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Creativity Archives - How to be Awesome at Your Job

1010: Getting the Most Out of Generative AI at Work with Jeremy Utley

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Jeremy Utley reveals why many aren’t getting the results they want from AI—and how to fix that.

You’ll Learn

  1. The #1 mistake people are making with AI
  2. ChatGPT’s top advantage over other AI platforms (as of late 2024) 
  3. The simple adjustments that make AI vastly more useful 

About Jeremy 

Jeremy Utley is the director of executive education at Stanford’s d.school and an adjunct professor at Stanford’s School of Engineering. He is the host of the d.school’s widely popular program “Stanford’s Masters of Creativity.” 

Resources Mentioned

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Jeremy Utley Interview Transcript

Pete Mockaitis
Jeremy, welcome.

Jeremy Utley
Thanks for having me.

Pete Mockaitis
I’m so excited to chat, and I’d love it if you could kick us off by sharing one of maybe the most fascinating and surprising discoveries you’ve made about some of this AI stuff with all your poking and prodding and playing.

Jeremy Utley
I’ll poke the bear right from the get-go. My observation is most people are what I call prompt hoarders, which is that they’ve got a bunch of Twitter threads saved, and they’ve got a bunch of PDFs downloaded in a folder, marked, “Read someday,” but they aren’t actually using AI. They’re just hoarding prompts.

And I think of it as empty calories. It’s a sugar high. And what a lot of people are doing is they are accumulating, for themselves, prompts that they should try someday, but they’re never trying them, which is akin to somebody eating a bunch of calories and then never exercising.

And my recommendation, like, here, I’ll give one simple thing that somebody would probably want to write down. Hey, when you’re jumping into advanced voice mode, isn’t it annoying how ChatGPT interrupts you? Well, did you know that you can tell ChatGPT, “Hey, just say, ‘Mm-hmm’ anytime I stop talking, but don’t say anything else unless I ask you to”?

Everybody who’s played with advanced voice mode one time is like, “Oh, my gosh, I got to do that. That’s, oh, it is annoying.” And I guarantee you 95% plus, people who even think that, will never actually do it because they think it’s more important to listen to the next 35 minutes of this conversation than actually hit pause and go do that. And my recommendation would be, stop this podcast right now, go into ChatGPT and actually do that. That would be like going to the gym.

Pete Mockaitis
I’m thinking I’m doing that right now. Is that okay? Is that rude?

Jeremy Utley
Yes, of course. No, it’s great.

Pete Mockaitis
I think I’m following your suggestions. So, in ChatGPT, iPhone app, I’ve got Pete Mockaitis, I just issue the command, like, “Remember this”?

Jeremy Utley
I would open a new voice chat. So, from the home screen, on the bottom right, there’s kind of like a little four-line kind of a button. If you hit that, that’s going to open a new conversation in Advanced Voice mode. And the first thing I would say is, “Hey, I want to talk to you for a second, but I don’t really need you to say anything. So, unless I ask you otherwise, would you please just say, ‘Mmm-hmm,’ one word only and let me keep talking.”

Pete Mockaitis
Okay. Hey, ChatGPT, here’s the thing. When I’m talking to you, what I need you to do, if I ever stop talking for a moment…there, he just did it.

Jeremy Utley
Isn’t that hysterical? Yeah, that’s hysterical.

Pete Mockaitis
Oh, Amber, when I’m talking, I need you to remember to only interrupt with just the briefest mm-hmm, or yes, or okay until I ask for you to begin speaking. Do you understand? And can you please remember this?

Amber
Be as brief as possible with confirmations and wait until prompted to speak further.

Pete Mockaitis
Thank you. It’s done.

Jeremy Utley
Now what you need to do is you actually need to continue the conversation. And you need to see, “Does ChatGPT respond with mm-hmm?”

Pete Mockaitis
You know, I like that. And I love those little tidbits in terms of, “Hey, remember this and do this forever.” Sometimes I like to say, well, I have. I have said, “Give me a number from zero to 100 at the end of every one of your responses, indicating how certain you are that what you’re saying is, in fact, true and accurate and right.”

Now, its estimates are not always perfectly correct, but I know, it’s like, “Okay, if he said 90, I’m going to maybe be more inclined to do some follow-up looks as opposed to if I get the 100.”

Jeremy Utley
Yeah, I think that’s great. I think there’s all sorts of little things. The problem is, right now, people are accumulating, or they actually aren’t even accumulating, but they think they’re accumulating for themselves all these tips and tricks, but they aren’t using any of them. And so, to me, what I recommend folks do, I actually just wrote a newsletter about this just yesterday, it went out this morning.

What I recommend folks do is take 15 minutes per day and try one new thing. It requires two parts. Part one, a daily meeting on your calendar that says “AI, try this.” And that’s it. It’s just 15 minutes, “AI, try this.” And thing number two, you need an AI-try-this scratch pad, which is just a running list of things that you heard.

So, like everybody’s scratch pad right now, if they’re listening to this conversation, should include, one, tell ChatGPT to only say mm-hmm unless you want a further response. That’s not forever, but at least in a one interaction, right? And, two, they should tell ChatGPT to always end its responses with a number, an integer between zero and 100, to indicate its conviction of its response.

Everybody literally what? We’re 10 minutes into this conversation, not even, everyone should have two items on their scratch pad. The problem is most people are going to get to this, to the end of this interview and they aren’t going to have a scratch pad and they aren’t going to have any time blocked on their calendar to do it.

And the next time they use ChatGPT, it’s going to be mildly disappointing because they’re coming off a sugar high and they think the treadmill’s broken, basically. So, I mean, obviously, there’s a ton there that we can unpack, but I think for most people, what most people fail to understand is the key to use is use.

And just like a treadmill doesn’t help you combat heart disease unless you actually get on it, AI is not going to unleash your creativity or your productivity unless you use it and learn how to use it. And that, to me, that’s pretty much my obsession these days, is helping people be good collaborators to generative LLMs.

Pete Mockaitis
That’s lovely. And I suppose we could dork out about so many tips and tactics and fun things that you can do. But I’d love it if you could just orient us, first and foremost, in terms of, if there’s research or a powerful story that really makes the case that, “Hey, these things are really actually super useful for people becoming awesome at their jobs for reals as opposed to just a hype train or fad.”

Jeremy Utley
I’ll tell you about my good friend, let’s call him Michael. It’s not his name. Names have been changed to protect the innocent. But Michael was a lobbyist in Washington, D.C. and he and his family wanted to move back home to Tennessee.

And he was looking for a job, and he got a job offer from a firm. And he reached out to me and said, “Hey, I’m kind of bummed because I feel like this firm is low-balling me. But my wife really just wants me to take it because she wants to be back near family in Tennessee, and I’m really struggling with knowing ‘Should I push back?’ because I know that I deserve more, but I don’t want to screw up this opportunity to get close to family.”

And I said, “Well, have you role-played it with ChatGPT?” And he said, “What do you mean roleplay with ChatGPT?”

Pete Mockaitis
Of course, the question everyone asks.

Jeremy Utley
Right. And I said, “Well, you can roleplay the negotiation and just kind of get a sense for what the boundary conditions are.” And he’s like, “Okay, wait. What do you mean?” And I said, “Well, open ChatGPT and tell it you want to roleplay a conversation. But, first, you want ChatGPT to interview you about your conversation partner so that it can believably play the role of that conversation partner.”

“You want it to start as a psychological profiler and create a psychological profile of your counterpart. And then once it creates it, you want ChatGPT to play the role of that profile in a voice-only conversation until you say that you want to get feedback from its perspective and a negotiation expert’s perspective.” And he’s like, “Give me 15 minutes.”

So, he leaves, texts me in 15 minutes, “Dude, this is blowing my mind. What do I do next?” I said, “Well, Michael, the next thing I would do is tell your conversation partner that you want it to offer less concessions, and you want it to not be nearly as amenable to recommendations because it’s had a bad day or it’s slept poorly or something, okay? I want you to get a sense for what does it feel like if the conversation goes badly, right?”

He goes, “Okay, I’ll be right back.” Comes back, “Dude, this is blowing my mind.” And he did a series of these interviews, and I touched base with him. And a couple of days later, I said, “Michael, what’s up?” And he said, “Well, three things. One, I didn’t know what my leverage in the conversation was until I roleplayed it a handful of times. Two, I didn’t have clarity on what my arguments were until I roleplayed it a few times, what the sequence of my argument should be. And, three, and most importantly, I’m no longer nervous about going into this negotiation.”

And then a week later, he dropped me a note saying, “By the way, we’re moving back to Tennessee, and I got a much better salary than they had originally offered me.”

It turns out one of generative AI’s unique capabilities is imitation and taking on different roles. As an example, you can go into any conversation you’ve ever had with ChatGPT and just say, “Hey, would you mind to recast your most recent response as if you’re Mr. T?” And, instantaneously, “Yo, fool, I can’t believe you didn’t believe the last thing I said,” just immediately starts doing it. It doesn’t take much.

And the power, actually, emotionally and psychologically, of having roleplayed with a very believable conversation partner has a profound psychological and confidence boost effect to the person who’s engaging the roleplay.

Pete Mockaitis
That’s perfect in terms of, yes, that is a top skill that the AI has, and about the most lucrative per minute use case I can think of a typical professional doing. And you’re right, that confidence, I have actually paid a real negotiation coach, and he suggested we do a roleplay. And I had the exact same experience, like, “Oh, you know what, I guess I don’t feel so silly asking for what I wanted to ask for now. It seems fairly reasonable for me to do so. And I’m going to go ahead and do so.” And it worked out rather nicely. And so, to know that you can do a decent job for near free with AI instead of hiring a phenomenal negotiation coach is pretty extraordinary.

Jeremy Utley
It’s remarkable. And so, we actually, my research partner, Kian Gohar and I wrote a weekend essay in The Wall Street Journal about this topic. But think about a salary negotiation as a flavor of a broader thing, which is difficult conversations. Maybe it’s a performance review. Maybe it’s a termination conversation. Maybe it’s talking to a loved one about the fact that you’re not going to come home for the holidays.

There’s all sorts of scenarios where roleplaying the interaction increases your confidence, strengthens your conviction, helps you, perhaps, exchange perspectives. Perspective taking is a really important thing, to understand, “How did this land to the perspective of my conversation partner?” That’s actually something that’s really hard for humans to do but an AI can read it back to you in a way that’s really reflective of your conversation partner, and, in a way, that you can understand.

So, we wrote a whole article about this but that’s just one class of activities. But the point is it really helps when you actually do it. Again, the tendency is for somebody right now to go, “Oh, cool, roleplay.” But if they don’t pull out their scratch pad, and say, “Ask ChatGPT to be a conversation partner in this upcoming salary negotiation, or my quarterly performance review, or my conversation with my loved one about our care for our kids,” or whatever it is, you just won’t do it.

I’ve even built, and you can link it in the show notes if you want, I built a profiler GPT, which is basically, it’s a version of ChatGPT which remembers who it is, unlike Drew Barrymore in “50 First Dates” where you have to remind ChatGPT who it is every time. A GPT is just like a Drew Barrymore who has memory, right, and like a real human being.

And what this GPT is instructed to do is interview a user about their conversation partner as a psychological profiler would, and then create an instruction set to give the user to copy-paste into a new ChatGPT window of instructions to GPT to perform the role of the psychological profile that it created. So, that’s totally free, but somebody can just open that up and you can say, “My significant other, Sherry,” and all of a sudden, this GPT will just interview you, ask you a bunch of questions, you answer them, and then it spits out an instruction set to a new GPT to play the role of Sherry in the scene that you have told it about.

Pete Mockaitis
I love that. And it also illustrates one of your core principles to effectively using AI is to flip the script a little bit and say, “No, no, you ask me questions.” Can you tell us a bit more about that?

Jeremy Utley
I mean, why is our default orientation that I’m the one with the questions and an LLM is the one with the answers? That’s how everybody approaches it, right? Because that’s how Google works, right? We never think, “Google, ask me a question.” It’s like, “Uh, what are you talking about?” A language model is not a technology, it’s an intelligence. That’s how I would invite people to think about it.

And you can get to know another intelligence, in a weird way, that sounds kind of crazy, but one of the things you can do is another intelligence can help you get to know yourself better. And the simple way to think about it is, here’s another thing for your AI-try-this scratch pad, folks. Get ready to write this down.

Think of a difficult decision you’re trying to make in your life, “Okay, should I take this job? Should we make this decision? Should we move? Should we put our kid in this other school?” whatever it might be, think of that decision, and then go to ChatGPT and say, “Hey, I’d like to talk about this. But before you give me any advice, would you please ask me three questions, one at a time, so that you better understand my perspective and my experience?”

Well, that is right there. If you say you were trying to figure out whether you’re going to send your kid to a new school, I have four children so it’s a very realistic kind of decision for me. I can Google and learn all about the school. But should I send my child to the school? I’m just going to get their marketing material and it’s not going to be contextualized to me at all. But if I go to ChatGPT, and say, “Hey, I’m thinking about sending my child to this school, I’d love to get your advice. But before you tell me anything, would you please ask me three questions?”

All of a sudden, well, it’ll… “Tell us about your child’s favorite subjects.” I’ll tell it. “Tell us about any weaknesses or difficulties that your child has had in school thus far.” I’ll tell it. “Tell us about your child’s favorite teachers.” I don’t know, but an LLM will ask questions like that. And then it will say, “Based on your answers, here’s how I would approach this conversation.”

That’s what I mean by turning the tables on an AI, is put it in the position of an expert that’s getting information from you rather than the default orientation, which is you’re the expert and you’re getting information from the AI.

Pete Mockaitis
Okay. Now, we’ve been saying the words ChatGPT a lot. I’m curious, in the world of LLMs, we got your ChatGPT, we got your Claude, we got your Perplexity, we got your Gemini, we got your Grok.

Jeremy Utley
Don’t forget Llama.

Pete Mockaitis
Do you think of them as having different strengths and weaknesses? Or are they kind of all interchangeable for whatever you want to use them for?

Jeremy Utley
I don’t think they’re interchangeable, but I don’t think it’s necessarily because of the underlying model. I think a lot of it is a UX thing. I think that the best AI is an AI that’s available to you that you will use. Again, the key to use is use. So, which is the best AI? Well, it’s the AI that you’re going to use. So, where are you? Most of the time you’re on your mobile. So, I would say it’s probably the AI that’s got the best mobile experience.

And what’s your default orientation? My belief is that the far better orientation towards AI is voice, not fingers. If you think about how you typically interact with a machine, you’re typically typing stuff into a machine. And I like to affectionately refer to my fingers, like as I wiggle them in front of the screen, as my bottlenecks. These are my communication rate limiters right now.

Notice you and I aren’t typing to each other. Like, that sounds absurd, right? And yet that’s how we talk to most machines. I’m typing into the terminal. Well, now, I mean, OpenAI, besides developing the world’s fastest growing consumer application, they created the world’s best voice-to-text technology. And furthermore, now they’ve got AIs that actually just process voice, don’t even go to transcription.

But the point is AIs are now capable of understanding natural language. We talk about this phrase, natural language processing. You probably hear that phrase, natural language processing. And that means something technically. I think to humans, the important thing about natural language processing isn’t what happens technically, but it’s actually you as a human being can now use your natural language, which is your spoken word with your mouth instead of your fingers.

And I would say to anyone who’s listening to this, if your default orientation to any AI, ChatGPT or otherwise, is fingers, you are limiting yourself. You’re trying to run with crutches. It’s, like, you’re in a sack race, okay? Use your voice, lose your thumbs, and watch the level of your interaction skyrocket.

Pete Mockaitis
Okay. Well, as we speak in late October of 2024, as far as I know, having played around with the apps, it seems like, indeed, OpenAI’s ChatGPT has got the voice natural interaction thing down the best, as far as I am aware of. Is that your experience?

Jeremy Utley
In my experience, it is. The only other comparison I would say is Meta’s Llama has voice as well, which you can access via WhatsApp or anything like that. The caveat, I would say, is, you know, I was doing a demo. I had a reporter at my place yesterday, kind of I was doing a demo of how I how I use AI in my personal workflow as a writer. And one of the things that I was showing was I’ll use OpenAI ChatGPT voice mode, but then I’ll often grab all the text with my cursor or with my mouse, and I’ll drop it into Claude, and I basically will parallel process ChatGPT and Claude.

So, the fact that Claude doesn’t take voice input isn’t a hindrance if I’m on my computer. When I’m on my mobile device, which, I’m probably on my mobile more than I’m at my computer actually, Claude doesn’t handle voice input, and it’s a little bit unwieldy to go back and forth in apps on your mobile relative to toggling between windows on your computer. So, it’s not to say that means ChatGPT is the best, but when you say, if you have to choose one, right now the model which is most optimized for voice interaction in a – intuitive interface. That, to me, is the way that you should prioritize, is, “What’s intuitive? What can handle the widest range of human input?” And ChatGPT’s got great vision and great voice recognition. And, therefore, I would use that. I’ll give you another example. I’m taking Spanish classes with my kids, okay, and we’re doing these lessons and we have a tutor talking to us on a bi-weekly basis.

And I get this assignment. I’ve got to conjugate a particular verb, and she wants us to write it down. We got to take pictures of it right now. Write it down in my notebook. I’m trying to conjugate this verb, and I kind of get stuck. And I’m thinking, in my mind, like, we only get her twice a week. I’m not going to be able to talk to her until Thursday. It’s Tuesday afternoon. And I thought, “I wonder if ChatGPT can help me.” And I just take a photo of my notebook and my crappy chicken-scratch handwriting, okay, in Spanish, by the way.

I take a photo, I say, “Hey, you’re my Spanish tutor. Can you tell me what I’m doing right now?” “Oh, it looks like you’re trying to conjugate the verb “estar,” and it looks like you’ve missed seven accent marks. If I were going to correct your paper, I would do this,” and rewrote all of the statements that I just made, but properly. “I made this change because of this. I made this change because of this. I made this change…”

And I go, “Dude, it read…” I mean, if you see my handwriting, it’s abysmal. But I did miss all the accent marks, it got that right, because I’m not an accent marker. But, anyway, the point is, the vision capabilities are spectacular too. And when you start to think, again, right now, write that down on your AI scratch pad, people.

Like, people are listening, and the thing is it’s like popcorn at a movie, and we’re just like, “Nom-nom, that’s so interesting. Oh, photos of AI should do that.” You will not do it if you don’t write it down. I’m obsessed with this idea. As you probably know, I’ve got this AI podcast called Beyond the Prompt, which we have amazing kind of experts and lead users and things like that.

We had a guy, who’s former dean at Harvard, 30 plus year learning scientist veteran named Stephen Kosslyn, recently. And he’s kind of the father of the school of thought called active learning. Maybe some folks have heard of it. Active learning, some people mistake as, you know, learning by doing, which isn’t exactly correct, but doing what you learn is an important step.

And what he says is he would contrast what’s typically known as passive learning, which is just consumption, but he would say it’s not actually learning at all. It just happens to you. It’s like you’re renting it. And that information has a very short shelf life and a very short expiration window. Any information that you consume but do not use, you effectively did not consume it.

Pete Mockaitis
Okay. Yes, well said. Well, I’d also love to get your pro take here. It seems like we’ve got a whole lot of cool things we can do that are very handy. What are some things you recommend that we not do, or some limitations like, “No, no, you’re not prompting it wrong. It’s just not going to do what you want it to do right now”?

Jeremy Utley
You know, I’m not a fanboy, I’m not a stockholder, I don’t have any secondary shares. I have yet to butt up against the limitations of use, to be honest with you. I think, right now, most people’s primary limitation is not the technology, it’s their imagination. I would say, like, one way that I’ve put it to students at Stanford is, “The answer is yes. What’s your question?” “Could it…?” The answer is yes. The problem is, for most people, they don’t actually have a question.

Pete Mockaitis
Okay. Well, Jeremy, if I could put you on the spot a little.

Jeremy Utley
Yeah, please, please, please, by all means, but the challenge is actually finding a question worth asking.

Pete Mockaitis
Okay. One thing I’ve tried every which way I can to say, “Yo, here’s a transcript of a podcast interview. What I want from you is to give me 10 options for titles that would be great, that are kind of like these dozens of title options I’ve written for you right here, I previously selected, or teasers.” And then whenever I do that, I get 10 or 20 options, and I go, “Hmm, not one of them am I like, ‘Yes, that is intriguing. That is awesome. That’s a phenomenal title that I want to use.’”

Now, it can nudge or steer me in some good directions, like, “Okay, that was a good phrase there. That was a good word there.” And maybe that’s sort of good enough in what I should expect from it in terms of, yeah, you can have a back-and-forth dialogue, it’s not going to spit out the perfect thing the first time, and be grateful for that. But I don’t know, since you are the master, any pro tips on how I can make it do this thing it just doesn’t seem to be able to do?

Jeremy Utley
So, this is great. What I’m hearing you say is actually a great case study of what we observed in our study, which got published by Harvard Business Review and Financial Times and NPR. We studied teams trying to solve problems, and you could call “Titling this podcast” as a problem that you’re trying to solve. We studied teams and individuals trying to solve problems with generative AI and studied “What do they do?”

And one of the kinds of natural problems that people have is they treat an LLM like it’s an oracle. Like I give it a question and it just magically gives me the right answer right off the bat. And what we would say is teams that treat AI like an oracle tend to underperform. But that’s not to say that everyone who uses AI underperforms. There’s a small subset of folks we studied who actually outperform.

The difference is they didn’t treat AI like an oracle. They treated AI like a co-worker, like a collaborator, like a thought partner. And so, what that interaction might look like is you ask for, say, 10 or 20, “Make it like this.” And then you get the output, and what it looks like to…let me ask you this. If an intern gave you 10 titles that you thought were mediocre, what would you do? Would you fire the intern?

Pete Mockaitis
Well, no, I would say, “Oh, hey, thank you for this. This is my favorite. This is my least favorite. That kind of what I’m looking for is, generally, more actionable, more intriguing, based on the needs of our listeners,” da, da, da, da.

