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In Memoriam: 457: How to Persuade through Compelling Stories with DonorSee’s Gret Glyer (Rebroadcast)

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Gret Glyer says: "These people don't emotionally connect with facts but they will connect with another person and another story."

Gret Glyer discusses how you can increase your persuasion power by telling compelling stories.

If you’d like to help Gret’s family cover funeral expenses, please consider donating to his GoFundMe or organization DonorSee.

You’ll Learn:

  1. Why stories succeed where statistics fail
  2. What makes a story compelling
  3. How storytelling can earn you a promotion

About Gret 

Gret Glyer has helped raise over a million dollars through storytelling. He is the CEO of DonorSee, the platform that shows you that your money is helping real people in need with personalized video updates. From 2013 to 2016, Glyer lived with the world’s poorest people in Malawi, Africa where he built more than 150 houses for the homeless and crowdfunded $100,000 to build a girls’ school in rural Malawi. Glyer has been featured in USA Today, National Review, HuffPo, Acton Institute and is a TEDx Speaker. He is currently fundraising for his first ever book on Kickstarter called, If The Poor Were Next Door.

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Gret Glyer Interview Transcript

Pete Mockaitis
Gret, thanks for joining us here on the How to be Awesome at Your Job podcast.

Gret Glyer
Thanks for having me, Pete. It’s a pleasure.

Pete Mockaitis
Oh, I’m excited to dig into this chat but, first, I want to hear a tale from you. I understand you’ve had some encounters with the wildlife of Africa. Tell us about them.

Gret Glyer
That’s right. So, I spent several years living in a part of rural Africa, it’s a country called Malawi. And while I was there, there was a place where you could rent a sailboat and sail around this reservoir. You had to drive like 30, 40 minutes through these villages and on a dirt road and so forth, and eventually you got to this like oasis, like green trees and this really beautiful lake/reservoir and you could rent 10 or 15 boats just like in the middle of nowhere.

So, I went with some friends out to this reservoir, we rented a boat, and I had never sailed a boat myself, but I’d been on other sailboats so I thought I could manage it, and it wasn’t too big of a boat. And there wasn’t much time before a big gust of wind came over and almost knocked us over. That was kind of scary and so we thought, “You know what, maybe we should turn around.”

But before we had the chance to do that, a second gust of wind, I can’t even explain physically how this happened, but a second gust of wind, like 10 times stronger than the one that we had just gotten, again blew us over, flipped our boat completely upside down so our sail was pointing downward, like down into the water, and it was like a violent flip so we were all scattered about.

So, I was the first one to crawl on top of the boat and I was sitting criss-cross applesauce on top of an upside-down boat while I was like bringing my friends on the shore. And the guys on shore, they kind of saw what had happened and they sent a canoe out to rescue us and bring us in. And as we were being brought in, there were a bunch of kids on shore who were just shouting and pointing at the water, and they just seemed really excited.

So, we’re being pulled in by this boat, and we turned around and, right where our boat had flipped over, there was a hippo who had surfaced, and I thought, “Oh, my goodness.” So, I was a little bit like just in shock, but that’s actually not where it ends. So, we get pulled into shore, and I’m kind of shaking from what could have just happened. So, I go up to the guy who is on shore kind of running the whole operation, and I asked him, like, “Wow, I see the hippo out there. Is that like a dangerous hippo? Is it deadly?” And the guy said, “No, it’s not that dangerous. It’s only killed like one person before.” And I thought, “Wow, we have different definitions of what is and isn’t dangerous.”

So, yeah, that was one of the first times I ever saw a hippo in real life and very scary, very dangerous experience.

Pete Mockaitis
And just how big is a hippo when you are right there and this one in particular?

Gret Glyer
Oh, they’re gigantic. In fact, I think one of the things that people don’t realize, people think of lions as the deadliest animal, maybe crocodiles, but it’s actually hippos are the deadliest animal in all of Africa, and it’s just because they have these massive jaws. And whenever they collapsed their jaws onto their prey, it’s several tons of force that’s coming down and just completely crushing it, so they’re very big.

Pete Mockaitis
Mercy. Well, thank you for sharing that story. And storytelling is the topic du jour, and I want to get your take on you’ve got a real skill for this and have seen some cool results in terms of your non-profit activities. And so maybe we could start with your story in Malawi and how you came to learn about just how powerful storytelling is.

Gret Glyer
Sure. So, I actually moved to Malawi right after college, or a year after college, but before that I was a private school kid, I went to a private college, and I worked at a corporate job, and I lived in northern Virginia right outside Washington, D.C., I lived in a very wealthy zip code, and that was all I knew. I was a wealthy person, I was around other wealthy people, and the people around me were like a little wealthier than I was so I kind of thought I was poor just because that was the people who were surrounding me.

And then when I moved to Malawi, at the time Malawi was ranked as the absolute poorest country on the entire planet, and I saw people who were living on a dollar a day, and I was dumbstruck, like that’s the best way I can put it. I didn’t know. I knew that, intellectually, I knew that type of poverty existed, but for someone with my background and my upbringing, it was like emotionally I had never truly connected with that.

And so, I moved to this place where some of my next-door neighbors are living on a dollar a day and I’m just astounded at this level of poverty, and that’s when I realized that I wanted to do something about it. And so, I started writing blogposts and I started making videos and, eventually, I started crowdfunding. And you could tell statistics all day long, and the statistics are shocking but they don’t resonate with people on a deep level.

And it was when I started learning about storytelling that I realized that storytelling is the vehicle by which I could get my message across. And the message I wanted to get across was we have our problems here in the developed world and those things are totally worth exploring and doing something about, but I also think that the message I have is I want to have a little bit more urgency about what’s going on in these parts of the world where people are suffering from extreme poverty, people living on a dollar a day. So, that was the catalyst for when I first got really interested in storytelling.

Pete Mockaitis
And so, I’m curious then, like did you have some experiences then in which you shared some statistics and numbers and data things versus you shared a story and you saw differing responses and reactions?

Gret Glyer
Yeah. Actually, the very first time I ever did a crowdfunding campaign I had this exact thing happen. So, at first, what I did was, and this is actually one of the first times I was exposed to true extreme poverty face to face, because when I moved to Malawi I was living on a compound, and the compound I was living on we had a lot more people like me, like a lot of people who were visiting from America and they were teachers so they were living there for the year.

But then this guy named Blessings had met me and he wanted to show me some stuff, so he brought me out to this village. And we went deep into this village and that was kind of my first exposure to like when you think of like an African village with grass thatched huts, that was my first exposure to that type of setting. And he introduced me to this lady named Rosina, and the phrase skin and bones, that’s used a lot, but that was like the true representation of what Rosina looked like at this time. She really looked like she hadn’t eaten in a long time. And, in fact, she hadn’t eaten in seven days when I met her. She was on the brink of starvation. It was a really sad situation.

And so, Blessings told me that this lady not only didn’t have enough food but she also didn’t have a house and she needed to build a house because the rainy season was coming in a month, and if you don’t have a house during the rainy season, you’re in big trouble. So, I asked him how much a house would cost, and he said it would be $800, which blew my mind coming from where I came from.

And so, what I did was I put together some statistics and some facts about people who need houses, and I sent it to my friends back at home, and I told them, “Listen, there are people who need houses here, and houses cost this much, and this is the building materials we’ll use.” And, lo and behold, I needed $800 and only $100 came in. For whatever reason, the facts and figures didn’t quite resonate with people.

So, then I took a different approach and I told Rosina’s story, I told the story about this lady who had a really tough life, and she’s now a widow and she’s in this tough situation through no fault of her own. And if it’s not for the participation of my friends and the donors back at home, she’s going to be in big trouble. And that was that one moment where it clicked, where I realized, “Okay, storytelling, this is the key. These people don’t emotionally connect with facts but they will connect with another person and another story.”

Pete Mockaitis
Yeah. And so, we’re talking about data versus storytelling, and you’re telling a story about telling a story, and you’re sharing numbers about it, so I’m loving this. Okay, so the first time you made your case with numbers, you got a hundred bucks. The second time, you made the case with a story, and what happened financially?

Gret Glyer
Oh, the money came in, I think, it was within hours. It was definitely within a day but, if I remember correctly, it was a few hours after I sent that email out to my friends and the money came in easily. I’ll kind of go a little bit further. Not only did the money come in, and not only did people like send it over excitedly, but we built a house, Rosina got her house, and actually we put the roof on the house a day before rainy season. So, time was of the essence and we barely got it, and Rosina was able to move in.

And I actually just went to Malawi a couple months ago, and I got to go visit Rosina and she’s still living in the same house that we built her, so that was a cool experience. But what was interesting was after the house was built, people started to continue to send me $800 to build more houses for people even though I wasn’t asking for it. They were just sending me money because that story had resonated with them so deeply.

Pete Mockaitis
And so, maybe you don’t recall it precisely here, but how many $800 bundles and houses were you able to construct as a result?

Gret Glyer
Well, so it started off there’d be a few people who sent over the money and then I would make a video. And then I went home over the summer and I actually met up with Scott Harrison who’s the CEO of Charity: Water, and he helped me get a 501(c)(3) setup and he kind of gave me some advice and so when I went back the next year, we started building more houses. I’ve never wanted to grow this particular operation beyond what it is but we continue to build houses every month even to this day. And we’ve done over 150 houses in all of Malawi at this point.

Pete Mockaitis
That’s striking. So, wow, from 100 bucks to 150 times 80 bucks. And in the early days it was even from the same people in terms of being able to do multiple houses whereas you couldn’t even do an eight beforehand. So, that is compelling stuff. And sometimes I get stuck in the numbers because I’m fascinated. I’m a former strategy consultant and I love a good spreadsheet and pivot table and so it’s natural for me to just go there without stopping and think, “Okay, what’s really the story here?” Tell me, what makes a story good, compelling, interesting, motivating versus just like, “Okay, whatever”?

Gret Glyer
Yeah, I think what it is about a story, especially if you’re trying to persuade another person or you’re trying to get someone to see your side of things, I think what’s compelling about a story is the person you’re talking to, they can see themselves within the story, whereas they can’t necessarily see themselves within a set of data.

So, you can look at a spreadsheet all day long and you can see these facts and figures, and that’s very persuasive to a small subset of people, and probably a lot of your audience really likes the data and the figures, and that’s really good. But for most people, for a general audience, they’re going to resonate deeply when they can see themselves as part of a story.

Pete Mockaitis
And we had Matthew Luhn on a previous episode, and he was a story supervisor for PIXAR, and that was one of the main things he said in terms of a lot of stories that they need to kind of fix or clean up or consult, tweak at it, have that challenge. It’s like, “Yeah, the audience can’t really see themselves in the shoes of the protagonist or hero and, therefore, we’re going to have to somehow make that individual more relatable in order for that to really compel the viewers.”

So, okay, cool. So, that’s one piece is that you can relate to it, like, “Whoa, I’ve had a hard time with regard to losing something and having some urgency with regard to needing some help or else we’re going to be in a tight spot.” And, boy, here we have it in a really big way in the case of her home and with urgency as well. I’m thinking I’m stealing your thunder, but one element is relatability to you and that person? Are there any other key components?

Gret Glyer
Yeah, when it comes to storytelling there’s a lot of different tips that I would love to share. I almost don’t want to share the tips because then people would be trying to do the tips instead of just doing like what they really need to do which is practicing. Like, if you just practice storytelling and you talk to other people and you see how much it resonates with them, eventually you’ll begin to learn. But there are a few things you can try.

So, one of the main things is you want to make sure that your opener is a hook. You say something where tension is created. Like, I could tell you a story right now. I woke up this morning, and I woke up, I reached across my bed, and my wife wasn’t there. And then I got out of bed, I started looking through my apartment and my wife was nowhere to be found, which has never happened before. And then I could stop right there and there’s some tension, it’s like, “Okay, well, what happened to your wife?”

