’re not going to win them over to allow your half-filled out form to get approved.

Pete Mockaitis
Okay. Understood. And then since we’re saying the word bureaucracy a lot, could you define it for us?

Marina Nitze
Yeah. In the course of writing the book, we actually tried to find something that wasn’t a bureaucracy. And this quest took us even to, like, a co-op grocery store in Brooklyn, California. It turned out it was still a bureaucracy. It’s any organization of any size that’s run by a series of processes and rules, both written and unwritten. And unwritten I think is really important, too, because, at the end of the day, like if there is a process, if you have to go through Bertha, and Bertha considers your form in a particular way, and she is the gatekeeper there, it’s important to understand that as an unwritten rule.

Pete Mockaitis
Okay. Well, thank you for that. So, anyway, more don’ts. What else should we not do?

Marina Nitze
Yeah, my other one is beware of the obvious answer. I, literally, have a TextExpander keyboard shortcut on my computer, where if I typed the word just, it will delete it, so it will not let me type the word just because that word is what gets tons of people in trouble, especially if you’re new to a problem or to an organization. Do not show up and say, “Well, why don’t you just do X, Y, Z?” because the odds are that hundreds of people have had your idea before, and there are some reason why it is not been done already.

So, before you say, “Why don’t you just do this?” it’s really important to kind of, first, keep that idea to yourself, but dig in, try to find people who had that same idea, see who has tried what, where didn’t it work, because maybe that the solution is not impossible. That’s not all what I’m saying, but it’s a lot more complicated than the obvious answer that it may seem like you have.

Pete Mockaitis
That’s good. And articulating the word just out loud can, I imagine, enrage some people, like, “Who do you think you are? Oh, I guess we’re all just idiots, Marina. Excuse us for not having just made an online form. Pardon our foolishness.”

Marina Nitze
Correct. Absolutely.

Pete Mockaitis
I’ve often coached people, like, “Don’t say the word obviously ever. It doesn’t help you out.”

Marina Nitze
That should be a TextExpander shortcut, too. Absolutely.

Pete Mockaitis
And so, just is in that same category in this context. So, okay, any other don’ts?

Marina Nitze
I think those are my two main ones.

Pete Mockaitis
All right. And I want to talk a little bit about the emotional component here. I think some folks have a feeling that if they try to hack it through the bureaucracy, their bosses might think that you’re trying to undermine their authority, or you’re trying to circumvent them or their system, or you’re going over their head, like you’re committing some kind of a no-no. Can you tell us, to what extent are these fears real? And if we have them, what should we do about them?

Marina Nitze
Yes. So, my approach there would be to build a stakeholder map, and that’s something we recommend in the book. And a stakeholder map is usually such a valuable tool that we explicitly recommend that you never share it with anybody and that you don’t put it anywhere that somebody else can find it, because everybody’s got those different perspectives, like you were just saying.

You may have a boss that is threatened by you shining. In which case, if you really want to see your initiative take hold, the way to do it might be to give your boss credit for having done it. Or, you may have a boss that is really like a rule-follower, and so the way to get around that is to follow the rules. You may have people that are very motivated by getting a promotion and, therefore, you have to understand what is the criteria for them getting that promotion, and how do you help them achieve that in the course of helping you achieve your initiative.

So, by mapping out kind of who each person is, what their resources or power structure is relative to the decisions that you need made, and what are their risks and incentives, you can start strategically figuring out how to move forward so that you can get your initiative done, whether that means, again, giving some people credit, distracting some other people with a different shiny toy, and then maybe even changing some position descriptions themselves so that people’s motivation to do their regular work is shifted to help support what you’re trying to get done.

Pete Mockaitis
There’s so much wisdom here, Marina. Thank you.Okay, so when you’re making this map of things with the stakeholders and what they want, I’m curious, are there a few key categories of drivers, of things that people tend to really want or not want that we might tick through as we’re trying to fill out that map? Because we might say, “Huh, what does Paul want? Hmm, nothing’s leaping to mind.” Could you give us a few starter categories to help get those ideas flowing?

Marina Nitze
Yeah, absolutely. I think we have, like, two pages of bullets in the book as additional brainstorming exercise. But people think about what their recognition is. Some people, for example, actively avoid the limelight, and some people really want to be seen in it. Money, which could be tied to promotions or raises or getting more budget line item for their own program.

Some people want to be perceived as innovative, and some people want to be perceived as rule followers. And then it’s also important not to overlook the literal lines of like, “What is this person supposed to be doing? And what are the lines, whether they’re grey or bright lines, of what they’re not supposed to be doing?” And how might you need to adjust those to accommodate the kind of different kind of work that you might need them to do.

Pete Mockaitis
Well, Marina, it seems like as you described this, you sound like such a master, and, hey, you’ve got a lot of experience in some organizations, you’ve learned some things the hard way, and you’ve codified some of it. So, beyond simply reading your book Hack Your Bureaucracy, do you have any tips on how we can, generally, become all the more savvy and hip to this skillset?

Marina Nitze
Yeah, I think this is one that anybody can learn. I don’t think you have to get a bachelor’s degree in it by any means. And so, I would start with just identifying a problem in your space of, again, whether it’s you’re annoyed by a Homeowners Association rule, or since this podcast is about being awesome at your job, something in your immediate department, or maybe at a slightly higher level on your organization that you want to change.

And then I would go about trying to change it. Talk to your peers. Enlist other people in the journey of making the change. Try the normal way. Understand and ask why, “Is it the way that it is? Is there some law or policy, or is it just that a CEO, three CEOs ago, said that it was the case, and no one has ever questioned it since?”

And then you can build up your skills there. I would definitely recommend picking problems, if at all possible, that don’t involve life or death as your first bureaucracy hack. Pick something a little bit lower stakes. And then as you build up your bureaucracy-busting muscles, you can take on harder and harder problems.

Pete Mockaitis
All right. Well, Marina, tell me, anything else you want to make sure to mention before we hear about some of your favorite things?

Marina Nitze
One last thing I’ll just say is it’s also a lot of this sounds like you’re really in the weeds, and it definitely is, but it really helps to hold a north star. And that was something that I built early on when I was at the VA. But literally, it just started with a bunch of Post-It notes, but saying like, “What could the VA be? If we get through all these bureaucracy hacks, like what is the VA at the end of the rainbow, as it were?”

And, actually, so the Federal Government has an equivalent to the Grammy’s or the Emmy’s called the Sammy’s. And the VA won the Sammy for the whole Federal Government for customer service two weeks ago.

Pete Mockaitis
Congratulations.

Marina Nitze
And that was such an incredible vision, that from ten years ago, that it wasn’t even on my vision board. So, I just encourage you, it’s nice to have a north star, and it can also motivate you through the dark times to know, like, what the big picture you’re working towards is even if you have to make a lot of concessions along the way.

Pete Mockaitis
All right. Well, now, could you share with us a favorite quote, something you find inspiring?

Marina Nitze
Absolutely. It’s Lily Tomlin, and it’s, “I always wondered why somebody didn’t do something about that. And then I realized, I’m somebody.”

Pete Mockaitis
And a favorite study or experiment or bit of research?

Marina Nitze
I love re-reading Daniel Gilbert’s Stumbling on Happiness, and the research that you’re just kind of as happy as you were before no matter what bad things happen to you, or no matter what decisions that you make. That helps make some decisions feel a little lower stakes.

Pete Mockaitis
Okay. And a favorite book?

Marina Nitze
Well, a book that I really modeled our book off of is The Success Principles by Jack Canfield because I love that you can just open to any page and get like a little mini dose of inspiration without having to commit to reading a 300-page book.

Pete Mockaitis
Okay. And a favorite tool?

Marina Nitze
Definitely the stakeholder maps or the journey maps, that it would be like when you’re mapping out a process from end to end, all the different steps, all the people working at the steps, what the error rates are, what the volume rates are, what the wait times are. I love those immensely. And maybe, as a meta toy, it would be my enormous dry erase board sticker because it takes up like my whole wall, and it’s where I draw all my maps.

Pete Mockaitis
Oh, so it’s a dry erase board but it’s like a Post-It, or you say sticker?

Marina Nitze
Yes, it’s from 3M. Yeah, it’s like six-by-twelve feet. You can buy them in different sizes. And mine, I’ve had it for five years now, and it’s held up perfectly, but I accept I’d have to replace them.

Pete Mockaitis
But you could reposition it with the adhesive.

Marina Nitze
I had never tried that. So, yes, you could reposition it, but most of my vision was if I got it…you know how you dry erase something for a while and you’d kind of have that red hue that you can’t get rid of? I envisioned, I could just, “Oh, great. I can just unstick the board and put up a new one.” But I haven’t even had to do that yet, so.

Pete Mockaitis
Then you get it done.

Marina Nitze
Yeah, I use it all the time.

Pete Mockaitis
And a favorite habit?

Marina Nitze
Inbox zero. It took me many years to get to that point but now I get super anxious if I even have, like, five unprocessed emails.

Pete Mockaitis
Oh, Marina, maybe we need to have you for a whole another episode to discuss that.

Marina Nitze
It took a lot of work to get there.

Pete Mockaitis
So, a quick follow-up, what have been some of the most game-changing insights, or approaches, or tools, or hacks to pulling this off?

Marina Nitze
One, definitely, the snooze feature in Gmail helped a lot because some email it’s a hotel reservation one, or something about a meeting agenda for next week. I snooze it till one minute before I need it so it gets out of my inbox but I know it’s going to appear when I need it. Another piece is really from David Allen’s Getting Things Done, which is I just have to make a decision about what to do in the email.

I don’t have to do the thing, so that reduces the friction of like, “Oh, my God, I don’t have time to write a 20-page report.” But I don’t have to. All I have to do is capture it in my to-do list that I have to write a 20-page report, and then I tag the email as having a task, and then I can get it out of my inbox. I’m also a pretty merciless un-subscriber, and I love apps like Matter, for example.

Anytime I get an email newsletter, something I’m supposed to read, that automatically gets forwarded to Matter and delete it from my inbox, so that when I’m in the mood to read, or David Allen, in the context to read, I can just pull up my Matter app and I get all my reading material in one place so it’s not in my inbox.

Pete Mockaitis
All right. Is there a key nugget you share that really seems to connect and resonate with folks; you hear people quote it back to you often?

Marina Nitze
Yes, it’s the idea of cultivating the karass. Karass is a concept from Kurt Vonnegut’s Cat’s Cradle, which is that, in the book, that God has hidden other people on the planet to help you accomplish a goal. We use it in a little bit more of a secular way, which is imagine if, instead of thinking that all people in your agency or your department are out to get you or out to slow-roll you, imagine that there are people that are out to help you, and they are just hidden around as security guards or secretaries or accountants. And how can you find them and then band together to get your goal accomplished?