Jeremy Utley
Do you do that to ChatGPT?

Pete Mockaitis
I’ve tried it sometimes.

Jeremy Utley
Yeah, you got to kind of, you got to critique the model’s output. You got to give it feedback. And I had that experience, actually. I had a hero of mine, Ed Catmull on my show a while ago, founder of Pixar, and I wanted the perfect title, of course. It’s, like, got to be the best title ever, right? And I asked for 10 and then I immediately always asked for 10 more.

I don’t even read the first 10. I asked for 10 more and never had ChatGPT say, “Dude, come on, you didn’t read my first ones, you know.” And they’re mediocre, you know, they’re okay. And I said, “Hey, I like one and three in the first set. I like seven and nine in the second set. Can you give me 10 more like those?” What do you think, are they better or worse?

Perfectly the same. Like, not any better, not any worse. And I was like, “Huh, but why? Why didn’t I like one?” I said, “Huh, okay,” I had to think. And what’s funny is, in our study, people who underperformed, AI feels like magic to them. It’s, like, they don’t do as well, but they’re like, “Wow, it just happened so fast.” People who outperform, who use AI to get to better work, it doesn’t feel like magic. It feels like work.

And that’s actually, that’s kind of a fundamental tension. I think we expect it to feel like magic or it sucks. And the truth is it’s just like working with another collaborator, and you do get to better outcomes if you’re willing to put in the work. And in this case, for me at least, the work was, I like number one because I’m a nerd and it has like an obscure movie illusion. I like number three because there’s a pun, and I’m a punny guy. I like number seven because there’s a movie reference baked in and I like number nine, whatever it is.

Then I said to ChatGPT, “Would you leverage that rationale as design principles for another 10, please?” six of the 10 were better than anything I had thought of. But the point is, it does require that collaboration. Now, that being said, that’s as a one-off interaction, Pete. I think what you should do in this case, if that’s it, and what anybody should do is, if there’s a routine workflow, like, how often do you title a podcast?

Pete Mockaitis
At least, twice a week.

Jeremy Utley
Okay. So, to me, that’s kind of square in the crosshairs of a task that it’s kind of a creative challenge, probably takes some amount of time. There’s a potential, you know, so there’s, call it, there’s a two-by-two somewhere that you would hire BCG to spit out, right? But you got a two-by-two, and this probably falls in the top right corner in terms of, like, it’s in GPT’s wheel housing capabilities, and there’s enough regularity that it would meaningfully impact your life or productivity. Great. Okay, there’s your two-by-two. I think that that’s a prime candidate for making a GPT.

Pete Mockaitis
I’ll just make a full-blown GPT?

Jeremy Utley
Yeah, why would you not make a podcast-naming GPT? And then you would put in its knowledge documents, all of the titles and your rationale. And then, importantly, it’s not that you make a GPT and you’re done. You make a GPT, then you try it, and then you see where it’s deficient, and you work to get it right, and then you reprogram, you iterate the instructions to the GPT relative to the work that you had to do in addition.

And what’s the process for that? I would say probably you’re going to instruct the GPT, “I want you to analyze the transcript. I want you to find what are the key points of emphasis in the conversation. I define emphasis as we spent more than two minutes on it or whatever,” I don’t know, right? “I want you to find wherever there is more than five back and forth, that’s evidence that this was particularly engaging.”

Or, furthermore, you might develop a protocol where, after your calls, you have a two-minute Zoom call with yourself, where you say, “Hey, here are the four things I thought were interesting.” And you load that into the GPT as well. I don’t know, “Consult the transcript and the follow-up call transcript that I’ve provided for you. Look for these points, then distill these into these brand guidelines, perhaps, or whatever it is. Then do this, then do this.”

You’d kind of walk the GPT through, you would actually articulate and codify that workflow. And then you would test it, and then you’d iterate it, and you’d test it, and you’d iterate it. And you’d get to the point, I would say, probably, if you’re doing it twice a week, by the end of the month, you’ll probably get to the point where, if you really take it seriously to iterate the GPT’s instruction set, over the course of a month, you’ll have something that’s really great.

Now, the problem is most people aren’t really systems thinkers and they just want to do like a one-off kind of like band-aid solution, which is fine. I’m probably more that way myself, unfortunately. So, I’d rather just, it’s less painful on a one-off just to do the work again myself. Systematically, it’s much more painful to do it one-off every time by myself. And so, you kind of got to decide.

And to me, that becomes a function of “What is a task whose output you would refuse to settle for less than exceptional?” That’s a great task for a GPT because you’re not going to be okay with anything less than a really good GPT. And it summons the requisite activation energy required for you to continue to invest in iterating it.

Pete Mockaitis
Understood. Okay. So, it starts with a mindset of, “Okay, don’t talk to it like it’s an oracle. Expect we’re going to need some back and forth, some collaboration, some iteration, some refinement.” And then it’s your bullish take that, at the end of the day, it’s going to cut the mustard and deliver the goods.

Jeremy Utley
Unequivocally.

Pete Mockaitis
All right. Beautiful.

Jeremy Utley
That, to me, is it’s unfathomable that it can’t deliver on that use case.

Pete Mockaitis
All right. You heard it here first.

Jeremy Utley
I mean, really and truly, and I’d be happy to workshop with you if you’d like. But, to me, that is absolutely a use case that GPT can shine with.

Pete Mockaitis
Okay. Well, we talk about use cases. You’re real big on idea flow. It’s getting a whole lot of ideas, a whole lot of creative options generated. Tell me, how do you use AI in that endeavor well?

Jeremy Utley
Well, the easiest thing to do is, which you did well in your example, is request options. I think, for most people, they ask one question, they expect one answer. And with a probabilistic, non-deterministic model, which means LLMs are probabilistic in nature, every time you ask a question, you’re going to get a different answer.

And sometimes the answer is there’s a higher degree of overlap, sometimes they’re radically different, even within the same instruction sets. You could say it’s a bug. I actually think it’s a feature because I believe in variability of thinking is actually what drives creative outcomes. And so, when you realize that, then, “Wow, I could hit regenerate and it will reconsider the question again?” “Yeah.” “Well, why wouldn’t I hit regenerate five times?” Great question. Why wouldn’t you?

And most people go, “I’ve never hit regenerate.” I think it’s actually probably the most important button on the screen. Because you have a collaborator, you and I are going back and forth, and I say, “Hey, Pete, what do we do about this?” You go, “Well, here’s an idea.” And I go, “Okay. Well, what else?” And you’re like, “Okay, let me dig deeper,” and then you say something. I go, “Okay. Well, what, like five more ideas?” And after a while, you’d be like, “Dude, I gave you all my ideas.”

But ChatGPT is not like that. AI is not like that. And so, one of the simple tricks for idea flow with AI is recognizing you’re not going to tire itself out. In fact, you need to recognize your own cognitive bias. I mean, it’s one of my kind of nerd obsessions is what’s called the Einstellung effect, which is the tendency of a human being to settle on good enough as quickly as possible, demonstrated since the 1940s by Abraham and Edith Luchins, where they’ve kind of documented, very clearly how human beings kind of get in a cognitive rut, and they just want a good enough answer, and they don’t actually get the best answer. They just get a good enough answer.

And so, to me, the key to maximizing idea flow with an AI is recognizing that the creative problem in that collaboration is actually your human cognitive bias, not the AI’s bias.

Pete Mockaitis
Okay. Thank you. Oh, boy, Jeremy, I could talk about this forever. But before we hear about some of your favorite things, could you share any other top do’s and don’ts?

Jeremy Utley
One thing, I think, is a really simple thing that you can do, and it’s not unrelated to your idea of asking ChatGPT or whatever, for a number, kind of saying how confident it is. One thing that you can often do is ask it to evaluate its own work, “Scale of zero to 100, how great was the previous response? Be like a tough Russian ballet instructor, give me critical feedback.” And it’ll go, “Oh, it’s a 60 out of 100 for this reason.”

Well, then you could say, “Okay, based on that feedback, can you rewrite it as 100 out of 100? Rewrite it as 110 out of 100. Now, regenerate it. Now, regenerate it again. Now, grade that one. Is it really 100? Bring in another Russian judge. What does the second Russian judge think?” So, one thing that you should definitely do is get AI to evaluate its own work. It’s far better at being objective.

Like, as a simple example for me, and then I also want to mention chain of thought reasoning, so make sure I come back to that. But one thing I’ll do is I’ll do kind of parallel processing between ChatGPT and Claude, and I’m having both work on something. I take their output and I feed it to the other, and I ask, “Which one is better? Is Claude’s work better or ChatGPT’s work better?”

You would think that they both advocate for themselves. They don’t, but they almost always agree. It’s fascinating, actually. There are times where ChatGPT is like, “I actually prefer Claude’s response for this reason, this reason.” And if I go to Claude, it goes, “I think my response is stronger for this, this, this.” And half the time, it’s the other way.

But it’s actually exceedingly rare that they disagree. They often will say the other’s is better, but they almost always agree with the other’s assessment too, which is fascinating, which is to say you can have models evaluate one another’s work. The other thing, the other huge do, probably the single greatest empirically validated finding is that the best way to get better output from an LLM. is to prompt it with what’s known as chain of thought reasoning, which is to say, tell the language model to articulate its thought process before answering.

And so, humans have this tendency, so do AIs, of what we all know as ex post rationalizing. So, if I ask you, “What’s your favorite color?” You say, “It’s blue.” “Well, why did you say blue?” You go, “Oh, well, I like the sky, and I like the ocean, and da, da.” But if instead, I say, “Hey, tell me how you think about what your favorite color is,” and you go, “Well, I probably think about my favorite things.”

And then I go, “Well, what are your favorite things?” You go, “Well, my wife, obviously, and I think about her eye color, and they’re green. You know, green’s my favorite color.” “Well, is it blue or is it green?” Actually, and for me, even as I think through that thought exercise, green, emphatically. I take my wife’s eyes any day over the sunset. That’s a no-brainer, right?

Well, similarly, language models do the same thing. If you ask it for an answer, and it says blue, and then you go, “Why did you say blue, ChatGPT?” it will ex post rationalize. And blue is very subjective, but even with things that are objective, more objective, it will ex post rationalize its answer. If, however, you say, “Hey, before you answer the question, would you walk me through how you’re going to think about solving this problem?” It will articulate its answer and it arrives at, from a research perspective, empirically better, more valid, more cogent, etc. responses.

And the reason it does so is because of how language models work. They aren’t premeditating their answers. So, what it’s not doing, as Pete asks a question, and then it thinks of its answer and writes it out. That’s not what happens. What happens is Pete asks a question and it reads the question and says, “What’s the first word of the answer?” and it says it.

And then it reads your question, and the first word it thought of, and says, “What’s the second word?” And then it reads your question and its first and second word, and thinks, “What’s the third word?” So, it’s not premeditating responses. It’s, literally, only predicting the next token. And so, when you ask it for an answer, the only thing it’s predicting is its answer.

If, however, you ask for reasoning and then answer, it first next token predicts reasoning, and then it incorporates the reasoning that it has articulated in its response, which results in a much better response because it’s not only considered your question, but it’s also considered reasoning first. And as a user on the other side of the collaboration, what that enables you to do is not only, one, get better responses, but, two, you can interrogate its reasoning too.

And you can say, “Actually, it’s not that I have a problem with your answer. I have a problem with how you approach the question. I actually think you should do this.” And then you can guide its reasoning path because you’ve asked it to make its reasoning explicit. Those are the two probably biggest do’s, I would say, when you ask for do’s and don’ts.

Pete Mockaitis
That’s cool. And it sounds like the key is that you ask for it in advance as opposed to, “How did you come up with that?”

Jeremy Utley
Yeah, exactly. That’s ex post rationalizing. It will give you a great answer. It’s a sycophant. LLMs have been programmed to be helpful assistants. And when you realize what that means, it’s a euphemism for suck up. So, if you ask it what it thinks, it’s going to say, “I think that’s a really great idea, Peter.” But if you say, “I don’t want you to compliment me. I want you to be brutally honest. Don’t pull any punches,” like, you got to really ask an AI to level with you to get honest feedback.

When you’re aware of that, it influences how you collaborate with the model, which goes back to the question earlier about idea flow. It’s recognizing your own, I mean, there are limitations to the technology, but a lot of times the truth is we want a suck up. I don’t want to hear how my first draft sucks. I want to hear, “Actually, you don’t need to do any more work. You go have a coffee.” That’s what I want to hear.

And if I don’t realize that the model has been trained to be a suck up, I ask it, assuming I’m getting the truth, and then when it tells me I’ve done great work, I say, “Well, let’s take a break, boys. We’re all done here.” Whereas, if I realize, “You know what, unless I really push it to give me straight feedback, it’s probably going to tell me I’ve done a great job. And I know my human cognitive bias is to overweight the response that I did a great job, and to underweight…” So, you have to understand yourself. In a way, the key to good human-AI collaboration is to really understand our own humanity.

Pete Mockaitis
That’s powerful. Thank you. And now could you share a favorite quote, something you find inspiring?

Jeremy Utley
One is Thomas Schelling, Nobel Prize winner in Economics, who said, “No matter how heroic one’s imagination, a man can never think of that which would never occur to him.”

The second quote that I love is Amos Tversky, Danny Kahneman’s lifelong research partner, who died prior to receiving the Nobel Prize. But Amos Tversky was once asked how he and Kahneman devised such inventive experiments. And he said, “The secret to doing good research is to always be a little underemployed.  You waste years when you can’t afford to waste hours.”

Pete Mockaitis
Awesome. All right. And a favorite study or experiment or bit of research?

Jeremy Utley
I think there’s a great one that I always come back to called the creative cliff illusion, which is conducted by Nordgren and colleagues at Toronto, I want to say. You can look it up, creative cliff illusion. But the basic idea is when they ask participants what their expectations of their creativity over time were, there is an illusion that one’s creativity degrades to a point that reaches a cliff where it almost asthmatically falls off. And people’s, their expectation is, “I’m just going to run out of creative ideas.”

The paper is obviously called the Creative Cliff Illusion because then, when they test people, it’s not true. They don’t run out of creative ideas. They, actually, their creativity persists. And my favorite part of the study is the shape of the creativity, over time, the variable that it’s most highly correlated with, i.e. “Does creativity dip or does it increase?” because it does increase for some people. The variable that determines the shape of your creativity over time is actually your expectation.

So, if you expect that you will keep having creative ideas, you do. If you expect you will cease having creative ideas, you do. And so, that to me is just totally fascinating.

Pete Mockaitis
Totally. And a favorite book?

Jeremy Utley
I love Mark Randolph’s book about the founding of Netflix called That Will Never Work. It’s a fascinating story about entrepreneurship, about grit and perseverance, and about ideas. And there’s a lot of very practical takeaways about the importance of experimentation in finding product market fit and succeeding.

Pete Mockaitis
All right. And a favorite tool?

Jeremy Utley
I’ve got an electric chainsaw, and I love tromping around the woods, just chainsaw in hand, like, just in case I need it. It’s just so fun.

Pete Mockaitis
Awesome. And a favorite habit?

Jeremy Utley
NSDR, non-sleep deep rest protocol, Andrew Huberman. It’s, basically, laying down and becoming totally still, not for the purpose of sleep, necessarily. It’s okay if you do sleep, but it’s not in order to sleep, but to facilitate neurological replenishment, connections between neurons, and codification of memory. And I try, if I can, to NSDR once a day.

Pete Mockaitis
Okay. And is there a key nugget you share that seems to really connect and resonate with the folks; they quote back to you often?

Jeremy Utley
I talked earlier about the value of variation in one’s thinking. And the truth is ideas are naturally occurring phenomena, which is a nerdy way of saying they’re normally distributed. So, you got some really great ideas, very small, it’s a bell curve, right? You got a lot of ordinary ideas and you got some stupid ideas. Steve Jobs called them dopey ideas. He regularly shared dopey ideas with Sir Jony Ive.

Taylor Swift says, “It’s my hundreds or thousands of dumb ideas that have led me to my good ideas.” You got dopey or dumb on one side of the spectrum, you got delightful on the other side of the spectrum. The quote that I often say that people remember and resonates, and they take with them is, I tell people, “Dopey is the price of delight.”

The only way you get good ideas is by allowing yourself to have bad ideas. And the reason most people don’t have better ideas is because they won’t allow themselves to have worse ideas.

Pete Mockaitis
Okay. And if folks want to learn more or get in touch, where would you to point them?

Jeremy Utley
JeremyUtley.design And LinkedIn, I’m happy to chat with folks on LinkedIn. My website, JeremyUtley.design, I’ve got a newsletter folks can subscribe to. I’ve also got an introductory AI drill course where you get two weeks of daily drills for, you know, they say you need 10 hours of practice with AI to start to become fluent. This gives you daily practice to get your first 10 hours under your belt.

Pete Mockaitis
Okay. And a final challenge or call to action for folks who want to be awesome at their jobs? Sounds like we just got one.

Jeremy Utley
To me, it’s very simple. Do one thing you heard here.

Pete Mockaitis
Okay. Jeremy, this is fun. This is fascinating. Thank you. And keep up the awesome work.

Jeremy Utley
Thank you. My pleasure.

918: How to Think and Innovate Like a Genius with Paul Sloane

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Paul Sloane discusses how to become more innovative and effective by adopting different styles of thinking.

You’ll Learn:

  1. The top question to ask when problem-solving
  2. The simple trick for improving your memory
  3. How to build rapport with anyone with one phrase

About Paul

Paul Sloane is the author of many books on lateral thinking and the leadership of innovation.  He graduated from Cambridge University with a degree in Engineering. He had a successful career in sales at IBM before becoming Marketing Director and then Managing Director at the database company, Ashton-Tate. He was subsequently the VP International and CEO of software companies. He now speaks and consults on lateral thinking and innovation with corporate clients.

Resources Mentioned

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Paul Sloane Interview Transcript

Pete Mockaitis
Paul, welcome to How to be Awesome at Your Job.

Paul Sloane
Peter, I’m delighted to be on the show.

Pete Mockaitis
Well, I’m delighted to be chatting and I am excited to hear about some of your wisdom you’ve collected over a whole career with 17 books, talking lateral thinking, being more brilliant. So much good stuff. But first, can you tell us the tale of how you met Mick Jagger and Paul McCartney?

Paul Sloane
Well, no great tale to tell, really. I took my granddaughter to school one day, to primary school, and it was a private primary school in Sussex in England. And as I was walking through the carpark, a man said hello to me, and I said hello back to Sir Paul McCartney, whose daughter went to that same school as well. So, that was good.

And then a friend of mine, he sponsored The Rolling Stones. He worked as a managing director of a big mobile phone company, T-Mobile, and they sponsored The Rolling Stones on some of their major concerts. And we got to meet them, and I shook hands with Mick Jagger. He’s really quite tiny and frail. I thought he’ll never last the concert. And then he came out and he performed, and he was just brilliant. I’ve seen Paul McCartney perform, too. And they’re two of my great heroes.

Pete Mockaitis
Oh, that’s cool. All right. Just right place, right time.

Paul Sloane
Yes.

Pete Mockaitis
That’s cool. Well, now I’m intrigued here. You share some of your best thinking and about thinking. Have you made any particularly striking, surprising discoveries about us humans and how we do our thinking and problem-solving over the course of researching this in your career?

Paul Sloane
Well, I wouldn’t claim anything innovative or profound, actually, but I think that the most important thing I’ve found is that people think in very predictable ways, and they think in grooves, and they tend to use the same kind of thinking, the thinking that has served them well up till then. And I think it’s like a tennis player who’s got a very good forehand but they don’t have a very good backhand or they don’t volley very well. But if they play every shot with a forehand, they can be competitive.

And we’re a bit like that. We might use critical thinking, or we might use logical thinking, but not use creative thinking, or lateral thinking, or emotional thinking. But because we go through life making decisions based on the thinking style which has suited us, we get through it. It’s competent. But if you want to be outstanding, if you want to be an outstanding tennis player, you have to develop drop shots, you have to develop your backhand, you have to go to the net, you have to volley, you have to smash. And you need every shot in the book.

And to be a great thinker, to be a great, really, effective person at work, you need a variety of styles which suit different situations and different challenges. And that’s what I address in my book How to be a Brilliant Thinker. And what I’m really saying is you need to develop your skill at visual thinking, at mathematical thinking, at logical thinking, at creative thinking, at lateral thinking. A whole range of different thinking styles will make you much more competent and effective.

Pete Mockaitis
Okay. Well, could you share with us, perhaps, any interesting studies or data or cases you’ve seen, inspiring tales of folks who have upgraded, transformed their thinking capabilities and seen cool results from it?

Paul Sloane
Well, I’ve got some personal experiences of my own where I’ve changed style, and I deliberately try to enhance that. So, I worked for IBM, I went through IBM’s sales training and management training, and had a successful career in sales and management. And then I got headhunted and joined a software company as marketing director, and I was in charge of a team of bright, enthusiastic, young people but they were chaotic. They were charging all over the place, doing all sorts of undisciplined things. And I thought it was my job to manage that and to bring IBM discipline to the place.

And one day, on a car journey, a managing director who was a very experienced guy, said to me, he said, “Paul, you’re too tough on your people.” I said, “What do you mean?” He said, “Well, you’re telling them what to do all the time.” And I said, “Isn’t that my job?” And he said, “No.” And he was right, and I was being too prescriptive in my approach, and not really empowering people and challenging them to come up with their own solutions.

Whenever somebody came to me with a problem, I’d say, I’d come up with my idea, which was often a good idea, I’d say, “Try this. Do it this way,” and telling them how to do their jobs and, in a sense, micromanaging them, and it wasn’t a good style. You don’t develop people with that sort of leadership management style. And I’d like to think that I changed, and it was like St. Paul on the road to Damascus moment for me, that I realized that I was being too prescriptive, and I needed to be more empowering and trust people.

And if somebody comes to you with a problem, instead of saying, “Here’s what you should do,” the right way to handle it, I think, is to say, “What ideas have you got?” and challenge them to come up with ideas first, and prompt them to think about different approaches and explore possibilities with them. And maybe, eventually, they’ll go with your approach, maybe they’ll come up with a better approach themselves, but that will help develop them.