Now, this is a made-up story, like it’s not true, my wife was there this morning. But you get the principle that you want to start up the story with some kind of tension that needs to be resolved. And then when it comes to persuasive storytelling, what you’re doing is you’re putting the person in the situation where they’re the ones that have to resolve the tension.

So, for crowdfunding, for example, you say, “This person needs a house and they’re not going to get their house unless you step in and do something about it.” And so that person gets to see themselves within the framework of that story. But I would say creating tension and then creating a satisfying resolution, that is the key to storytelling.

Pete Mockaitis
Okay. I’m with you. You’re right. So, I guess the tension kind of shows up in the form of a question, maybe you directly ask the question or maybe you just let it pop up themselves. And I think what’s so powerful about storytelling sometimes is I find folks, they’ll start a story just as a means of exemplifying a principle or concept, and then they think, “Okay, well, I’m exemplifying the concept,” but then everyone is just left hanging, like, “But what happened?”

Gret Glyer
Yeah, they want it. Everyone wants that. They love having that resolution. And, in fact, one of the biggest mistakes people will make when they first start storytelling is that they won’t resolve it. They won’t put as much time into the resolution. Because you can engage your audience just by creating tension, and you can create more and more tension. This is what a lot of these series on TV have done, like Lost and most recently Game of Thrones.

Like, I’m sure everyone has heard about how upset people were with the ending of Game of Thrones. And it’s a total rookie mistake to build up all this tension and have all of this tension that needs resolution, and then at the end kind of give a cheap ending. It’s a very tempting thing because you’ve still gotten the tension and the attention from your audience but you haven’t delivered. And learning how to deliver is the ultimate, the pinnacle of storytelling.

Pete Mockaitis
Yeah. Boy, you bring me back to my favorite TV series ever is Breaking Bad and I’m not going to give any spoilers for those who have not yet seen it. I’ll just give you as a gift that Breaking Bad is extraordinary. But I remember, toward the end, boy, those final eight episodes, oh, my goodness, there was so much tension. I remember like the third to the last episode, in particular, entitled “Ozymandias,” was kind of an episode where a lot of stuff hit the fan, and we all knew it had to. It’s like there is no way that everyone is just going to be hunky-dory. Something is going to go down.

And then I remember I couldn’t wait, I was just amped, looking forward to it all week, and then I saw it, and then I was kind of sad by some of the things that happened. And I was sort of surprised at myself, it’s like, “Pete, did you think you would enjoy this? You care about these characters and you know some bad stuff is going to happen to some segment of them.” It was weird, and I thought that, “This is going to be so amazing. I can’t wait for this experience.” And then when I saw it, it was artistically masterfully done, but it made me sad, it’s like, “Oh, man, that’s a bummer for those guys and gals.”

Gret Glyer
Yeah, I’ll share one of my favorite examples to go along with that because it’s so simple. I was watching A Quiet Place which was the John Krasinski kind of horror movie, and there was one thing that they did at the very beginning of the movie, because they’re in this world where monsters might attack them at any moment. And there’s a staircase that goes from the first floor of their house to the basement. At the very beginning of the movie, what they did was they had a nail come loose, and the nail was sticking straight up so that you knew at some point, someone is going to step on that.

And what they kept doing was they kept having people walk past the nail, and they would show their barefoot like right next to the nail. And that’s there throughout the entire movie, and that’s just one way that they masterfully interwove tension into that story.

Pete Mockaitis
That’s great. Well, so I want to get a take here. Let’s talk about, first, your world, how you’re seeing this all the time. So, you have founded DonorSee, and what’s it about and how do you use storytelling there?

Gret Glyer
Yes, so DonorSee is like the storytelling platform so I’m really proud of what we’ve accomplished. So, the way that DonorSee works is whenever you give any amount of money, you get a video update on exactly how your money was used to help real people in real need, and these are mostly people living in extreme poverty like I mentioned earlier, people like Rosina, the person who needed a house.

And so, what you do is like, let’s say, there’s a girl in India, and she is deaf, you can donate money to her, you’ll know her name, you’ll know her story, and you’ll know her hopes and dreams. And a few days after you give your donation, you’ll get a video update of her hearing for the first time. And she might even say, “Hey, Pete, thank you for giving me these hearing aids.” So, it’s a very personalized video update and it’s a one-to-one transaction that gets to happen. So, that’s the concept behind DonorSee.

Pete Mockaitis
Yeah, and it’s powerful. Well, we got connected because, a fun backstory for the listeners, my sweet wife saw a video about DonorSee and the good work you’re doing, and she made a donation, and she just thought it was the coolest thing. And that you, with your wise, best practice following organization reached out to her to learn more about where she’s coming from and sort of her behavior and thoughts and needs and priorities and values and whatnot to kind of optimize her stuff. And then your colleague listened to the podcast.

Gret Glyer
Yeah, my COO.

Pete Mockaitis
And here we are, you know, fun world.

Gret Glyer
Yeah, shout out to Patrick Weeks because I know he’s listening right now.

Pete Mockaitis
Hey, hey, hey. And so, I’m intrigued then. So, then you’re doing the storytelling on the frontend as well with regard to as you’re having videos on Instagram and Facebook and places with the goal of kind of getting folks to say, “Oh, wow, I’d like to be a part of that and make a donation.” So, I’m curious, in that kind of context of, hey, short attention span, social media, etc., how do you do it effectively?

Gret Glyer
Well, storytelling doesn’t change. There’s always the same kind of build tension and then provide resolution, and so you just have to find ways, you just have to find whatever is the hot medium, whatever it is that people are using, that’s where you want to be. So, right now, we test a million different things, we’re on every platform, Twitter, Instagram, Facebook, and we do a lot, we work with influencers and so forth. We’re constantly trying to get in front of whatever audience might be most receptive to us.

And so, what we do is we just test everything. We just see, “Where is it that people are responding to this the most?” And so far, what we found is that Facebook is where people are spending time and they’re open. Facebook is a platform where you’re looking at stories of other people’s lives on a regular basis so it’s very natural to be in your News Feed, and then this advertisement or sponsorship from DonorSee pops up, and it’s another story about another person’s life, and it kind of draws you in. And I think that’s been why that has been successful. And Instagram, of course, too also lends itself to that pretty well.

Pete Mockaitis
And so then, I guess you’re doing that same sort of stuff, like you got video and you create tension the first few seconds, and then away you go. Are there any particular do’s and don’ts? I mean, this isn’t a digital marketing podcast, but, hey, there’s plenty of those so you’d be hit there too. But any kind of do’s and don’ts with the particulars of if you’re putting up a post, “We found that these kinds of things work well and these kinds of things don’t”?

Gret Glyer
So, to go along with your tips about storytelling and another thing, that is a crucial consideration whenever you’re storytelling and, specifically, when you’re trying to tell a story within an advertisement, is to really consider who your audience is and who you’re trying to speak to directly. And so, for example, I think this is a really helpful way of thinking about. Here’s a failure that we had and the success that we had.

So, there was a time when we would put up stories of people in need, stories like the one I told earlier of the lady who’s starving and needed a house. And we put up those stories and those resonate with a certain type of audience. But then, what we realized was that people were having a hard time seeing themselves in that story. I mean, seeing someone in destitute poverty is just so outside of your frame of reference. It’s hard to really to grasp it.

And so, what we started doing was we started using testimonial ads.  In fact, there’s this couple from Harvard that they’re big fans of DonorSee, and I’ve had the opportunity to talk to them several times. And the wife is getting her MBA at Harvard and the husband is getting his JD, and they have this really nice picture of them, but they use DonorSee every month and they’re really big fans of it, and so, they sent in a testimonial.

And so we’ve been running their picture with their testimonial underneath, and that seems to resonate with a certain type of audience where maybe they wouldn’t necessarily see themselves in another country on the other side of the world, but they do see themselves in the transformation that the donor themselves is going through. They were able to grasp it because they look at the ad and they saw someone who’s more similar to them, and that was why they decided to get involved.

Pete Mockaitis
And maybe even, I don’t how much this plays into it, but it could aspirational, like, “Dang, Harvard power couple.” It’s really cool.

Gret Glyer
Yeah, absolutely.

Pete Mockaitis
And, “Oh, this is something that, I don’t know, successful, smart, high-achieving people do, it is that they give.” And so, that could be a lever in there as well.

Gret Glyer
Yeah. I’ll give one more example. We have a few ads that we run for parents, and there are parents in the picture, they’ve got their kids, and maybe they’re looking at a phone or they’re smiling at a camera. And the testimonial is from these people who are saying, “I’ve used DonorSee to educate my kids about global poverty, and it’s created these wonderful conversations between me and my kids.”

And so, obviously, that’s not going to speak to the 18-year old kid who’s about to go to college, but for the parent who has young kids, or kids who are maybe even up to teenage years, that works really, really well because they seem themselves in that. So, yeah, you always just think about who your audience is and then you tell stories where they can see themselves inside of it.

Pete Mockaitis
Very good. And so, I know we do have a number of non-profiteers amongst the listenership just because they’re probably curious so I want to go here. So, okay, so you’re putting money into ads, and you’re seeing donations flow, how’s that work from like a fundraising expenditure kind of a thing?

Gret Glyer
Oh, totally. Yeah, absolutely. So, totally fair question. So, the way it works is we have overhead just like any other non-profit organization would have overhead, and so whenever you give there’s a small percentage that gets taken out. Our percentage is 13% and that money goes to keeping the lights on and we have a lot of video hosting costs and so forth. But the vast majority of it is actually going to the people in need. And then the last thing I’ll say, because people are always curious about this, I, as the CEO, make zero dollars a year from my organization.

So, if there’s any doubt, or if there’s any consideration that maybe I’m doing this kind of for my own pocket, there you go. I fundraise separately on Patreon and people support me through that, and I’m very grateful to be able to have the opportunity to do things that way. But, yeah, you can’t run these organizations for free, as much as we would all like that, and so that’s what we do.

Pete Mockaitis
Well, that’s cool. And so then, so the 13% also covers the advertising costs?

Gret Glyer
Oh, yeah. We use that. That covers everything. It covers the video hosting, the advertising, the development, all that stuff.

Pete Mockaitis
That’s really cool. And so, you’re seeing like a positive, I guess, I don’t know if ROI is the right term in this context, but in terms of, “Hey, we spent a hundred bucks on Facebook ads, and we’re seeing donations of substantially more than a hundred bucks flowing through.”

Gret Glyer
Yeah, the term that we use, which is similar to ROI, is we use return on ads spend, ROAS. And our return on ads spend is positive. And it’s really cool because once we get people in the door, we have lots of ways of keeping them engaged with our platform. What’s cool about our platform, not to pat myself on the shoulder too much, but what’s really great about DonorSee is that it keeps you engaged. Like, you give a donation, you get a video update, and then you’re back on our platform with lots of more opportunities to give, and you keep getting video updates every time you do that. So, we have a really strong recurring donation base.

Pete Mockaitis
Yeah, that’s cool. That’s cool. Well, so let’s zoom in on the typical professional, you know, I’m in the workplace, and I got all kinds of situations where I got to be persuasive and influential. Maybe I need to have a project manager. I don’t have the authority to hire, or fire, or give bonuses, give raises, but I need colleagues to do stuff for me so my project gets done, or I just need to get some help and buy-in from other departments, etc. So, how would you recommend we apply some of these principles in a workplace setting, trying to get collaboration from others?

Gret Glyer
Yeah, that’s a great question. I’ve been thinking about it a lot because I knew I would be on the How to be Awesome at Your Job podcast and this would be a main point that we would talk about. So, I’ve been thinking about this for your audience specifically, and the way that I thought it would be best to think about is in terms of getting a promotion. I think that that’s something that’s on a lot of people’s minds and something that will happen several times throughout the course of their career.