Pete Mockaitis
All right. And if folks want to learn more or get in touch, where would you point them?

Marina Nitze
HackYourBureaucracy.com. We have a blog where we’re continuing to share more bureaucracy-hacking tactics and stories. And then you can follow me on Twitter at @MarinaNitze, N-I-T-Z-E.

Pete Mockaitis
All right. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Marina Nitze
Yes, find your karass. I mean, the best allies I had when I was in government trying to get through some of the hardest projects were literally the security guards and the executive assistants. And so, you just never know who your best allies are. So, go out there, meet as many people as you can, and hack your bureaucracy.

Pete Mockaitis
All right. Marina, thank you. This has been a treat. I wish you many successful hacks.

Marina Nitze
Thank you so much. You, too.

801: How to Find the Upside amid Uncertainty with Nathan Furr

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Nathan Furr discusses how to reframe your relationship with uncertainty to open up to new possibilities.

You’ll Learn:

  1. How to turn the fear of the unknown into an excitement for possibilities
  2. The six types of risk and how to manage them
  3. How to deal with the frustrations of failure 

About Nathan

Nathan Furr is a professor of strategy and innovation at INSEAD in Paris and an expert in the fields of innovation and technology strategy. His bestselling books include The Innovator’s Method and Innovation Capital. Published regularly in Harvard Business ReviewMIT Sloan Management ReviewForbes and Inc., he is an Innosight Fellow, has been nominated for the Thinkers50 Innovation Award, and works with leading companies including Google, Microsoft, Citi, ING, and Philips.

 Resources Mentioned

Nathan Furr Interview Transcript

Pete Mockaitis
Nathan, welcome to How to be Awesome at Your Job.

Nathan Furr
Thank you for having me.

Pete Mockaitis
Well, I’m excited to chat about your book The Upside of Uncertainty: A Guide to Finding Possibility in the Unknown. But, first, I was a bit intrigued about you’ve got a Master’s in Later British Literature, you’ve written some novels and some screenplays, and you’re a professor of innovation and technology strategy. That’s a fun combo and I’m just curious how your love of literature fuels insights into uncertainty and innovation.

Nathan Furr
Interesting. Well, first off, I think it’s a great example that, of uncertainty itself, that life is full of curveballs because there’s other things in there. I worked in strategy consulting, I went and did a PhD at Stanford in strategy in entrepreneurship, so very different than literature. But I think, really, what is literature about? It’s really about big ideas that teach us how to live.

And so, maybe, in a way, nobody’s asked me that question before. Not many people know that part of my history. But, really, I think what you put your finger on is my interest in big questions.

And, for me, uncertainty is like the biggest question of all because, in the field that I’m currently in, I’ve been in for more than two decades, yeah, we talk about management. Where did management come from? What problem was it built to solve? It was really something we created during the industrial revolution when the landscape shifted from this ecosystem of tiny firms, craftspeople doing their work, to this landscape of giant firms, textiles, and automobiles, and oil, and steel, and suddenly you needed somebody to coordinate and organize all that.

And so, management, really, has been so focused on this question of, “How do we coordinate, organize, and control, and optimize?” It really hasn’t spent very much time on this other equally important question, which is, “Well, what about when the world changes? What about when we need to create? What about when something disrupts? And what are the tools for a world of uncertainty?” And so, that’s kind of like really the question I’ve been obsessed with in my management and academic careers, has been, “What are the theories, tools, and frameworks for a world of uncertainty?”

Pete Mockaitis
Intriguing. Well, I’d love to dig into a few of those in particular. I’m thinking about the book, The Upside of Uncertainty. What’s sort of behind the title there? There’s some upside we should be enjoying?

Nathan Furr
Yeah. Listen, we’re all wired to be afraid of uncertainty. So, for example, my co-authors, who are neuroscientists, will point you to these studies that show how our brains light up in the face of uncertainty. So, that’s an evolutionary wiring we can’t help. But, as I mentioned, I’ve been studying these kinds of questions for a while and, in particular, I’ve gotten to interview innovators. So, over the last 20 plus years, some of the biggest names that you’ve heard of and some of the most interesting people who you haven’t heard of.

But what I noticed in interviewing those innovators is that to do anything new, they all had to go through uncertainty first. And I was so curious about that because I wouldn’t say that I’m like naturally good at that, that that’s where I’m oriented, so I wanted to learn from them, “So, wait, how did you get the courage to do that? How did you get the courage to leave your job? How did you go through the obstacles when it looked like everything was going to fall apart?” So, really, the genesis of this book was that question.

I’ve been interviewing people for about 10 years on this topic, about, “Well, so, how did you fit and learn to face uncertainty? And what are you doing? How do you navigate it? How do you manage it? And what happens when something goes wrong?”

And so, really, what we did is compiled those interviews and the existing research to come up with some practical things that can help.

Pete Mockaitis
Okay. Well, I’m excited to dig into some of this how. But, first, I’d love to touch upon a why. What’s really at stake for professionals looking to be awesome at their job if they maintain their current level of skill and discomfort with uncertainty versus gain as much mastery as we humans with our brain hardware and biochemistry can do?

Nathan Furr
Yeah, that’s a great question because here’s the dilemma. Whether you try to avoid uncertainty or not, it’s going to happen to you. So, by many, many measures, it appears that the world is becoming more dynamic and more uncertain. So, a very rough proxy, the World Uncertainty Index put together by some economists at Stanford and IMF shows steady increase of uncertainty over the last several decades. And, yeah, there are many other measures of this that point to greater dynamism and greater change, and I think it’s best summarized by the former CEO of Ben & Jerry’s ice cream, Jostein Solheim.

He, basically, said, “The world is ambiguity and paradox, it’s everywhere. The world is getting harder and harder for people who like the linear route forward in any field.” And what I think he’s putting his finger on is what I was feeling, which is, yeah, maybe they had better parents and schools than I did, but I certainly wasn’t taught, “How do I deal with uncertainty?”

And here’s the thing, when we have low skills, we tend to fall into these maladaptive behaviors, which are also, by the way, well-documented in the literature, like threat rigidity and rumination and so forth. So, if we have tools, then we can approach it with greater calm, greater courage and resolve, but I’d say the stake is even bigger than that. Because the thing I learned in kind of going through this, I was so obsessed with uncertainty, but what really became clear to me is that, again, like those innovators I told you about, they only got to new and different things, to the possibilities, by going through the uncertainty.

And so, uncertainty and possibility are really two sides of the same coin. And so, if we’re to spend our lives avoiding uncertainty or dealing with it poorly, what we’re really doing is shortchanging ourselves on possibility. Now, some of you might be saying, “Oh, that’s real nice, Nathan, but I just lived through the pandemic, and that stunk. And I didn’t choose that.” Well, you’re right, so I want to separate.

There’s planned uncertainty. When you, say, go start a new job or make a geographic move. There’s also unplanned uncertainty that happens to you. But my thesis, my proposal would be that is if we had better tools, even that unplanned uncertainty, we can make more out of it, we can suffer less in the situation, and we can discover, or at least unpack, the possibilities that might still be there, acknowledging, of course, there’s downsides. I want to acknowledge that but we tend to get focused on that and not on the upside.

Pete Mockaitis
Okay. Well, now, before we delve into those skill-builders, we’re saying the word uncertainty a lot, and I have a view of what that might mean and it’s broad and inclusive of much. What is your definition and some places where you think the everyday professional sees a lot of uncertainty?

Nathan Furr
So, yeah, there’s a lot of definitions out there. So, most folks probably have heard of VUCA, which stands for volatility, uncertainty, complexity, ambiguity. So, yeah, if you allow me a nerdy moment, complexity is where you have many nodes and many connections between those nodes. And so, the complexity is because if you changed one variable, you don’t know how it’s going to affect other variables.

And risk is more…there was an economist in the 20th century, very important economist, Frank Knight, who described risk as when you know the variables and you know the probability distribution, you just don’t know the outcome. So, think about like rolling dice. But uncertainty is where you maybe don’t know the variables, you don’t know the probability distribution, for sure, and if you want to get even a little bit higher-stakes uncertainty, what we might call ambiguity, it’s where you don’t even maybe have the mental model to make sense of it.

And so, here’s the thing about uncertainty and ambiguity, it requires different tools. Frank Knight, the economist, was very clear about that, but it happens to us a lot more than we realize. So, think about people talking about disruption all the time, disruptive technologies. Well, that is not risk, friends. That is total uncertainty. There are so many things we don’t understand about that, so many variables we don’t know, so much lack of information, new mental models, how to think about it.

Or, we don’t know what’s coming down the pipe in terms of recession, or rebound, or what’s next. All of those things are uncertain. And so, the challenge, I think, is that we’re wired almost because it’s frightening to us and we haven’t been given the tools to kind of avoid the uncertainty, but I kind of feel like if you tried to make your life as certain as possible, what you would certainly discover is how boring it is.

And, in fact, one of my favorite interviews was with the head of a big gambling organization, and he said, “What we do is we call it among ourselves reverse insurance because it’s for people whose lives have gotten so predictable and they want to actually introduce some uncertainty back into their lives.” So, for me, uncertainty is really a lack of information or think of it like fog in the landscape. You can’t see what’s ahead, so what do you do? Do you stay safe and wait?

And what I would encourage people to think about, I think about it for myself, think about the things you’re proud of, that you’ve done in your life. It could be a career move you made, it could be a relationship, it could be that you went away to school when nobody else was doing that, whatever it is. Think of what you’re proud of and look back, and I am sure there was a great deal of uncertainty in that journey to that possibility.

So, for me, it’s just if those are the things we’re proud of, and they took on uncertainty, we had to go through uncertainty, then I want to get better at it so I can get more of those things.

Pete Mockaitis
All right. I’m sold. So, Nathan, tell us, how do we get better at it?

Nathan Furr
Oh, man, so that’s a big question because we interviewed so many fun people, we interviewed entrepreneurs, scientists, people who won the Nobel Prize, but also many professions have a lot of uncertainty in them, like, say, for example, paramedics and so forth. But to be fair, we came up with 30 plus tools. Now, that’s a lot to remember.

So, what we decided to do was to organize these tools, kind of grouped them roughly around a metaphor of a First Aid cross, but a First Aid cross for uncertainty, so you can get help. And the First Aid cross has four arms or four categories of things to remember. Number one, to reframe the uncertainty from something that is going to cause you a loss to looking at the possibility instead.