Pete Mockaitis
Okay. And in sort of the language that you’re using with different styles of thinking, how would you articulate what was your previous thinking approach in those exchanges versus your new approach?

Paul Sloane
I’d say my previous thinking approach was command and control as a style, which is a management style which is effective if you’re running a junior team, an inexperienced team, an ineffective team, people weren’t doing very well, command and control is sometimes necessary. But I think, what I would call lateral leadership is where you don’t lead from the from the front, you lead from the side as a collegial leader, and as a colleague, you empower people and trust them. And if you trust people to succeed, you have to trust them to fail as well, and you have to let go. And that’s a different thinking style and a different management style.

Pete Mockaitis
Okay. Well, could you share with us then what’s the big idea, the core thesis, behind your book How to be a Brilliant Thinker?

Paul Sloane
It’s about that. It’s about adopting different styles, deliberately developing different styles of thinking, and choosing a style which is appropriate for you and for the moment. And to be really successful at work, to get promoted, you need to be good at managing people. And if you’re a very good data analyst, or a very good programmer, you might be using a lot of logical skills, a lot of rational skills, but you’re not using emotional skills to relate to people, and understand them, and persuade them, and motivate them.

And you’ll never get promoted unless you learn those emotional-thinking skills, emotional intelligence, as well as logical intelligence. And if you want to be a successful marketer, you have to use creative intelligence and lateral thinking, to be able to think of innovative radical ideas. So, you need this whole range of skills to develop your thinking, and that’s the basis of the book.

Pete Mockaitis
All right. Well, could you lay out for us this menu? You’ve used a number of different categories or types of thinking: the emotional, the lateral, the creative, the logical. Can you lay out what are the different types of thinking in your typology? And how do you define them? And how do you improve them?

Paul Sloane
So, just to read some of the titles of the chapters, “Consider the opposite,” “Confront assumptions,” “Analyze problems.” So, I built quite a bit of problem analysis, and formal problem analysis, critical thinking, asking questions, thinking in combinations, parallel thinking such as de Bono’s Six Thinking Hats, so parallel thinking technique.

Thinking creatively, thinking laterally, how to think what nobody else thinks, how to evaluate ideas, how to make difficult decisions, how to develop your verbal thinking so you can express yourself clearly, how to develop your mathematical thinking so that you can actually use mathematics as a tool, gets with probability, think visually, develop your emotional intelligence, how to be a brilliant conversationalist is one of the chapters in the book, how to win arguments, how to ponder, how to maximize your memory, how to improve your memory, how to tell stories, how to think humorously.

So, these are some of the chapters in the book I talk about common thinking errors and ways to boost your brain, and games to help you think better.

Pete Mockaitis
Okay. Well, could you share with us perhaps what are the most common and destructive errors in thinking that you see professionals make? And how could we go about preventing that from occurring?

Paul Sloane
Well, there are a lot of errors or a lot of cognitive biases and errors, but I think one of the big things that hold us back is making assumptions. And the lateral thinker challenges assumptions all the time, and the command-and-control leader, the conventional leader, the conventional person makes a lot of assumptions. And the older you are, the more experienced you are, maybe the more intelligent you are, the more assumptions you make every day. And we see it time and time again of people being taken.

Literally, thousands of people lost billions of dollars to Bernie Madoff because they assumed he was a genius, and they assumed that he could give higher than average returns to investors year after year after year, and they made the wrong assumption. People assumed that Elizabeth Holmes was telling the truth when she said at Theranos that she’s got a much better method of analyzing blood, and it was a fraud.

Collin Powell, and the USA, and lots of other countries assumed that Saddam Hussein had weapons of mass destruction, but he didn’t. Wrong assumptions lead us down wrong paths all the time. And lateral thinkers, creative thinkers, endlessly curious and always prepared to ask a question, and to analyze the evidence, and they believe in evidence, they believe in experiments, they believe in real-world data.

They don’t believe in conspiracy theories. They don’t believe in models. They believe in experiments and finding out and challenging assumptions by asking fundamental questions, basic questions, is one of the central tenets of lateral thinking and of my books.

Pete Mockaitis
All right. Could you share with us perhaps a professional example in the workplace where you think this is happening all the time, folks failing to challenge assumptions, and some assumptions that might well need to get challenged?

Paul Sloane
Well, you see it all the time with, and it’s so easy to see in hindsight but when you’re involved in a business meeting, there are all sorts of assumptions going on, and those assumptions frame the whole view of what’s possible and what’s not possible. I want you to imagine that you work for Encyclopedia Britannica and it’s 1990, and you’re in a meeting, and they’re talking about how they can increase sales.

And you said, “Just a minute, let’s look at the assumptions we’re making here. We’re assuming that people want to buy books, and that these books contain curated knowledge, which is provided by experts and edited by experts, teams and teams of experts, and that they’re expensive, and that we go out and sell those books. And we assume that that’s the best model.”

“What if we could create a model which is completely different where we didn’t pay experts at all. We got people to contribute to the encyclopedia themselves, and we got volunteers to edit it, and we gave it away virtually for free?” And if you’d made that suggestion, it would’ve been a career-ending suggestion, I think, with the company because people would’ve been horrified that you even thought that because it challenged all the basic assumptions on which the business was built.

And yet Wikipedia is that model. They don’t use paid experts. They use volunteers to write the articles, and edit, and manage, and curate all of that knowledge and expand it all the time. And it works, and they give it away for free. And that model, a completely different business model, totally destroyed Encyclopedia Britannica’s previously highly successful business model.

If you were working for a taxi company, and thinking, “How can we do things better?” you would never have thought of what Travis Kalanick thought when he said, “Let’s create a taxi company without a single taxi.” It’s an app. And it all does is it puts people together, those who want a taxi ride and those who are prepared to give somebody a ride in their personal car for a small fee. He created Uber which became worth $60 billion, and it’s a taxi company without a single taxi, and it challenged all of the assumptions that taxi companies are based on.

Same with Airbnb. They’re a hotel company that doesn’t own a single hotel room. So, lateral thinkers, creative thinkers, are prepared to challenge the basic assumptions that everyone else in the room takes for granted and assumes is a given and must be obeyed.

Pete Mockaitis
That’s intriguing. In each of these examples, we had an established entrenched player, or system, and then there was an external disruptive force that operated without those fundamental assumptions. And I guess I’m curious, in terms of cognitive biases or whatever the word is at play here, in each of those instances, the folks at the hotel chain, a taxi company, at the Encyclopedia Britannica, have a deeply invested interest in continuing to do things the way they are, “Hey, I have a fleet of taxis,” “I’ve got a beautiful set of many large, expensive, gorgeous hotel buildings,” “I’ve got decades of sales that I’m beholding in my Encyclopedia Britannica.”

And so, in some ways, if they disrupted themselves, maybe they would be in a better position and sort of leading the charge. But how do you recommend when we are entrenched in our ways? And it’s almost like, I think, in many ways, we believe what we want to believe, and we want to believe, at Encyclopedia Britannica, if we’re there at that time, that we can continue doing the cool thing we’ve been doing and keep this gravy train rolling and growing.

And so, how do you think about that, that notion of we tend to believe what we want to believe as opposed to what is true?

Paul Sloane
Well, you’re actually right. We tend to believe what we want to believe, but it’s more insidious than that because the customers mislead you. One of my favorite books is by Clayton Christensen, it’s called The Innovator’s Dilemma. I don’t know if you’re read it, but in there, he says, “What stymies great companies is that they make the mistake of listening to their customers,” and I nearly fell off my chair when I read that because I was always taught that you have to listen to customers, and you have to please customers, and that’s your purpose in business is to find solutions that customers like.

But he gives countless examples, particularly from computer disk drives where the leader at each generation was misled by customers who said, “We like your product. Give us more of what you’re doing, only better, faster, cheaper in green, or in German,” or whatever. Customers always want incremental innovations because they don’t understand radical innovations. A customer will never indicate a radical solution to you.

And if somebody else who comes along with a radical solution, and, initially, the customers rebuff it, and the next time they rebuff it, and then they rebuff it, and then, eventually, they all move over to it. There are some early adopters and then the late majority, and then everyone moves over. And the previous incumbent gets wiped out. But they were doing a single right thing, they were listening to their customers, they were following their customers.

An example I give is this. Say, you were making spectacles in the 1950s, and you said to your customers, “How can we make our service better to you?” They might’ve said, “Well, a scratch-proof lens would be good,” or, “A plastic frame would be good,” or, “A flexible frame,” “A different type of glass,” “A shaded glass.” What would they not have asked for? Not one customer in 10,000 would’ve said, “I want you to create a piece of glass that I stick on my eyeball every morning.” Contact lenses.

Not one customer in 10,000 would’ve said, “I want you to cut through my eyeball with laser beams to change the geometry of my eyeball.” Laser eye surgery. And because you’re thinking spectacles, you’re thinking physical things. The companies that are selling spectacles weren’t selling spectacles, they were selling better sight. And another way of getting better sight is with contact lenses or with laser eye surgery. But no spectacle manufacturer would ever have conceived of those ideas, and no customer would’ve indicated that.

And so, it’s very difficult, and very often it’s the outsider who comes up with a radical innovation. And I’ve written about this many times in my blogs and books that it’s the outsider that tells that.

Pete Mockaitis
Well, that says a lot in terms of, it’s sort of backing up, zooming out, and getting to the fundamentals can help open up a lot of this stuff. In the Encyclopedia, it’s like, “What are we really trying to do here? We’re trying to give people a broad set of knowledge about a broad set of things. Okay. Well, there’s a lot of ways we can pull that off.” Or, “We’re trying to get people from point A to point B.”

Paul Sloane
As you say, you’ve got this inventory, you’ve got all this stock, you’ve got this history, you’ve got momentum, and the question they should ask is, “What is the problem that we are solving for customers? What is the customer problem that we solve? And is there a better way to solve that problem?”

The taxi driver, they’re providing a journey for the customer. That’s what they’re providing. The hotel chain Marriott is providing accommodation for a night. And Encyclopedia Britannica was selling access to knowledge. And in each case, if they thought about that in terms of “What is the fundamental product or service we’re providing? What’s the problem we’re solving for customers?” they might’ve stood a chance, though still unlikely, of conceiving an entirely different way of solving that problem.

Pete Mockaitis
That’s beautiful. Thank you. All right. So, a common thing we got to do is challenge assumptions. One way to do that is to ask big questions about the fundamentals that we’re delivering. What’s another major thinking error that is rampant in professional environments that we should tackle next?

Paul Sloane
Well, another big problem is confirmation bias where we look for evidence that supports our hypothesis, what we believe, and we discount evidence which contradicts what we believe. And we see this time and time again. We saw it with COVID, we saw it with the people who believed in vaccines and don’t believe in vaccines, and the people who believed in lockdowns and don’t believe in lockdowns, and they would find selective evidence that supported their viewpoint.

Occasionally, the people that didn’t believe in vaccines would say, “I heard about a chap, and he took the vaccines, and then he fell very ill, and that shows they’re not suitable.” And it’s one example out of thousands and thousands. So, confirmation bias where we look for evidence that confirms our beliefs, and we don’t allow our beliefs to be challenged. The question I often ask people is, “When was the last time you changed your mind on a really serious issue?” And most people don’t change their minds ever.

They might change their mind as they say, “What meal are we going to have tonight?” but they don’t change their mind on a big issue, “Are we supporting the Democrats or the Republicans?” They’re tribal. And once you get into one of those groups, then they go to websites and media sources which support a certain viewpoint, and they don’t absorb information from other websites or media sources, which would challenge their viewpoint. And that is a great enemy of thinking, and of diversity, and of innovation.

Pete Mockaitis
Okay. So, confirmation bias is all over the place, it’s problematic. How do you recommend we combat it?

Paul Sloane
By asking questions, by deliberately being open minded, and force yourself to be open minded. I gave a TEDx Talk on “Are You Open Minded?” And if you go on YouTube and search for Paul Sloane TEDx, you can see it. It’s only 13, 14 minutes but it’s had a tremendous number of views. And in it I talk about this whole concept of everyone thinks they’re open minded but most people aren’t. Nearly every one of us has blinkers, to some extent. And I talk about ways to tackle it.

And one way to tackle it is to deliberately go to the opposite end of the spectrum. If you normally watch CNN, watch Al Jazeera instead. If you normally take The Times in England, take The Guardian. So, deliberately go to channels and speak to people who will give you a different perspective. So, that’s one of the approaches.

And another is to just do something different every day to deliberately break the routine, whatever routine you’re in, whether it’s the way you go to work, or where you sit, or whatever you do, deliberately do something different. Introduce the random deliberately into your life. If you go on Wikipedia, and you look on the left, there’s a random article of the day. If you go there, you’ll learn something new that you didn’t know, and it will give you a slightly different view of the world.

So, there are these techniques that you can use in terms of deliberately displacing yourself. You tend to mix with people who are like you. I said to my wife the other day, I said, “I met an interesting new chap at the golf club.” And she said, “Let me guess, is he white?” “Yes.” “Is he your age?” “Yes.” “Is he a golfer?” “Yes.” “Is he middle class?” “Yes.” “He’s not new. He’s exactly like you.”

And she’s right. I’m mixing with people who are like me. And you’ve got to deliberately step outside that comfort zone sometimes and mix with people who aren’t like you in order to understand their perspective of the world.

Pete Mockaitis
Okay. One of your chapters, you talk about thinking humorously. What’s the value in that? And how is it done other than just, well, laugh?

Paul Sloane
Well, humor breaks barriers, and humor is very useful. In my talks, I do a lot of serious talks, but I very often start with a joke or I put some humor into the talk in order to leaven it, in order to lighten it, in order to have some light and shade. Because if you just concentrate on the heavy serious stuff all the time, it’s oppressive for the audience. And if you can mix in a little bit of humor, it makes you relatable.

And as a person in the office, it makes you more popular. As a manager, if you use humor, but not sarcasm, not cynicism, but if you use gentle humor, it makes you more interesting and approachable, and I think humor is a very useful thing in life, and it can diffuse tension in a lot of situations as well.

Pete Mockaitis
Okay. And any pro tips on how we go about thinking more humorously?

Paul Sloane
Some people say, “I can’t tell a joke.” But everyone can tell a joke, and everyone can learn some funny things, and everyone can read humorous articles and humorous writers, and learn some of the techniques that they use in order to just put a little bit in there. And the people you follow on Twitter or Facebook, there are some people who are witty and write funny things, and some people who don’t and write very dull things.

So, focus on the people who are interesting and witty, and sometimes repeat some of the things they say, but give acknowledgements, say, “I read this today, and so and so said this,” and then repeat a witty from someone else. You don’t have to be original. You don’t have to come up with all the jokes yourself in order to be a funny person.

Pete Mockaitis
All right. And one of the ways you mentioned thinking was visually? How is that done?

Paul Sloane
Well, some people are visual thinkers. They think in terms of pictures. And one of the exercises I do in my workshops where I run a brainstorm is the random word. And you have a challenge, whatever the challenge is, “How can we improve productivity? How can we cut the project lead times? How can we save costs in terms of our recruitment?” whatever it is, and then you take a word at random from the dictionary, and then you get some associations of the word. And then you try and force an idea based on the word which would solve the problem.

And you’ll come up with a stupid idea, a stupid idea, a stupid idea, and then, occasionally, you come up with a really creative idea. And people don’t believe that until they see it and it works. And I demonstrate it in my TEDx Talks, so that’s another reason to watch that on YouTube. But you take the dictionary, you open it at random, and you just take that random noun, and off you go. And if the one word doesn’t work, you just go on and find another one, and you’ll never run out of words in the dictionary.

Now, that method works but sometimes I do it with pictures instead. I take random pictures: a picture of a cathedral, a picture of a candle, a picture of a dog, a picture of a polar bear, a picture of an iceberg, a picture of fun fare, anything, and I got a whole range of random pictures. And then you put the random picture up, and you say, “Right. What ideas does that picture give you in terms of this challenge?” And some of it works much better with a picture than with a word. Some people work verbally and some people work visually.

And I think if you choose those different styles, and you try thinking in pictures, thinking in cartoons, thinking in storyboard in terms of something written, it can sometimes be much more powerful and a much better way. If you’re trying to communicate ideas, then words are fine and PowerPoint is fine, but images can be so much more powerful. And images, people like video, they like image, and it can be a much more effective way of getting a message across. So, if you’re not using visuals at the moment, visual thinking, then you’re missing a trick.

Pete Mockaitis
That’s clever and I like the random prompt, like a dictionary word or previously the Wikipedia random article. I’m thinking about if you want images, I guess you could go to Google and I’m Feeling Lucky, and then images, and you’ll get any number of things.

Paul Sloane
Exactly right. You will.

Pete Mockaitis
All right. Well, you’ve got one of your final chapters, Games for Brilliant Thinkers. I like games. What do you recommend?

Paul Sloane
Oh, I love all sorts of games, and some games are very logical. I play chess very seriously. I like chess, that’s very analytical and logical but I like lateral thinking games. There’s a game called Codenames where you have to find connections between words to suggest links to your partner in that game. That’s very good.

I like Sudoku. I like Monopoly. I like Cluedo. I like all of those, but a whole range of games. Poker is a great game too, though it’s a dangerous game because you can lose a lot of money at it. But all of those things are great, I think. Let me see, what did I say in terms of games for thinkers? I said Chess, Scrabble, Monopoly, Bridge, Cluedo, Backgammon, Poker, Dingbats, or Rebuses, as they’re called. Riddles are visual word puzzles. Articulate!, Trivial Pursuit, all of these are good. Pictionary, Charades is a lateral thinking game. We have to think of strange connections to get your message across.

And, of course, lateral thinking puzzles of which I’ve written several books, of lateral thinking puzzles, and they are things where you get strange situations, and then you have to ask questions, and you get yes or no answers from somebody who knows the answer. And that forces you to think laterally because, typically, you get stuck and, typically, you make the wrong assumptions. And it’s those wrong assumptions that hold you back so you have to test all your assumptions with the questions you ask in a lateral thinking puzzle.

Pete Mockaitis
All right. And you also have a chapter called Maximize Your Memory. Tell us, how is memory still important nowadays with all of our technology, and resources, and AI, and Google Searches, and Wikipedias?

Paul Sloane
Well, you’ve got access to all those things but when you meet somebody, an employee at work, you need to remember their name, and you need to remember their wife’s name, if they work for you, or their partner’s name, and maybe their children’s names, and some issues, things that are important to them, and you can’t just go to your phone and look it up. So, remembering people’s names, have you read How to Win Friends and Influence People by Dale Carnegie?

Pete Mockaitis

Yup.

Paul Sloane
It’s a classic book in 1930s. And one of the things he said is, “Use people’s names.” And what I would recommend to you, Peter, is that you use people’s names, and people like to hear their name. And that’s an example of something memory is really important, and you need to work on memory. There’s lots of minor things you can write down but there’s some important things you have to remember, and the techniques,

You’re driving along, suddenly you think of something, an urgent job you’ve got to do when you get to the office, you need a way of remembering those, and that’s one of the techniques I teach in my memory course, which I do, where you make a huge visual story about the things you’re trying to remember, and you exaggerate them, and you make them very vivid and very colorful and very dramatic. And then you can remember that story when you get home, and you can remember to do those things, which would otherwise just go straight out of your mind.

So, memory is important and everyone wants a better memory, and people always complain, as they get older, their memory is going and all the rest, but we can all memorize a lot more and remember a lot more things, and I show people different ways to do this with memory pegging and the virtual journey. So, when I give a talk, I’ll stand up and speak for 40 minutes at a conference without notes but I’m doing it with a virtual journey where I go through a particular route.

And in each place on the route, I’ve posted a picture, or a person, or an image of something which I want then to talk about. And I take that journey and I remember the items. The virtual journey is one of the techniques which I describe in the book and on my workshops.

Pete Mockaitis
All right. Well, Paul, tell me, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Paul Sloane
Well, there’s a couple piece of advice I would give to people, to your listeners, and a powerful piece of advice which I wish I’d known sooner. Here’s one, and this is a phrase which you can use to get people to like you, and it works. It works with any person at any level in the organization. You’ll get your boss to like you, you’ll get your coworkers to like you, you’ll get your kids to like you, you get your partner to like you. And this is the magic phrase. Are you ready?

Pete Mockaitis
Yes.

Paul Sloane
What you say is, “What I really like about you is…” Now, even if there’s 10 things you don’t like about your boss, there’s something about him or her that you like. You have to admit they’re really good at this. So, you say, “What I really like about you, Peter, is you’re always clear and to the point,” or whatever it is.

People like to be praised, and you can always find something good about anybody. So, if you say that, it’s demonstrated that people’s opinion of you goes up. They like you more. They’re softened to you. They’re warm to you. So, the next time you’re with somebody and you want to just improve your relationship, say honestly, and you can always do this sincerely because there’s always something about somebody, no matter how strange or odd they are, there’s always something about them that they’re good at.

And say, “What I really like about you is X.” So, that’s one tip I would give you. Another tip I would give, if you’re a manager, and this is so powerful, it’s wonderful, I was taught this on at one stage and it made a big difference, and it works for a manager, in particular, but it will also work for anybody. If you’re manager, you take your staff one by one, and you sit down with them, and you say, “I’m going to ask you two questions and I want you to give me honest answers here.” And they say, “Yes, fine. I’ll do that, boss.”

And you say, “Here’s the first question. What am I good at?” And, typically, they’ll tell you what you’re good at, “You’re very clear and you’re very decisive, and so, and so, and so.” And then the follow-up question, which is the key question, you say, “Where could I improve?” and then you shut up and listen. And you can’t disagree with them. You can’t say, “No, you’re wrong.” You could say, “Give me an example. Give me a for instance,” but you listen and you say thank you.