And I think what I want to petition is that storytelling can actually help you get more promotions faster than any other skill that you have.

Pete Mockaitis
Bold claim.

Gret Glyer
Yeah, so your audience can test it out and we can get feedback at some point, but here’s how you use storytelling to get a promotion. So, let’s say that you have a boss, and your boss has some kind of problem and doesn’t have a solution for that problem. What you want to say is, you look for these kinds of opportunities, they’re not always lying around. But when you see the opportunity, then you jump on it, and you go to your boss, and you say, “Listen, I would love to help you with the problem that you’re dealing with. I’ve thought a lot about it, I thought about how I could be the solution to the issue that you’re facing. The problem is I don’t have enough responsibility. I haven’t been given enough responsibility to help you with your problem but I know I can do it if I’m allowed to be given this responsibility.”

And so, what you’re doing is you’re putting yourself into the situation, you’ve created tension with this problem, and the promotion is how you resolve the tension. So, you create tension in your boss’ mind, and then the way that the tension is resolved is by your promotion.

Pete Mockaitis
Yeah, and what’s interesting about that is the promotion might not happen right then and there on the spot, like, “Gret, you’re right. Now, you’re a director.” But it’s probably like, “Yeah, okay. Yeah, sure, Gret, that’d be great for you to take on director’s responsibility and take care of this, this, and this.” And then some months later, it’s like, “Well, crap, he’s doing the job of a director. I guess we should probably give him the title and the compensation so we’re not flagrantly unjust/at risk of losing him to another employer.”

Gret Glyer
Yeah, and I think that’s another way that you can create tension, is you can kind of say, “Listen, I’m really excited about my job right now. I love what I’m doing but, unfortunately, there’s another company that is offering to pay me this amount, but I really want to keep helping you with this. And the way that that can happen is if you can kind of match what this other company is offering me.”

And so, again, you’re creating tension, “I’m going to leave the company unless the tension is resolved, which is that I get a raise or a promotion,” or something like that. And none of this is like… Make sure you are not like blackmailing your boss, or putting yourself in like an unhealthy relationship with other people. But just the concept of creating tension where you can be the solution and you can help people, I think that that is going to be a very, very powerful tool for your audience.

Pete Mockaitis
And I think that’s a really good frame or context there in terms of just like, “Hey, look what I got. What are you going to do about it?”

Gret Glyer
Yeah, exactly.

Pete Mockaitis
“I’m really enjoying this and I’d love to continue helping but, just to be honest and level with you a little here, I’ve got this tempting offer over here, and my wife would sure love it if I had some extra money. It’d be awesome if I would just not even have to think or worry about that by matching.” So, yeah.

Gret Glyer
That creates the opportunity for me to just point out one more tip I have about storytelling, and that’s to use vivid imagery. So, when you said, “My wife would love it.” If you said, “My wife has really been wanting this red Camaro, and if I got this promotion, I’d be able to get that car for her.” That was a specific image in the person’s head that that creates a hook for them, and that image is going to resonate with them and make them think about it longer than they would’ve otherwise. So, using vivid imagery is a very powerful way to keep your recipients engaged.

Pete Mockaitis
Yeah, and I think that the red Camaro is vivid imagery and I guess I’m also thinking about, it’s like, to an extent, again, does it follow the principle of can they see themselves in that story? It’s just like, “Hey, I don’t drive a red Camaro. Nobody I know drives a red Camaro. Tell your wife she’s going to have to hold her horses, you know.”

Gret Glyer
Yeah, maybe more achievable kind of a red Corolla.

Pete Mockaitis
But it could really be just like, “Hey, you know what, she’s really wanting to spend some more time, I don’t know, like with a medical thing.” It’s like, “It would really be helpful if we could be able to do more trips to physical therapy,” or, “It’d be really handy for the kids, boy, they love music but it’s so hard to find the time to get out to the school of folk music. And it’d be so handy if we could, I don’t know, have a nanny or chauffeur, or something, that they can relate to their gift. It’s very important for children to have music in their lives.” I resonate with that and so that might be more compelling.

But you get the wheels turning here just by bringing up these principles which is great. So, maybe before we shift gears, tell me, do you have any other sort of top tips you want to share about maybe being persuasive?

Gret Glyer
Yeah, I just think tone is very important. You can get people’s attention lots of different ways. When you become a good storyteller, you become very good at hooking people in. We’re kind of graduating out of the era of clickbait, like people are starting to get wise to it, but there was a time when people used clickbait in attention-grabbing headlines to get more traffic onto their website or to get more attention for their cause.

But if you don’t have follow through and you don’t have substance behind your hook, then it’s a very bad long-term strategy. So, it’s just the whole package of starting with the attention-grabbing hook with a satisfying resolution, understanding that whole framework is really important to healthy storytelling.

Pete Mockaitis
Yeah, I think that’s dead on and I know what the expression was, it’s like, “All sizzle, no steak.” It’s like, “Ooh, what’s this about?” It’s like, “Oh, you don’t have it.” And, for me, it’s largely about, I don’t know, these days I’m getting so many messages on LinkedIn from people who want to sell me marketing services.

Gret Glyer
Yeah, I bet.

Pete Mockaitis
And it’s kind of like, “You know, I would love for my business to grow and I’d love to do more training and coaching and workshops and sell more courses or whatever.” But it’s kind of like, “I don’t know who the heck you are. And what would really persuade me, hey, is like I guess I want a story and with some data.”

It’s sort of like, “Hey, here is, I don’t know, a podcast or trainer person just like you, and here’s how they spent, whatever, $5,000 and then turned that into $50,000 with our help doing these cool things. And now they’re doing these great things with their business.” So, I think that will be way more compelling than, “Do you need more leads for high-ticket events?” It’s like, “Maybe, but I don’t know anything about you. It’s not the best way to start our relationship, new LinkedIn connection.”

Gret Glyer
I think you just made a really good point. The data is what makes your story more compelling but it’s definitely secondary to the storytelling itself. So, you’ve got the story, you’ve got the hook, and then people want to believe it. They want to believe that there’s this tension that can be resolved and you can be the person to resolve it. But if they don’t have the proof, then you’re going to lose them. So, I think having that data is so completely absolutely crucial but it should be embedded within the framework of telling a good story.

Pete Mockaitis
Cool. Well, now, can you share with us a favorite quote, something you find inspiring?

Gret Glyer
Yeah, I love this quote from Elon Musk, he says, “When something is important enough, you do it even if the odds are not in your favor.”

Pete Mockaitis
Yeah, I’m chewing on that. And how about a favorite study or experiment or bit of research?

Gret Glyer
So, I am someone who creates awareness about global poverty, so when I saw that I have the opportunity to talk about a statistic, I wanted to use that opportunity to talk about some statistics about global poverty very briefly.

So, if you earn $34,000 then you are in the global 1%. You are wealthier than 99% of the planet, which is mind-blowing to think about. But I’ve got two more that will kind of cement this. So, if you earn $4,000 a year, after adjusting for cost of living, then you are wealthier than 80% of the planet. So, it’s only 20% of the world who’s making $4,000 a year and up. And, finally, if you earn $1,000 a year, so about $3 a day, you’re wealthier than 50% of the planet.

So, there’s an exponential regression from the richest people in the world to the poorest people in the world, and that was what I wanted to bring up for my statistics.

Pete Mockaitis
Yeah, and that could be a little bit of you can take that in all sorts of ways, like, “Oh, wow, we have a lot of work to do to help people who are in need,” to, “Hey, I ain’t doing so bad.” I guess because we tend to compare ourselves, like you said in the very beginning, with neighbors and colleagues, folks who are right in your midst. But if you zoom out, take a global perspective, it’s like, “You know what, I feel like my salary is disappointing at, whatever, $43,000, which is 9,000 more than 34,000, but I’m a 1-percenter, so I could probably find a way to make ends meet after all.”

Gret Glyer
Yeah, and I bring that up not to make anyone feel guilty or anything like that. Really, the reason I bring it up is because what I learned is it was perspective shifting for me. I was a private school kid growing up. I grew up in one of the wealthiest suburbs in the U.S. and so when I learned these things, it totally changed how I look at the world and my own situation, and I hope that others can have that same experience.

Pete Mockaitis
And how about a favorite book?

Gret Glyer
So, this is another interesting one. So, if you’ve seen the movie Les Mis there’s a guy at the beginning of the movie, the bishop, and he brings someone into his house who’s a known thief, and he gives him a bed for the night because he doesn’t have anywhere to sleep, and the thief ends up stealing a bunch of his stuff and running away.

That’s like a split-second thing in the movie Les Mis, the most recent one. And what happens is the guy ends up coming, the police catch the thief, they bring him back, and the bishop, instead of making the thief kind of go to prison and go back to the gallows, the bishop says, “Oh, you brought him back. Thank you for doing that. I actually forgot to give him the most important gift of all.” And he goes and he gets these two silver candlesticks and gives it to the thief, and says like, “Be on your way.”

So, the thief kind of stole from him and then he gave him more money out of this act of charity. And then that kind of was this catalyst that turned the guy’s life around. So, in the movie that’s like a very brief thing, but the first 100 pages of the book Les Mis, the book Les Mis is about 1600 pages. The first 100 pages are all about that bishop. And I found those 100 pages, like exploring that guy’s character and the way that he thinks about the world, I found those 100 pages riveting. So, I thought that’d be a different thing to what your audience is used to, read the first 100 pages of Les Mis.

Pete Mockaitis
Yeah, it’s beautiful in terms of the power of mercy, and right on. Preach it. And how about a favorite tool?

Gret Glyer
Yeah. Well, the tool I was going to bring up, which I already mentioned earlier, is Facebook ads. Facebook does a really great job of reaching the audience that you are trying to find. And so, instead of you having to kind of say, “Well, people who like this, and who like this, send ads to them.” What Facebook does is it finds people who resonate with your ads, and then it shows more ads to people who have already resonated with it, like maybe they’ve clicked the Like, or left a comment, or something like that. And so, Facebook does a really good job of that and I highly encourage people to check out Facebook ads for that reason.

Pete Mockaitis
And a favorite habit?

Gret Glyer
I go to the gym four times a week whether I work out or not. So, in other words, even if I don’t lift weights or don’t get on the treadmill or anything like that, sometimes I just go to the gym and I walk around. My only threshold for what is a successful health week for me is whether or not I went into the building of the gym four times a week.

You know, once you’re in the gym, obviously, you’re like way more likely to work out and you’re around all these other people who are working out. But the threshold for a successful workout is so low that it’s kept me in shape for several years.

Pete Mockaitis
That’s great. Yeah, it does wonders for just keeping the habit alive even if you do almost nothing when you show up there. And how about a favorite nugget, something you share that really seems to connect with folks?

Gret Glyer
I always tell people to do what you’re afraid of. If the only reason you’re not doing something is because you’re afraid of it, then you have to do it. Sometimes you shouldn’t do something because it’s unwise, but maybe the thing that you’re afraid to do is you’re afraid to go skydiving. But you can afford it, there’s a place to skydive within 30 minutes from you, and the only reason you haven’t done it yet is because you’re afraid of it, do it, and that will help. That habit will help create many different opportunities for you in your life that that will lead to personal development.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Gret Glyer
So, right now, I’m using storytelling to sell my book, so I actually have a book that I’m fundraising for on Kickstarter, it’s called If The Poor Were Next Door, and I tell people to look it up on Kickstarter and back that project.