Number two, there’s ways you can prime, like, think prime the wall so that the paint sticks to it or prime the pumps so the water comes out. There are things you can do to prime or prepare so that when uncertainty happens, you’re calmer and you’re ready for it. Number three, there’s ways to do or to take action. The number one thing to resolve uncertainty is to take action. But we learn from a robust body of literature and innovation entrepreneurship, there’s ways to take action that are better than others in circumstances of the unknown.

And then, lastly, the fourth category is to sustain, this idea that we will face setbacks, there will be anxiety that’s part of uncertainty, so how do we sustain ourselves through that so we can get to the possibility?

Pete Mockaitis
Okay. Well, then, let’s hear some tools. Like, maybe let’s perhaps drop into a scenario that professionals might find themselves faced with, like, “Hey, do I take on a new job?” “Do I take on a new project, or role, or responsibility?” So, in the midst of that, there’s some uncertainty, there’s some discomfort. How do we, say, use some reframing tools to get better?

Nathan Furr
So, reframing really sounds simple. It really is this idea that the way we describe something changes how we think, decide, and act. Now, it sounds kind of fluffy but there’s actually a very robust body of research in psychology and behavioral economics that shows that we have different reactions. So, there’s a very famous study by Kahneman and Tversky, won the Nobel Prize, which showed that.. in the experiment there was a disease and they offered people two treatments. I’m simplifying it but it basically was one treatment has a 5% chance of failure and the other treatment has a 95% chance of success.

And what they find, people vastly prefer the 95% chance of success, even though they’re statistically identical. Why? Well, because we are wired to be loss averse and gain seeking, so we’re afraid of losses, and that’s a real problem with uncertainty because, for most of us, uncertainty feels like, “Ooh, I might lose something.” And so, if we can reframe it in terms of the possibility, then it’s much easier to take action to face the unknown.

So, you asked, facing a new job. I faced this myself. I was at a university in the US and I was on track for what we call tenure, which is the job for life. So, you heard professors “Publish or perish.” This is the moment where you perish, or you publish enough and you survive. So, I was kind of making it, we’re living in the US, we’re comfortable, and everything was good, and then we got invited to do this visiting professor thing in France, and we just fell in love with it.

Anyway, over a course of years, eventually, the university I’m at made me an offer, but it was a hard offer to take because I had kids in high school, I was making a good living, everything was stable and safe, we had in-laws up the street, five houses, I was going to get tenure for sure versus going to France, where, oh, my gosh, the standard was like about double my current university, so I might perish. I was going to actually make less money, my kids were going to have to go to a different culture, a different language. One of them at a high school, actually, so there was a lot of uncertainties there.

And I found that when I compared the knowns of my current situation, all the good things of my current situation, to the unknowns of this other situation, this big move, it was very scary, but that was totally unfair because I was comparing my gains to my potential losses. When, instead, I compared my gains to my gains. So, yes, I have these good things here at home now, but what about what could happen, what could be the gains of taking the risk of this new situation?

And when I did that, it became much clearer, in fact, the greatest moment of clarity was when I shared it with my grandmother, who said to me very simply, she said, “Nathan, parents teach their children to live their dreams by living their own dreams.” And, for me, that really clicked. Now, if none of that resonates for you, I guess I’ll just share with you one of the interviews we did with Jeff Bezos way back in the era when he was not one of the wealthiest people on the planet, and he was kind of reflecting on Amazon.com, which was a modest success at that time. It wasn’t what it was now.

But he was reflecting on how he made the decision back in the 1990s, a time when the internet was the wild west, we would never put our credit cards in on an online site back in 1995. And he had this idea for selling books online but it was just such a crazy and different thing, and people were like, “Oh, that seems really scary.”

And at the time, Bezos was working on Wall Street at DE Shaw, like one of the best, most prestigious jobs you could ever have, if he left his job, he was going to leave his bonus on the table. He went to his boss and told his boss about the idea. And after like a two-hour discussion and walking around Central Park, the boss said, “Jeff, this could be a good idea but it’s probably a better idea for somebody who doesn’t already have a really good job, so why don’t you think about it.”

And what Jeff Bezos told us at the end of that, he said he thought for a while and then the framework he came up with was he called it a regret-minimization framework, which was, “I want to project myself out to age 80 and look back on my life and ask ‘What would I regret?’” And he said, “I wouldn’t regret trying this thing, participating in this thing called the internet, and failing. But the one thing I would regret is never having tried.” And so, I think that’s another lens.

So, in summary, what I’ve said is two tools here, is one is to compare the gains to the gains, or the opportunities to the opportunities. We tend to compare the uncertainties of the new thing to the known of the existing thing. And then, number two, to ask ourselves about regret, “What will we regret when we’re age 80?” And, to be totally fair, there are times in our life when we would regret trying and failing, and then that’s a good answer, that’s just as legitimate of an answer.

Pete Mockaitis
Okay. Cool. And that provides a fresh perspective when you zoom out at that level and it’s really handy. And I like what you said right there at the end, is there could be times where it’s like, “Oh, yes, I do regret removing my children from, I don’t know, their best friends, an excellent environment, family, whatever.”

Like, that could, when considering a move to a totally new continent, that could be something that pops up when you take that lens, or it could be just the opposite, “I regret not exposing my children to this really cool new different culture and way of life and perspective and language that can broaden their horizons and views in so many healthy ways.” You could fairly come out on either side of that question and they’re both valid.

Nathan Furr
Yeah, Pete. And I want to be clear, it was hard. Like, we got to France, the kids at school were total bullies. I mean, it was awful. We had to move the kids, like there were all kinds of hard things, but we are so grateful we did it. Why? Because part of it was we saw the education here isn’t just what they learn in math class. The education is what you learn from doing something different and persisting. And the biggest education, which, now it’s been long enough.

The biggest education point was, “Go live your dreams.” And now when I say it’s been long enough, the kids are starting to come back and show that they can be bold, and that they do want to live their dreams. And so, for me, if they walk away with that experience, then maybe I’ve given them the best lesson I can.

Pete Mockaitis
Beautiful. Well, let’s talk about the prime set of tools now.

Nathan Furr
Yeah, and especially with keeping in mind, people who want to be awesome at their job, maybe I could tell another…I didn’t mean to tell a lot of personal stories here, but maybe I could tell another personal story, which was when I was doing my PhD at Stanford, remember I’d worked before and so I felt a little bit uncomfortable sometimes not working for several years to go do a PhD.

Anyway, I was in Silicon Valley, and in Silicon Valley, the heroes are not us nerdy professors, they are the entrepreneurs who create things. So, I started to feel bad about myself, like, “Wow, if I had any courage, I would go become an entrepreneur. I would quit the program and just jump out and do something.” And, finally, it was just boiling over and I remember reaching out to one of my mentors there, Professor Tina Seelig.

Pete Mockaitis
Oh, she’s been on the show.

Nathan Furr
Oh, yeah. Okay, great. Yeah, Tina is amazing. I love Tina. Okay. So, Tina, yeah, you can look her up. She’s a really lovely person. So, we went to lunch together, and I confessed to Tina, like, “Tina, if I had any courage, I’d quit this program and go be an entrepreneur, but I’m just not a risk-taker.” And she said to me, “What do you mean you’re not a risk-taker?” I said, “Yeah, just I don’t have the courage to just jump off the cliff.”

And she said, “Do you really think there’s only one kind of risk?” And I was like, “Well, what do you mean, Tina?” She said, “In my mind, there’s financial risk, there’s intellectual risk, there’s social risk, there’s emotional risk, we can go on and on. You seem like somebody who is comfortable taking on intellectual risk, let’s say, talk about something like uncertainty, but you have four kids.” At the time, my wife and co-author was starting a clothing line so it wasn’t generating any money. We’re just living off the student loans, basically.

She said, “You have four kids, you’re living off on student loans so you don’t want to take a financial risk. Well, that makes a lot of sense.” And what she was trying to teach me is that we can actually do a little bit of self-reflection to ask, “What are the risks we’re comfortable with and we have an aversion with? And where you have an affinity, you want to play to your strengths. And where you have an aversion, you just want to be aware.”

So, for me, being a professor, actually made an immense amount of sense because I could kind of pad down that financial risk but I could take intellectual and social risks. And so, again, number one lesson, “Where do you have an affinity? Where do you have an aversion?” But the second lesson I learned from another mentor at Stanford, Professor Bob Sutton, and what he taught me was, “Be careful that you don’t let your risk aversions hold you back from the things you most want.”

And the story was, at the time again, things are super tight, we’re packing peanut butter and jelly sandwiches from home just to save a couple bucks on lunch. And I’m in class with him and a bunch of other PhD students, and he just tells us, “Oh, yeah, when I was a PhD, I borrowed the equivalent of $30,000 to get my research done.” And I’m like the top of my head blew off, I was like, “While I’m packing this peanut butter and jelly sandwich, you like dropped 30 grand. Like, what? Why would you do that?”

And he just said, “It was simple. I knew that the most important thing for me getting a good job and keeping it, in that context, was the quality of my research, so why not put some money into it?” And it was one of those moments where I had this aha of like, “Oh, so if you just let your aversions be aversions, it can hold you back from the things you most care about. And the good news is you can actually build up your risk tolerances by taking smaller risks, little small risks, and that will get you more comfortable so you can take bigger and bigger risks.” And so, I’ve done that around financial risk aversion.

Another way to think about it, one of my favorite interviews was with a guy, David Heinemeier Hansson. He’s like the guy behind Ruby on Rails and Basecamp. He’s a startup legend. He is very clear – he hates financial risk. So, how do you hate financial risk and be an eight-time serial entrepreneur? Well, he always has something on the side that’s paying the bills. First, it was a consulting gig, and then later when he had some software that was selling, it was that. But he always had something to pay the bills on the side and then he can do a project and not feel so stressed about the financial risk he’s taking.

So, I would say it can do a lot of good for an individual. And, by the way, I sometimes coach organizations through this as well because their risk affinities and aversions hold them back as well. But know your risks, map them out, ask, “Where am I strong? Where am I weak? Where is maybe an aversion holding me back? And how could I kind of build up some comfort with that so I can act well when that moment comes, where I have to face some uncertainty? And where are my strengths and how do I play to those?”

It’s a very practical thing. Maybe you’re somebody who thinks up a lot of ideas and you just don’t speak up about it in, say, a meeting or somewhere. This might be a moment of reflection to say, “Hey, maybe I should step out there a little bit and speak up about these things,” or whatever it may be. Anyway, that would be one of the ideas we drew from the book is to know your risks.

Pete Mockaitis
That’s great. And I’m thinking now, so Tina highlighted a number of categories of risk there: financial, intellectual, relational. Can you maybe name a few more to prime the pump of ideas for listeners?