And because you’ve asked them the first question, what you’re good at, then it enables to answer the second question. If you start with the second question, it doesn’t work because they’re inhibited from giving you any criticism. People don’t like criticism. But because you’ve asked the first, they can balance it by saying, “Well, an area you could improve is X, Y, Z.” If you it with all your people and they come up with similar areas you can improve, you’ve learned something very, very valuable because you’ve seen something about yourself that, otherwise, you would never see.

Pete Mockaitis
All right. Well, now could you share a favorite quote, something you find inspiring?

Paul Sloane
Peter Drucker said this, and I sometimes open my talks with this. He said, “Every organization must prepare for the abandonment of everything it does.” And he said this way back in the 1960s or ‘70s, and he didn’t say every organization has to improve or have to change a bit. He said, “Every organization must be prepared to abandon everything it does.” And that is so powerful, I think, and so challenging for many people to take that on board, that I think that’s a very, very powerful quote.

Pete Mockaitis
All right. And could you share a favorite study or experiment or bit of research?

Paul Sloane
Well, I would say Clayton Christensen’s The Innovator’s Dilemma, and the research he did there is very powerful, which shows how leading companies miss innovation because they are so committed to their existing methods and their existing customers. And he brings forth a lot of evidence to support that in his book.

Pete Mockaitis
All right. And a favorite tool, something you use to be awesome at your job?

Paul Sloane
I would say de Bono’s Six Thinking Hats is one of my favorite management tools because it forces you to consider a proposition from several different perspectives, six different perspectives, it’s with the six hats. And it overcomes the big problem we have in meetings, which is “I like my idea. I don’t like your idea,” and the “I am right, you are wrong” thinking.

And with de Bono’s “Six Thinking Hats,” everyone is forced to look at the thing, the proposition, from six different perspectives, including the yellow hat where everyone has to say what’s good about the idea. Even if you think it’s a lousy idea and it comes from your worst enemy in the whole organization, you have to say, “Well, it would do this. I have to admit, this is a benefit we’d get from it.”

And then the black hat, where even if it’s your idea and you love it, and you think it’s a great idea, you have to find fault with it, and you say, “Well, one drawback or one danger would be this,” and everyone has to wear the same hat at the same time. And as a thinking tool and a management tool, and a tool for improving decisions in meetings, it’s immensely powerful.

Pete Mockaitis
Okay. And is there a key nugget that you share that really seems to connect and resonate with readers and listeners, they quote it back to you often?

Paul Sloane
One of my favorites is “Implementing best practice is copying yesterday. Innovation is inventing tomorrow.” That’s one of mine. “Beware of successes. It’s a terrible teacher” is another one. I would say, “Ideas are the lifeblood of the organization. Don’t be the clot who blocks the flow of ideas.” And there are many people who block ideas and say no to ideas very quickly because most really clever original ideas sound crazy when they’re first articulated. So, there you are, three.

Pete Mockaitis
All right. And if folks want to learn more or get in touch, where would you point them?

Paul Sloane
Well, I’m on Twitter @PaulSloane. I’m on LinkedIn, you can find me, Paul Sloane. My website is DestinationInnovation.com. And if you just type in DestinationInnovation.com or Paul Sloane TEDx, you’ll see my TEDx Talk, and I’m on Amazon as well, of course, so you can find my books on Amazon.com or any other Amazon.

Pete Mockaitis
All right. And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Paul Sloane
Well, I would share with you the best piece of leadership advice I ever got, and this is so powerful. This is worth the price of admission on its own. This is just seven words and it’s really, really important for leaders but it also applies at other levels of the organization but particularly for leaders. And it goes like this, “Only do what only you can do.”

There are certain things that only the leader can do. Only the leader can praise people in the group, only the leader can hire new people, only the leader can work on strategy and direction. And there’s lots of other things which, as a leader, I was spending time on – firefighting and fixing problems, and things I should’ve delegated, and things I should’ve just ignored, and focus on the leadership tasks only.

And if you focus on the things that only you can do, then they’re the most important things that you should be focused on. So, only do what only you can do. And that applies whether you’re an artist, a musician, a creator, anything else, but particularly if you’re a leader.

Pete Mockaitis
All right. Paul, thank you for this. I wish you much fun and brilliant thoughts.

Paul Sloane
Pete, I’ve enjoyed it, and we could go chatting forever but, yeah, I really enjoyed it.

900: Six Mindsets For Thriving in Uncertain Times with Charles Conn

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Charles Conn shares how to be strategic and make breakthroughs when things are uncertain.

You’ll Learn:

  1. How talented people unknowingly self-sabotage
  2. The simple question that leads to clever breakthroughs
  3. How to communicate your ideas so people will care

About Charles

Charles Conn is an investor, environmentalist, and entrepreneur. He is co-founder of Monograph, a venture firm, and was previously CEO of the Rhodes Trust in Oxford. He is Board Chair of Patagonia and sits on The Nature Conservancy European Council. He was founding CEO of Ticketmaster-Citysearch, and was a partner at McKinsey & Company.  He is a graduate of Harvard, Oxford and Boston Universities.

He is co-author with Robert McLean of Bulletproof Problem Solving: The One Skill That Changes Everything, published with Wiley in 2019, a best-seller now in six languages, and The Imperfectionists: Strategic Mindsets for Uncertain Times, 2023.

Resources Mentioned

Charles Conn Interview Transcript

Pete Mockaitis
Charles, welcome to How to be Awesome at Your Job.

Charles Conn
It’s great to be here, Pete. Thanks for having me.

Pete Mockaitis
Well, I’m excited to dig into your wisdom and the book, The Imperfectionists: Strategic Mindsets for Uncertain Times and general problem-solving wisdom you have to share with us but, first, I’m curious, so you’re the board chair of Patagonia. I’m imagining that you’re an outdoorsy person then. Is this fair to say?

Charles Conn
Yeah, my big passion is to spend time outside.

Pete Mockaitis
Are there any particularly memorable tales of outdoor adventures that leap to mind?

Charles Conn
Yeah, I have explored on several occasions the very upper regions of the Skeena River in British Columbia which runs almost the entire length of the province, and goes from these incredibly beautiful mountains, all the way down to the sea. That one is deep in my heart.

Pete Mockaitis
That’s beautiful. And have you ever had any brushes, close encounters with death in your adventures?

Charles Conn
Yes, on several occasions, once involving a landslide and also, in northern Canada, this time on a lake called Mistassini in northern Quebec, and a couple times in boats.

Pete Mockaitis
Hotdog. And what does that do for you, like, internally and how you view the world and your priorities?

Charles Conn
That’s a good question. I think it sharpens you up on what’s important and makes you focus on not all the little things that are the day-to-day but on the bigger things that actually matter.

Pete Mockaitis
Well, I think we’re talking about something that matters a whole heck of a lot in terms of strategic mindsets and problem-solving. Could you kick us off by sharing a particularly surprising or counterintuitive discovery you’ve made about mindsets and problem-solving and such while putting together The Imperfectionists?

Charles Conn
I think perhaps the one that’s hardest for people to get their own heads around is to be comfortable with the idea of collective intelligence or outsourcing wisdom, whether that’s outsourcing it to ancient wisdom, or outsourcing it to artificial intelligence swarms. It’s very hard for people to think that they don’t have everything inside themselves. But, of course, we don’t and we can’t.

Pete Mockaitis
Well, now, what I find counterintuitive is that people find that counterintuitive, that’s so meta. Maybe I’m humble or just a dummy but I’m thinking, “Of course, I don’t have the answers.” And, in a way, that’s kind of a relief. I’m not on the hook, on the spot, expected to. Can you dig into this mindset a little bit?

Charles Conn
Yeah, I think what happens in big organizations, and you’ve worked for fancy consulting organizations, people, over time, sort of overcome that natural humility that you just described and begin to think that their organizations can do remarkable things. And it’s that idea that… you remember Enron, they thought they were the smartest guys in the room.

And that kind of idea, like the arrogance of thinking, “We’re the smartest guys in the room, and, therefore, all of the pieces of the solutions to the problems that we’re trying to solve can be found here,” is a fundamental delusion that especially talented people tell themselves.

Pete Mockaitis
Okay. Well, good to know that that is widespread. And I guess that kind of hits me interestingly because I’m thinking about, boy, there was a quote. I got to get this guy on the show. I think he was in the Bush cabinet, he said, “Some people are more certain of everything than I am of anything.” That is exactly how I feel all the time because people will say things with such definitive language and tone of voice and use the word obviously, it’s like, “Oh, it’s obvious.”

And I was like, “I don’t know. I’m not so sure that that’s the case.” And, occasionally, they’re just dead wrong. And so, I’ve sort of had to, in my mind, mentally attach a disclaimer to all things being shared in general casual conversation.

Charles Conn
And don’t you find, as we get older, that instinct to humility should get stronger and often it doesn’t?

Pete Mockaitis
Well, I think so.

Charles Conn
And that’s what makes someone boring, right, that they’re confident that they know everything there is to know and they’re not open to new mindsets and new ways of seeing things, new lenses.

Pete Mockaitis
Certainly. And I think about just how many times I’ve been dead wrong about things, so it’s, like, I have evidence to suggest that it’s quite probable that I may be mistaken about something, especially with my first impressions pre-research.

Charles Conn
When we’re young, we often have that kind of confidence, never in doubt, occasionally correct. Hopefully, the world gives us the evidence that you just described. Usually, it does.

Pete Mockaitis
All right. Okay, so there’s something surprising that popped up. Could we maybe zoom out and hear kind of the big picture or the thesis behind the book The Imperfectionists: Strategic Mindsets for Uncertain Times?

Charles Conn
Yes. So, here’s 30,000 feet on it. There’s always this sense that the world’s getting faster and faster, and now it really is. There’s objective evidence with the amount of new data that’s being produced every day, the impact of artificial intelligence, computational biology, robotics. It’s a blur. And no young people today can look at their parents or their grandparents’ careers and think, “I will have something like that.”

This idea that you could gather a body of knowledge, in high school or university, and then put that to work over 40 years, if it ever really did hold, certainly doesn’t hold now. And that creates a feeling of anxiety and anomie, and you see this a lot in young people. There’s an epidemic of anxiety and also depression because of that sense that we’re unmoored.

And my sense is that, instead of looking for perfection so that we know all of the moving parts and we can confidently solve the problems in our lives, that we should actually let go of that idea, and we should lean into the risk and uncertainty that the world is delivering up to us by using some mindsets that actually tame that or make sense of it for us. So, that’s the 30,000 feet of what the book is about.

Pete Mockaitis
Okay. Well, there’s so much great stuff to dig into here. So, let’s hear about the anxiety and depression coming from a sense of being unmoored. Can you expand on that?

Charles Conn
Yeah, I think the way we’re all taught to think about our lives, and companies are taught to think about strategies, to think that there’s a structure out there that you can understand, markets have structures, lives have structures, and that there are agents that operate within this structure. And if you do some thinking about what their incentives are, you can actually deduce what the right strategy for you is. That’s a very standard model of strategy sometimes called structure conduct.

And I think the world that we operate in now, that structure is changing so quickly that understanding the rules or dynamics of how agents will behave in those fluid structures has diminished or gone out the window. And that leaves many people who are looking for structure conduct rules feeling anomie. And in the businesses that we all operate in today, compared to the past, you don’t even know who the disruptive entrant is going to be to your nonprofit or to your business. Maybe one of these super competitors like an Apple or an Amazon who you don’t even think of as operating in your sphere.

And I think that creates a kind of a feeling of uncertainty in a world that’s changing quickly that makes many people freeze, paralyzed, or makes other people leap before they look, both of which are pathological responses to uncertainty.

Pete Mockaitis
Okay. And just a definition check for anomie. What does this word mean?

Charles Conn
So, anomie is this sister to entropy, the idea that we’re lost in a world where there’s no meaning and no touchpoints or milestones.

Pete Mockaitis
And so, I can see how depression or anxiety, might be in the sense of, ‘Oh, this is solvable but I just can’t so I guess I’m no good” is one direction versus anxiety, like, “Ahh, there’s nothing to hold on to.”

Charles Conn
“I don’t know what to do.”

Pete Mockaitis
And it’s freaky. Okay.

Charles Conn
Exactly.

Pete Mockaitis
And so then, you say if we let go of this notion and that there are structures, this is solvable, etc., that we can feel liberated from that.

Charles Conn
That’s right. It doesn’t mean we just sort of lean into anomie. It means we actually have some tools that are well within our capabilities to make sense of this faster-moving world. The fact that we don’t have simple structure in conduct doesn’t mean there isn’t structure in content. We can actually learn the game that’s being played. It’s just the rules are changing and it’s unfolding quickly so we need an orientation toward uncertainty and change, which helps us gather information to make good decisions and to be successful even when things are changing quickly.

Pete Mockaitis
Okay. Well, so this sounds super beneficial, we can let go of some of that anxiety and depression. And what are some of the other benefits associated with mastering these skills and mindsets?

Charles Conn
So, I think you said mastery, and I think a feeling of mastery, even in a world when things are changing, a feeling, a quiet confidence that even when things are changing, you can actually chart a course that makes sense, not a course without mistakes because mistakes and learning from mistakes are a critical part of this framework for getting comfortable operating in this world of change.

Pete Mockaitis
Okay. And could you share a cool maybe case study of someone who felt some of these challenges and adopted some new approaches and saw cool results?

Charles Conn
So, I think the very most important mindset will sound incredibly obvious but I think it’s actually really profound, which is curiosity. Humans are pattern recognizers when we’re young. We look for patterns that help us make sense of the world. And then, as we get older, we become pattern imposers so that we can make sense of confusing things.

The problem with pattern imposition is we often get it wrong. This is what Daniel Kahneman wrote about when he wrote about all the cognitive errors that humans do in Thinking, Fast and Slow. If we can stay curious even as we get older, we can actually be open to learning in this world that’s going faster and faster. And I’ll give you two little case studies.

One is Nespresso. So, everybody knows what Nespresso is. It was created by Nestle, which is one of the world’s biggest food companies, the biggest producers of coffee. Nestle had a young engineer, his name was Eric Favre, and he happened to be with his wife visiting Rome. And he was standing there thinking he wanted a coffee, and he noticed that there were a whole bunch of coffee shops in Rome, and only one of them had a queue out the door.

And instead of thinking, “Well, I don’t want to stand in that queue. I got to go with this one,” he said, “I wonder what’s going on here? Why are people queueing outside the door?” And the name of the coffee shop was Sant’Eustachio, so he waited in the queue, and he went inside. And there was this whole barista in there called Eugenio. And he thought the machine was broken so he was pumping the espresso machine and putting extra bars of pressure into everybody’s coffee.

And the result was this incredible thick crema on the top of everybody’s coffee, and that’s why people were waiting. And Favre’s curiosity didn’t stop there. He obviously enjoyed the coffee, but he went away and he thought, “I wonder how we can make that, give people that experience, that actual experience of being in a Roman coffee shop in their home?”

And he tinkered and experimented, he was actually a rocket scientist, and he figured out how to create pressure via the machine, what we now think of as a Nespresso machine and a Nespresso capsule, so that you can produce that wonderful thick crema in your coffee at home. It took eight years to do it. Nestle gave him the time and the space to do it, and he created a business that does about 10 billion a year in revenue, all from curiosity.

Pete Mockaitis
Absolutely. And I think that line, that really is where the rubber meets the road when it comes to curiosity. It’s like, “Are you impatient, in a rush, need to do what’s latest and loudest and now, now, now? Or are you like, ‘Hmm, what’s that about? It’s going to take more time and maybe be kind of annoying but let’s go with it, see what happens here’?”

Charles Conn
Right. And in this world, this feeling of anxiety that we’ve got to just to keep our nose at the coal phase, we often let those experiences pass by, and those are the experiences that give us insights that actually give us that feeling of mastery and confidence when things are changing quickly.

Pete Mockaitis
Okay. And so then, when it comes to the mindset of curiosity, what do we do with that sort of actionably, “Just be more curious”?

Charles Conn
Well, yeah, so that doesn’t sound right but the truth is we can put it into practice by stopping to notice. And that thing, as kids, we always ask the question “Why?” In fact, there’s all this research, kids ask something like a hundred questions an hour. It’s incredible. And what they’re doing is trying to find patterns that make sense.

And when they eventually learn how to tie a shoelace with a double bow, that problem is solved and they become a pattern imposer after that, “This is how we tie a shoe,” they learned an experiment of how to tie their shoe. How can you leave open that childlike way of asking why. Eric Favre stood there on the cobblestones of Rome, and asked, “Why?” And I do think curiosity can be as encouraging, or spurring curiosity can start with putting questions when we see phenomenon that we don’t immediately impose a pattern on.

Pete Mockaitis
And so, we just ask why about anything and everything that pops on up.

Charles Conn
Everything, especially stuff that’s anomalous. So, we tend to look at things that are anomalous, and we put them into the bucket of not an important datapoint because it doesn’t confirm something that we wanted to confirm or that’s natural to confirm. Or, we bucket it very quickly into, “I guess they’re short a barista there, and that’s why there’s a queue.” We use the wrong framing because, and you said it, we’re impatient creatures.

Pete Mockaitis
And so, once we ask why, I guess then the next step is to try to see what’s going on.

Charles Conn
Yeah. Another great case study, which I wouldn’t go into in detail, is how instant photography was invented. Edwin Land, now a famous chemist, was walking around Sante Fe, New Mexico, with his daughter, and he was taking pictures with his conventional film camera. And his little daughter, Jennifer, pulled on his sleeve, and said, “Let me see the picture, daddy.” And he knelt down and he said, “Oh, well, that doesn’t work because we’re exposing a film emulsion to light, then we send that to the drugstore.”

And he stopped himself, and he realized, like, “No, why can’t we see the picture?” And it was his curiosity, instead of just brushing his daughter off, that led him to spend the rest of the day walking around Santa Fe, thinking, “I wonder if I could make the pictures appear instantly.” And he was working with a patent attorney that night, that very night, to develop what we think of as the Polaroid instamatic camera.

Pete Mockaitis
That’s cool. Okay. So, we got curiosity. What’s next?

Charles Conn
So, the next one, I think, is really important. It’s kind of a sister idea is one we call occurrent behavior. Occurrent behavior means what actually happens in the world as opposed to what you wish would happen or think will happen, and for us it means an experimentalist approach. You can see why that’s a cousin to curiosity.

It means instead of accepting existing datasets, you actually create your own data. When you were a Bain consultant, and I was a BCG consultant, one of the first things that they tell you when you started a new piece of work or study or a case, it’s called different things in different places, is you’d look out for the existing datasets that you could purchase or rent so that you can begin to immediately draw insights, but everybody has access to those purchasable datasets, and they don’t represent whatever current reality is because they were collected before.

And an experimentalist or a current behavior mindset says, “I wonder if we can test or taste the market ourselves,” and you can do this in any part of your life, rather than accepting what exists to see if you can generate your own perspective. So, occurrent behavior is trying it. And I think we think of that a lot when we think of internet companies.

So, in internet companies, we think, “Oh, you can just try interface B or interface A, and you can see which one generates more traffic or more revenue.” But you can do this kind of thinking in any business. One of my favorite crazy examples is SpaceX. Whether you’re a fan of Elon Musk or not, what he’s done in only 15 or 20 years with SpaceX is incredible. You had NASA for 60 years sending parcels into space, including people, and during that entire time, they didn’t drive down the cost curve.

In a period of only 15 years, because he was willing to relentlessly experiment, going from sending three or four missions into space a year, which is what NASA was doing, to sending 15 or 20 missions into space a year, which is what SpaceX has been doing, and each time trying something new, including using technologies from the automotive industry, like heat shielding, using innovations like using a basket or a net to catch the nose cone, which is an expensive part that you might otherwise lose, they’ve been able to drive down the cost curve by about 95%, so cutting the cost of sending a kilogram into space from 50,000 to just over 2,000.

It’s remarkable. And it shows that even in the ultimate of heavy industries, experimentation can lead remarkable results.

Pete Mockaitis
That’s good. And when you say experimentation, I’m thinking SpaceX, they’ve had a number of things explode, and I guess that’s part of it.

Charles Conn
Right. And I think this is part of imperfection. Obviously, unplanned disassembly, which I think was the term that they used in a hundred-million-dollar mission is an extreme example of what sometimes comes at a cost. Experiments come with a cost. But there were 20 different things, according to the commentary by SpaceX at the time, that they were trying to experiment with in that launch, and that they learned from, and that they’ll improve from.

In any of human enterprise with relative low cost, in this case, it was relatively high cost, we can generate new data that gives us a better sense for how the world is actually unfolding.

Pete Mockaitis
Well, this is sparking some cool connections. We had Suneel Gupta on the show talking about being backable, and he said one thing that makes you phenomenally persuasive is you have an earned secret. It’s, like, you know something that other folks don’t know, and one of the best ways to do it is just do those experiments.

And then it speaks to fundamental problem-solving process, whether we’re in uncertain times or not so uncertain environments, just that hypothesis-driven thinking approach that we’re into in consulting, is so huge. It’s like, “What must be true for this to be a good move or workout? And then how do we test that?”

And so, just for funsies, could you share with us a couple really cool examples of means of experimenting and testing that are accessible to the typical professional in the midst of problems they bump into?

Charles Conn
So, one is an old story from some friends of mine in McKinsey, which is another firm that I worked at, who were trying to solve a really difficult problem when they were working with the Federal Reserve, which is, “How do you count money?” And this is in the days before counting machines, so in the late ‘70s, they were actually counting money by hand, and they would double and triple count the big bundles of hundred-dollar bills and twenty-dollar bills, if you can believe it, and they thought that that was a far more accurate approach than any other approach.

And one of these clever consultants said, “Hmm, seems like a slow and error-prone approach,” because they would often do tests and find that the counts were off, “Why don’t we weigh the money?” which was a crazy idea. But with a very accurate scale and money at a particular humidity, so specific gravity, weighing is much more accurate than counting, and they were able to demonstrate that.

And I think that’s just one of those really cool little examples, which is exploring your curiosity by doing a mini experiment, in this case, weighing the money, led to kind of a breakthrough how the Federal Reserve thought about counting money. Later on, that was bypassed by great counting machines, but I just think that’s one beautiful example.