Pete Mockaitis
And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Gret Glyer
Yes, so the final thing is we have setup a link DonorSee.com/awesome just for you guys. And if you go there, you’ll be able to join DonorSee and get video updates on your donations. And anyone who does that, there’s a special offer for getting T-shirts and hats and stuff like that, if that’s interesting to you. But, yeah, DonorSee.com/awesome.

Pete Mockaitis
All right. Well, Gret, thanks for sharing the good word today and the great work you’re doing at DonorSee. I wish you lots of luck in all the cool impact you’re making and folks you’re helping, and it’s really cool.

Gret Glyer
Thank you, Pete.

780: How Minds Change and How to Change Minds with David McRaney

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David McRaney breaks down why it’s so difficult to change people’s minds—and shares powerful strategies to get others to open their minds.

You’ll Learn:

  1. Why facts alone can’t persuade others
  2. One simple question to make you more persuasive
  3. A step-by-step guide to changing even the most stubborn minds 

About David

Science journalist, podcaster, and internationally bestselling author David McRaney is an expert in the psychology of reasoning, decision making, and self-delusion. His wildly popular blog became the international bestselling book You Are Not So Smart, revealing and celebrating our irrational and thoroughly human behavior. His second bestseller, You Are Now Less Dumb, gives readers a fighting chance at outsmarting their brains. His most recent book, How Minds Change, is a brain-bending and big-hearted investigation into the science of belief, opinion, and persuasion. 

David is an in-demand speaker whose work has been featured in The Atlantic and many others.

He also created and hosted Exploring Genius: In-Depth Study of Brilliant Minds, an audio documentary for Himalaya, and is working on a TV series about how to better predict the psychological impact of technological disruption. 

Resources Mentioned

David McRaney Interview Transcript

Pete Mockaitis
David, welcome to How to be Awesome at Your Job.

David McRaney
Thank you so much for having me. This is so cool to be here.

Pete Mockaitis
I’m excited to talk about your book How Minds Change: The Surprising Science of Belief, Opinion, and Persuasion. But, first things first, David, we got to know about your stint as a strong man in the circus.

David McRaney
How in the world did you even know this? I feel like I’m on Hot Ones. That’s one of those deep cuts. I was at a Renaissance Fair a couple of years, it was right before COVID, and I’m a giant dude. I’m 6’2” and they were like, “Hey, do you want to…? We need a strong man,” they pointed right at me, and I was like, “Sure, I’m into it.”

So, I got up on stage, and it was one of those acts where they…you have an acrobat climb up your body and then stand on your shoulders, and you have to hold them up, and they juggle flaming objects back and forth with their assistant who was inside a shopping cart that’s slowly rolling away. And I had to do all sorts of acts. It really was hard because I was like, “If I messed this up, one of us is going to be horribly injured. I’ll be covered in fire.”

It’s a Renaissance Fair in Louisiana, so it’s just going to be a YouTube video. It’s not like there’s going to be medical attention that’s going to rush over to our aid. It’s going to be one of those things that people share online and say, “Don’t do that.” So, that’s what I did. It was fun. I’m into it.

Pete Mockaitis
Wow. So, that’s pretty high stakes and it sounds like there wasn’t a lot of prep. You just launched right into it.

David McRaney
Yeah, it was fun. I was wearing a full kilt and I just was in the mood to do weird stuff at a Renaissance Fair, so that speaks to my character, in general. Yeah, I’m down to do crazy stuff if it seems like there’s going to be a good story involved. So, I finally get to tell it. I think this is the first time I’ve told anybody this outside of my immediate friends and family.

Pete Mockaitis
Well, we’re honored. Beautiful. Well, thank you for sharing, and I think that really does set a great foundation somehow for the topic to come. Let’s talk about how minds change. And could you kick us off with a particularly surprising or counterintuitive or fascinating discovery you’ve made about us humans and our brains and persuadability while putting together this book?

David McRaney
One is the idea that humans are flawed and irrational, which I used to talk about all the time.

And the other is that some people are completely unreachable and unpersuadable, which I also used to say. I talk about it in the beginning of the book. I was at a lecture once, and someone asked for my advice on reaching out to their father who had gotten into a pretty deep conspiracy theory, and I, at the time, this was years ago, said, “I don’t think you have any hope here. This person isn’t willing to change their mind,” and I never felt good about that. I never liked that answer.

And then I witnessed the incredible shift in public opinion and attitudes towards same-sex marriage and LGBTQ issues, in general, in the United States, leading to the Supreme Court decision. And, interested in that, I started investigating it and found my way to the work of both Tom Stafford and Hugo Mercier, who are in the book, and who had been on my podcast, and who I, at this point, know them well enough to be able to chitchat.

Hugo Mercier has a great book called The Enigma of Reason which I highly recommend, and is an explanation of the interactionist theory of human cognition, which is his work with Dan Sperber. The simplest explanation of that is humans, we evolve over time to reach consensus towards common goals, common courses of action to share worldviews, to be more effective in groups.

And we have these two cognitive mechanisms underlaid by biological mechanisms: one is reproducing propositions and one is for evaluating propositions, and they work differently. And, oftentimes, we’ll find ourselves in environments where we’re only producing arguments, often we’re doing it in isolation, and it’s different from evaluating arguments.

And then that combines with what Tom Stafford has, put forward in a new model. Called The Truth Wins theory. Everyone who wrote books about this sort of thing, there was sort of a new hotness in the world of pop science, which were humans are irrational and flawed.

And so, the idea that the same reason we lock our keys in our cars and send emails to the wrong person, scales up to climate change and things like that, most of that research, even though it was done with lots of people, those people were researched in isolation. And that means we were looking at what an individual does and how an individual comes up with solutions to problems or reasons for thinking something or justifications and so on. And, yeah, individuals do that in a very biased and lazy way but if you give people the opportunity to approach those same things as a group, you’ll get a much better outcome.

And so, those two things together were the first sort of torches in the distance that I’d walked toward as I moved through all sorts of on-the-ground reporting with activists and cults and pseudo-cults and conspiracy theory communities and experts who study all these things, leading up to the arc of really shifting my view on not only how minds change, whether or not it’s through persuasion, but also how persuasion actually could work in a way that actually brings results.

So, that all sums up into one big epiphany for David McRaney, which is I don’t think anyone is unreachable anymore. I don’t think anyone is unpersuadable. I think that the frustration we often feel when we are approaching someone who doesn’t seem to want to change their mind or resist deeply, that frustration is better directed at ourselves for not approaching them in a way that would help them arrive at a different conclusion or see things differently.

In the book, I use the metaphor it’s like trying to reach the moon with a ladder, and when that doesn’t work, assuming the moon is unreachable. I think you try to reach out to people who disagree with you or see things much differently than you using improper approaches and techniques. You might assume they’re unreachable, but you just need to change the way you go about doing things. So, that’s my long-winded, super giant answer to your great opening question. Thank you.

Pete Mockaitis
Fundamentally, why do we humans tend to believe some things and not others? I was intrigued when you mentioned, you got cults and conspiracy theorists. I watched the documentary Behind the Curve about the Flat Earth stuff.

David McRaney
Oh, yeah, I got to help with that a little bit, yup.

Pete Mockaitis
And that was intriguing. And I’m just so fascinated as to why is it that some of us will accept some things and reject other things and like what’s that about?

David McRaney
Behind the Curve, that’s great. I didn’t know that I contributed to that documentary until someone told me that I was in the credits.
it also led to, of all things, there was a festival in Sweden that was similar to South by Southwest, and they invited me and Mark Sargent on stage to talk about his Flat Eartherness, and I used one of the techniques in the book on stage, although I wasn’t really that good at it. Like, I’m much better at it now.

But that’s a side story that came out of that documentary. I loved that documentary. One of the reasons why this is something that’s difficult to get your mind around is that some of the same assumptions that lay people, like ourselves, would make in this, even though we have all this experience with people we’ve tried to argue with over the years, are the same assumptions that scientists made when they first started studying this in earnest in the 1940s.

In the 1940s, they were trying to understand propaganda. They’re trying to understand, they were worried about what the Nazis were up to with propaganda, and the United States was trying to figure out, “Should we fight propaganda? Should we make propaganda? What works? What doesn’t?” And there were already social scientists who were interested in marketing and advertising and messaging and all that kind of things, and they ended up making this thing called Why We Fight.

You can watch it on YouTube. It’s this very long American propaganda piece that opens up with the Nazi propaganda, and says, “Look at this. This is bad. And why are we fighting this war?” And it says, “Is it because of this?” And they show all these places getting bombed and tanks rolling through, and they say, “No, no, no.” And then, eventually, they show the Statue of Liberty and the Magna Carta and stuff like that, and say, “This is why we fight. Torches of freedom that are being snuffed out around the world.”

And they had this whole idea, “We’re going to show this.” They showed it to the President. The President was like, “This is so good, I want this in every theater in the United States.”

And they went to bootcamps and things like that and showed them the film, and they measured the impact of it. And what they discovered there is something that we all often discover when we try to get people to see things our way. We throw a bunch of facts at them, a bunch of links, we tell them to go watch these videos, read these books. And what they found, there were these misconceptions that they were worried about.

One was that the war would be over in a couple of weeks, that the German military was very small, that the UK wasn’t doing a very good job of defending itself, we were just coming in to save them. They wanted to get rid of these misconceptions. And they found that the film did a great job of doing that. It did correct people’s incorrect beliefs. The facts in their mind were updated but their attitudes were not changed in any which way whatsoever.

All their opinions going in about the war, things like it’ll be over in this amount of time, or their negative or positive evaluation of things, no change. And that led to a new wing of research into persuasion in which we started to actually think of categories of mental constructs that were separate from one another. Attitudes aren’t the same as beliefs. Beliefs aren’t the same as attitudes. Then you have values and norms and opinions, and these things are interchangeable terms and we’re just kind of talking in our lay language, but they are not interchangeable when we start trying to divide them into mental constructs.

So, what often happens when you’re trying to change someone’s mind, and it’s not working out for you, is that you hear them present a claim or a proposition or an idea, and you try to change one aspect of it instead of the other aspect, which is actually driving their eagerness to present this to you.

What often happens is someone will say something, “I think the President is a great president,” or, “I think the President is a bad president,” whoever that may be, and you try to change their mind about that. It feels like you’re trying to change a belief. But what you’re really trying to change there is an attitude because they’re telling you their positive or negative evaluation of the person. And though there may be beliefs involved, there’s a sort of assumption that, or it could be anything.

It could be climate change, it could be fracking, it could be gun control, it could be whether the Earth is flat. We often believe it’s the facts that led to our feelings on the matter. Like, we’re Gandalf or something, we go to the bottom of our castle and we go to the scroll room and read all the scrolls, and then finally you hold up a finger, and you go, “Hmm, this is what I believe about blah, blah, blah.” It feels like we did that sort of contemplation.

But what usually is taking place is the person has a very strong emotional reaction to this that is a combination of motivations and drives and attitudes that come from experience, they come from their social group that they feel aligned with, they come from maybe motivations like “My job or my reputation.” And then that leads them on a search for evidence that will support the feeling that they have, and that’s motivated reasoning in a nutshell. They’re looking for reasons that will justify the foundational state that they’re in, that we don’t usually recognize is that foundational state.

So, when you approach someone at the level of their conclusions and your level of your conclusions, you’re really asking them to interpret evidence based off of your feelings and your attitudes and your emotions. And if the end goal in that is, “I’m right and you’re wrong,” and then their goal is to prove that, “No, no, I’m right and you’re wrong,” there’s very low chances of that actually getting anywhere, versus a conversation in which, “Hey, I notice that we disagree on this. I wonder why we disagree,” and then you investigate almost as a team to try to solve the mystery of where your disagreement starts.