Nathan Furr
Yeah, for sure. And let me give a little brief explanation. So, obviously, there are many kinds, so I would encourage you to do what makes sense to you. But the ones we used are intellectual, so your willingness to kind of come up with new ideas. Obviously, financial is your willingness to take a financial risk. Social risk is, say, with acquaintances, so you go to a party or a networking event, your willingness to go out and speak to people, or, say, stand up in front of a crowd and talk.

Emotional risk would be for your more intimate relationships, so that may be like being willing to say the thing that needs to be said.

Physical risks, so maybe like it’s getting out, doing action sports. One of my executive students said, “I hated physical risks but then when I was kind of entering the executive ranks, my job was shifting from kind of tamping down risks and uncertainty, to actually having to take some uncertainty and risk, and so I knew I needed to get better at it but I didn’t know how. But I knew I really was scared of physical risks, so I said, ‘I’m going to take a kickboxing class, which is a super physical confrontational sport.’” So, he takes a kickboxing course, and he said, “It was fun, it was energizing, and it made me more comfortable taking other kinds of risks.” So, that would be physical.

And then I would maybe just add political, which is your willingness to stand up for change, speak up for change, whether that be in an organizational setting, or, say, in a citizenship setting. So, it’s financial, intellectual, social, emotional, physical, and political.

Nathan Furr
You could, of course, substitute something else, but, yeah, it’s up to you.

Pete Mockaitis
Yes. Well, consultants love their categorization systems and arguing over them, so I’ll just roll with yours.

Nathan Furr
So do academics. It turns out so do academics, so, yeah, just having those arguments.

Pete Mockaitis
So, let’s talk about some of the tools within the do category.

Nathan Furr
Yes. So, the do category is very interesting because it’s really one of the sections that draws most heavily on the research in the fields of innovation and entrepreneurship. And if I were to summarize it very briefly, it would be taking action is one of the best ways to resolve uncertainty. And one of the best ways to take action is to break the thing down into small steps and run a series of experiments.

And we see that over and over in the entrepreneurship literature, “How do you learn quickly under uncertainty?” So, for example, if you look at the research on startup accelerators, so startup accelerator, essentially, accepts in a class of entrepreneurs for three months and they coach them into, hopefully, a successful startup. So, what are the best practices of the best startup accelerators?

Well, let me pose it to you as a puzzle. Let me turn it over to you. How would you make a great startup accelerator? So, for example, you know that in the startup accelerator that you want your entrepreneurs to talk to people. So, should you force them to talk to as many people as fast as possible up front, like just drink out of the fire hydrant? Or, should you spread out those interactions with customers, mentors, investors, executives, over the space of the three months that they have time to absorb all that information?

And, oh, by the way, these startups, some of them might be doing slightly competitive things. So, should you allow the startups to keep what they’re doing secret or should you force them to talk to each other and present to each other? Oh, and then, finally, these startups are doing different things. And so, should you customize the schedule of who they talk to, like what they’re doing, “They should only talk to people who seem to be relevant to them”? Or, should you make them talk to people who maybe seem irrelevant to them? Those are some interesting puzzles, right? Well, what does the research suggest?

What it suggests, and I’m going to draw the parallel to everyone who’s listening about uncertainty, is it’s better actually to talk to as many people as fast as possible. In fact, the great startup accelerators sometimes make people talk to 100, 200 people in the first month. Why? Because the major trap that they fall into is what we call premature certainty, which is they settle on what they think is the right way to do it too early, and talking to all those folks as fast as possible shakes them out of that and makes them realize, “Oh, I could make progress but I kind of need to change it a little bit.”

Oh, and, by the way, it’s also good to make those folks who seem competitive talk to each other because, it turns out, they can share how they solve similar problems. So, if you and I were both publishing a book tomorrow, even though we might feel competitive, it’s better for us to share information with each other and learn from each other. Oh, and then, lastly, even though I might think I should only talk to people who are like me, it’s actually incredibly useful to not customize. In other words, talk to everybody because sometimes your most valuable insights come from a place you wouldn’t think it would come from.

And one of the funniest stories was an entrepreneur who was creating this kind of funding platform, really for social initiatives and even like churches, and on his schedule was like the worst thing he could imagine, it was the VP of marketing from Playboy, and he was like, “Oh, this is like everything I hate. I’m not going to talk to this person.” But they forced him to talk to this person, and it turns out, like one of his best conversations. The VP was like, “Yeah, I want to get out of here, too. I’m actually a churchgoer, too. Like, here’s what you could do,” and gave him all these ideas, and this entrepreneur walked out, saying, “This was the best meeting I’d had.”

And so, how do I translate that for you? When you’re under uncertainty, it’s like you’re in a landscape with fog, and your task is to blow away that fog. And what we learned from startup accelerators is, A, talk to as many people as you can; B, talk to people who you even think are your competitors because they will reveal new ways of doing things and how to solve familiar problems; and number three, talk to people who are actually kind of a little bit different. You may not think they have much to offer because they might have something to offer.

And one of my favorites of this is the woman who was the founder behind GoldieBlox. This is engineering toys for girls, and she was being nice to this guy at the restaurant who was her waiter and was kind of telling this waiter about engineering toys for girls, “Why would this waiter care?” And the waiter was like, “Oh, that’s really cool. You know what, my aunt is actually one of the editors at,” I think it was like The Atlantic or The New York Times or something, “and she would really love this. Let me introduce you to her.” So, that, to me, is, again, as we think about taking action, one of the many tools about kind of learning quickly through the unknown.

Pete Mockaitis
That’s cool. Now, many of these actions that we talked about are talking to people and/or running small experiments. Can you share with us, beyond talking to folks, what are some great actions that help us gather wisdom in a jiffy?

Nathan Furr
So, maybe I’ll go a little bit different direction and share something a little more counterintuitive. So, before I do that, I’ll say some of the other tools are things like a term we use called bricolage, which is make do with what you have. And one of my favorite interviews with the gentleman who was responsible for turning around the city of Melbourne in Australia from being one of the most decrepit downtown courses, really, like zombie apocalypse-looking to being one of the most livable cities in the world. In fact, voted that way seven years in a row, even though he was given no budget and, essentially, no resources. So, how do you turn around such a dire situation?

And one of the things he did is say, “Well, what do I have a lot of that nobody’s valuing because we have so much of it?” And Melbourne, just because how it was laid out in the gold rush, had all these little they call them laneways, they’re like little alleys that end in a dead end, and they’re usually used for parking during the day, trash and social problems at night.

And he said, “Well, we’ve got so many of these laneways. What if I just put a pile on there so cars can’t go in there and tell the restaurants that are nearby, ‘You can use this space, put up some lights, keep it clean, but you can double the square footage of your restaurant if you keep this space clean’?” And he tried it on one laneway first, and it worked. People kind of ended up staying around at night and the laneway became a place where people wanted to be. And, by the way, today, Melbourne’s laneways are one of its major tourist attractions. But he kept doing, like making do with very little.

For example, there was a big property collapse, and he saw that as an opportunity. He said, “Great. Now, all these buildings downtown, the space I’m trying to revitalize, have no value, so I’m going to go to one of the owners of one of these old kinds of Victorian buildings and I’m going to make him a proposition. Your building, essentially, has no value to you. Let me renovate it into a mixed-use space, so businesses on the bottom, residents up above.”

Well, the owner of the building had no other alternative, and so he said, “Okay.” And it worked. Like, people moved into the apartments, he paid it off in half the time he expected, and then he rolled and did that to the next apartment, and the next building, and the next building. At the start of Rob Adam’s tenure, he’s the gentleman who renovated Melbourne, there were 650 occupied apartments in downtown Melbourne, 650, that’s it. By the end of his tenure, I think there was over 40,000 occupied apartments in downtown Melbourne.

And so, the whole principle there was often we say, “I don’t have the resources I need to get started,” but it’s really about asking sometimes, “What can I do with what I have? Or, what do I have so much of that nobody is really, maybe not even I am, realizing that it’s valuable?” If that feels too common sense to you, do we have time for me to tell you about one of the other tools from do?

Pete Mockaitis
Oh, sure.

Nathan Furr
Yeah, okay. So, how do you set yourself up so you can’t fail? That’s an interesting one. You’re going into uncertainty. You don’t know what you’re going to face. Is it possible to set yourself up so you can’t fail? Well, one of the ideas that was really counterintuitive to me, at least, because I was raised on the dogma of goals, like, you set a goal and you go do it.

But, remember, I told you about David Heinemeier Hansson, he’s a real contrarian. I loved that he was like, “Listen, if you’re doing something new, something doesn’t happen because you set a goal. The goal is total bull crap. Under uncertainty, you really don’t have control over whether that’s going to happen or not. Sure, set a goal. Sure, work hard and all that, but whether the market accepts what you’re doing or not is really not in your control directly. So, instead, act upon your values rather than your goals because that’s what you have control over.”

So, for example, for him, his value is, “I want to write great software, I want to treat my employees well, and I want to act ethically with the marketplace,” and he’s very clear. He just launched his big email platform Hey.com. he’s like, “At the end of that two years, if it failed, if that was a success in the market or not, sure, I’d do the growth hacking, I’d do all that stuff, but, really, whether the market accepts it or not, it’s not truly in my control. So, if that fails, but I have lived true to my values then I’ll be happy. I wrote great software. I learned tons of stuff. I treated people well, and I was ethical. I feel good about it.”

It sounds really soft and fluffy but, again, personal experience. So, think of me, I’m an academic, I’ve been working on this for like a decade, nobody’s talking about uncertainty, a pandemic happens. Suddenly, every thought leader in the universe is grounded, has nowhere to go, and all they’re talking about was uncertainty. I was freaking out, I’m like, “I’m going to get totally scooped here.” And my co-author said to me, “Well, what’s your values? Operate on your values because the world needs lots of perspectives but go out there, act according to your values, write the very best thing you can possibly write, and that you have control over. You don’t have control over if guru X or guru Y comes out and says what you already said.”

My co-author said, “If you really do that, according to your values, then what you say will be different and unique and a contribution.” And she was absolutely right, and I felt much, much calmer in that uncertainty of somebody’s going to beat me to it.

Pete Mockaitis
That’s cool. Thank you. And how about some sustain tools?

Nathan Furr
Yeah, sustain is a good one it’s really important because whether you choose uncertainty or uncertainty happens to you, it is going to make you anxious, nervous. There’s nothing wrong with you. That’s called being a human being. You’re wired to be that way, so you need to sustain yourself when there’s a setback.

So, we talked about a couple important ideas in there. One of them is known as emotional hygiene. So, it sounds sort of soft and fluffy but we forget that physical hygiene is a 20th century revolution. If you grew up before the 20th century, you would not know naturally that it made sense when you got a cut, you need to wash it up and keep it clean. And when we figured that stuff out that you’ve got to do physical hygiene for your body, it increased the life expectancy 50%.