Pete Mockaitis
That’s fun and it reminds me of my favorite TV show ever, Breaking Bad, in which they all have to weigh the money, the stacks of it in the storage facility.

Charles Conn
Oh, dear, yes.

Pete Mockaitis
That is a good one. I’d also love your take on experiments about if we have to predict the future. And so, for example, one of my favorite encounters of one of my failures in using good hypothesis-driven thinking was I was exploring making an investment – this was back in the day – in a magazine that went to producers of TV and radio shows, because I wanted to sell a book and associated speaking services, but the price tag for that ad was sort of substantial for me at the time, and I was like, “Oh, is this going to work out?”

“At the end of the day, am I going to recoup more money than I invested in this thing?” And that’s all based on the responsiveness, both of the producers and the consumers listening or watching? I was like, “How can I even know?” And so, I went in the wrong direction, as a consultant, I was like, “Well, let’s just assume this, and this, and this, and this, and this, and make a spreadsheet.” I’m just making up numbers, and I was like, “Well, those numbers seem reasonable. Let’s go for it.”

And it was a total bust, I very much regret that investment. And then months later, I got a phone call from someone, who said, “Hey, Pete, I noticed your ad in this publication. Can you tell me how that worked out for you?” I was like, “Oh, not well, but what I should’ve done is what you’re doing. I had a whole content info of all these people who bought the ad and I could’ve just given them a ring, and say, ‘Hey, how did this work out for you?’ and then I would’ve known and saved some money.”

Charles Conn
And that’s one of those great problem-solving techniques, which is called Occam’s razor, which is a 15th century idea, which is the best solution to the problem is usually one that requires the least assumptions. And you could’ve started with that approach, which is the simplest one right in front of our nose.

And we often, especially clever people, and I think that’s what’s amazing here, is that these techniques are not to help ordinary people behave like clever people. These are techniques that help clever people even more because we’re the worst pattern imposers, the people who are very confident about their abilities.

Pete Mockaitis
Yeah, Occam’s razor or with this book, I think it was called Obvious Adams, the idea was, “Hey, just do the obvious thing in business and it will take you really far,” which, in some ways, is I think is best about AI. And there was a Wall Street Journal article about AI coming up with creative business ideas more so than ten MBAs.

I’m a little skeptical but, either way, I’ve heard elsewhere, it said that AI tends to give you the most obvious answer because it’s like picking the words that are next to other words around this thing, large language models. But that in of itself is super helpful, it’s like, “Oh, yeah, let’s do that obvious thing. That’s pretty handy. Let’s go ahead and do that.”

Charles Conn
I think that’s right. Basic large language models that are trained on the internet, which is the junkyard of HTML that is the internet, are likely to give pretty obvious and not creative solutions. I do think AI trained on better databases, and particularly the kind of underlying databases, can actually generate surprising and sometimes creative outcomes because it isn’t looking to impose a particular pattern. It isn’t working with a set of assumptions the way you and I often do.

Pete Mockaitis
All right. Okay. Charles, well, we talked about curiosity, occurrent behavior, experiments. Is there another key mindset or piece we should dig into?

Charles Conn
So, the other mindset that we think is really powerful, we call dragonfly eye. And the analogy of the dragonfly eye is because they have these incredible compound eyes that have all these different lenses, more than 30,000 lenses, and a couple of different types of receptors that allow them to see almost 360, and also allow them to see spectra of light that no human can see.

We don’t really know how that insect experiences the world but we like this idea, when you’re problem-solving, of making sure to test different perspectives than your own. And sometimes people will call that perspective-taking, so maybe that would be a simpler way of putting it. When you’re solving a problem, remember to step out of your shoes because your shoes are the shoes of the organization that you’re working in, and your particular set of beliefs about how your organization competes in the world.

So, what we’d encourage people to do is see the problem through the eyes of others. So, that might be your suppliers, it might be your employees, it might be from one of your existing competitors, or it might be a perspective like an incipient or potential competitor, and we think that’s a particularly useful lens. So, trying your problem on through the perspective of others, which is a relatively straightforward thing to do, you can workshop this, gives you insights that other people just don’t have. And I’ll give you an example, this one that I love, and done by a friend of mine, is Invisalign.

So, you’re familiar with Invisalign, which are these clear braces that have just taken the orthodontic world by storm over the last 20 years or so. Were those invented by an orthodontist?

Pete Mockaitis
I’m guessing not, but I don’t actually know. Lay it on us, Charles.

Charles Conn
You got it. So, why not? There had been various forms of braces around since actually the time of the pharaohs but the kind of metal tracks that we have today have been around for something like 70 or 80 years. Why is it that orthodontists who get paid so much money to put those tracks on didn’t think of these clear progressive teeth corrections that Invisalign thought of?

It was thought of by two students at Stanford Business School. One of them was a kid who didn’t have the money to get braces until he was in his mid-20s, actually at business school. He was noticing how awkward it felt to have braces as a mid-20s person. He also noticed that, when he got his braces off, that if he forgot to put his retainer in for a couple of days, when he put it in, it hurt, and then it stopped hurting.

And what he noticed, therefore, was that his retainers were also moving his teeth, and he and his colleague, who’s called Kelsey Wirth, thought, “Huh, I wonder if you could do 3D printing, using a hard clear plastic like this retainer, that would move people’s teeth just like the ugly braces do.” They were taking the perspective of a brace patient, or braces user, not the perspective of an orthodontist who was just looking for the technical teeth correction.

With a different lens, they ended up creating a business, a very difficult to do because no one wanted to support them in dentistry, but eventually they got a school of dentistry to help them do the engineering. They got some engineers at Stanford to help them do the 3D printing, and they created a business that’s worth $20 billion market capitalization today, and have totally democratized orthodontics. It used to be just a small group of people who made that money. Now, any dentist can fit it.

So, I think it’s an incredible insight. It came from seeing things through a different perspective that other people didn’t think, and it’s one of the most powerful ways that you can improve your own life, which is to stop and see things through a different perspective.

Pete Mockaitis
So, I get with the Invisalign story that it was an atypical perspective that we wouldn’t expect it to come from. And so, in practice, if we’re trying to take other’s perspectives, how do you recommend we do it? We just ask, “Hey, any ideas for how to correct teeth?” Or what’s the process?

Charles Conn
I love workshops and maybe you do, too. I love getting people in a room. One of the most powerful things you can ever do is get your customers in a room. Never understand why people don’t do that, and whether you work in a nonprofit or for-profit organization, you can bring the people into the room who you’re trying to provide services to, and ask them, “How do you see my product?” and listen to what they’re saying.

Now, sometimes that doesn’t work when the products super breakthrough. In this case, they wouldn’t have told you that they wanted Invisalign. What they would’ve told you is how awkward they felt getting braces, how painful it was getting braces, how they couldn’t wait to get their braces off. So, imagine the original Sony Walkman. A focused group wouldn’t have created the Sony Walkman, they didn’t have it in their minds to do so.

But asking people how they wanted to consume their music, which was increasingly mobile, actually could’ve created the Sony Walkman. And I think that’s the kind of insight that comes from stepping outside your own pattern imposition framework, and thinking about whatever the problem is from the eyes of others.

Pete Mockaitis
I think that’s well said there. What is the Henry Ford quote – “If we ask the customers what they wanted, they’d say they wanted faster carriages,” or something like that. And so, some would say, “Oh, well, customers don’t know. You’ve got to figure it out for them.” But I think that what you’re saying is, within that, it’s like, “Well, you’re getting at something. If the customers say that, then, well, that can spark some things to go forth and innovate.”

Charles Conn
Customers know their pain points and customers know their druthers even if they couldn’t conceptualize the Walkman or Invisalign. So, I’ll give you one more example. The biggest player in cloud computing isn’t IBM, and it’s not Microsoft. Why? Because they didn’t get the idea first. Someone else got it first. And the people who got it first was Andy Jassy at Amazon, and he got it first because he saw something they were doing internally for their own computing power.

And he realized, “What if we could offer this by the minute or by the byte instead of having people have to create their own server farms? What if we rent this capacity?” And, of course, that’s where the idea of cloud computing came from. He saw things through a different perspective. They developed something internally, and then he thought, “Huh, I wonder if there’s a business here?”

Pete Mockaitis
And that’s exactly what happened with me, as well with podcast production. So, that’s cool. All right. Well, then can you give us some views on when it comes to the notion of being an imperfectionist, or embracing imperfectionism? Can you talk to us maybe a bit about the emotional hang ups? Or how do we make that journey, so it’s like, “Oh, yeah, now I’m just totally cool making lots of mistakes, and being totally imperfect”? That could be quite a leap for some.

Charles Conn
Yes. So, I think the overarching mindset is imperfection or imperfectionism, and that really brings together all of the mindsets, two we haven’t talked about, or we talked about briefly, collective intelligence and show and tell, together with the ones that we have talked about. The overarching idea is to go ahead and lean into risks, and I think this is the emotional thing that causes people either to freeze, “I better wait till things are more stable,” or to just like, “Ahh, jump,” and you could look at Elon Musk’s purchase of Twitter, and think, “Hmm, he probably should’ve thought about that a little harder.”

I think the way to get over the emotional either paralysis or impetuousness is to think about what things you can do – so curiosity, dragonfly perspective-taking, or experimentation – that you can do that are relatively quick, relatively low cost, and relatively low consequence when it goes wrong.

So, if you had those three things, “I can get feedback quickly, it doesn’t cost me too much to make this experiment, and the consequences of it going wrong are relatively modest, I can lean in and learn more about the game that’s being played, see the structure,” and, again, we can’t count on some historical structure, “see the structure that’s in the current game, and look at the behavior of the players that’s in the current game. That gives me information and allows me to be more confident about my next step even if what I did originally has some failures in it.”

I’ll give you an example because it’s always better to bring things to life, and it’s another Amazon example. So, Amazon is now a big player in what we call consumer financial services. They have something like a 24% share of all the transactions that occur online because people use Amazon Pay even when they’re not on the Amazon site. How did that happen?

Well, did Amazon use its giant balance sheet to buy a huge bank or consumer finance company? Nope, they didn’t. Well, why? So, what they did instead is, starting around 2008, they made a couple of little investments in fintech companies, they hired a team from a failed fintech company, they tried to build their own version of what was then called Square, which was a little payment device, which is now called Cube, and they bought some IP.

Almost all of those specific steps that I’ve just described ended in failure, meaning they no longer exist today, but each of those things built their understanding, built their skillset because they brought in people, and built their capabilities, ultimately, to become a competitor. And that allowed them to climb kind of an invisible staircase to be competent enough to begin to do the things in consumer financial services that they’re now known for, ultimately including an Amazon credit card and Amazon Pay. They did small low-consequence steps that, when apparently failed, actually helped build their capabilities and their confidence to become a real competitor in the space.

Pete Mockaitis
That’s great. Well, Charles, I really geek out at all the stuff. I love problem-solving and decision-making stuff. I think it’s just massively leveraged powerful skill that makes a world of difference in terms of if there’s a thing to learn, or to really invest in, it’s probably this and several organizations said, it’s like, the top skill for the decade or century that we’re in.

What I find interesting and intriguing is that sometimes in episodes where we’ve covered this, I see the data that my dear listeners aren’t as jazzed about this as I am, or so it seems, in terms of, “Huh, I thought this was one of the most killer episodes ever,” and then the download and engagement numbers are, like, modest, like, “Oh, yeah, it’s all right.”

And so, I scratch my head a little bit, but my leading hypothesis is that people say, “Well, yeah, I know I got tons of problems solved. I got lots of answers, and it doesn’t seem to go anywhere when I share them with my collaborators and colleagues in the organization.” So, I’d love to hear, you got Chapter 6: Show and Tell, Storytelling to Compel Action, what are your pro tips for when we’ve got a great solution ready to pop into the world, make its debut? How do we lead other people on board with that?

Charles Conn
What a great segue and setup. Yeah, no matter how good a problem-solver you are, on your own, you won’t make any change in the world. And I think it’s almost an icon, the brilliant person laboring by themselves without recognition or understanding, and I think that exists for a reason, which is the independence that allows some people to come up with brilliant ideas and solutions that are out of the norm doesn’t necessarily make them compelling to others.

And we love to go back to this very simple concept you did as a kid, probably in kindergarten or first grade, which is show and tell. And the way to bring people on board with your idea is to, literally, think about, “How would I show and tell this?” And sometimes smart people think, “Well, I’m going to give them the data. I’m going to give them a graph that tells them what the output is.”

What we’ve learned is, in a world where there’s more and more data produced every day, in a world of polarization that we live in today, that people don’t trust information the way they used to anymore. So, to break through with your idea, is actually much more difficult than it’s ever been before. And the critical insight here is to speak to people’s hearts, not just their minds. So, when you construct your stories, think about what people’s values are.

And I’ll give you an example here, which is if you’re in the nature conservancy, you want people to change their behavior about how they interact with the natural world. You could do that just by pointing out that we’re destroying the world, the temperature is going up, and species are dying. But people often don’t pull their Subarus over to the side of the road and change their behavior unless you talk about something they really do care about, which is, for example, their kids.

And even people who have very different political perspectives love their kids, and you can use something like that as a common ground to begin to build the story for change, which people will actually sign up for. And one of the reasons The Nature Conservancy has been quite a successful conservation organization is that it has incentives when it comes to telling stories that speak not only to the facts but also to the values that people care about.

Pete Mockaitis
So, that story can sound like, “Don’t you want your children to be able to enjoy these beautiful spaces? Or you want them to not live shorter lives because of pollution?” like that sort of thing?

Charles Conn
Better yet a demonstration. Sure, what you just said makes sense but what about a demonstration? So, I’ll give you a physical demonstration done by The Nature Conservancy. They were trying to convince wealthy donors that they should invest in building shellfish reefs in estuary areas because estuaries are where fresh water comes out, but there’s often pollution in that fresh water. And when it gets mixed with the saltwater, this is where a lot of creatures grow up in estuaries. This is where we create some of the biggest environmental crises.

If you put in oyster reefs, for example, or rather shellfish reefs, those tiny creatures that are inside the shells actually are filter feeders, and they filter out a lot of the toxins and pollution that comes out of estuaries. What the Conservancy did in one famous presentation in Australia is they put 17 10-liter buckets at the back of the room stacked in a beautiful pyramid.

So, everyone came into the room, and the first thing they noticed is these 17 beautiful green buckets stacked in a pyramid. Even before they said anything, they had the audience’s attention, the philanthropists’ attention, “What’s going on here?” And they said, “Do you know that each oyster filters 170 liters of water a day and cleans that as much as those 17 10-liter buckets holds each day?”

And by using that physical demonstration and tying it in, again, with values that people cared about, clean water for their kids, that demonstration opened up people’s wallets in a way that a PowerPoint presentation never could.

Pete Mockaitis
And it’s fun, as I imagine the philanthropists, which I’ve done on a very tiny scale, is you get excited, like, “Wait, one oyster and all that water? Well, that sounds just like a kill on return on investment. Where do I write the check?”

Charles Conn
Exactly. So, here’s another example. Richard Feynman, he’s speaking before the Space Shuttle Disaster panel, and he thinks that the problem is with the O-rings because the launch was done at a low temperature. And he could’ve presented a table of data showing that O-rings fail at lower temperatures, which is true. What did he do? He had a glass of ice water on the desk in front of him, and an O-ring in his pocket.

He took out the O-ring, held it in the water with a little clamp that he purchased at the hardware store next door, and then he twisted the O-ring to show that it deformed and then cracked at that lower temperature, the temperature of ice water. Well, no one will ever forget his testimony. Even though he had a Nobel Prize and could’ve used all kinds of data, what he did was a short demonstration that grabbed people.

And if you want your ideas, after you’ve done your clever problem-solving, if you want your ideas to have currency, if you want your ideas to break through in the world that’s a blizzard of ideas, think about how you would do show and tell.

Pete Mockaitis
I love it. Well, if you could just give us a few rapid-fire bullets of examples. So, we’ve got the ice water O-rings. We’ve got the big buckets of water. What are some other ways that we show stuff visually that’s powerful?

Charles Conn
Well, there are some famous graphics in history that I always go back to. So, you know that there’s a famous nurse called Nightingale, Florence Nightingale. Very few people realize that Nightingale was also one of the best statisticians of her day, and she drew this thing that’s now sometimes called a rose crescent diagram to show the impact of, basically, the filthy conditions during the Crimean War in the middle 1800s.

And she showed that way more soldiers were dying from the bacterial infection of their wounds, or bad water, than were actually dying from bullets. And she did that by showing this amazing graphic that’s famous to this day, that grabbed everybody’s attention. She could’ve written 150-page or 250-page finding but that single graph convinced the British military that they needed to upgrade the public health facilities that were in the hospitals in Crimea, which eventually led, by the way, to a public health revolution back in the home country, Britain, because Queen Victoria paid attention to what was going on in Crimea.

And we don’t know this for sure, but apparently met Florence Nightingale. That’s a person who figured out show and tell, and she changed the world. That’s how we get public health. Not just a nurse, someone who changed everything.

Pete Mockaitis
Beautiful. Well, Charles, tell me, anything else you really want to make sure to mention before we shift gears and hear about some of your favorite things?

Charles Conn
Yes. So, I’ll give you one more, which I think, in the world we live in today, we talked about it very briefly at the beginning, but think about collective intelligence whenever you’re trying to solve a problem, and where you can outsource incredibly great ideas that will help you solve your problem. There are platforms like Kaggle which allow you to bring in other people’s ideas for a small amount of price money, maybe an AI algorithm, maybe an AI swarm.

The Nature Conservancy used that very effectively to create a program called FishFace that allows computer recognition aboard boats to identify which fish are endangered species and should be put back in the water, and which fish are okay to eat. They didn’t have that capability internally at The Nature Conservancy so they outsourced it for $150,000 price via Kaggle.

That’s just one of thousands of good ideas that come from bringing other people’s expertise inside your organization even when you’re full of clever people. And so, that would round out the six mindsets that I think will give people confidence that despite the pace of change, and all the terrible things that are happening in the world, that we can step into that risk and confidently navigate our way.

Pete Mockaitis
Beautiful. Thank you. Well, now could you share a favorite quote, something you find inspiring?

Charles Conn
Einstein is famous for saying if he had an hour to spend solving a problem, he’d spend 55 minutes thinking about the nature of the problem, and five minutes solving it. So, he was a predictably clever guy, I think we can all agree, but there’s so much benefit that comes from thinking through your problem from different perspectives before you run off and try your favorite technique. So, that’s one of my favorite quotes.

Pete Mockaitis
All right. And a favorite study or experiment or piece of research?

Charles Conn
Yeah, I think the research behind the book called The Selfish Gene, which was a book published by Richard Dawkins in the late ‘70s, is the most concise encapsulation of how evolution works, which is this powerful engine that’s behind everything in the world today, including how humans compete with each other.

Pete Mockaitis
All right. And a favorite book?

Charles Conn
I think my favorite book is probably E.O. Wilson’s Biodiversity which sort of naturally flows from the Dawkins book. Biodiversity comes from the impact of how evolution works.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Charles Conn
I actually love old-school woodworking tools. So, my personal favorite tool would be a woodworking plane. I think it’s amazing. They’ve been around for 3,000 years.

Pete Mockaitis
And a favorite habit, something you do that helps you be awesome at your job?

Charles Conn
Climb the stairs.

Pete Mockaitis
All right. And is there a key nugget you share that really seems to connect and resonate with folks; they quote it back to you, they retweet it, they Kindle book highlight it?

Charles Conn
Yeah, I think the thing that I’m hearing back now is around curiosity, which is people are thanking me for awakening them to their own curiosity and to the wellspring that comes from asking the question why.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Charles Conn
Yeah, so you can find me on LinkedIn, or you can find both the books I’ve published on LinkedIn, or you can find them on Amazon, or any other great booksellers. We also have a website which is called TheImperfectionist.org, or BulletproofProblemSolving.com.

Pete Mockaitis
Alrighty. And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Charles Conn
Yeah. So, don’t be afraid to lean into risks using relatively low cost, relatively reversible moves. You may make some mistakes but you’ll learn tons.

Pete Mockaitis
All right. Charles, thank you. This has been so fun. I wish you lots of fun problem-solving and imperfection results, and, yeah, thanks for taking the time.

Charles Conn
It’s been terrific. Thanks so much for having me, Pete.

872: How to Get Unstuck and Break through Any Problem with Adam Alter

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Adam Alter says: "Action above all."

Adam Alter reveals the secret to breaking yourself out of any rut.

You’ll Learn:

  1. When it pays to lower your standards
  2. The question to ask for better insights
  3. The essential skill to accomplish your goals

About Adam

Adam Alter is a professor of marketing, and the Stansky Teaching Excellence Faculty Fellow at New York University’s Stern School of Business. He also holds an affiliated professorship in social psychology at NYU’s psychology department. In 2020 he was voted professor of the year by the faculty and student body at NYU’s Stern School of Business, and was among the Poets and Quants 40 Best Professors Under 40 in 2017. Alter is the New York Times bestselling author of two books: Drunk Tank Pink and Irresistible.

Resources Mentioned

Adam Alter Interview Transcript

Pete Mockaitis
Adam, welcome to How to be Awesome at Your Job.

Adam Alter
Thanks for having me, Pete. Good to be here.

Pete Mockaitis
Well, I’m excited to talk about your latest book, Anatomy of a Breakthrough: How to Get Unstuck When It Matters Most. But, first, I was really digging your TED Talk about screens, and I’m curious if, in the time that has elapsed, if you’ve discovered any other fun, interesting tactics or approaches to reduce phone time.

Adam Alter
I have been trying to acquire as many physical objects as I can that track my phone, so there are all sorts of interesting little cookie-jar type things that work for phones quite effectively. So, you put a little, that have timers, you could put a countdown on them, and say, “I don’t want to use my phone for the next hour,” and they trap your phone. I didn’t really talk about that in the TED Talk, that was a few years ago now, but I find those physical barriers very effective.