And in that, you may find that there’s sort of Venn diagram of overlapping attitudes and values, and you can find something in there that will shift both of your opinions at the end of the conversation. So, that’s my very long answer to your question. And why do we resist? Because, evolutionary speaking, it’s dangerous to change your mind if you don’t need to but it’s also dangerous to not change your mind if you should.

So, either one of those outcomes could lead to you getting eaten or not having enough food to survive the winter, so we’re very careful about going through assimilation and accommodation, sort of the two mechanisms of changing our mind. We do this so carefully, considering all these possible motivations that turn it into a risk-versus-reward scenario, and we sort of evaluate the risk of it, and the risk just simply outweigh the rewards in a lot of situations for a lot of people.

Pete Mockaitis
Whew, yeah, so much there. So, when you talked about Mark Sargent and risks, I remember there’s a piece toward the end of that documentary Behind the Curve in which he said, “Oh, I couldn’t leave Flat Earth now if I wanted to.” Like, all of his entire social network and reputation is sort of built around this. And so, yeah, we have a whole boatload of reasoning there that you’re motivated to, to kind of find and dispute, it’s like, “Well, this experiment, it didn’t work out this way because of this.” And so, it’s like even a spot where it’s very difficult to accept evidence to the contrary of his beliefs because of what that will cost him. So, that’s the spot. That’s intriguing.

David McRaney
And the person may not know why they believe this or feel so strongly. If you want to put it in terms that actually fit what’s going on, like, “Why do you feel that pseudo-emotional thing of certainty? Why, when you see this news story, do you accept it unquestionably versus when you see this news story you feel skepticism and then another person has a completely inverted response to that?”

And you take something like vaccines. Like, I spent a lot of time with anti-vaxxers, before COVID anti-vaxxers, and spent time with the people who studied the CDC response and why it wasn’t working with MMR vaccines, the people who were against it often would say they’re afraid that it causes autism. If you asked that person, “Why do you not want to get your child vaccinated?” they may produce as a reason for you, “I fear that it may cause autism, and I’ve read all the stuff and I really believe it, and so I’m not getting my child vaccinated.”

That’s likely not the actual reason. That’s their justification for not doing it, but the reason they’re not doing it is so deep they may not even recall the beginning of their quest to find evidence to justify it. There are so many things that go into that. Usually, all the research suggests that there’s sort of a moral slide or setting in that person where they’re thinking, “This takes away my agency. I’m fearful of institutions. I don’t trust governments and medical institutions.”

“I don’t have a lot of knowledge about these foreign liquids, and they seem kind of disgusting to me in some way, and they’re scary. And you can take all of that and put it into a syringe, and put a needle at the end of it, and stick it into my child without my ability to say no,” that’s really what’s motivating them. That’s the strong negative attitude toward all of that.

Then they’ve gone on a search for, “What supports this strong negative attitude? Ah, yes, this autism thing. I totally accept that. That is a good reason for me to feel this way. It really justifies it.” And then when you get into a discussion with them and you might be presenting your evidence and they’re presenting their evidence, they’re saying to you, “This is why I believe this.” But that’s not actually why they believe it. That was some sort of justification they found later. So, they’re actually going in the reverse direction of the processing that was there.

And this is what we do in every domain when things are uncertain, ambiguous, scary, anxiety-laden. You know what I mean?

Pete Mockaitis
Yes. And I like that little listing that you gave in terms of these are the domains in which that occurs.

And then what’s tricky is when it’s so…yeah, you said it’s scary. Let’s hear those lists again. It’s scary, it’s ambiguous. What are some other ingredients that are right…?

David McRaney
Yeah, there’s uncertainty in there. There’s also we don’t know what we don’t know, so there is a large pocket of ignorance as to how any of this work but you don’t really know that you don’t know those things, but you do feel some sort of uncertainty because of it. There’s also uncertainty of outcome. It’s ambiguous as to what’s happening and there’s all these anxiety triggers in there. Anyone is anxious over having something put in their body that they did not themselves…like, we’re not involved in the creation of it.

And then there’s all these agency problems, like, “You’re taking my ability to determine…you’re taking something away from me when it comes to the care of my child. You’re also doing something to me. I’m not the one holding the syringe.” There are dozens of things in there. And there’s just the general fearfulness of institutions.

There’s nature nurture here. Some people come into the world already somewhat fearful in that way, and then life experiences compound that. Some of those are very reasonable. There may have been things that happened in their lives that they have a really good reason to not trust the government/medicine/so and so and so.

And I advocate in the book for cognitive empathy for those, like, “This person has no choice but to feel that way, no different than you have no choice but to feel, if you’re on the other side of it, you can imagine the question being directed at yourself, which is, ‘Why are you so trustful of all this?’ And it might be difficult for you to articulate why you so readily go, ‘But I trust this. I trust science. I trust doctors.’ And that’s what you should offer to them as well. They may not really be able to articulate why they feel that way.”

Pete Mockaitis
I think you’re nailing it here because I find myself really stuck in the middle with regard to that domain of sort of trust authorities, distrust authorities. Like, I’m thinking about times when I had to get my roof replaced. And so, I was having a hard time getting any roofer to show up, it’s like, “Darn it. I’m just going to call a dozen right now, and one of them is going to show up.” Well, four of them showed up. They gave me completely different perspectives, and I thought, “Wait a minute. You’re the roofing experts, I know nothing of roofs, and I’m supposed to make the call on which one is correct and which one is incorrect. That’s tricky.”

All right. Well, so we’ve laid the groundwork in terms of what’s up with minds changing and not changing. Can you lay it out for us then, ideally with some cool stories and examples, what are some workable strategies we can use to persuade folks? And I’m thinking particularly in professional context as we’re being awesome at our job here. So, lay it on us, how is it done?

David McRaney
So, in the beginning of the book, I go, I hang out with 9/11 truthers, conspiratorial communities. I go hang out with deep canvassers who are activist groups in Los Angeles that go door to door, knocking on doors and change people’s minds about wedge issues in about 20 minutes.

I spent time with the researchers in NYU who studied the dress, which helped me understand the nature of disagreement at the level of neurons, and there’s all sorts of stuff. And Westboro Baptist Church. I visited Westboro Baptist Church, talked to people who left, went to their Valentine’s Day Sunday services, and also went to the building across the street that protest them regularly, the Rainbow house.

One of the things that I found in all this, people who have techniques that actually work and have techniques that are supported by research, most of them had never met each other and weren’t aware of each other, and most of them had never actually looked into the science behind what they were doing. They were just doing a bunch of A/B testing and going with what worked and tweaking what didn’t.

I thought of it kind of like if you wanted to make an airplane, like before airplanes were invented, and you were trying to make something that flew, no matter where you were in the world, or what you made it out of, it would pretty much look the same because we’re dealing with the same physics and the same planet.

Persuasion techniques that really work all look about the same and work the same way because brains work pretty the same way in this dynamic, and that’s because we’re all sharing the same DNA that’s using the same proteins to make the same brain structures that were all influenced by natural selection and so on. That leads to me, if I was going to give you something that I feel that demonstrates this well, I would use street epistemology because I think it’s the easiest one to understand up front and it helps you understand the others really well, and you can apply it in a business setting, in a workplace really easily.

The first thing you need to do if you want to change somebody’s mind, my step zero in all this is ask yourself, “Why do you want to do that?” I find there’s a lot of value in introspecting as to why it is important to you to persuade someone one way or another. Try to make sure that you do have, at least believe you have, the moral high ground, the ethical high ground, or you are factually correct, and then investigate as to whether or not that is so before you enter into this space.

Then try to determine what it is that you want to change on the other side. Is it a belief, is it an attitude, or is a value? A belief is an estimation of something being true or false, a fact-based claim. An attitude is an evaluation of positive or negative, good or bad. And a value would be, “Where should we put this in the hierarchy of things that we are willing to put our time, money, and effort into?”

Pete Mockaitis
It’s like important or not important.

David McRaney
Right. So, establish that first, and then you’ll be much better off as to which one of these techniques works best. Street epistemology works really best when it’s a fact-based claim, like we use for anything. So, the order of operations goes like this. First, build rapport. Rapport is important because we are social primates, and the thing that we care about even more than our own mortality is whether or not our reputation is at stake in any dynamic.

If you communicate anything to the other person that can be interpreted as “You should be ashamed for thinking, feeling, or believing X,” that’s the end of that conversation. You are now in a place and a category of them, or you’re just considered a dangerous person who might get them ostracized or might get them canceled or something that, in effect, nobody wants to be on the end of that dynamic. So, you may not intend to do it, you may not have that in your heart, but it’s very easy to get somebody to feel that way. It’s very easy to communicate it, and you may actually do feel that way. You need to make sure you establish rapport.

The same way, like I’m sure we all have friends that we can go have drinks with, and we don’t agree with half of the things they think about the world but it’s okay, they’re our friends. Like, they’d go on our zombie survival apocalypse squad even though we don’t agree with them on everything. And we might even see the same movie and they’d have it and we love it, and we’re okay with that because we have that trust as social primates. So, you need to establish that up front. Do what you have to do.

If you have a relationship with that person, like it’s your parent, or your family member, or someone in your job who you’ve sort of had a lot of bad conversations with over the years, it may take a while to build that rapport. You might not be able to start this process until you’ve had a couple of meetings and hangouts where that rapport is re-established. So, it’s vital that that’s there first, otherwise they’ll stay in what psychologists call the precontemplation stage. They’re not going to engage in the act of processing the message you’re going to deliver until they feel like they can trust you. They need to feel that they can disagree with you and nothing bad will happen. So, that’s kind of up front.

Now, that’s very easy with strangers. You can establish trust very quickly with strangers, and then you can be transparent, be open, ask their consent, and say, “I’d like to explore this topic with you. I’d like to hear what you think about it. I’d like to kind of figure out where you’re coming from in all this. And if that’s okay with you, you may even change your mind by the end of this conversation. If you’re alright with it, would you be willing to have this conversation with me?”

If they agree to all that and you’re transparent, you just ask for a very specific claim. If it was, “I believe the Earth is flat,” that’s what you would say, like, “Give me a specific claim,” and they’d say, “Well, I believe the Earth is flat.” Once you get that claim, repeat it back to them in their own words. They may tell you all sorts of things, they may be very elaborate, and you need to try to repeat it back in a way that shows you really do understand where they’re coming from.

This borrows a little bit from the “Feel, Felt, Found” method of approaching people. It also borrows from all sorts of therapeutic models but it’s important to reflect, to paraphrase and reflect back what they’re telling you. If they say that you’ve done a good job and they’re satisfied, now you need to clarify their definition.

Like, some people, you may be talking about something like the government, and you think you’re talking about the same thing because you might have like a civics textbook idea of what governments are, and their idea of the government is maybe completely different. They may think that’s like a smoke-filled room where they divide the country up and all that sort of thing. So, you want to make sure you have the same definitions, and then use their definitions, not yours.

And then after that, this is the crucial moment, you need a numerical measure of their competence or their certainty, zero to 100, zero to 10, something like that, where all the way on one end is absolute certainty, and all the way the other end is zero certainty. This is important for a couple of reasons. One, if it’s a contentious issue, like gun control, or at the job, there could be something that’s happening too that there’s a lot of emotions wrapped up in it, they may know that by telling you where they’re on that scale, it could cause you to think poorly of them. It’s important for them to tell you on that scale, and then your reaction to it isn’t, “Oh, my God, what’s wrong with you?” So, that’s important.

The other thing is this is the way we’re going to encourage metacognition because this is a tool for exploring. You can just try this right now. Like, let me think of a movie. Like, the last Avengers movie, like, “Where would you put yourself on a scale, like from one to ten, how much you liked that movie?” And then, it’s weird, like if you asked somebody to put a number on it, like you start to feel yourself thinking about it in a different way.