And I think we’re in the midst of a similar revolution where we realize that our emotions are real, too, and we have an emotional body. The problem is that when many of us try something new, and then there’s a setback, which, by the way, was inevitable – it was going to be different than you expected – then we beat ourselves up, and that’s like the worst kind of sustaining. So, you’ve got to sustain yourself, you’ve got to treat yourself with kindness, and also there’s ways you can be rational about it.

So, I did an interview with Ben Faringa. He won the Nobel Prize in Chemistry in 2016. He won it for this idea called molecular machines. So, if you’ve read those sci-fi articles about little robots running around your blood, curing diseases and things, it would be based on his invention. So, I asked him, “On the way to this breakthrough of this fundamentally new discovery, did you face uncertainty?” And he like laughed at my face as if that was like the silliest question I could ask. He’s like, “Of course.” And I said, “So, how did you deal with it?” And he said, “Listen, if you deal with uncertainty, you will have setbacks, you will fail. You just have to get good at it.”

And he said, “Allow yourself to feel the frustration for a few days, and then ask yourself, ‘What can I learn from it?’” And it turns out that “What can I learn from it?” question is just one in a set of different ways to approach a setback, “What can I learn from it?” is one, another is to focus on what you still have rather than what you’ve lost. Maybe one of my other personal favorites came from a gentleman named Ben Gilmore, who is a paramedic in Australia but he also writes books and makes films. So, that’s a full-time job, paramedic, and, by the way, has a lot of uncertainty. You never know when you break down the door, what you’re going to find on the other side.

But I think the story he told me that really inspired me is he wanted his life to be interesting and adventurous, and he’d always dreamed of riding his motorcycle through the Khyber Pass. And so, he saves up his money, and he goes out there, and he’s got his motorcycle, and while he’s like staying in the hotel, his motorcycle gets impounded, and he’s like, “What do I do now?” And he says, “Well, I’m going to go on foot. I’m going to go anyway.”

So, he was walking on foot through the Khyber Pass, and he meets this family, they’re residents of the region and they’ve had this generational business of making weapons, so guns. But the son, he doesn’t want to grow up to be a weapons maker. He wants to go to school. He wants to be a poet but he doesn’t have the money to go to school. So, Ben Gilmore goes back, and he said, “I want to make a film about this family,” and he goes back and he makes a film about this family, called Son of a Lion, which is, by the way, featured in the Cannes Film Festival, and does generate the funds to allow their son to go to school and follow his dream of being a poet.

But Ben faced so many obstacles on this journey, including the motorcycle getting impounded, but he went on to make other films, and he had experiences like he’d be in country with the film crew, and the budget would get pulled, and everybody flies home except the lead actor, and they’d rewrote the script and filmed that, and that became Australia’s entry into the Oscars.

And I asked Ben, “How do you keep going through these obstacles when you face these setbacks?” And he said, “Listen, my father read to me as a boy every night growing up. I love stories. I love to hear them.” He said, “Everybody loves the hero but the only way to become the hero is to go through the obstacles.” So, that’s what I always remember.

So, anyway, again, just to summarize. Feeling anxiety, feeling frustration, having setbacks is totally normal. So, there’s a way you can actually frame them so that you respond differently. Ben Faringa, the guy who was the Nobel Prize in Chemistry, he gets frustrated but he says, “What can I learn from it?” Ben Gilmore, this kind of wild and interesting character says, “Hey, the only way to become the hero is to go through the obstacles,” so many ways to address that and sustain yourself.

Pete Mockaitis
Oh, that’s beautiful. Thank you, Nathan. I remember when I was in the early stages of my business and times were lean. I remember thinking, ‘Hopefully, years from now, when I’m rolling in it, I’ll look back and say, ‘Ah, yes, that was the heroic struggle period.’”

Nathan Furr
So, what happened? Did you make it through?

Pete Mockaitis
Well, I did make it through. Yes, I have sufficient revenue to provide for the family, so mission accomplished.

Nathan Furr
And you know what, yeah, and even when we don’t make it through. Listen, hey, I try to tell my kids because my kids see me, they’re like, “Oh, dad got a PhD at Stanford. Now, he’s a professor at one of the top five strategy schools, and blah, blah, blah.” And I tell them, “What? Are you kidding me? Like, I got rejected from every graduate school I applied to at one time,” and I tell them about all of my failures along the way.

And I think when you dig into people’s stories, what you really discover is that there’s actually a lot of failure and setback and self-doubt. It’s just incredible. We discovered some really moving and interesting stories of self-doubt of people who are very, very successful and just to normalize that. That’s part of the journey.

Pete Mockaitis
Beautiful. Well, Nathan, tell me, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Nathan Furr
I think the one big takeaway I hope people have is that when they face uncertainty, whether it’s happened to them or they’ve chosen it, but something is going a little different than expected, is to ask the question, “How could this make me stronger? How could I turn this or flip this so that it can make me stronger?”

I think that’s a question I try to ask myself because, again, I get stuck, too, friends. I get stuck, too. But when I can do that, I actually wrote about it. We use this old term from the technology strategy literature called transilience, which is this kind of leaping from one state to another. And that, to me, is like the image, when like boiling water gets set free as steam in this moment of like you’re feeling stressed, you’re feeling anxious, and you say, “How do I turn this?” and you are able to see the possibility and be transilient, kind of leap to that state. That would be my hope. I think it’s a real powerful question to ask yourself.

Pete Mockaitis
All right. Thank you. Now, could you share a favorite quote, something you find inspiring?

Nathan Furr
One of my favorite books in the world is by Henry Miller, it’s called The Colossus of Maroussi, and he said something really strange. He said, “Magic can never be destroyed.” Well, what do you mean magic? Come on, I’m an empiricist, I’m a rationalist, what do you mean magic?

But we actually wrote in the book about magic. And what we mean by that is those leaps of insight, those moments of connection, that serendipity that you just can’t quite explain, and we saw so many of those as well. And so, what I would encourage people to do is to make some room for that. Put yourself in positions where you could have that. You don’t know in advance. But if you don’t get out there, you don’t talk, you don’t try, you don’t talk to the waiter, you won’t have those magical moments.

But I like that magic can never be destroyed because it’s there. We don’t understand how everything in the universe works but things can happen at just the right time.

Pete Mockaitis
Okay. And could you share a favorite study or experiment or bit of research?

Nathan Furr
So, one of my favorite studies or papers is called “Drop Your Tools.” It’s by a very famous organization theorist called Karl Weick. And what he looked at is the Mann Gulch fire disaster, which happened in Montana in 1949.

So, they established this program where smoke jumpers would jump out of the plane to where a big fire was and put it out. And it was a very successful program, and everything was going great when this fire starts in Mann Gulch in August, it’s really hot. And when the smoke jumpers land, they’re like, “Oh, we’ll put this fire out by 10:00 a.m. the next morning.” They’re so calm and assured, they stop and have dinner, and the fire is on one side of the ridge and kind of start heading downhill towards where there’s a river in the valley, so they have an escape route when the wind kicks up.

And this fire suddenly becomes really intense. It leaps the ridge and blocks their escape exits, so the trees by the river are on fire, and they start to run back up the hill. It’s this incredibly 70-degree slope. It’s incredibly steep and they’re racing and the fire is chasing them, 30-foot-high flames moving at this incredible speed. And the head of the fire crew does something that, today we understand, but that time didn’t make any sense. He said, “Drop your tools.” Now, they’d all been told, “Don’t ever drop your tools. That’s your lifeline,” and he said, “Drop your tools.” And he lights this escape fire, so he lights the grass around them on fire, and says, “Lay down here.”

Well, that didn’t make sense to them, so they kept running, and the foreman lies down the fire, covers himself up in a blanket, fire just rushes over him, and it goes on and it kills the rest of the team. And it became this moment, this kind of symbolic moment because it was this idea that we go around acting as if the world was stable and certain and makes lots of sense, when, in reality, it’s actually changing all the time. It’s very uncertain. It’s only these kinds of distinctive moments, like this fire crisis, where we really recognize it.

And what Karl Weick recommended coming out of that was that we need in life, and this is true on uncertainty, to adapt to what he calls an attitude of wisdom. What that means is you have just enough trust in yourself, in the idea, in your instinct that, “I should do something about this,” to take a step forward, and you doubt yourself just enough to listen to the voices that signal when it’s time to change course. Not every voice is the right voice but some of them signal that, “Yeah, you should change course when you hear that chorus enough times.”

And I think that’s a good metaphor for leaders under uncertainty because where leaders get themselves in trouble is they just doggedly pursue a path, try to plan their way to success and execute it, rather than what’s the attitude of wisdom in getting there.

Pete Mockaitis
All right. Thank you. And a favorite tool, something you use to be awesome at your job?

Nathan Furr
So, one of the tools we wrote about is called finite versus infinite games. So, James Carse was a modern philosopher at NYU, and in his book, he argued there’s really two ways of looking at life. There’s the finite view, which is we look at the game of life as the goal is to win, and the rules, the roles, the boundaries are all fixed, but we’re trying to win, we’re trying to be the best.

And infinite players, what do they do instead? They look at, instead, the joy of playing the game and they view the roles and rules and boundaries as being flexible or we can play with that. And maybe my favorite example of that comes from the Tour de France, which is happening right now where I live. And a very famous race between Jacques Anquetil and Raymond Poulidor. Jacque Anquetil was the favorite, he’d already won four Tour de Frances. Raymond Poulidor is kind of this…they call him the wholehearted son of the soil, and he didn’t really win much at all. In fact, he hadn’t won any races so far.

But there was this moment in this very rough, rugged terrain called The Puy de Dome. People described it like the teeth of a saw, just 10 kilometers of up and down. And instead of doing that thing where they draft behind each other, they raced neck and neck, shoulders, literally, like smash into each other, neither of them wanting to give an inch to the other one for 10 kilometers. And, finally, at the end, Pullidor, the wholehearted son of the soil, pulls ahead, and he wins that leg but he loses the race.

In fact, he races 14 times and he never wins, but everybody loved Pullidor. In fact, no racer was more beloved than Pullidor, and people tried to figure it out, they wrote dissertations about it, but I think the best way to summarize it is he was an infinite player. And at the end of his career, he reflected, somebody had said to him, “Raymond, you always had your head in the clouds. You didn’t take it seriously enough.”

And he said, “Maybe I didn’t because I never got up in the morning thinking, ‘How do I win?’ I’ve always thought, ‘This is so fun that I get to race. I can’t wait to race. How do I have fun racing?’” And so, for me, the tool I use is when I approach a situation that’s hard, and I have hard things, things I don’t want to do, tough things. I say, “What’s the infinite game I can play here? How could I play a little bit with the goal, with the rules, with the roles, with the boundaries?” That makes me curious.