Pete Mockaitis
That’s good. So, the trap cookie jars, just leaving it elsewhere. I’m curious, so if you’re at a restaurant, where is your go-to hiding spot?

Adam Alter
So, my kids are small, they’re five and seven, so when we go to restaurants, we don’t really have any screens at all. We try to keep our phones either in the car or we try to keep them under the table in a bag somewhere, so I don’t have a great hiding spot for the phone. I certainly don’t bring the cookie jar into the restaurant. That would be a little unorthodox but we’re pretty good about keeping the phones as far away from the table as possible.

Pete Mockaitis
Okay. Well, let’s talk about your book, Anatomy of a Breakthrough. I’m curious if there are any particularly surprising or eye-popping discoveries you’ve made while putting together this book.

Adam Alter
That’s a good question. There are a few. One of the really fun things about this book was that I did a huge amount of research into how extremely successful people, A, have got stuck in the past, and, B, how they’ve managed to find breakthroughs. And some of the stories, I found very surprising. Let me just pick one of them.

There’s a fantastic story about Lionel Messi, the soccer player, who I think is the best player today, and he’s one of the greatest players of all time. And the very interesting thing about Messi is that he is known for being extremely anxious, and so much so that early in his career, some of his coaches said to him, “I don’t know if this is going to be right that you’re going to be a professional because you’re obviously struggling with emotional consequences of playing high-stakes matches.”

And what he ended up doing was he established this really, really interesting technique where he would get on the field, and for big matches, for small matches, he spends the first three, four minutes of the game not moving. Basically, he ambles around, he barely moves. All the other players, the other 23, sorry, the other 21 players are darting around, and he’s basically still.

And he spends these minutes doing two things. One, he calms down. He has a sort of series of mantras that calms himself down, but the other thing he’s doing is he’s developing a strategic advantage because he’s watching all the other players in a way that no other player does, and learning how they’re interacting with each other, who seems to have a hidden injury, who’s connecting particularly well with a particular teammate, and then he uses that, he deploys in the remaining 85+ minutes of the game.

And he’s never scored in minutes one and two of any match, but has scored in every minute from three on, which shows you how he’s really, essentially, not a player on the field until minute three or four. And what I found totally fascinating about that is, A, here is the, what I would consider to be the greatest soccer player of the day, who’s stuck, he really was dealing with a major sticking point, but he found a tremendous breakthrough.

And that breakthrough, what’s so interesting about it is that it’s paradoxical. Instead of doing more to get unstuck, most of us kind of flail, he does less. And I found a lot of that kind of Zen-like do more to do less, do less to do more, there were some really interesting ideas that came up as I was researching for the book, and that was one of them.

Pete Mockaitis
That is intriguing. And that practice, it’s so cool in that, well, a lot of times performance anxiety issues boil down to we’re being self-conscious, “Oh, I hope I don’t screw up. I hope I don’t mess this up,” all that kind of chatter inside the head. And when your goal is to see, “All right, what’s the deal here with all these players?” it’s really quite the forcing function of the opposite of thinking about yourself and how you’re operating there.

Adam Alter
Yeah, because I think if he spent those few minutes just thinking about his heart rate, and saying, “Well, how’s my heart beating? Am I sweating? Am I nervous?” that would be counterproductive. But what’s brilliant about that strategy, as you’ve said, is that it’s outwardly focused. It gives him a task, it gives him something to do, and so he’s not just kind of biding his time.

He’s doing something that’s very valuable for the long run, but that also, because of its nature, it’s a little bit more cerebral instead of being something where you move around, it’s something that kind of calms his body down. He’s not really getting his heart rate up the way the other players are earlier on in the game.

Pete Mockaitis
All right. Well, thank you. Well, now, let’s maybe zoom out a bit and hear about the main thesis of Anatomy of a Breakthrough. What do you mean by breakthrough? And what do you mean by unstuck? And what’s the big idea here?

Adam Alter
Yeah, so the kinds of sticking points I’m talking about are protracted ones. These are ones that last often months, years, in some cases, decades, or even entire lifetimes. So, I’m not really interested in the sort of trivial daily frustrations that we all deal with. I’m interested in the bigger sticking points that we actually also happen to deal with pretty much universally.

And I’m especially interested in the ones that are susceptible to strategic intervention. In other words, there’s something we can do about them. There are a lot of things that cause us to be stuck but we don’t have a lot of say in, we don’t have much that we can do about. During the early days of the pandemic, for example, a lot of people felt stuck, but if you were physically stuck in a particular location, and you couldn’t travel because of government regulations, that’s just how it was. There wasn’t much you could do about that, and I don’t think that’s especially psychologically interesting.

What’s interesting to me is that the vast majority of cases of this kind of protracted stuck-ness are cases where there’s something you could if you knew what to do. People sort of say to themselves, “I know there’s a way out of this. I just don’t know which direction to pour my energy.” And so, that’s what this book is. Essentially, it’s a sort of roadmap for what I call finding breakthroughs.

The breakthroughs are essentially what’s on the other side of whatever it is that’s your sticking point, getting over the hurdle, getting past the mire that’s in front of you that’s preventing you from moving forward. That’s what the breakthrough is. It’s the sort of flipside of being stuck.

Pete Mockaitis
Beautiful. All right. Well, so how is it done? Are there some core principles? You mentioned heart, head, and habit.

Adam Alter
Yes, there are. Exactly. So, you’ve just listed the three sections that talk about the interventions. I actually start the book by talking about the idea that it’s surprisingly common for us to get stuck. I say it’s universal, and often people hide how stuck they are from the world, and as a result, we see a lot of success stories that make us feel a little bit inferior.

So, I talk a lot in the beginning stages of the book about licensing ourselves to be stuck in the first place, and that then segues into the first section of interventions that focus on the emotional consequence of being stuck because humans actually are well-designed, well-engineered to get unstuck physically. If you’re stuck or trapped in a particular place, your first instinct is to kind of fight, it’s to flail. And that’s very useful if you’re physically trapped.

There are these really interesting stories every now and again of people finding hysterical strength, is the term for it, when they lift up a car and somehow free themselves. Now, unfortunately, we get confused between that kind of stuck-ness and the stuck-ness that’s emotional or mental, and we give that same kind of flailing response to these situations, and it doesn’t do much good for us.

So, the first thing, really, is to calm down and to accept where you are, and then to start thinking about what the best strategies are. So, the second section starts to deal with those strategies. That’s a section called head, and that’s really about what goes on inside your head as you’re trying to get unstuck, and I suggest a whole range of different sort of strategies that we can use to either find creative breakthroughs, or breakthroughs in financial sticking points, or business sticking points, or relationship sticking points.

And then the last section of the book, which I think is probably the most important, is habit, which is the argument that it’s great to think about emotions and it’s great to think about strategy but, ultimately, you can’t get unstuck if you don’t act. And so, that last section is about action. And, in fact, the last chapter is titled “Action Above All” because I think privileging action when you’re stuck is the most important thing to do.

And I talk about how, when it feels impossible to act, you can act despite that sense that there’s nothing that can be done. So, that’s a sort of roadmap of the roadmap itself.

Pete Mockaitis
All right. Well, could you give us some examples of success stories, interventions that could be particularly helpful for folks looking to be awesome at their jobs? I’m thinking about procrastination. I’m thinking about difficult office relationships. What are some of your faves?

Adam Alter
Yeah, one of my faves is it’s from the last chapter of the book. I was just talking about this idea that action above all is really important, that you’ve got to act. And Jeff Tweedy, the front man of the rock band Wilco, who’s also a writer, sort of all-around renaissance man, has talked a lot about the idea that it’s exhausting being someone who has to be creative and thoughtful every day for decades.

And some days you wake up and you don’t want to do the job. And it doesn’t matter whether your job is as Tweedy’s is, to write music and books, or whether it’s some other thing that requires that you bring your best self to the workplace. And so what he sort of described is if you absolutely have to be creative and you don’t want to be, one of the things you can do is you can lower your threshold as low as possible, right down to the ground.

Normally, we’re perfectionists, we want to do good work. He says the best thing to do when you first start is to say, “Anything is better than nothing.” He thinks of it as pouring out the bad ideas. And so, he says to himself, if he’s writing a particular, say, music track, he might say, “What’s the very worst musical phrase I could write right now?” And then he spends 15 minutes working on the worst musical phrases he can come up with.

Now, because he’s very good at his job, it’s very easy for him to do that. Most of us can do a bad job at the thing we’re good at or the thing that we spend a lot of time at. And even if that action is not itself useful, it’s sort of like moving sideways, it does two things. It shows you that you can move, that you’re not, by definition, stuck if you’re moving, but it also sometimes can grease the wheels for further action. It sort of shows you how to act. It shows you that you can act. It signals that you are someone who is capable of acting.

And, by contrast, if you’re coming up with bad ideas, sometimes that illuminates good ones. And so, he talks often about the fact that those first 15 minutes may be wasted but they often pave the way for many, many hours of much stronger work. He talks about it as though the crystal-clear water of creative ideas has a layer of muck on top of it. And once you pour out the muck, the good crystal-clear water is there, and the ideas pour forth.

And that’s, I think, absolutely true about general sticking points in the workplace. You just have to act, and the best way to act is to lower your expectations and standards, at least temporarily.

Pete Mockaitis
Okay. I like that a lot in terms of even if you, sure enough, produce nothing that feels good at all on that day, you’ve at least kept the habit, which I view as an asset in and of itself, alive and moving as oppose to, it’s like, well, getting momentum in the opposite direction, momentum towards nothingness.

Adam Alter
Yeah, and rumination as well, because what ends up happening is, if you’re not acting, you’re thinking. Sometimes thinking is very valuable and, actually, you should think for a long time before you act. But if you’re at the point where, more than anything, thought is not going to rescue you, you really need to do something.

And it’s funny, because people don’t have that instinct. Their instinct is, “If I don’t produce something phenomenal right now, it’s just not going to be good enough.” But very, very often, it’s even mediocre products that end up freeing us. So, when you hear stories, you hear George R.R. Martin who’s writing the Game of Thrones books, or the Song of Ice and Fire books, he’s talked about the fact that he’s sometimes stuck for a decade.

Now, you can imagine how high his standards must be. And, as a result of that, unless he cranks out these passages that rival his best work, he probably continues to feel stuck. And I think if I were going to be his personal consultant, I don’t know if he’d ever want one or if he’d ever take me seriously, the first thing I’d say is, “Write a hundred really terrible pages if you have to, because behind that will be some good stuff,” and that’s what Tweedy and others, and not just Tweedy, many other creatives have found.

Pete Mockaitis
That sounds really cool for creative work. And as I think a little bit about my own experiences there, sometimes I feel, it’s like, “Oh, you know what, young kids and get good sleep, having this or that, I’m just slightly sick,” whatever. It’s like I’m clearly not at my best, and I know it. And I also don’t want to do the thing, so there’s sort of a double whammy there.

And so, it’s very easy for me to delude myself to saying, “Well, you know, it’s probably not going to be worthwhile anyway, so maybe just skip it.” And yet I’ve found that when I really put it to the test, that I have actually had, sometimes, breakthrough excellence above and beyond average in sort of a tired funk state. And I don’t know whether that’s true, how we explain that. Maybe, in some ways, there’s benefit associated with, I don’t know, like slap-happy condition, like when things are hilarious.

It’s like different brain portions are operating, and sometimes that works out better, and sometimes it just unmasks the lie that you’ve been saying to yourself.

Adam Alter
Yeah, one of the key axioms in the book is that if you spend, say, a thousand days doing the same thing, you’re trying to find some sort of nugget of gold, maybe it’s a creative output, maybe it’s a good song, whatever it is, it doesn’t have to be creative work, but let’s say, you do your job for a thousand days. It’s actually very, very hard at the beginning of each day to predict whether it’s going to be a good one.

There’s a lot of research that suggests this. Sometimes this happens in lots of domains. It happens with athletic pursuits as well. You often think, “Oh, I had eight hours of sleep, it’s going to be a good day,” and then it turns out not to be. Other days you had three hours of sleep and you’re hung over, and you produce your best work.

And I give this talk to freshmen at NYU sometimes where I show them the four emails over the last 15 years that changed my professional life. They were these random emails that arrived, that, for example, introduced me to the world of book-writing, or to a kind of consulting that I now do. And with each one, I was convinced that this was a nothing, I was like, “Ah, I don’t have time for this nonsense. I’ve got all these other things that I’m worried about working on.”

And, ultimately, I ended up saying yes, and sending the follow-up email. But alongside those four emails that changed my life, I don’t know, 25,000 that did nothing for me, and you just don’t know when those moments will come up. So, I think you’re right about establishing the habit because you want to be in the game when those good things do happen. It’s like being in the stock market on those few days when there’s a big bump. You don’t want to be out of the game, and I think that’s true for work, in general.

Pete Mockaitis
Okay. So, we’ve talked a little bit about procrastination. I’m curious about sort of interpersonal relations that can feel stuck, like, “Oh, my boss or my colleague is a jerk, or I’m not good enough. They criticize everything I do. I just don’t want to be around them. They’re toxic,” kind of fill in the blank. When a relationship feels stuck, any cool stories or tactics there?

Adam Alter
Yeah, it’s a very different kind of situation when it’s a relationship that’s essential. That’s one of those kinds of stuck-ness, it’s where you may not have control over who your boss is. Then you have to try to figure out what you do have control over. And sometimes you have some control, sometimes you have very little control.

What you do have control over often is this question of whether, when things are really dire, this is the right either position for you at that particular company, or that particular organization, or whether perhaps you should jump ship, find something else. That’s always a question that’s worth asking, and certainly it’s worth exploring whether there are other options. If things really are that dire, that’s something worth asking.

But one of the really interesting ideas that, I think, if it’s not a truly toxic relationship, there are just people in the workplace who don’t get along. If it’s a toxic relationship, that’s problematic, and there needs to be a remedy put in place, often distancing or moving to another position, if possible. But when the relationship isn’t quite toxic, but perhaps the interactions are not all that fruitful, there’s some hopeful research that suggests that the kind of creative conflict that you have at work and in other situations is actually very good, or can be very good, as long as it’s not deeply emotionally aversive.

There’s fantastic work, for example, looking at how Pixar has come up with some of its best ideas and its best films, and its Academy Award-winning films, and a lot of them have happened where the producer, the one who’s most famous for this is Brad Bird. He will put someone, sort of a cat amongst the pigeons, he’ll bring someone in to cause creative conflict or general conflict. And you’ll have all the animators in Pixar who are famous for spending a huge amount of time getting the fur just right so it looks like fur, the water just right so it looks like water, and so on.

And these people will be brought in to, say, they’re storytelling experts, they’ll come in and say, “No one cares about the fur and the hair and the water. If the story is not compelling, you’ll lose them in five minutes. They’re not going to go away saying, ‘That story sucked but how about that fur.’ That’s not the way movies work.” And sometimes, these conflicts, if you can reframe it as a kind of challenge and you can rise through it, it could be very productive. But, again, if it’s toxic, that’s obviously not the recipe.

Pete Mockaitis
That’s good. The fur, boy, I had the exact same thought when I was getting a little too into audio editing, and seeing just what’s possible in terms of removing every errant thump or pop or hiss. And then I saw, I think it was iZotope who’s showing off their audio software, and I was like, “Wow, that is so amazing how they’re able to remove the wind in that scene.” I was like, “What movie is that?” And then I went over to IMDb, and people were just, like, trashing the movie for just being so terrible.

Adam Alter
Trashing the film, right.

Pete Mockaitis
And I was like, “Yeah, but nobody mentioned how they did an amazing job removing the wind sounds in that scene.” So, yeah, fur and wind, that’s exactly true.

Adam Alter
It’s easy to miss the point, right? It’s nice to have those black sheep, and they’re occasionally telling you, “Hey, you’re not paying attention to the right thing.”

Pete Mockaitis
Okay. Well, so I loved your example of Lionel Messi there. Anything else in the zone of people and their emotions, if it’s depression, if it’s anxiety, if it’s just they feel stuck in the sense that it is just hard to handle business with the stress and the emotions and the overload and overwhelm in their lives?

Adam Alter
Yeah, there is an excellent story, and this one is more about being a good leader, although it applies also to just working with other people in general. This is a story about the jazz pianist, the giant Herbie Hancock. And when Hancock was up and coming, he was a young pianist, he was trying out or he’s auditioning for Miles Davis’s band, and Miles Davis was terrifying to other musicians.

He would get on stage and he would shout at them, and he would tell them they weren’t doing the right thing. He was known for being a perfectionist and for knowing exactly what he was looking for. And even if you were very talented but you happened, in that moment, not to be giving him what he wanted, he would tell you, and he would do it publicly sometimes.

So, Hancock went in to an audition at Miles’ house, at Davis’s house, with some of the biggest jazz musicians of all time, I mean, the most prominent, the most impressive, the most technically gifted, and Hancock tells this story of walking into Miles Davis’s house, and all these musicians are there. He’s terrified because of the moment of the whole thing, but he’s also terrified of Davis and the fact that he’s going to shout at him. And he’s a young guy, he’s kind of concerned.

And they start the audition, and about five minutes in, Davis picks up his trumpet and he throws it on the couch, it looks like with disgust, and he goes upstairs, and they don’t see him for the next three days. And Hancock was convinced he’s blown the audition, “If Miles isn’t even there, how could this be going well?” But he starts to loosen up, he’s like, “How many chances in my life am I going to get to play with these giants of the jazz world?”

He starts experimenting, he gets a little bit expansive, played some great stuff, he’s happy with himself. At the end of the third day, Davis comes down the stairs, and he picks up his trumpet and he starts playing with the band again. And Hancock’s kind of confused, and he goes over to Davis at the end of the day, and he says, “I thought I’d lost you. You went upstairs after five minutes.” And Davis said to him, he often had this kind of Zen-like sayings, he basically just said to him, “I was on the intercom, man, and I heard everything, but I knew you wouldn’t play properly if I heard it live.”

So, he knew that. Even though he was this incredible hard ass, he knew that there were times when he has to take the pressure off, and that his musicians wouldn’t give him the best if he was there putting the screws on the whole time. And I think there’s something, obviously being a toxic leader who shouts at people on stage is bad, bad, bad, but the fact that Davis had this ability to recognize in Hancock that kind of nervous energy that could be produced or applied in the right direction under the right circumstances was, I think, something that a lot of leaders miss.

It’s really important to know when to push, and to say, “I expect a lot from you,” and it’s also really important to know when to give people space and safety to expand into their roles, especially when they’re young or when they’re early in a job. And I love that story because I think it’s a very, very powerful idea in terms of how to be a leader.

Pete Mockaitis
Okay. Well, now, thinking about some of the head stuff, are there any magical mental phrases or reframes that are handy that come up again and again?

Adam Alter
Yeah, I think so. I think one of the things we do is we are often striving for genuine radical originality. That’s true in creative work, it’s true in the workplace, it’s true in businesses. It doesn’t matter what sort of work you do, you’re always trying for something new. And I think we put a big premium on newness, on novelty.

And radical originality is a myth. It’s this idea that there are certain things out there that are really new and different from everything else, and that’s just not true. There are a lot of great examples of this kind of myth. Bob Dylan is often pointed to as the kind of radical original voice of the 20th century, but when you go back, even Dylan himself said, “That’s not true. I was borrowing from all these different traditions.” And you can find the DNA of all sorts of other work in his songs.

It’s just very, very hard in any world to find this genuine originality, and, unfortunately, when we strive for it, it’s a little bit like striving for perfection. It makes us feel stuck because we can’t quite reach that standard. So, a much better thing to do that tends to be quite useful is what is known as recombination. This is when you take two existing things that are themselves not new, and you make some new product by combining them, by bringing them together.

And there are some amazing examples of this in business, in music, in art, in filmmaking. And one of the things I’ve done over the last 15 years or so that I find very useful is, any time I see a good idea, is I’ll put it down in this document that I have that’s now hundreds of lines long, and what I’ll occasionally do, if I’m stuck, I’ll go in and say, “Let’s look at idea 37 and idea 112, and let’s see. Can they be combined in a way that is new?”

And it’s a great exercise because it kind of makes you a little bit creatively limber but, also, if you’re ever stuck, just think about two things that you like that are interesting that haven’t been combined, combine them and you’ve got something that’s new, it’s a recombination. It’s a great way forward.

Pete Mockaitis
So, in your document that’s hundreds of lines long, it’s anything you saw that you thought was cool or a good idea of any domain.

Adam Alter
Yeah, that’s one version.

Pete Mockaitis
Okay. So, can you give us a couple examples, like, you’re in the grocery store, you’re like, “Oh, that looks tasty”? Or, what are some lines?

Adam Alter
Yeah, so here are two lines. One line is I teach a case to my MBA students on a little alarm clock called the Clocky. I don’t know if you know about this clock, but when it rings, to stop you from hitting the snooze button, it’s on wheels and it runs away from you, and it runs around the room. So, you’ve probably heard of this. It’s a clever little alarm clock.

So, when I first heard about this, about maybe 15 or 20 years ago, I thought it was really clever. No, it’s probably 15 years ago. So, I put it in the diary, it’s in that document, and it sat there for a long time. And then a number of years later, I was writing about how we could stop ourselves from binge-watching too much Netflix or too much of whatever video platform is your poison.

And I was wondering, “Could you somehow marry this Clocky idea to the binge-watching that we do?” which, by the way, the way we binge-watch and why we binge-watch, it’s a brilliant piece of product engineering, that the next episode automatically plays, so I thought that was a very clever idea used a little bit nefariously.

And so, I took these two ideas, and one thing that I now do is if I don’t want to binge-watch, I don’t have Clocky because Clocky is a bit random for this purpose, but that kind of same principle of making it hard to hit the snooze button, I will set an alarm, put it in a different room of my house for, say, an hour and a half later. In that way, if I’m watching Netflix, I have two episodes in and I don’t want to watch a third, I timed the alarm to coincide with the end of the second episode. I have to get up and go turn the alarm off to continue watching.