You might’ve, just before, said, “I liked it.” But if I asked you, like, “Yeah, but how much, like one to ten, zero to ten?” You say, “A seven.” It feels different. It feels like a totally new thought that you hadn’t had before but that’s important.

Pete Mockaitis
Yeah, there’s more effort, for sure, like, “Well, seven is not as good as The Dark Knight. I mean, come on. But I mean you know…”

David McRaney
“Yeah, where would you put yourself on The Dark Knight?” “Oh, I would say that’s a nine. It’s not perfect but it’s a nine.” Like, “So, where’s the Avengers then if that’s a nine?” Like, “Oh, well, I mean, it was good. I enjoyed it. Seven, six, seven. Seven, six,” you can feel that process is taking place. You can do it with any topic, “What do you feel about this new policy we’ve put in at work? Like, from one to ten, like ten it’s the best thing it ever was; one, we should never have done it.” “Well, you know,” and they start having that reaction. Or, it could be about a contentious wedge issue, like, “What do you feel about vaccines or gun control?”

So, once you have that number out there, then you want to ask, “What reasons do you have to hold that level of confidence?” or, “Why does that number feel right to you, basically?” And this is when you hand off this conversation to the other person. This is the part that allows all of us to work because no longer are you trying to copy and paste your reasoning into them. You’re evoking their reasoning out into the world, which may have never happened to them before. This is maybe their first chance to actually have a true opinion about it.

So, you ask for their reasons, like, “Well, I feel that it’s a seven because this, this, this.” That may not be the actual reason, like we covered earlier. That doesn’t matter. It’s just important they’re thinking about it in that way. And then once they’ve put a reason out there for you to discuss, ask, “What method are you using?” You don’t have to worry at this point. I’m telling you broad strokes here, but you want to ask in a very natural way, “What method are you using to arrive at that as a good reason for having that number?”

So, you can already feel, this is a three-dot chain. You have a number, you have a reason, “What’s the method?” And you ask it in such a way that you are easily guiding that person backwards all the way back to foundation. And then, hopefully, like in the best cases, the most sudden changes, the things closest to a complete flip happen, where a person realizes they weren’t using a very good method or good epistemology to like sort out the reason.

And that’s it. from that point forward, just repeat all three of those over and over again, especially the method part. Listen carefully, be a nonjudgmental empathetic listener, summarize, repeat, and help them sort it out. Just be a guide to help them sort through all of that. And when you reach a point where it feels natural, you can wrap up and wish them well. You may have to do this several times but just engaging a person in that way almost guarantees that they will see the issue differently than they saw it before that conversation.

Which, seeing something than they did before, is changing their mind, but moving at your attitude one way or the other is changing your mind, and moving your certainty up and down is changing your mind, and moving your idea of what is and is not important is a way to change your mind. And all those things can take place in this particular framework.

Pete Mockaitis
Whew, that’s beautiful. Well, David, could you roleplay and see in action right now?

David McRaney
So, that’s the method. Some conversations, like the one we’re having, like the character you’re presenting is a person who you can tell when there are moments when like they’re admitting to themselves maybe they haven’t considered this very deeply, or they’re admitting to themselves they’re using epistemologies that aren’t very rigorous, but usually at that point, a person starts to feel a little bit of reactance and they don’t want to lose face in front of the other person. They need time to think better on their own and let it flourish, let it blossom inside of them.

The key thing is to never get into an argumentative frame, and that’s what I was avoiding at every step of the way. So, they typically want to have three conversations with a person, and they do. They often keep up with them. I think they spreadsheet it out, they make sure they do contact them again. And on an issue like this, where if you’re the street epistemologist, if you’re not a climate expert, you’re avoiding talking about facts anyway, you have to admit to yourself that there are good points on the other side, and you have to bring those points forward.

But the idea is to establish a good dynamic in which we’re both trying to kind of figure out, “How would we understand this thing?” or, “Are we using good ways? Are we parsing the data well? Are we actually using news sources? Are we experts?” And I hope some that some of that was coming through in the conversation.

Pete Mockaitis
Yes. Well, thank you. Yeah, that is handy in terms of, indeed, at no point you’re like, “You really are going to get us all killed, right? Oh, so you’re climate denier. That’s what you are. Okay. I have all I need to know about you.” So, yes, so non-argumentative and it does, indeed, feel open. And I guess as I reflect on this conversation, it’s refreshing and it’s different from, I guess, what you see in politics on both sides. It’s just like, “The other side is very bad and wrong and evil, and what we need to do is to demolish and defeat them,” is the vibe you get when you look at US political discourse in 2022.

David McRaney
Yeah. I used the dress in the book to demonstrate what the dress some people saw as black and blue, some people saw it as white and gold, but you had no choice in the matter. Like, that’s just what your brain resolved it to be. And if you got into an argument with someone about, “No, it’s this way. No, it’s the other way,” you’d never get an opportunity to have the kind of conversation where you could ask, like, “I wonder why we see it differently?” or, “I wonder why other people would see it differently than you?” which opens you up to this introspection and also this sort of critical-thinking frame of like, “Hmm, I do wonder what is the nature of disagreement?”

And some little voice inside you says, “Oh, yeah, I could be wrong about this,” or, “Oh, yeah, it’s difficult to be certain of anything, and there are reasons why people think, feel, and believe things.” And with the dress, it was because the more exposure you have to sunlight, the more time you spend in the daylight or you work around windows, the more you assume when something is overexposed, is overexposed in the blue side of the spectrum, and the more time you spend around incandescent light, which is mostly yellow light, the more you assume something is overexposed in the yellow side.

So, the picture itself was very ambiguous as to what it was overexposed but it was ambiguous as to what was causing the overexposure. And so, a person’s experiences with different kinds of light sources determine what they subtracted from the image resulting in two completely different ways of seeing that thing.

But the same thing takes place in politics or even an issue like climate change, like we were discussing. All the experiences that person has had up to that moment, this is an issue that’s uncertain and ambiguous and requires some expertise to understand. So, to come to any kind of conclusion on it, you’re going to have to use something that comes from your priors.

In the character you were communicating to me just now, this person was using ideas of trust. This idea of where the money goes. Like, that’s something that you can understand. That’s something you can use to determine whether or not I feel very strongly about this. But one of the parts of the technique is, that comes from motivational interviewing, is always ask the other person if they’re a five, why are they not a four. Or, if they’re four, why are they not a three.

And what happens often is that they have to present an argument for not going that way. And then you take that argument and that’s what you pump your energy into, into giving them the ability to articulate, “Oh,” and usually they’ll go up. What I didn’t do is ask you where are you on the scale again because that’s usually how you measure that you had some sort of effect.

But it didn’t seem, in that particular conversation, that the person on the other side was ready to re-evaluate because the thing that was coming to the fore was, “Oh, I’m not an expert. It will be difficult to become an expert in this, and I haven’t read a lot about this. And so, therefore, my opinion isn’t really on a strong foundation.” And that needs to mature in the other person before you would take it to the next level.

Pete Mockaitis
Yes. And I liked how, I guess, we also determined that if I have skepticism associated, or the character has skepticism associated with monied interests, then that really could be an interesting point in terms of, “Hey, get a load of these people who walked away from tons of money by going to the other side.” It’s like, “Oh, huh. So, there are some folks who made this call based on convictions that caused them something. That’s sort of persuasive.”

David McRaney
Or, you could go with oil and gas companies, or politicians that are supportive of them, they have vested interests, and so the conspiracy could be on the other side, if there is something like that afoot. Or, there are just human activity that’s based more off like, “I need to stay rich and have a nice car and live in a nice house.” So, you could always take that because that’s more like that’s the fundamental attitude, that’s the fundamental anxiety, that’s the fundamental skepticisms at play, and it’s something that could be applied on either side of this dynamic, of this issue, and could move a person from a four to a five, or at least put them into this state.

The street epistemologist, they often say like their goal is not to change the other person’s mind. Their goal is to encourage that person to use critical thinking, or encourage that person to examine how they come to certainty at all. If they happen to change their mind in the conversation, that’s one thing but that’s not what they’re really attempting to do. It’s just sort of a happy happenstance, if it does happen. It’s more about, “Did I encourage that person to think in a new way about this particular issue?”

Pete Mockaitis
Well, David, thank you. So much good stuff. Let’s hear about some of your favorite things now. Can you share a favorite quote, something you find inspiring?

David McRaney
It’s attributed to Mark Twain. He probably didn’t say it, like most things attributed to Mark Twain, “It’s not what you don’t know that gets you in trouble. It’s what you know for sure that just ain’t so.” I like that one a lot.

Pete Mockaitis
And a favorite study or experiment or bit of research?

David McRaney
One of my absolute favorite studies is this coin flip experiment done by Tversky. Kahneman-Tversky, one of their old ones. You have a person flip a coin, you tell them you’ve flipped the coin, it’s all on paper, and you say you flip a coin, “If it comes up heads, you win $200. If it comes up tails, you lose $100.” And that’s the situation, and then you divide people into two groups.

One group, you tell them the outcome of the coin flip and you randomize it, and then you ask them, “Would you like to flip the coin again under the same conditions?” And everybody chooses to flip it again. And you ask them why, they say, some will say if it didn’t come up in their favor, they’ll say, “I need to flip the coin again to win back the money I lost.“ And if it did come up in their favor, they say, “I need to flip the coin again because I’m ahead and I can risk it.”

So, either way, they come up with a justification for flipping the coin a second time. However, in the other group, you don’t tell them the outcome of the coin toss. And if you do that, nobody chooses to flip the coin a second time, which is incredible because we already know from the other group, it wouldn’t matter which way it comes up. You would’ve chosen to flip it.

But if I don’t give you the information required to justify flipping it a second time, you won’t do it because you can’t do it, because there’s a mountain of evidence to suggest we don’t make the decision that is “best.” We make the decision that is easiest to justify. And if we’re denied the opportunity to justify, we just won’t make a decision.

Pete Mockaitis
Yeah, and it’s not fun. It’s like nothing is going to happen if I tell you to flip the coin again, so.

David McRaney
I’m assuming you did or didn’t win the money but I’m not telling you yet till you flip it a second time. And most people just say, “Well, I don’t want to do that.”

Pete Mockaitis
Okay. And a favorite book?

David McRaney
Fiction, I love Joe. It’s a really good Southern fiction from Larry Brown. It felt like the South of my childhood, but also it felt like the things that I’d noticed and felt about the people I’ve lived around. They were in there in a way that I’d never felt before in a book, so it’s great and I still love it.

And nonfiction, I always tell people to get, if you’re interested in this world that I talk about, start with Incognito. It’s a really great book by David Eagleman, talking about how the conscious part of our existence, of our organism is only a small part of what the brain does. It’s kind of the stowaway on the Titanic, whereas, the rest of the stuff we do is we’re unaware of it. But here, recently, and I mentioned it earlier, something that’s just been humongous for me as far, as nonfiction goes, is “The Enigma of Reason.” It’s not an easy read but it sure will change the way you see yourself and other people.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

David McRaney
I love Notability on the iPad. It’s become a super tool for me because I have to read a lot of studies, and I used to keep them in legal boxes, and then mark them up with a pen, and then have to have labels and all that kind of stuff. Now, I use Notability. I just import the PDF, I mark it up, it goes into a category. It’s in buckets, I can refer to it at any time.

And if you just want to take regular old notes, it’s incredible because you can manipulate the notes like you would with like Photoshop or something, and you can cut things out, paste them, enlarge, embiggen, you can speak directly into it, and it dictates it, you can circle things, and then turn it into, a handwritten, into texts in a type.

And I use it in interviews now because I connect a lavalier mic to my iPad, and I take notes while the other person is talking to me. And if I want to go back to the document, if I touch my note in any place, wherever that note is at, it moves the audio to that part of the conversation. It’s an incredible tool. It’s really, really force-multiplied the way I do my job.