Yeah, sometimes I succeed and sometimes I don’t, but I’d say I have a much more interesting career than I might have because I’ve tried to play that infinite game.

Pete Mockaitis
Okay. And if folks want to learn more or get in touch, where would you point them?

Nathan Furr
Well, we wanted to make the tools in the book The Upside of Uncertainty available to everybody, so we made a website called UncertaintyPossibility.com. So, remember my thesis, uncertainty and possibility are two sides of the same coin. So, you just type that out, dot com. And we actually described all the tools there so that they’re available and accessible.

Of course, I’d be super grateful if people went and bought the book or left a review, like on Amazon or something like that, because it is tough as an author getting the word out there. Writing a book is a little bit like a tree falling in the forest for nobody to hear unless people take action. So, thank you, though, for asking.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Nathan Furr
Well, I would say this, there is no doubt that we live in a world of increasing uncertainty, and I think if you can develop that ability early on, you’re going to have a huge leg up. And we talked about reframing at the beginning. Reframe any challenge in terms of the possibility. Even when we looked at empirical studies of a company facing disruption, the ones that succeed are the ones who, instead of focusing on the loss or the threat, they’re the ones who focused on the possibility.

Pete Mockaitis
All right. Nathan, this has been a treat. Thank you. I wish you much fun and adventure and possibility.

Nathan Furr
Yeah, thank you so much. It was fun.

736: The Surprising Problem-Solving Insights from Art with Amy Herman

By | Podcasts | One Comment

 

 

Amy Herman reveals the surprising framework agencies like the FBI, NATO, and Interpol have used to solve their most intricate problems.

You’ll Learn:

  1. What to do when you don’t know what to do 
  2. Three simple steps for smarter problem solving
  3. The top two do’s and don’ts of problem solving 

About Amy

Amy Herman is the founder and president of The Art of Perception, Inc., a New York–based organization that conducts professional development courses for leaders around the world, from Secret Service agents to prison wardens. Herman was the head of education at the Frick Collection for over ten years.

An art historian and an attorney, Herman holds a BA in international affairs from Lafayette College, a JD from the National Law Center at George Washington University, and an MA in art history from Hunter College. A world-renowned speaker, Herman has been featured on the CBS Evening News, the BBC, and in countless print publications including the New York Times, the Wall Street Journal, the Daily Telegraph, the New York Daily NewsSmithsonian Magazine, and the Philadelphia Inquirer. 

Resources Mentioned

Amy Herman Interview Transcript

Pete Mockaitis
Amy, welcome to How to be Awesome at Your Job.

Amy Herman
Thank you for having me. I’m really excited to be here.

Pete Mockaitis
Well, I’m excited to get your perspectives on art and problem-solving and more. Could we start with maybe hearing what’s been one of the most influential pieces of art in your life? Like, what is a piece that has stuck with you and made an impact, and tell us that story?

Amy Herman
Well, that changes almost every day because every time I see a work of art that takes my breath away, I think, “Oh, that’s it. That’s lifechanging.” And luckily for me, that happens quite often. But the work of art that really got me thinking so much about this book and about the work that I do is a painting from 1819 by Gericault, and it’s called “The Raft of the Medusa.”

Pete Mockaitis
Ah, yes.

Amy Herman
And the reason I talk about this work so much, it’s a really horrific painting. It shows the worst of humanity but just the tiniest bit of hope. And it’s a huge painting, it’s 23 feet by 16 feet.

Pete Mockaitis
Hotdog.

Amy Herman
It takes the whole wall at the Louvre. And it shows the absolute worst that can result from incompetence and from power, and yet there is this slightest bit of hope in retelling the story of how the painting came to be and how this people survived, really, has been inspirational, and I’ve been able to apply it in so many different situations. So, I’ve been thinking a lot and I open my new book with “The Raft of the Medusa” and I close with it as well, so I think a lot about that work of art.

Pete Mockaitis
Well, we’ll certainly link to an image of that for the visual side of things in a podcast interview. And the sliver of hope, so there’s the story, in reading your introduction, I gazed upon it, I confess, well, in a much smaller amount of real estate on my screen.

Amy Herman
Uh-huh, than the Louvre offers.

Pete Mockaitis
And maybe only for about 20 seconds, which I imagine you would say is not nearly enough to take in the depths, but I was just like, “Oh, man, that’s a real cluster.”

Amy Herman
That’s exactly what it is.

Pete Mockaitis
So, was there hope depicted in that image that I overlooked?

Amy Herman
Believe it or not, and you’re not alone in overlooking the hope because very, very faintly on the horizon line, if you really, really squint your eyes, the rescue ship can be seen.

Pete Mockaitis
Ah, okay.

Amy Herman
Yes, the rescue ship is there. And what I love is the painting also does away with discrimination, and there is black man at the top of the pyramid who’s flagging down the rescue ship, and that was a real scandal back in the 19th century to have a black man was the one who rescued everybody because he was the one who’s able to flag down the ship. But the ship is not apparent.

Don’t feel bad for not seeing it. It’s so small and it’s on the horizon, and it reminds us all that sometimes hope is just out of our grasp and we have to look a little bit harder and really try to find it. And it really is within our grasp, and that’s what I hope that readers of the book will be able to understand, and be able to apply in their own lives.

Pete Mockaitis
Well, I like that. Hope may be just beyond my immediately obvious perception, just as it was in that image, and I’ll chew on that. Thank you. Well, let’s talk about problem-solving here. You spent a lot of time thinking about this, training people in this, learning and researching on this. Can you share maybe one of the most strikingly maybe surprising, fascinating, counterintuitive discoveries you’ve made about problem-solving over the course of your career?

Amy Herman
I have. And I’d love to share one of the things because it’s almost counterintuitive but I’m going to start by telling you about a process in Japan when ceramicists and potters, when they make bowls and vases and cups, it’s inevitable that some of those vases and cups are going to come out broken or asymmetrical or imperfect. And instead of throwing that flawed pottery away, what these Japanese ceramicists do is they fill the cracks in with gold and silver and platinum lacquer. And the process is called kintsugi, and it means to repair with gold, to fill in the cracks with gold.

And what happens to each of those objects is they become more precious and more valuable than had they been perfect in the first place. And what I take away from the process of kintsugi is none of the people that I work with are potters or ceramicists, but I ask them the question, “How are you practicing kintsugi? How are you fixing what’s broken with resources that you already have?”

And the beautiful thing about kintsugi is it honors the struggle; it brings the mistakes to the fore. So, rather than walking away from our mistakes, and saying, “I’m going to do better next time and I’m going to make it perfect,” we’re not striving for perfection. I want to bring our mistakes to the fore. So, not only can we honor the struggle that we went through to solve a problem, but others can see our mistakes and see how we got there, because I hate to break it to you, nobody is perfect and there is no perfect solution.

So, the idea of kintsugi, it’s such a beautiful concept and it allows us to make our mistakes and to honor those mistakes in trying to fix them.

Pete Mockaitis
Oh, beautiful. Thank you
So, kintsugi really is a beautiful visual representation of that very process, that notion of we have some mistakes and we’re going to fill them in and make it all the more useful in terms of maybe sharing the mistakes and lessons learned with others so that that wisdom can proliferate. That’s really cool. Can you share a cool example of this in practice?

Amy Herman
Absolutely. In the field of medicine, doctors sometimes, this takes place in hospitals all across the country, and sometimes it’s done weekly, sometimes it’s done every two weeks or every month. Doctors go behind closed doors and they have something called M&M. And M&M stands for morbidity and mortality, kind of a downer of a title.

But what they do is they go around the table and they talk about what went wrong, who misread the MRI, who got the wrong prescription, who died, and what went wrong. And by sharing all their mistakes, not only does it alleviate the guilt of the individual person and recognize that we all make mistakes but, also, we can learn from each other’s mistakes because we’re human and things will go wrong.

And so, just the idea of M&M, the doctors are willing to go behind the door and talk about what went wrong, I wish we had M&M in every profession. The way kintsugi enables us to visualize what went wrong and actually honor that struggle, medicine says, “Okay, we’re not perfect. Things go wrong. Lives are lost. We gave the wrong medicines. Let’s all learn from it collectively and keep moving.”

Pete Mockaitis
Well, that is a powerful example because that says that’s about as high stakes as it gets, “Lives were lost because of a mistake I made,” and that happens in law enforcement and military and many of your clients and medicine, certainly. And I was just thinking, one my very first thoughts was this litigious age, it’s like behind closed doors is right.

Amy Herman
I can give you one more example that’s not so high stakes.

Pete Mockaitis
Well, I guess, maybe first with that practice, which indeed I agree with you, there are many other fields where that could be applied excellently. I’m curious, how do folks get past some of the hang-ups associated with like the vulnerability, and trying to cover your rear end, and liability? We’ve had Amy Edmondson on, talking about psychological safety, and other guests. And that’s often hard to get to, but as you described it, it sounds like this is just par for the course in most hospital environments.

Amy Herman
It’s a recognition of the fact that we are all human. One of the things that I talk about across the professional spectrum is that when you are missing a critical piece of information, and it can happen whether you are a postal worker, a prison warden, a beekeeper, a doctor, or a Navy Seal, you’re missing a piece of information, and in the intelligence world, they call it an intel gap.

And I tell all the people that I work with that no matter how big the intel gap is, you have one more source of information that you can rely on. You can default to your humanity. And if you default, because before we’re doctors and patients and lawyers and clients and police officers and suspects, we are all human.

And if you don’t know what to do next because of an intel gap, ask yourself, and say, “You know what, if I was this guy’s father or uncle or friend, what would I do?” and default to your humanity, and you have this whole rich source of information that you can really rely on, and very rarely will it let you down.

Pete Mockaitis
Yeah, that’s really beautiful because in those instances, humanity, that really strikes…it can automatically stir up sort of virtuous stuff, like humility, like compassion, like, “Hey, man, we don’t quite know what’s going on here. But you know what, if it were my kid, I’d want to test X, Y, and Z. So, what do you say?” and we keep it moving.

Amy Herman
That’s exactly right. And what’s so interesting, sometimes it comes down to the smallest of human interactions. I had a group, they were a group of Army officers on the ground in a foreign country, and it was a hostile country, but they were at the local village and they were looking for help in the local village, and none of the women would talk to the Army officers.

They weren’t forceful, and they defaulted to their humanity. And, finally, one of them asked in the other language, “Why are you not speaking with us?” And you know what it was? It was because the Army officers were wearing reflective sunglasses, and women in this village can’t make eye contact with men. And if they didn’t know if they were making eye contact or not, they wouldn’t talk to them. So, it all came down to sunglasses.