It’s not like I cannot watch anymore, but it’s a good way to minimize the likelihood that I’m just going to sit there in a stupor, not moving and let the next episode play, and that’s been very effective for me. So, that’s just one example, a very personal one.

Pete Mockaitis
Okay. So, we have an example, Clocky, like it is necessary to move in order to shut the thing off. So, okay, nifty. So, I guess I’m wondering, in the course of just living life and capturing ideas, it’s just anything you think is clever in any domain?

Adam Alter
Pretty much. I’ve got different versions of the document. So, there’s a document that is called book ideas, and that’s like any idea that I think is interesting enough that, at some point, I might explore it for a book, to write a book about it, and see whether it’s thick enough and interesting enough to form a book. And there are a hundred of ideas in there, and that would be lifetimes of book-writing, so I won’t do many of them but it’s a useful exercise.

I’ve got one for research that I do as an academic, like the kinds of projects I want to do. And then I’ve got this sort of generally cool and interesting ideas document which sometimes comes up in consulting or speaking engagements. I’ll bring some of those in if I think they’re useful. And often they form the basis of case studies for teaching.

Pete Mockaitis
All right. In your book, you’ve got a section called 100 ways to get unstuck. Could you share one or two or three extra fantastic ways to get unstuck that are broadly applicable, highly powerful, provide a good ROI, and that we haven’t covered yet already?

Adam Alter
Yeah, absolutely. I think experimentalism. Experimentalism is a philosophy that makes adults more like children. So, the way this works is, you know, kids ask a million questions. I have a five-year-old and a seven-year-old, they don’t stop asking questions about everything, and they’re learning at an incredible rate because they don’t take anything for granted. No common wisdom is common wisdom to them. Everything has to be pushed and prodded. They’ve got questions for everything.

And we lose that somewhere between childhood and adulthood. We start to assume things are the way they are for a good reason, or at least we don’t really question it. Experimentalism is this philosophy, the sort of child-like philosophy of saying, “Is this really the best way things could be?” And what you find is many of the most successful people in all sorts of domains are chronic experimentalists. They question everything, or if there’s a particular area that matters to them, they specifically and sharply question all sorts of assumptions in that domain.

A really good example of this was an Olympic swimmer named Dave Berkoff who swam for the US in the ’88 and ’92 Olympic games. He was a backstroke swimmer but he wasn’t as tall or as broad shouldered as a lot of the backstroke swimmers. He didn’t have the same kind of natural talents as some of the other swimmers did. But what he did have was he was an experimentalist. He was incredibly curious.

He tried a whole lot of different techniques, a whole lot of tweaks, and his coach encouraged that in him. He ended up discovering a special technique that became known as the Berkoff blastoff, where he would go under water and stay under water for almost a full lap of the pool. And it turned out that that made him about 85% faster. And he broke world records that way until other swimmers caught on. He still ended up winning other medals because he was continuing to experiment.

But it’s a great illustration of how we take so much for granted, and often it’s deviating from the herd by experimenting that produces really interesting insights.

Pete Mockaitis
I dig it. Okay, experimentalism. What else?

Adam Alter
I think I also really like the idea of exploring and exploiting, as these two basic approaches to growth and change. So, exploration is this period of time, where, let’s use sort of the hunter-gatherer approach. Imagine you’re on the plains, you’re a prehistoric person, you’re trying to find food. Exploring is when you say, “I don’t know where to even begin. I’m just going to try all sorts of different areas of the pasture in front of me. I’m going to go far. I’m going to go close. I’m going to go left. I’m going to go right. I’m going to try everything.”

After you do that for a while though, you might decide to say, “Well, there’s a little patch over here that seems promising. I’m going to spend all my time on that patch now. I’m going to exploit that patch for all it’s worth.” And that’s a really good metaphor for what we can do in the workplace. So, exploration, if you think about a painter like Jackson Pollock, Pollock became very well known for a certain style of painting – drip painting.

But before he did that, he tried five or six or seven other techniques for about five years, and then he hit on this drip technique, and he was like, “This is me. This is for me. This is my thing.” After exploring those other options, he switched into exploit mode, said no to anything that wasn’t about drip painting, and became an absolute expert in this one thing that he owned.

And it’s a great lesson, and actually, it turns out that when you look at the best periods in people’s careers, they almost always follow a period of exploration, followed by a period of exploitation. So, go broad and wide, say yes to everything, be an omnivore, consume whatever you can consume, try everything. But then at a certain point, you’ve got to say, “Well, what was the best of that?” And then you go deep in that thing and say no to everything else. You are single-minded. You say no to almost everything. And that is the recipe for the best creative and really professional outcomes, in general.

Pete Mockaitis
All right. Any others?

Adam Alter
Yeah, there are plenty of others, there are hundreds. Let me try and pick which one I like best to hit off. All right, here’s a good one. I really like this one. There is an idea known as the creative cliff illusion. The creative cliff illusion is this illusion that our creative ideas are best when they first arrive. So, for example, if I say to you, “Come up with ten slogans for this particular company. Here’s a product, give me your best slogans for the product. Imagine we’re trying to sell as many as we can.”

You ask people, “Are your first five slogans going to be best or are your 15th to 20th slogan that you come up is going to be best or better?” And almost everyone has this instinct that the good stuff is easy to come by, which is the first stuff, it just kind of stumbles out. And then it gets hard, and then it’s probably kind of clunky and it’s not very good.

It turns out that that’s the illusion, that there’s a creative cliff, that our creative ideas fall off a cliff. The early stuff turns out to be trite and boring and that’s what everyone else is thinking, too. If you can push against the difficulty of that next phase when it stops being easy, that’s when you start to have divergent thinking. When you get a little bit idiosyncratic, you think about things in a way that makes you different from everyone else.

And so, the quality of ideas gets better if you can sit with that discomfort with further attempts. And so, that, I think, is a really profound idea because we often associate hardship with badness. But, in this case, it’s the hardship that signals or heralds the good things that are about to come.

Pete Mockaitis
All right. Well, Adam, tell me, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Adam Alter
I’ll say one more thing. There’s a really interesting idea called teleoanticipation. Teleoanticipation is very important when we think about long-range goals, which is when we tend to get stuck, something that you’re doing for a long time, whether it’s a physical pursuit, like a marathon, or whether it’s something at work, like a project that takes six months or a year or five years to complete, or a long artwork that you’re working on that takes a long time to complete, or whatever it is.

Teleoanticipation is a term that basically means forecasting the end. And it’s a really important skill because it means that proportioning your energy, your creative energy, your physical energy, such that you have just enough to reach the final point. The best way to run a marathon is to collapse right after the finish line because then you’ve put everything in. Sometimes people put in too much a little bit early, and then they collapse before the finish line.

One of the best skills we can learn is to be better at teleoanticipation, to knowing how to proportion our energy so we don’t come out the starting blocks too fast either physically, when we’re doing a marathon, but also intellectually and creatively, when we’re doing creative tasks. It’s very, very important to know how to pace yourself. And it’s a skill that’s worth learning.

Pete Mockaitis
All right. Well, now could you share a favorite quote, something you find inspiring?

Adam Alter
I think, because so much of what we’ve discussed has been about creativity, I like the idea, this goes back to Henry Ford, the idea that instead of thinking about how to create a better horse and buggy. I can’t remember the quote itself, but we need to think about creating something altogether different, and that’s where the car comes in.

So, instead of trying to perfect something and make these little tweaks to it along the way, think about whether there’s a completely different alternative altogether. And that’s what the car did. It, essentially, changed the way we travelled altogether. So, even an inferior car was better than the best horse and buggy you could come up with.

And that goes a long way to that experimentalism idea that I mentioned earlier, that sometimes the very best version of what everyone else is doing is not as good as this new thing you could be doing. Even in its infancy as it’s half-formed, it could be a better way to do things. And so, I think that’s quite powerful.

Pete Mockaitis
All right. And a favorite study or experiment or bit of research?

Adam Alter
One of the pieces of research that I really love is this anthropological work that Bruce Feiler, a writer, he’s done, where he went around the United States and interviewed people about change, and found that on average, every roughly five to ten years we experience what he calls a life quake.

A life quake is a massive change. It can be something we invite into our lives. It could be something that we have no control over. It can be good. It can be bad. Things like birth of a child, death of a loved one, divorce, change of job, change of career, moving to a new country, and so on. And because those are universal, we all tend to have five, six, seven, eight, nine, ten of them in our lifetimes. It suggests that we need to be very nimble in the face of these changes.

And that’s why you essentially need a roadmap for these moments when you feel stuck in the face of this kind of change, because what you were doing in the past perhaps won’t serve you quite as well in the future.

Pete Mockaitis
Okay. And a favorite book?

Adam Alter
It’s summer, and every summer I read Goodbye, Columbus by Philip Roth. It’s a book that sort of explores the idea of good times, and the transience of good times, like a summer. That’s my favorite time of the year. And the book is essentially about this period in a young guy’s life that is bounded. It ends when the summer ends, and he goes back to college.

And I think one of the really nice insights there is that it’s so important to kind of leach out the very best from these periods, and make sure that you capitalize on them to the extent possible. I think we often look back on periods of our lives, and say, “Well, that was amazing, and I really miss it.” But one of the things that I do a lot in my research, and what a lot of my research focuses on, is on, “How do you, in the moment, extract as much juice as you can from that particular situation rather than looking back in the future and saying, ‘Oh, that was really nice. I wish I could have more of it’?”

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Adam Alter
A favorite tool I would say is, I travel a huge amount, and I have a digital notepad. It’s called a Remarkable, and it goes everywhere with me. If I only have one thing with me when I travel, which happens sometimes, it’s my Remarkable because that’s where all those ideas go. I’m constantly hoovering up ideas and trying to make sure I don’t forget them.

I always worry about this, actually. I do a lot of my thinking when I’m running. And then when I get home, I’ve forgotten what I’ve thought about. But the Remarkable is a great tool because it goes everywhere. It seems like an endless capacity, and I use it constantly.

Pete Mockaitis
All right. And a favorite habit?

Adam Alter
A favorite habit is running, I would say, four times to five times a week for 30 or more miles a week. I’ve been doing that for long enough now that I can call it a habit.

Pete Mockaitis
Okay. And is there a key nugget you share that really seems to connect and resonate with folks; they quote it back to you often?

Adam Alter
Yeah, one of the things that I talk about a bit is the question of how we should structure the work week, which is obviously very relevant to work. And some of the first research I did that made me interested in what I do is in whether we should have a five-day eight-hour-a-day work week of 40 hours, a four-day ten-hour-a-day work week of 40 hours, or a three-day 13-hour-and-20-minute work week, which is also 40 hours.

And the research that I did suggests that three-day work week is the best one. And I think a lot of people find that a little surprising. They imagine 13 hours of work, and they’re overwhelmed by it. But, also, that gives you four days of the week when you can do other things. And that’s something that I hear talked about quite a lot.

Pete Mockaitis
Okay. And if folks want to learn more or get in touch, where would you point them?

Adam Alter
They can find me on LinkedIn, they can find me on Twitter, and they can find a lot of information at my website, AdamAlterAuthor.com.

Pete Mockaitis
Okay. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Adam Alter
Yeah, I think action above all. I think do something ASAP, I would say today, tomorrow, whenever you can carve out a few minutes. If there’s something that’s been making you feel stuck, where you haven’t been able to make as much headway as you’d like, lower your threshold down, say, “It doesn’t matter whether I do a really bad job at this,” liberate yourself to do a poor job, but just do something in the general direction of the thing that you’re trying to achieve. And I think you’ll find that just that feedback you get from having done that is itself good medicine, and it pushes you in the right direction as you move forward.

Pete Mockaitis
All right. Adam, this has been a treat. Thank you. I wish you much luck and many fun breakthroughs.

Adam Alter
Thanks so much for having me, Pete.

856: How to Awaken Your Genius and Become Extraordinary with Ozan Varol

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Ozan Varol says: "Embrace your useful idiosyncrasies, spend time on airplane mode, and be careful where you point your attention."

Ozan Varol reveals how to surface your unique talents that enable you to achieve extraordinary results.

You’ll Learn:

  1. The surprising technique writers of The Office used to keep their ideas fresh
  2. A powerful question for uncovering your hidden genius
  3. How being a people pleaser is killing your genius

About Ozan

Ozan Varol is a rocket scientist turned award-winning professor and #1 bestselling author. He is one of the world’s foremost experts in creativity, innovation, and critical thinking. His writing has been featured in the Wall Street Journal, Time, Washington Post, and more. His latest book is called Awaken Your Genius: Escape Conformity, Ignite Creativity, and Become Extraordinary.

Resources Mentioned

Ozan Varol Interview Transcript

Pete Mockaitis
Ozan, welcome back to How to be Awesome at Your Job.

Ozan Varol
Thanks so much for having me back, Pete.

Pete Mockaitis
Well, I’m so excited to dig into your latest work Awaken Your Genius: Escape Conformity, Ignite Creativity, and Become Extraordinary. All things I enjoy doing, so it seems like we’re in the right place here. And to kick us off, I was so intrigued by one of your bullets. I love the show The Office. I’m pretty sure I’ve seen them all a couple times, and you say there’s a surprising strategy that boost creativity, that the folks who wrote The Office used right off the bat. Can you tell us about this?

Ozan Varol
Absolutely. The Office is also one of my favorite shows of all time, and one of the things that’s extraordinary about that show is that they had, I think, over 200 episodes, but they were able to maintain the quality of the show throughout, which is really, really difficult to do. And so, they did have this strategy that I talk about in the book, which is, in the writers’ room, when they got stuck in a rut, when they’re, like, the ideas stopped flowing, they would play a game.

So, they would stop working on The Office and they would start putting together an episode for Entourage. And if you remember, Entourage is an HBO series about Vincent Chase, this actor who lives in Hollywood with a bunch of his friends. And so, the writers of The Office didn’t work on the show but when they found themselves in a creative rut working on The Office, they would say, “Okay, let’s play a game. Let’s put together an episode for Entourage.” And whenever they played this game, they only had one rule. The episode had to end with Vincent Chase, the main character, winning the Oscar for Best Actor. And with that constraint in place, they would play.

And so, they do this for about, I don’t know, half an hour or so, and then they would go back to working on The Office, and something interesting happened whenever they did this. By virtue of playing this game, and coming back to their own work, their creativity would dramatically increase, like the ideas that weren’t there before, all of a sudden, would start to flow.

And I mention that, or I talk about that story in the section of the book about the importance of playing. And so, for the writers of The Office, this is a way of setting their own work aside, and then playing with someone else’s show, someone else’s project. And when they went back to their own work of actually writing an episode for The Office, that playful mindset would carry over.

It was like it’s a way of warming up your creativity muscles before you start doing really heavy lifts. And having done that, yeah, it would be much easier for them to actually creatively write the episode for The Office that they were working on.

Pete Mockaitis
And what’s interesting about that play there is it’s not that wild. It’s not, like, “Okay, go grab some Play-Doh,” or, “Imagine how I would make a rocket out of Sharpies.” It’s like, “Okay, we’re still writing a TV show,” and yet it’s play in the sense that, I guess, there are no stakes there.

Ozan Varol
Yup, exactly.

Pete Mockaitis
Like, “We’re not going to be putting this out into the world, so be thinking just be whatever you want.”

Ozan Varol
Exactly. And you hit the nail on the head there. It’s very low stakes, there’s actually no stakes at all. Like, the episode for Entourage can suck and it’s not going to matter at all because it’s never going to air. And so, people listening to this might see that as a waste of time but, again, for creativity to happen, especially when you’re stuck in a rut, play becomes really important.

And you don’t have to be a writer to do this, by the way. So, say, you’re in the marketing world, and if you find yourself stuck in a rut, take 10 minutes and come up with marketing ideas for a competitor’s product, like put together a Super Bowl commercial for a competitor’s product, and then come back to your own work, and you’ll find that that playful mindset, that you just created by taking just 10 minutes to play with somebody else’s problem, somebody else’s product, will carry you over to the issue or the problem that you’re working on.

Pete Mockaitis
Okay, that’s cool. Well, so you’ve got a number of these approaches in your book Awaken Your Genius. I’m curious to hear if there was a particularly striking, counterintuitive discovery you made that made you go, “Oh, wow, aha” along the way that’s really stuck with you.

Ozan Varol
One of the points that really stuck with me that I use probably on a daily basis is it goes back to something that my high school soccer coach would tell me, and then I came across a research study which essentially validated what he was saying all along. So, I’ll begin with what he would tell me, and then I’ll bring you to the research, and then share with you what I do on a day-to-day basis to implement this mindset.

He had this saying, he would say, “If you’re not in possession, get in position,” meaning if you’re not in possession of the ball, move to a different position on the field where you’re open to receive the ball. And it turns out that the same idea applies to you, regardless of the type of work that you do. And so, if you’re finding yourself stuck, if you’re finding yourself without the ball, if you’re finding yourself in a rut, move to a different position. So, physically move yourself away from the position that you’ve been sitting in into a different location.

What happens with the way that most of us work, we’re like sitting in the same position, in the same chair, looking at the same computer screen for hours and hours at a time, and that space we’re operating in gets associated with the same old thought patterns, traditional ideas, and so it becomes really hard to change the status quo and generate new ideas.

But the simple act of picking up your laptop and walking to a different location, it might be a café, or what I do at home is I walk to a different room in our house, with different decorations, different books on the shelves, different background, different everything, and when I do that, that space becomes this, like, blank canvass that I can project new ideas on, and because that space is not associated with the old though patterns that I’ve been operating under for a very long time.

This is why, by the way, research shows that smokers, for example, find it easier to quit when they’re traveling because the new location doesn’t have the same patterns associated with their smoking habit as their own home. And so, it’s really easy to implement in practice. If you’re finding yourself in a rut, pick up your laptop, move to a different place. Walking also helps. Research shows that walking significantly boosts creativity.

And walking, by the way, without audiobook, without podcast, without a phone call to keep you company, just you and your thoughts, there are so many stories of scientists, literally, walking themselves into the right answer. It seems like a really simple practice but it can really create a fundamental transformation in the quality and the quantity of the ideas that you might generate.

Pete Mockaitis
That’s really cool. And that context stuff, you mentioned smokers, that’s wild. I’ve heard that some war, maybe it’s Vietnam, maybe it’s multiple wars, soldiers from the US, a good chunk of them, engage in some hardcore drugs, like cocaine or heroine or something, when they’re off in the theater of war. And then they came back, and the vast majority of them just had no problem.

This is mind-blowing because it’s, like, among the most addictive substances in existence, and then it’s like, “Oh, well, hey, you know, different people, different country, different scenery, different activities, and hardcore narcotics are just not part of my life anymore.” Just like that. Mind-blowing stuff.

Ozan Varol
Amazing. Yeah, I hadn’t heard of that but it makes sense if you think about it. So much of our behavior, our habits, our ways of working in the world are just tied to the environment. And the moment you put yourself in a drastically different environment, it becomes much easier to change. And this is why, by the way, one of the things I love most is international travel.

When you go to a foreign country, your whole world becomes topsy-turvy, like the majority becomes the minority, surrounded by echoes of this language that you’ve never heard before. You return to infancy when your mother tongue was foreign to you. You become a young fool again. And so, everything is new and it becomes so much easier to generate new ideas and get out of old patterns of thinking simply by breathing foreign air, which is pretty remarkable.

Pete Mockaitis
That’s cool. All right. Well, we’ve got a number of fun strategies and ideas. Could you hit us with of the big idea, core thesis of the book Awaken Your Genius?

Ozan Varol
Sure. And I pick the word genius on purpose. So, genius, most often, is used to mean smartest, or the most intelligent, the most talented, and that’s not the way I used genius in the book. There’s a quote that opens the book from Thelonious Monk, he says, “Genius is the one most like himself.” Genius, in the Latin origin of the word, means the spirit attendant at birth in each and every person.

So, each of us is like Aladdin, and our genie, or our genius, is bottled up inside of us waiting to be awakened. And the core thesis of the book is this, no one can compete with you at being you.

Pete Mockaitis
“I’ll smoke them.”

Ozan Varol
You are the first and the last time that you’ll ever happen. And if your thinking is an extension of you, if what you’re building is a product of your inner wisdom, you’ll be in a league of your own. But if you suppress yourself, if you don’t claim that wisdom within, then it’s going to be lost. That genius is going to be lost both to you and to the world.

And so, at a time when so many people and so many businesses are looking externally for answers, outsourcing their thinking to algorithms, copying and pasting what their competitors are doing, I wanted to write a book to give people concrete tools to escape that culture of conformity and unlock original insights within their own depths and unleash their own unique genius.

Pete Mockaitis
So, if awakening the genius is what’s happening here, could you give us a cool story of a sleeping genius and how they awoke and what happened?

Ozan Varol
Yeah, the first name that popped to mind is Johnny Cash. In 1954, he walked into an audition room at Sun Records, and at the time he was a nobody. He was selling appliances door to door and playing gospel songs at night with two of his friends. He was broke. His marriage was in ruins. And for his audition, Cash picks a gospel song because that’s what he knew best, and gospel was really popular in 1954. Everyone else was singing it.

The audition doesn’t go as Johnny Cash plans. As Cash begins to sing this dreary slow gospel song, the record label owner, who’s name was Sam Phillips, he pretends to be interested for, like, 20 seconds before interrupting Cash. He says, “We already heard that song a hundred times, just like that, just like how you sang it. This song,” he says, “is the same Jimmy Davis tune we hear on the radio all day about your peace within, and how it’s real, and how you’re going to shout it.”

He looks at Cash, and he says, “Sing something different. Sing something real. Sing something you felt because that’s the kind of song that people want to hear. That’s the kind of song that truly saves people. It’s got nothing to do with believing in God, Mr. Cash,” he says. “It has to do with believing in yourself.” And that rant jolts Cash out of his conformist “Let me sing you some good old gospel” attitude. He collects himself. He starts strumming his guitar. And he starts playing the “Folsom Prison Blues” in that deep distinctive voice of his.