Pete Mockaitis
And a favorite habit?

David McRaney
Well, I lost a hundred pounds over COVID, and the habit was tracking calories. The reason I did that, I did a lecture and somebody in the audience, or somebody who watched it on YouTube commented, they said, “I don’t know why you would listen to this guy about anything when he’s a fat dude.” So, it’s like, “I’m not going to listen to critical-thinking advice from a guy that can’t eat right.”

Obviously, it hurt my feelings but I also was like, “Fair enough. So, I should probably apply something to this from the world of what I do.” And I asked a couple of experts just on the side after interviews, and tracking your calories religiously was something that kept coming up. And I got an app, it doesn’t really matter what app you use, but the habit is to, like everything, like you put a little creamer in your coffee, add it. Every single little tiny thing you put in your body goes in there.

It is astonishing how overboard your calories are without your realization of it. You just really kind of have this intuition that, “Eh, that wasn’t that bad,” when you would go over the line pretty easily. Changed everything for me. I was able to lose 100 pounds using that technique.

Pete Mockaitis
Okay. And is there a key nugget you share that seems to connect and resonate with folks; it’s Kindle book highlighted and retweeted, etc.?

David McRaney
Well, in the most recent book, a lot of people, the early interviewers I talked to you about, debates have winners and losers, and nobody wants to be a loser. So, the most important thing is to have a conversation where you try to get at, “Why is it do we disagree on the issue?”

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

David McRaney
All of my stuff and my podcast is under You Are Not So Smart, YouAreNotSoSmart.com, and that’s the name of the podcast. How Minds Change is just the name of the book, and you can find information about everything I do, from lectures to consulting, to books and everything else at just DavidMcRaney.com.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

David McRaney
Yeah, it’s a thought experiment that my friend Will Storr created, and it goes like this. Ask yourself, “Are you right about everything?” And some people are going to say yes. That is a whole issue you got to work on, my friend. But let’s assume you’re like the rest of us, and you say, “No.” If the answer is no, ask yourself, “What are you wrong about?” And if the answer to that is, “I don’t know,” ask yourself why you don’t know and how you would correct that. I think that’s useful in any job.

Pete Mockaitis
All right. David, thank you. This has been a treat. I wish you much luck with your book “How Minds Change,” and all you’re up to.

David McRaney
I appreciate it, man. Thank you for all your patience and for your participation and your willingness to get into weird territory. I think that’s fantastic.

777: How to Observe and Listen like a Master Interrogator with Certified Forensic Interviewer Michael Reddington

By | Podcasts | One Comment

 

 

Michael Reddington shares valuable skills–learned from having engaged in many interrogations–that make you a more observant listener and influential communicator.

You’ll Learn:

  1. The trick to staying focused and attentive 
  2. The subtle conversation cues to look out for
  3. How to ask better questions to get better answers 

About Michael

Michael Reddington, CFI is a certified forensic interviewer and the President of InQuasive, Inc., a company that integrates the key components of effective non-confrontational interview techniques with current business research for executives. Using his background in forensics, and his understanding of human behavior through interrogation, Reddington teaches businesses to use the truth to their advantage.

Reddington received his bachelor’s degree in business administration and management from Southern New Hampshire University, and received additional education on  negotiation and leadership degree from Harvard University. He currently lives in Waxhaw, NC. 

Resources Mentioned

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Michael Reddington Interview Transcript

Pete Mockaitis
Michael, welcome to How to be Awesome at Your Job.

Michael Reddington
Thank you for having me here, Pete. I appreciate it.

Pete Mockaitis
Well, I’m excited to hear your wisdom associated with listening and interviewing. And, maybe, could you kick us off with a riveting story about an interrogation you did and what went down?

Well, could we start off with a riveting story about an interrogation that you did and what happened?

Michael Reddington
Riveting story. So, now I have to come up with extra drama to make sure we put into the retelling of it. I think the one that jumps first to mind for me was, years ago, I was in the Midwest and I received a call from the owner of an organization that, it’s no overstatement, was in a bit of desperate straits. As part of their operation, they sold firearms. And as part of an organization that sells firearms, you’re subject to periodic audits from the federal government to make sure that you’re doing everything you’re supposed to and securing firearms the way you’re supposed to. And as part of this unannounced federal audit, the auditors who were from the ATF found that two firearms were missing.

Pete Mockaitis
Oh, wow.

Michael Reddington
So, the agents who, I mean, I wasn’t there. I can’t speak for the techniques that they used, but they were unable, with their initial efforts, to learn who may have been responsible for taking those guns, so they passed it on to the local police who were also unable to determine who was responsible for taking those guns. And the case languished, I believe, if I recall correctly, for eight weeks.

Pete Mockaitis
Oh, dear. That’s kind of spooky.

Michael Reddington
Yeah, for not knowing where these could be. And when you think about why those would be stolen, to oversimplify it, it’s either for money or to be used. So, not that either is good, but we certainly don’t want them to be used. So, about eight weeks had gone by, they reached out to my former company, I ended up having the conversation with them about potentially going out to handle it.

So, I flew out. Met with the owner of the facility and reviewed the employees’ HR files for a couple of hours to, then, get up early the next morning and start the interviews.

And I believe that I had a pretty good idea who was responsible, interviewed some other employees who were able to give me some supportive information. And then when it came down to interview who was the gentleman who was the main suspect at that point, really from our standpoint, it’s important to remember that he has no good reason to tell us the truth, he’s already withheld it several times, could likely believe that he’s going to get away with it, or has already. He’s got to know there’s repercussions for this.

So, as we went through the conversation, the whole plan was to use a technique that he likely wasn’t familiar with, which, this might surprise people, was be nice and show respect and show empathy, and not necessarily give the impression that it’s totally cool to go out and steal guns, if that’s what you want to do, but at least show respect for him and his potential position in the situation. And, thankfully, it worked.

It’s about 23 minutes into the conversation, I asked him, “What’s the most expensive item you ever took from the store?” because my thought was he might admit to stealing something else before admitting to stealing guns, so if that’s what he wants to tell me, we’ll start there. And he exhaled deeply, looked down on his shoes, looked back at me, and said, “It was a gun.” And at that point, we were off to the races.

So, getting the admission to the two guns, it turned out to be the least difficult part of the process. As we were talking about the two guns, he told me that he had one and told me exactly where it was in his house, and told me that he had sold another one. To your reaction earlier, I got to find that. I can’t just say, “Okay, cool. Thanks,” and leave. So, he was far more resistant to sharing the name of the person who he sold the firearm to than he was telling that he had taken the two firearms.

And the empathetic approach that eventually worked in order to get that information from him after a period of, could’ve been 10 minutes or so, of resistance where he didn’t want to share the name, was illustrating to him, without using any names or pointing to anybody specifically, that if law enforcement were sent to recover a firearm and they are uncertain as to how that process might go, they might enter that building with one set of expectations where it could lead to a situation we’d all like to avoid. Considering how much we would care about anybody involved in that situation, the more we can level-set the expectations going in, the more we can ensure that any type of recovery efforts doesn’t go sideways.

At that point, he decided not only to give me the name but provide me with turn-by-turn directions, a work phone number, and a cellphone number to this gentleman. So, once we had all of that documented, we were able to turn him over to the police. I stayed in that town for the next two days because I was teaching a seminar. The schedule worked out perfect. And by the end of that week, I was able to confirm that both guns had been recovered, and both gentlemen had been incarcerated.

Pete Mockaitis
Okay. Well, happy ending. Well done. And so, the magic was just being nice and some lay out the situation. I don’t want to diminish your job, Michael, but it doesn’t sound too hard. What’s going on?

Michael Reddington
When we do a good job, it shouldn’t look too hard, it shouldn’t sound too hard. But, to your point, that belies the preparation and the technique that’s used. I don’t want to use an analogy that goes too far but, oftentimes, if you watch athletes on TV, it looks easy, without realizing the hours of preparation that they’ve put in behind that.

To answer the first half of your question, yes, being nice to people is a core component. If we are asking somebody to share sensitive information under vulnerable circumstances, especially if that sensitive information leads to potential consequences, the single most important thing we need to do is communicate with them in a way where they avoid feeling embarrassed and they avoid feeling judged. Period. That is the most important thing we can do.

If we can do that in a way that helps us build our credibility in the situation while allowing them to save face, and to steal a phrase, violates their expectation. In that situation, he was probably expecting another investigator to likely take a hard judgmental approach and try to corner him into feeling forced to admit. Well, he’s going to have a prepared defense for that. So, if I can go in being nice, not showing judgment and allowing him to save face, yes, that’s a core component where we like to often say, “You will be surprised what people will tell you when you’re nice.”

Pete Mockaitis
Okay. Well, so be nice, that’s a great takeaway for work and all kinds of places. I’m curious, when there are in terms of the conversations that occur at work, what are some of the key situations and scenarios you see are most applicable to using your toolkit here?

Michael Reddington
Thank you for asking. Many. Leadership and coaching conversations. Conflict between employees. Any type of investigative conversation, of course. Sales and business development. Negotiations. Candidate interviewing. For most leaders at any level of an organization, from frontline managers, all the way up the org chart, they spend a considerable amount of their day in conversations with people where their job is to, in some combination, acquire information and inspire a change in behavior. So, any time where we are communicating with people to obtain information, in order to help us make a better decision and/or change someone’s behavior, obtain a commitment to action, these concepts apply.

Pete Mockaitis
All right. Well, so we got a couple of takeaways associated with being unpredictable, allowing them to save face, being kind. Any other particularly surprising discoveries you’ve made about listening and conversations over the course of many, many conversations and lots of research in your career?

Michael Reddington
Yeah, I’ll go with two off the top of my head. The first one is our internal monologue is likely the single most dangerous factor in our conversations. Simply put, if you and I are talking, I can’t have anything more important to say to myself than you have to say to yourself.

So, if you’re talking to yourself at the same time I’m talking to you, you’re not listening to me, and I don’t blame you for that, it’s naturally how our brains are wired, but, unfortunately, in those situations, we trick ourselves into believing we listen because I’m picking up just enough on what’s somebody’s saying that my brain automatically fills in the blanks and makes the assumption that I got the full message.

As that’s happening, I’m likely focusing on what I’m thinking, what I’m feeling, defending my positions, thinking about my emotions, how do I feel, or maybe I’m just completely checked out. So, it’s not a double-edged sword because both edges are negative. Not only am I missing out on your message but I’m compounding that based on where my monologue is taking myself. So, the importance of developing the ability to limit our internal monologue is one.

The second that comes to mind right away is the concept that time is the enemy of empathy. Our brains can’t multitask. So, just like I can’t multitask, I can’t listen to myself while I’m listening to you, I also can’t focus on the intelligence buried within your communication, the layers and the nuances that are so very important to helping me create unexpected value, if I’m focusing on the time, “I need to be out of here in five minutes. I have another meeting in 10 minutes. When this conversation is over, I need to be somewhere else. I wish Pete would hurry up and get to the point so I can just say.”

As soon as I start prioritizing time, how quickly I need to end this conversation, or how quickly I need to learn information, I’m now prioritizing time over value, and my ability to empathize, understand, and connect with somebody is going to drop precipitously.

Pete Mockaitis
It sounds like it’s your awareness of time. I suppose you could conceivably just set an alarm. If you only have half an hour, you set an alarm and you just forget about the clock entirely, and it’s like, “Oh, crap. Well, that went beep so I guess we’re going to have to resume this a little later.”

Michael Reddington
That’s one way. One of the focuses that I took from a career in interrogation, quick backstory without deviating too far, the majority of the conversations I facilitated in my investigative interviewing career were noncustodial, meaning people were not under arrest, they were not Mirandized, they were free to get up and go at any time, and if I, in any way, attempted to impede their ability to leave, I was putting myself and my company in serious legal jeopardy.