But I find what’s universal is sometimes we have to ask hard questions, “Why isn’t this working? Why can’t I fix this?” to find the solution.

Pete Mockaitis
Yeah, you’re right. It is a hard question in that there is, again, some vulnerability in terms of, “Well, you know, you smell, you’ve been very rude to us, you were involved in an accident that harmed a family member of mine a couple weeks ago.” It is a hard question, like, “Why aren’t you talking to us?” and, yeah, that can surface some surprisingly simple solutions. Okay, sure, taking off sunglasses can do.

Awesome. Well, so we’ve already gone deep into kintsugi. Can you tell us then, your book Fixed.: How to Perfect the Fine Art of Problem Solving, what’s sort of the main idea or thesis here?

Amy Herman
The main idea of the book is to take the artists’ creative process, how artists create works of art, and use that as a template to solve problems from minor annoyances to intractable dilemmas. Let’s face it, everything is broken right now. Everything. When I started writing this book, we weren’t even under the crunch of pandemic. I had no idea what we were going to be facing. And in so many cases, solutions from the past, yesterday’s solutions are not going to solve tomorrow’s problems.

And so, I wanted to create this template that everybody could use regardless of their profession, regardless of their educational level. How can we make problems more approachable? And what’s a template everybody can solve? And I use the artists’ process to create a work of art because I’m a lawyer and an art historian, and I like to think I have a logical mind but I also wanted to tap into the creative process.

So, I broke the book down into three sections, three really easy sections – prep, draft, and exhibit. How do we prep the problem? How do we draft our solutions? And how do we bring them into the world? And each of those sections is broken down into subsections, but it all goes back to prep, draft, and exhibit. And I wanted the process to be simple. We all have enough on our plates. I don’t need to give people fancy acronyms and things to remember, “Oh, Amy said in her book we have to do A, B, C, and D.” Nobody has time for that.

How can we break problems into digestible pieces? And how can we not be afraid to engage in conversation the way artists, for millennia, have been creating works of art? This is not the time to fool with that success. Let’s leverage it. Let’s use that approach to try to solve our own problems.

Pete Mockaitis
Well, intriguing. So, that’s fun. And a lot of your clients are, I don’t know what the word is, hardcore.

Amy Herman
That’s a good way to put it, they’re hardcore.

Pete Mockaitis
I don’t know, secret service, NATO, FBI, Interpol. In terms of not having time, I imagine their patience for “out there” or frilly or soft tools might be limited. I’m purely speculating. You can confirm or deny.

Amy Herman
You’re speculating correctly.

Pete Mockaitis
So, given that, I’m curious, could you maybe walk us through an example of what’s called hardcore clients applying some of this prep, draft, exhibit problem-solving process used from the artistic approach to solve something?

Amy Herman
Absolutely, and I’ll tell you about one of my favorite clients. One of my favorite clients is the NBA, National Basketball Association, and they brought me to Las Vegas, and I was going to lead a session in my program for about 250 heads of security for the NBA. Picture these guys. They’re the ones on the court, they’ve got an earpiece in their ear, they’re dressed in a suit, they’re watching the players, the GM, the audience, they’re making sure everybody is safe, there’s no violence, and that game is going to go forward. Can you picture the scene?

Pete Mockaitis
Sure.

Amy Herman
So, the woman who introduces me gets up on the stage and she reads from a piece of paper, and says, “Amy Herman is here from New York, and she’s going to teach us how to look at works of art so you can do your job more effectively.” Every head went down to their phone. That was like the trigger to go start scrolling on your phone.

So, I get up on the stage and I say, “You know what, we’re going to have an instant replay. You’re going to be looking at art for the next two hours, I’m in charge, and you’re going to leave here thinking about your job differently than you came in.” And I broke them into pairs and I said, “One of you, close your eyes, one of you, keep your eyes open,” and I put a work of art up, and they had 45 seconds to describe it to their partner so that they could get the best visual image of what it was they were looking at.

They had to look at a work of art, they had to decide, they had to prep, “What am I going to say?” then they had to run it through their mind, and then they had to exhibit, they had to tell their partner the best possible version of something they had never seen before, and for the next two hours, flew, because I brought them new data. I brought them works of art. Nobody trained the NBA to look at works of art to think about how they do their job.

But to think about the creative process, every single basketball game, no two games are ever the same, no two teams are the same, no two securities concerns are the same, no two cities, and the game always changes from painting to painting to painting. And how do you assess that work of art you’re looking at? How do you re-draft it in your head? And how do you articulate it on that little microphone in your ear because the safety and the success of that game is in your hands?

And at the end of the session, I said to them, “You know, the NBA brought a copy of my book for each of you. Before you go to your cocktail party, I’ll be at the back signing your books.” And I thought, “Oh, my God, I’m going to be all alone back there.” Every single one of them stopped to sign a book and there were hugs all around because so many of them were NYPD officers from back home.

And it made me realize, it doesn’t matter what you do, whether you’re on the basketball court, or you are in hostile territory, or you are the night nurse, you’re going to face problems that are unforeseen, and I want to be able to help you solve them.

Pete Mockaitis
Well, that’s intriguing because, at first, you might say, “I don’t see the connection at all between looking at art and security,” but then this is, “Oh, yes. Sure enough, very often in that job, you could look at something and you had to describe that something well to collaborators or you might have a bit of a stickier situation if you did not describe it as well in terms of misunderstandings and over or under reactions and all that sort of thing.”

Amy Herman
I can bring in a quote that applies to everybody, and it’s a quote from the 19th century from Henry James, but it’s a quote that I give to every single one of my sessions, and I say, “Try to be that person on whom nothing is lost.”

Pete Mockaitis
That’s cool.

Amy Herman
“Try to be the person on whom nothing is lost.” So, when you look at a work of art, I want you to tell me not only what you see but what are you missing.

Pete Mockaitis
Say more about that. Tell you not only what I see but what’s missing. Like, what I am missing from the art?

Amy Herman
Not only what you’re missing, what you expected to be there, assumptions you had that aren’t there. This is a concept that I stole from emergency medicine. It’s called the pertinent negative. It means articulating what’s not there in addition to what is there to actually give a more accurate picture of what you’re looking at.

So, here’s the example. If a patient comes in to the emergency room, and, let’s say, the attending physician thinks the patient has pneumonia. Pneumonia has three symptoms. Symptom one is present, symptom two is present, but if symptom three is absent, it’s the pertinent negative you need to say that it’s not there because then you know it’s not pneumonia.

So, when you arrive at a crime scene, and you hear on the radio all the details, well, you expected there to be blood. Well, there’s not blood everywhere. You need to say, “There isn’t blood everywhere. It’s not just that I see disarray and I see shell casings. There is no blood.” Because when you say what you see, you’re only giving half the picture.

So, art gives us this perfect vehicle, “Well, I notice all these blues and yellows, and trees in the picture, but I noticed there were no humans in the picture. There was no sunshine in the picture.” We’re actually getting to the other side of the issue to tell people not only what we see but what we don’t see. The pertinent negative is a really powerful tool.

Pete Mockaitis
Well, that is handy. I guess I’m thinking about all sorts of conversations in terms of we had a guest who talked about not just being provided an explanation, but are you being provided evidence. And there’s quite a difference.

Amy Herman
Absolutely.

Pete Mockaitis
And so, often, we make do with an explanation, like, “Oh, okay, I guess that makes some sense, so I can move along,” versus if you really got your antenna up and you’re thinking critically and alertly, you can say, “Okay, so that might be a plausible story but do we have the evidence that that is, in fact, what did occur? That’d be great to see.” Or, in a conversation, in terms of maybe what I didn’t hear was an apology, what I didn’t hear was a commitment to do something differently.

And so, that’s a cool tool, the pertinent negative from ER folk. If I could, well, say, have you borrowed some nifty things from law enforcement in terms of a ready-to-go tool like that you could share?

Amy Herman
I have. Actually, I have two tools that I wanted to share.

Pete Mockaitis
Let’s do it.

Amy Herman
One of them, just to build on the pertinent negative, is in warfare, in modern warfare.

Pete Mockaitis
Not the video game.

Amy Herman
Nope, not the video game.

Pete Mockaitis
Modern Warfare, yeah.

Amy Herman
Yeah, I didn’t even know there was such a thing, so I’m learning from you.

Pete Mockaitis
Call of Duty: Modern Warfare.

Amy Herman
No, my son would know that. In World War II, the Royal Air Force sent their planes out, their fighter planes out, and they suffered heavily at the hands of German anti-aircraft fire. And when the planes came back, the Royal Air Force didn’t have enough armor to reinforce the whole plane before they sent them out again to fight.

So, the decision was made by the Royal Air Force, “Let’s just fix the planes where they were damaged,” but it was a mathematician, a single mathematician who was dissenting, and said, “You’re looking at this the wrong way.” He said, “You need to look at these planes to see where they weren’t damaged, and that’s where you need to reinforce them because the planes that were damaged in those areas didn’t come back.”

Pete Mockaitis
Zing, yeah.

Amy Herman
See how the pertinent negative works. So, you get on the other side of the issue. And just today, I was talking with one of my colleagues in the NYPD and we were talking about different applications of the program, and he said, “You know, one of the things that you taught us is that when we get to the crime scene, we hear about the crime scene, we hear it on the radio, we get there, we know what we’re expecting.”

“Not only do we have to overcome confirmation bias, thinking, ‘Been there, done that. I know what I’m going to find,’ but you’ve instilled in us that we need to go back, retrace our steps, and walk into the crime scene again to notice what we didn’t see the first time. What’s on the staircase? What’s on the landing? What’s in the garbage can?” He said, “How many times have I found a weapon that’s been thrown outside the crime scene, and is never within the confines of where we’re looking.”

Pete Mockaitis
So, the retracing the steps, I’m thinking how does that work mentally? So, okay, I go to the crime scene once, I take a good look around, and then I just pretend that I didn’t do that or what are we thinking?

Amy Herman
I think the whole thing in reverse, and I enter again because your eyes, you’re already planning on what you’re going to see. And what confirmation bias is, is you have an idea in your head of what you’re going to see and your brain will seek out those things to confirm what’s already in your brain. But when you make it a practice to say, “Okay, I’m here. I’m going to step out and walk again, and try to notice what I didn’t see before.”

So, one of the assignments that I give to my classes, if I see them over a course of two days, their assignment is, when they leave, to come back and tell me something that they noticed that night on the way home that they wouldn’t have seen before. And it forces you to look outside of your comfort zone because we’re all trying to get from point A to point B, and we forget that there are points C through Z out there.