In that moment, he stops trying to become a gospel singer and he becomes Johnny Cash, all because he rejects the tendency to conform, and decides to embrace the genius within him. And I think that’s one of the best stories, the most memorable stories about how somebody who walks into that room as a sleeping conformist, and walks away by awakening the genius within him.

Pete Mockaitis
Well, I’m curious, so Johnny Cash, he’s already got a pretty good sense at the time, I’m assuming, I’m not as familiar with the ins and outs of his story. He’s got a pretty good vibe that, “Music is the thing I care to do,” so he’s got a zone that he’s operating in. To your point about how we are one of a kind and the best at being us as we can be, so we want to be ourselves and tap into that fully.

I guess, I’m thinking, how do we even know where to start in terms of the zone that we’re going to be operating in if we’re not even at the point of Johnny Cash, “All right, I’m doing music”? I think many of us in a career, it’s like, “Well, I don’t know, I like helping people, I like figuring stuff out, I like communicating, and, I don’t know, I could do any number of jobs.” Where do we start?

Ozan Varol
Yeah, great question. I talk about a number of strategies in the book. I’ll share one of them here. One is to ask yourself, to look back on your life, and figure out what your useful idiosyncrasies are. And you might actually ask your partner or best friend about them, like, “What is it that makes me different from other people?” your superpower, the thing that you can do better than the average person, and see how you’ve used that power in the past. And I really encourage you to dig deep when you do this exercise.

So, for example, if you tell yourself, “Well, I’m really good at organizing events,” dig deeper into that. So, just because you’re a great event organizer doesn’t mean you can only be an event organizer. That means you’re great a communicating with people, that means you’re really good at rallying others, that means you’re really good at putting people together in a space and creating an informative entertaining event.

And so, the goal is to tease down those Lego blocks of your talents, interests, preferences, useful idiosyncrasies. And once you’ve got those Lego blocks figured out, then you can build other things with it, build other things with that you haven’t built in the past. And it might be staying within your current line of work, and switching from singing gospel to actually singing “Folsom Prison Blues.” It might also mean switching to an entirely different field.

But the first step is trying to figure out what your useful idiosyncrasies are. And this is really hard to do. It’s really hard to do in part because, at some point in your life, you were probably shamed for having those idiosyncrasies because they made you weird or different from other people. And so, we learn to conceal them, we learn to suppress our superpowers because they make us different from other people. But if you can figure out what those superpowers are and lean into what made you weird or different in the past in a useful way, that, in and of itself, can make you extraordinary.

Pete Mockaitis
I like that a lot. That phrase useful idiosyncrasies is way more useful in terms of surfacing the goods as oppose to “What’s your superpower?” which is a cool powerful useful question. I recommend interviewers ask it. Let’s understand that, hopefully, the interviewee has some self-knowledge to be able to disclose that. But if you’re kind of working towards that, useful idiosyncrasy is handy.

It’s funny, I’m thinking that when I was in high school, in the summer, I remember there were a few times, and I was ridiculed for this, I was hanging out with my friends for, yeah, a good long stretch of time, maybe six hours, and I thought, “You know what, I’d like to go home and read business books now,” and I’m, like, 15 and they didn’t care for that. They thought that was a little bit alienating, like, “You prefer to read business books than hang out with me.” I was like, “Well, we’ve been hanging out for a long time, and kind of…”

And so, this is a really fun job, getting to talk to people who write a lot of those such books. And so, yeah, that’s interesting, is that it’s useful and it did bring about modest ridicule from my friends there. Could you just lay it on us a bunch more examples of useful idiosyncrasies?

Ozan Varol
Sure. In my life, one of the useful idiosyncrasies has been storytelling. And if I look back, and this is also really useful, too, looking back at your middle school years, your high school years, before you became an adult, like you enjoyed reading business books, for example. I loved writing stories. Actually, from the first time I learned to read and write, I would type stories on my grandfather’s old typewriter.

And looking back on my life, that core ingredient, that useful idiosyncrasy, that basic Lego block has been there all along. So, I went into, for example, the practice of law. I was in rocket science first and then switched trajectories and went to law school, and became a practicing attorney. And as I was a practicing attorney, you’re writing briefs for the court, you’re in oral argument, which is essentially storytelling. You’re telling stories on behalf of your client.

And then I was in academia, and I was a law professor and taught these big classes filled with first year students who are taking these required classes, and many of them did not want to be in the classroom and so I had to come up with ways of telling engaging stories to that audience to get them excited and energized to be in the classroom.

And so, that core ingredient has been there all along, that ability to tell stories, but the recipe that I’ve made with it has changed over time. And so, now I use storytelling in my writing, in the books that I write, in terms of telling stories that are going to make principles stick in a way that, like, simply dry-listing something is not going to.

And so, that’s another example of a useful idiosyncrasy. And we all have them, and the beauty is they’re all different for each of us. So, people listening to this may not have storytelling as one of their Lego blocks, they may not have the desire to read business books for fun as one of their useful idiosyncrasies. But if you look back on your life and go back to the very beginning, before the world told you what you should be doing, what you were actually excited to do, you’ll begin to notice these themes and trends and core ingredients of useful idiosyncrasies that have carried over time.

Pete Mockaitis
Well, that’s fun. As I’m thinking about my kids now, my son Johnny, who just loves to make some kind of a drawing, and there might be stickers or whatever, and then put it in an envelope and seal it, and then write “Mama, Dada,” whatever on it. So, he’s five and he can write a few words, and I just think it’s so funny because this happens almost every day.

And it’s funny because you think, “Oh, what a precious gift from my child.” And it was like, “Well, yeah, but I’ve got dozens and dozens of them, and I don’t know what I’m supposed…” It feels wrong to throw them away. It’s like, “Should I curate?” But it’s funny, he just keeps bringing it, and he loves giving these creative gifts to us. And I just wonder if that is a fad, a passing fancy, or if that’s going to be a core thing and where that will land.

Ozan Varol
Sure. It’s amazing that he does that, though.

Pete Mockaitis
It is.

Ozan Varol
If you think about it, it’s not like he learned that from anywhere. It’s just naturally coming to him. It’s so cool that he’s sharing that gift with you, and that you’re leaning in.

Pete Mockaitis
Yeah. It does. It feels good, like, “Oh, this is for me. Thank you.” Okay. So, we’ve got storytelling, we’ve got business books. I’d love to hear a few more just for people to see themselves in that.

Ozan Varol
Sure. For me, another one was programming, like, I fell in love with computers at a very young age, and I was definitely shamed for it. I was the president of my high school computer club, and that did not bode well for my dating life but it gave me crucial skills that I could use later on in life. And so, even now as a writer, I lean into technology in a way that most writers don’t.

And I think those rare combinations can also be really helpful. So, there’s really nothing novel about a singer who can dance, but a lawyer who can also do computer programming, or a doctor who knows something about the law, for example. Those rare combinations of ingredients, useful idiosyncrasies, can be really powerful because you can use those tools from very different fields to create things in your field that no one else can because they don’t have the depth of knowledge that you do.

So, they honestly can be anything. It could be effectively communicating with other people. It could be simplifying really complex things. So, some people are amazing at taking a really complicated thing and then explaining it to somebody who’s a complete beginner in language that they can understand. Really, really rare but extremely powerful skill.

Empathy is another one. People who can read the energy in the room can see what other people are feeling. Say, you’re marketer or a salesperson, and you can actually see the tension. You can see that the pitch you just gave to the potential client isn’t really resonating, it’s not really sitting well. The ability to recognize that in the moment, and then tailor your pitch accordingly, to lean in and get curious about the client’s perspective, is also a superpower that a lot of marketers don’t have.

And so, think about those skills that have been there from a very young age, and see what they might be. And then you can take those and build new things as you go along.

Pete Mockaitis
I like that a lot. It’s funny, I’m also thinking now about, I guess, another idiosyncrasy is that I just do an excessive amount of product research in terms of buying something just because I really like optimizing, in general, or finding the best toenail clipper. It’s like, “I’m only going to get one, so why don’t I just get the best one that there is, and you feel that decadent luxury because I’m not going to have the fanciest house or car in the world, but I could get the most high-performing nail clippers.”

And that’s also paid off in terms of guest selection. So, Ozan, not to toot your horn, but we do a boatload of careful prep, and research, and thought in choosing each guest, and it’s a blessing having tons of incoming pitches to be able to be so choosy. And it’s paid off in terms of show growth, and quality, and engaged listeners, and all that kind of thing.

Ozan Varol
I love that. And the example you just gave is a perfect one because you’re applying it in very different contexts. You’re applying it to selecting products that are going to be useful for you, but you’re also applying it to selecting podcast guests. And so, that useful idiosyncrasy of curation can be applied in very different contexts, so it’s not just limited to one. It can be applied to so many different areas.

Pete Mockaitis
All right. Well, Ozan, I’ve got just a few random things I want to know about because your table of contents and pitching things really intrigue me, but I want to give you the floor first. Is there anything that’s just so critical we must know about awakening genius that you want to make sure to get out there?

Ozan Varol
I think we already talked about the crux of the book, but I just want to add one thing. I think it goes back to the comment or the discussion we just had about useful idiosyncrasies, which is that there’s this desire to try to appease everybody, to appeal to everyone. And when people do that, you end up appealing to nobody. You actually reduce the force of your strength because you become ordinary, you become like every other gospel singer in the world.

And we notice things because of contrast, so something stands out because it’s different from what surrounds it. If there is no contrast, no anomaly, no fingerprints, no idiosyncrasy, you become invisible, you become the background. And the only way to step into your genius is to actually embrace, not erase, your idiosyncrasies, your useful idiosyncrasies.

Pete Mockaitis
Yeah, I love that. Now, that’s making me think of Bo Burnham, if you know the comedian-musician.

Ozan Varol
Yeah.

Pete Mockaitis
Like, I’m a little late to the game but I just saw his special “Inside,” which I just thought was so brilliant. And as compared to most comedy specials, we have a form we’re expecting: a stage, an audience, some jokes, a microphone. But then he does this thing where it’s all inside with different creative tidbits. And it has stuck with me like no comedy special ever has.

I’m thinking about it again and again, and it does feel all the more genius, and I’ve recommended it many times, and I guess, hey, and on the show. That contrast is powerful. And I’m sure it’s not for everybody, “This is really kind of weird,” and tune out but those it’s connecting with just go gaga for it, and share it, and grow it, and all kinds of good things happen.

Ozan Varol
Yeah, that’s exactly right. Because then you’re setting up this light beam and you’re attracting people to that light beam who really want what you’re offering. And I think a lot of people don’t do that. We’d rather fail singing the same gospel song that everybody else is singing than risk failing individually. Another talented person, an extraordinary person that comes to mind who did just that is Bruce Springsteen.

I recently saw him in concert, and I was blown away. Like, it was my first Bruce Springsteen concert, and here’s this 73-year-old guy who’s like jumping and dancing and sliding across stage, and pulling off all of these moves that would put people in their 30s to shame. And as I was watching him on stage, I was reflecting on how he’s had this sort of longevity that he had. He’s been doing this since 1965.

And it’s not his voice. So, his voice is not amazing, and he readily admits that. And he can play the guitar but, as he writes in his book, Born to Run, which is excellent, by the way, he says, “Look, the world is filled with great guitar players, and many of them my match or better.” But the thing he did, instead of trying to out-sing or outplay other musicians, he leaned on the one useful idiosyncrasy that made him different from everybody else, which was his ability to write song lyrics.

So, he became a sensation for writing lyrics that capture the blue-collar spirit, and tell the gap between the American dream and the American reality. And this man, who was initially dismissed by agents and bandmates and critics, just about everyone, eventually became rock and roll sensation because he leaned into the one quality, the one useful idiosyncrasy that actually made him different from other people.

Pete Mockaitis
That’s great. Thank you. All right. You’ve got a few teaser bullets I just got to know about. You say our most scarce resource is not time or money. What is it? And how does it matter for awakening your genius?

Ozan Varol
It is your attention because attention doesn’t scale. You can pay attention to only one thing at a time, and your reality on a moment-to-moment basis is defined by what you pay attention to. So, if you pay attention to junk, your life becomes junk. If you’re paying attention to useful sources of information, then your life becomes more colorful.

And so, I think, as they say in the movies, with the gun, like, “Be careful where you point that thing,” be careful where you point your attention because it’s going to fundamentally shape your reality. And there was a time in my life where, four or five years ago, I would wake up and the first thing I did in the morning was to grab my phone, immediately check email, immediately check the news, immediately check Instagram, and it was the digital equivalent of gorging on a bucket of M&Ms for breakfast every morning.

I would immediately pollute my mind, and then my mind and my output, by the way, would turn to junk because that’s what I was taking in, that’s what I was paying attention to. So, if you want to change your reality, start by changing what you’re paying attention to.

Pete Mockaitis
That’s so good. Well, now I got to know, what do you read in the morning now instead?

Ozan Varol
I don’t read anything in the morning.

Pete Mockaitis
There you go.

Ozan Varol
My mornings now are reserved for creating. So, one of the first things I do in the morning is to journal, to free-write. So, not journalism, like I’m describing what I’m going to do or what I did the day before, but what kept me up at night, or an idea that keeps bugging me, something that has just been top of mind for me, and I just sit down and I write it. I do this thought dump in the morning, and that’s how I start my morning. And then I write in the morning.

And everyone is different, but for me, the morning is my most creative time. And so, I now reserve that morning for creation as opposed to consumption.

Pete Mockaitis
Okay, that’s cool. Now, how does detecting BS help us awaken our genius, and how do we do it?

Ozan Varol
Awakening your genius isn’t just about that inner journey of finding the wisdom within. It’s also about the outer journey, which is getting information from outside sources but, crucially, figuring out which sources are useful and which ones are not, filtering out low quality or sources of information that might mislead you. And I have an entire section of the book dedicated to providing readers with a toolkit for doing just that.

But one of the simple ways to do this, which most people don’t do, is to actually read the article. It’s become so prevalent to just read the headline and then jump to a conclusion based on the headline, hit the retweet button based on the headline. Just reading the original article is something that so few people do.

But if you just take a few minutes and read the actual source of the thing where that headline came from, and if you want to go down the rabbit hole, then actually go back to the primary source, which, again, most people don’t do. But that one thing is going to set you apart from other people, and you’re going to find things, little nuggets of information that people miss because they are just so focused on the headline.

And I’ll mention one more thing. There are ten strategies in the book on this. Pausing and asking yourself, before you accept what you read, a simple question, which is just, “Is this right? Is this right? How can I poke holes in a curious way?” So, skeptical curiosity, not just being skeptical of what you’re reading but approaching it with curiosity is such an important skill that most people don’t have.

And one of the examples I give in the book is from this Mars mission that I worked on where it was reported by a journalist in a tweet that one of the two rovers that I worked on, its final transmission to Earth was “My battery is low and it’s getting dark.” And it got retweeted like millions of times, a bunch of media sources picked it up, and the story is false.

Before the rover died, it sent back to Earth a bunch of routine code that included, among other things, its power levels and the outside light reading. And then a journalist, who didn’t let facts get in the way of a good story, then took a short section of that random code, paraphrased it into English, and then tweet it to the world that these were the rover’s final words, and then millions of people hit the retweet button, and a bunch of media outlets published stories all without pausing and asking, “How does a remote-controlled space robot spit out fully formed English sentences designed to tug at people’s heartstrings?”

It’s so useful to ask, step back, and ask, “Wait a minute. Is this right? How does a reporter know what the rover said?” And then that would lead to additional questions, like, “Well, how does a Martian rover communicate with Earth in the first place? Does it use fully formed English sentences? Like, how do we know what the rover is doing at any moment?” Those questions are guided by a skepticism of the reporter’s claims but, more importantly, by curiosity about the underlying truth. And questions like that will lead you to places that few others dare go.

Pete Mockaitis
Okay. And what’s your strategy for asking better questions?

Ozan Varol
One of the ways you can do this is to ask what I call a soliciting question, and it solicits a more insightful answer. I’ll give you an example from my life when I was a law professor. I would pause during class from time to time, and ask, “Does anyone have any questions?” Nine times out of ten, no one will raise their hands, and I’d move on, confident that I’d done an amazing job of explaining the material.

Well, I was wrong, there were plenty of students who were not getting it. The exam answers made that clear. So, I decided to run an experiment. Instead of saying, “Does anyone have any questions?” I began to say something like, “The material we just covered was really confusing. I expect many of you to have questions. Now is a great time to ask them.”

The number of hands that went up increased dramatically. And I realized in hindsight that “Does anyone have any questions?” was actually a stupid question. I’d forgotten how hard it was for a student to raise their hand around, like, hundred of their friends and admit that they didn’t get something or they didn’t understand something.

The way that I reframed that question normalized confusion. It made it easier for students to raise their hands and admit that they didn’t get it, they didn’t understand it, because I made it clear that this material was really difficult. And I think we ask stupid questions all the time outside the classroom as well.

So, if you’re a manager and you ask a team member, say, during a quarterly review, “Are you facing any challenges?” most people will say no. They will say no because they might fear that admitting that they’re facing a challenge is going to be seen as a weakness by their boss. But as a manager, if you say something like, “We just finished a really tough quarter. Everyone is facing significant challenges. I’d love to hear about yours.”

Now you’re much more likely to get a more honest, insightful response because, now, you’ve normalized challenges. Now, you’re saying, “Look, everybody in the company, everybody on the team is facing challenges. I’m just curious about the specific challenges that you’re facing.” And so, phrased that way, it becomes easier to create psychological safety and for people to open and give you a far more insightful answer than the one that you, otherwise, would’ve gotten.

Pete Mockaitis
Well, beautiful. Thank you. And now could you share with us a favorite quote, something you find inspiring?

Ozan Varol
I love this quote from Rumi, “As you walk on the way, the way appears.” The implication being that the way is not going to appear until you actually start to walk. I think most people ignore the fundamental tenet of that quote and they want perfect information about the precise destination and all the twists and turns that are going to get them there, but life doesn’t work that way.

Life has a way of lighting the path ahead only a few steps at a time. And as you take each step, you go from not knowing to knowing, from darkness to light. And the only way to know what comes next is to start walking before you think you’re ready.

Pete Mockaitis
Okay. And a favorite study or experiment or bit of research?

Ozan Varol
There was a study I came across where they put students in a room, they took all of their devices away, and they were given the option of either doing nothing or administering themselves an electric shock. And I don’t remember the precise figures but a shockingly high percentage of people chose to shock themselves, and it was painful, rather than just sit there for 15 minutes just by themselves and their thoughts.

I like this research study because we’ve lost this ability to just sit and be with our thoughts without reaching for the nearest available distraction, whether it’s a shock from an electric device or a shock from your smartphone. And there’s so much value in putting yourself on airplane mode, and just sitting there with you and your thoughts, and letting yourself daydream.

That’s where the best ideas come from, and that’s why you get your best ideas in the shower is because it’s that few moments in your day where you’re actually completely free of notifications and distractions. It’s just you and your thoughts. Imagine the types of ideas that you might be able to generate if you replicate those shower-like conditions more frequently throughout the day.

Pete Mockaitis
And a favorite book?

Ozan Varol
Well, I have so many favorite books but the one that popped to mind is How to Change Your Mind by Michael Pollan. It just opened my eyes into this whole new world. Well, actually, it was an older world because the research was done back in the ‘60s and ‘70s by using psychedelics for therapeutic purposes. And he goes back to the research and brings it back alive. And it just opened my eyes to these alternative forms of healing that I knew nothing about.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Ozan Varol
I love Roam Research for taking notes. When I mentioned free-writing and journaling before, that’s something that I journal in and write in. I keep it open on my browser throughout the day, and I just jot down whatever is coming up. And I have this setup in there where I can go back and review notes that I took three months ago, six months ago, and a year ago.

And I find that review process really helpful, to go back and what I was thinking about a year ago, or six months ago, because when you spot these same themes emerge, same ideas, same thought patterns keep repeating themselves, it becomes harder to ignore them.

Pete Mockaitis
And a favorite habit?

Ozan Varol
I already mentioned it, but I’ll come back to it. Favorite habit is putting myself on airplane mode. So, just sitting with just a notepad and a pen and nothing else, or going out for a walk, no podcast, no audiobook, nothing, just me and my thoughts. And those moments in the day where it seems like nothing is happening end up being the most productive moments because that’s when my best ideas come.

Pete Mockaitis
Okay. And could you share a favorite resonant nugget, something you share that people seem to latch onto, retweet often, etc.?

Ozan Varol
“Creativity isn’t produced; it’s discovered,” is a quote that gets retweeted a lot, or gets repeated a lot, because we have this industrial-age mentality that we bring to knowledge work. Like, if you’re just sort of nose-to-the-grindstone is the best way to generate ideas, and that’s not accurate. Ideas actually come in moments of slack, not moments of hard labor.

Like, if you’re trying to innovate, you’re not going to do that by trying to hit inbox zero. They happen when you step away. And taking your foot off the pedal every now and then can actually be the best way to accelerate.

Pete Mockaitis
All right. And if folks want to learn more or get in touch, where would you point them?

Ozan Varol
You can get Awaken Your Genius wherever books are sold. If you go to GeniusBook.net, there’s a special bonus that you can get there for ordering the book, which says free mini course that you can watch in less than 30 minutes with 10 life changing insights from the book, similar to the ones you heard here today.

And if you like to keep in touch with me, I’m not active on social media just because my attention, I found, is better pointed in other directions. So, the best way to keep in touch with me is to join my email list. I have one email that goes out every Thursday to over 45,000 subscribers, and that you can read in less than three minutes. And you can sign up for that by heading over to my website, which is OzanVarol.com, that’s O-Z-A-N, V as in victor, A-R-O-L.com.

Pete Mockaitis
Okay. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Ozan Varol
I think just recapping what we covered so far, embrace your useful idiosyncrasies, spend time on airplane mode, and be careful where you point your attention.

Pete Mockaitis
All right. Ozan, this has been a treat. I wish you much fun and moments of genius.

Ozan Varol
Thanks so much, Pete. Thanks for having me on.