Pete Mockaitis
You know, that’s funny. When I think about that challenge, “Notice something you haven’t noticed before,” I guess I’m thinking in a professional career context, like a document. You want a spreadsheet or a report or a bunch of words to be free of errors and really compelling, persuasive, well-researched and all that good stuff.

And so, it’s tricky when you’re reviewing your own writing in terms of being like kind of catching the stuff. But then when you put that challenge in there, in terms of notice what you haven’t noticed before, in a way it’s sort of puts your brain in a funky little loop, it’s like, “Well, how am I supposed to do that? I didn’t notice it before. How am I going to notice it?”

But then it’s just like look specifically for that which you haven’t looked before, I guess my mind is thinking, well, the first thing you might notice might be somewhat inconsequential, like, “I’m using this font, is actually mismatched in some places. Okay, quick fix, doesn’t matter a lot, but a little more consistency, professionalism.”

And then you might notice any number of things like, “I’m using the word indeed a lot. That might be kind of annoying,” or if you say, “Hey, if I’m not going to notice something that I haven’t noticed before, maybe I need to get a fresh lens on this, maybe get some AI tools to look at my writing, and tell me some things. Like, hotdog.” I’m actually kind of impressed with what those can do right now.

Amy Herman
And think about how effective this can be in problem-solving. You do the same thing over and over again, you say, “Well, how are we going to get out of this rut?” And you say to yourself, “All right, I’m going to look for something that I haven’t seen before that’s intrinsic to this problem. What happens before the problem occurs? What happens immediately after?” And if you make it a practice to look for things that you didn’t see before, you’d be amazed what drops into your lap.

And you know what, this all calls upon another concept that I learned from one of my colleagues at the FBI, and I use it every single day. It’s a Latin phrase, “Festina lente.” Festina lente. It means to make haste slowly. We all have deadlines, we all need to get to the finish line, but if you don’t make that haste purposefully and slowly and look around, you’re going to have to start all over again.

And it brings me back to one of my favorite books, it’s called The Boys in the Boat by Daniel James Brown, it’s a book from 2013. And it’s about the eight-oared boat from the University of Washington that won the gold at the 1936 Olympics. They beat Hitler’s boat. It was, really, quite the upset. It’s a great book. It’s about our strengths and weaknesses, and that we’re all part of a team. The boat is just as good as its weakest rower.

But the reason I bring in festina lente is what could be a better example of having to row. Of course, you want to row quickly, you want to win the race, but if you’re not in sync with all the other rowers and you’re not communicating with them, you’re going to lose. And so, it means taking the time to communicate about how quickly you’re going so that you can make haste slowly.

Pete Mockaitis
Very cool. Lovely. Okay. Well, so we talked about the prep, draft, exhibit. Could you maybe walk us through, in terms of step by step, how do I apply this process when I’m trying to solve a problem?

Amy Herman
Absolutely. There are some steps within each of those, and the table of contents is broken down. I’m going to give you one section from each of them that I think is most important, and it’s going to sound blatantly obvious. But under prep, you need to define the problem, you need to say it out loud. Because if you assume that everybody knows what the problem is, you’re all gathered, how many times have you been at a meeting and everybody says, “Okay, we’re here to discuss X.” How come we never say what X is?

We need to go around the table, and ask, “What is everybody’s perception of the problem?” to make sure we’re all starting on the same page. That’s part of the prep. And part of the draft, I think, the two most important parts of draft are breaking the problem into bite-size pieces. When little kids, toddlers, are learning to eat, you cut their food up into small pieces. Well, at some point, they have to learn to eat themselves. We need to break it into bite-size pieces so that we can digest the problem, and then we need to set deadlines.

There’s this negative association with the deadline. It’s not such a bad thing. It forces us to be creative. It forces us to find a solution. And, finally, under exhibit, the two most important things are to manage contradictions. We’re going to find contradictions all the time, “It can’t be fixed. Can’t do it. This doesn’t match.” Manage those contradictions. Articulate them.

And the second one is what I started this discussion with was kintsugi, repairing your mistakes with gold because there are going to be mistakes the whole way but I think it’s so important to incorporate those mistakes into your solution because you’re going to have to solve problems over and over and over again, and recognizing the mistakes and honoring those struggles is a great way to start to get to the solution.

So, within prep, draft, and exhibit, there are bite-size pieces that you can take. And I really believe, working across the professional spectrum, almost any problem can be solved this way.

Pete Mockaitis
Okay. Well, let’s grab one, let’s grab a problem and sort of move step by step here.

Amy Herman
Sure. So, let’s think about… I worked with a group of nurses in the hospital after there was a shooting at a movie theater in Aurora, Colorado. Do you remember?

Pete Mockaitis
Oh, yeah.

Amy Herman
Yeah. And so, I had a session with the shock and trauma nurses. And one of the reasons I love working with them, there’s no mincing of words. They are negotiating on the frontlines, they are processing the trauma that’s coming through the doors, they’re dealing with family members, they’re dealing with medical personnel, and there is no time. You can’t mince words. Every word matters.

And one of them said to me, she raised her hand, and she said, “You know the night of that shooting, we ran out of gurneys, Amy. We ran out of gurneys and we had to put the patients over our shoulders to bring them into the emergency room.” And she said, “I lost it as a human being.” She said, “We were out of resources and I couldn’t articulate anymore.” And I said, “Well, what did you do then?” She said, “I had to pull it together because I can’t be an effective nurse until I can communicate not just with my colleagues but with colleagues, patients, and families.”

And so, without that communication, we just have to learn to pull it together, and, of course, not everybody is in a shock-and-trauma setting. As you said before, so many of the people I work with are in life and death situations. Most of us don’t work in those situations. But it’s still so important to regroup, and to say, “Okay, what’s the immediate problem here?” She lost it as a human being, she couldn’t communicate, and if you can’t communicate and you’re in the shock and trauma ward, you need to fix that problem immediately.

But, yet, another shock and trauma nurse who doesn’t have the same reaction is going to be dealing with families, and they’re going to see people in panic mode, so they’re going to have different perceptions of the problem and how they’re going to solve a problem, so articulating, “You do A, I’m going to do B, and you do C.” Sometimes there are time constraints, sometimes there aren’t, but we have many, many different facets to deal with. And, again, this book is not about art. It’s using art as a template that different people can use in a whole host of scenarios to prep, draft, and exhibit to solve their problems.

Pete Mockaitis
Okay. Thank you. And could you share with us maybe one more top do and top don’t when it comes to problem-solving and how art can help us?

Amy Herman
Sure. So, the first top do is to recognize that you need to say what you see before you say what you think. People confuse them all the time. So, when we’re looking at a work of art, people will say, “Well, I don’t like that. And I hate modern art.” That’s not what I’m asking. I’m asking, what do you see? And so, to think about the firm line of delineation between saying what you see and saying what you think. What you think is very, very important but you need to lay the groundwork first.

And I would say the top don’t, don’t speak without thinking. Do the prep and draft in your head before you send an email, before you press send, before you pick up the phone, or so many of my clients are on the radio. Think before you speak. And I will say this, communication is a two-way street. It’s not just what you have to say, it’s how it’s being heard. To whom are you speaking? And who is listening to you? And the prep and the draft and the exhibit are all tailored and according to whom you are working with and to whom are you communicating.

Think before you speak. The top don’t is don’t speak without thinking. And the top do is say what you see before you say what you think.

Pete Mockaitis
All right. Thank you. Well, now, Amy, could you share with us a favorite quote, something you find inspiring?

Amy Herman
I‘m going to repeat the quote that I said before about Henry James, at the risk of saying it twice, because it is so fundamental to me, to my work, and the way I try to live my life from walking to the corner to go get a quart of milk, to helping someone in distress. It’s what Henry James said, “Try to be the person on whom nothing is lost.”

And just in parenthesis, that also enhances your own engagement in the world. Nothing is lost. I know you can engage with people and the places and appreciate so much more where you are by trying to be that person on whom nothing is lost.

Pete Mockaitis
All right. And could you share a favorite study or experiment or bit of research?

Amy Herman
Yeah, a bit of research that was just mind boggling to me was a study done in 2009 in Jerusalem, and it was a study of radiologists. And what they did is they showed a group of radiologists MRIs and X-rays and scans, but for a controlled group, they also showed a photograph of the patient. So, it wasn’t just the X-ray of the lungs or the ribs or the hips, there was also an actual photograph of the person.

And for those radiologists who had the photograph of the person, they found 80% more findings. Their reports were more in depth, and they also found ancillary findings. And when they asked the physicians, “What could account for this 80% difference?” they said, “You know, it took no extra time to have a picture of the patient next to a picture of the lung, and it gave us a broader picture of the whole person.”

And I think about that study because sometimes we just see a cross-section of a person, we have an email, we have an X-ray, we have an MRI, and by thinking of that person, by thinking of that X-ray as in a whole person, it’s going to broaden your own view of them and help them solve their problems.

Pete Mockaitis
Oh, cool. And how about a favorite book?

Amy Herman
My favorite book, again, to repeat what I talked about before, The Boys in the Boat by Daniel James Brown from 2013. It’s about individuals and teamwork, and just cheering on the underdog. I’m a huge champion of the underdog.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Amy Herman
When I’m completely overwhelmed and my brain is foggy, I sit back and, because of the pandemic, I go to a museum online, and I look at works of art, some that I know and some that I don’t, and I just take a deep breath, and it allows my eyes to relax, and it allows my brain to simmer down and remind me to see things with refreshed eyes whenever possible.

Pete Mockaitis
And is there a key nugget you share that really seems to connect and resonate with your clients; they quote it back to you often?

Amy Herman
Think about what you’re not seeing, that pertinent negative. More often than not, when I ask, “What’s the key takeaway from the art of perception?” people say, “To think about what I’m not seeing and to know that it’s right in front of me, and to really gear our vision and our looking and our sense of critical inquiry, to think about not just what we see but what we don’t see.”

Pete Mockaitis
All right. And if folks want to learn more or get in touch, where would you point them?

Amy Herman
I would point them to my website, ArtfulPerception.com, and my books are at ArtfulBooks.com, and I’m on social media @AmyHermanAOP.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Amy Herman
Every day that you go to work or you sit down at your desk, prepare to have your eyes opened when you don’t even realize that they’re closed. Every day, I want you to end the day having your eyes opened in a way that you didn’t even know they were closed. And it can be the smallest thing that you notice, just so when we talked about what you didn’t see before, but know that your eyes are closed and make the effort to open them. And use art to do that when you can.

Pete Mockaitis
All right. Amy, thank you. This has been a treat. And I wish you much luck and fun in all your problem-solving.

Amy Herman
Thank you so much. It was a real pleasure. Thanks for having me.