So, based on a rather nebulous Supreme Court ruling, we operated under the understanding that we have 60 minutes to get the first indication of wrongdoing, and once we had that, we had a reasonable amount of time to wrap up. But if we have no evidence and not even a tacit admission within 60 minutes, we ought to really start thinking about wrapping this up, transitioning, “Where do we go next?”

So, if I sat down in any interrogation and thought to myself, “I’ve got 60 minutes,” in my head I’m thinking, “59, 58, 57,” all the way down. Now, because I’m focusing on the time, I’m more likely to rush and make mistakes. Now, if I understand that I’ve got 60 minutes, that means I have this window, this timeframe to use to my advantage. So, one of the things that we preach is allow the conversation to come to you, because if we’re not listening, we’re not learning. And if we’re not learning, we’re probably not uncovering any paths to uncover this hidden value.

So, when we let the conversation come to us, really, what we’re doing is, in order to do that well, I should go back and say we really need to understand, clearly, going into the conversation, “What are our goals?” If I know where I want this conversation to end, it really doesn’t matter where you started. It doesn’t matter at all because I can use, wherever it starts, and over time, nudge it and guide it to where I need it to go.

So, as opposed to setting an alarm, if I can understand, “Well, this is where I need to be, so I’m going to allow the conversation to come to me, I’m going to let Pete start it, guide it, get whatever is off his chest or important to him first, and from there I’m going to work it to where I need it to be.” Now, I’m embracing that learning mentality towards goal achievement as opposed to focusing on, “I’ve only got 30 minutes. I need to make sure I get to the point.”

Pete Mockaitis
Now, your book The Disciplined Listening Method: How A Certified Forensic Interviewer Unlocks Hidden Value in Every Conversation, let’s hear the big idea behind the book, sort of like the core message or thesis. And what do you mean by hidden value specifically?

Michael Reddington
That’s how I write into the thesis. So, really, the big idea behind the book is that there are so many opportunities that we have, not only the ability to capture, but have the ability to create in our important conversations, and all the listeners can decide what’s an important conversation to them – business, personal, who they’re talking to, what the potential opportunities or repercussions of those conversations are, but, really, the big idea is, “What do we need to do in order to capture and create those opportunities and stop letting them fall through our fingers?”

And so, with that, The Disciplined Listening Method, ‘if we’re to use the coin analogy, has two sides to the coin. One is that strategic observation side, “How do I really evolve my ability as an observer to pick up on all the nuances of what’s happening in front of me, understand what I’m experiencing internally, and work through that in a goal-achieve mindset framework?”

And then the flipside of the coin is to improve our influential communication, “How do I communicate, how do I ask questions in a way that are more likely,” as we mentioned earlier, “to help people save face and increase their comfort level in sharing sensitive information with us so we gather more intelligence, we make better decisions, we achieve better outcomes, we solidify better relationships?”

Pete Mockaitis
Okay. Well, so you’ve got seven core behaviors in The Disciplined Listening Method. I want to dig into a few things you’ve said already, and then we’ll round out as many of the seven as we have time for.

Michael Reddington
Let’s do it.

Pete Mockaitis
So, the internal dialogue, that sounds like a huge foundational starting point right there in terms of if you’re more distracted by what’s coming up for lunch or whatever other interesting thoughts are in your head, then you’re going to have a heck of a time observing nuances, remembering your great questions, and influential communication approaches. So, can you kick us off by sharing, okay, we’ve all got internal monologue, how do we get a bit of control or handle on limiting that?

Michael Reddington
Great question. A couple alternatives for that. Number one, whenever possible, our preparation and the thoroughness of our preparation will help. Now, this is better prepared for a conversation more than a spontaneous conversation. But if I know where I want this conversation to go, if I’m comfortable with my material, if I’m comfortable with the questions I want to ask in advance of the conversation, then I don’t need to think about those things.

I’m not a musician so I’m going to steal this analogy. But as my musician friends tell me they can’t play guitar and think of the words at the same time. They can think of the words and have the chords on auto, or they can have the words on auto and think of the chords, but they can’t think of both at the same time. So, if I can be prepared with what I want to say, what do I want to ask, where do I need to go, I can work to shut down my internal monologue and really focus on you because there’s got many less variables I’m accounting for. That type of preparation isn’t always available.

During the conversation, the next one, is the intentional effort. So, when I pick up that my internal monologue is leading me astray, when I catch myself focusing on an emotion, or where I need to be in 10 minutes, or what else I’d rather be doing, or what I need to say next, or the point I need to defend next, that’s a checkpoint for me to say, “Wait a minute. I need to refocus.”

The third one is the one that I have found to be most helpful. More often than not, our internal monologue has an emotional component, and when our emotions change, we generally get a physiological indication that our emotions are changing before we realize it in our mind, “Oh, no, my emotions are shifting.”

So, in order to catch it at the earliest piece, what we’d like to do is coach people to try to identify “What are your physical triggers? What are your first indications, physically, that your emotions are changing?” I will admit mine for everybody, which is a bit embarrassing, but it’s curling my toes in my shoes. Often, if I’m having a conversation with somebody and my emotions start to shift, I start curling my toes in my shoes.

So, as soon as I feel my toes curling, I might not rationally understand that my emotions are changing, what they’re changing to, or why they’re changing, but as soon as I catch my toes moving in my shoes, that’s my indication that I need to focus. Now, if my emotions are changing quicker, maybe I’m making a fist in my pocket, or maybe my face is getting red, or my heartrate is beating faster, or my lungs are breathing heavier, any one of these things as well. But, for me, largely, I’m going to listen to my body. And my tell, more often than not, is my toes.

So, for anybody that knows me and listens to this, I can’t wait to watch them stare at my feet from now on when we have conversations. But as soon as I feel those toes moving, I know I need to be focused and limit wherever my internal monologue is taking me at that point because it’s generating emotions that are likely counterproductive to the goals I’m trying to achieve.

Pete Mockaitis
Now, when you say emotions change, I mean, I think if the stakes aren’t that high, I don’t know, can these emotions change, just be a little bit from, “Oh, I’m interested,” to, “I’m kind of bored and tired”? Is that like the subtlety or minuteness we’re talking about an emotional change?

Michael Reddington
Yeah, it could be shifting to annoyed, to bored, to done, like, “I’ve heard enough.” And you’re right, even in these low-stakes conversations, the emotional shifts can be just that. And in that case, maybe it’s not my toes

It could be that I’m looking at my watch, or I’m looking at the door, or I’m starting to play with my coffee cup on the table, or some of these signals we might be sending consciously or subconsciously to our counterpart that this conversation is over. If I’m sending that signal that I’m clearly not listening, which means I’m clearly not learning.

Pete Mockaitis
Okay. And so then, you said a few times that you observed something in yourself, and that’s your cue to refocus.

Michael Reddington
Yes, sir.

Pete Mockaitis
So, now, can we get very precise and granular and specific about what does refocusing consist of? Because I think people, they struggle with distractions of all sorts, of all shapes, and conversations and elsewhere, smartphones and more, so to refocus, for many, it’s easier said than done. How does one refocus?

Michael Reddington
Literally, for me, it’s by saying to myself, “I need to listen to Pete.” Literally. I’ll go back to the toes, I catch my toes, my first thought is, “I need to listen to Pete because clearly I’m not right now.” So, now as I go back and start listening to you, the next question in my mind, which I know dives back into internal monologue as I’m helping to get refocused here, the next question is, “How does what he’s saying help me achieve my goals?”

Pete Mockaitis
Okay. So, then you‘ve got…I like that because the first one, in a way, as far as internal monologues go, it’s a little bit of a splash of cold water. It’s not too intense in terms of you’re not just terrorizing yourself, beating yourself up, but there’s a firmness to it. I’m thinking about my kids, like if I were to say that, “Hey, you need to go brush your teeth.” Okay, that’s escalating on the serious scale.

And then you return to your question. I guess that goes back to the preparation, is that you’ve got a sense for what the goals are, what you’re trying to achieve, which is “I probably best practice for most people and most conversations in work and elsewhere.” And so, there you have it. Now, if this happens again and again and again, well, you tell me, Michael, might you have to give yourself this stern admonition, like a dozen times a minute? Or, what are we thinking?

Michael Reddington
Hopefully not in a minute but maybe a dozen times in a conversation. One of the things, especially for leaders and getting in in-level in the organization, and it’s true for parents as well, coaches, youth sports, whatever it is, that any time we feel like we have a level of expertise in a situation, that level of expertise can hurt us as much as it can help us.

Because if I believe I know how this movie ends, if I believe I already have the right idea or the right solution, then I’m not listening to learn. I’m listening for the first opportunity I have to convey how smart I am, what my idea has, or to wrap this conversation up as soon as possible. So, if I keep falling into that trap, then, yes, I might have to kick myself back into this conversation multiple times. Hopefully, it’s not 12 times a minute, but, yeah, I might have to, multiple times in a conversation.

One of the things that we like to coach is that if we reflect on our communication experiences, so, let’s say that, over the course of a day, I have a dozen important conversations, could be with customers, internally other leaders in the organization, my wife here at home. And as I reflect on my day before I go to bed, I think to myself, “Ten of those conversations really felt like my counterparts were engaged and had a pretty good idea of where I was coming from, what I was saying, two of them didn’t, that was probably a them issue.”

But if I reflect on my day, and I think, “Well, I had 12 important conversations today, and in 10 of them, the people I was talking to just couldn’t grasp what I was saying, where I was coming from, the importance of my message. They weren’t getting it.” Well, I’m the lowest common denominator in those 10 conversations. So, the likelihood that this is a me problem is now really high.

So, if we find ourselves in any type of repetitive situation, or we feel like we’re not achieving our outcomes, or we’re running into more resistance in our conversations, one of the questions we like to coach to ask ourselves is, “Am I the lowest common denominator? And if it appears that I am,” to your point, “what behaviors do I need to change? How do I need to update my approach?”

Pete Mockaitis
Okay. So, that’s some internal monologue pieces. You also talked about observing nuances. Like, what are the kinds of things that you recommend we keep our eyes open for?

Michael Reddington
Thank you for asking. I’m going to start with a don’t and then get to more do’s. Don’t try to catch people lying. There’s no point. Essentially, everything we’ve ever been told that people do when they lie, scientifically has been proven is not an indication that they’re lying, and realistically is an indication that they’ve become uncomfortable.

Pete Mockaitis
Yes. Joe Navarro, we had on the show, talked about this. Like, there’s no telltale sign, “Oh, you touched your nose or your ears or your eyes went in this direction, or you covered your suprasternal notch,” that all these things likely mean there is some discomfort for who knows why. It’s cold. They’re kind of bored. They are tired of going through this again. They don’t want you to find out about something else they’re hiding, which is completely unrelated to the matter at hand. Okay, so right on. It sounds like you got a checkmark there, like forget the deception there.

Michael Reddington
Yes, and he’s a perfect resource for that. So, as we move away from trying to catch people lying, what we really want to focus on is just that, I’m looking for changes in somebody’s comfort level throughout the conversation. And then with a heightened level of situational awareness, looking to tie their change in comfort to the most likely trigger, “Was it something that I just said? Was it something they were saying?” To your point, “Is the room cold?” “Did somebody just walk in that they’re trying to avoid?” That contextual or situational awareness really is the missing ingredient to accurately identifying somebody’s emotional shift.

But, by and large, without even getting into that level of nuance, if we’re just looking for, to oversimplify it, to somebody who looks happy, sad, frustrated, what does their emotional shift look like? For me, just some basics, and Joe might have mentioned some of these, if I’m having a conversation with somebody and we’re standing up, talking to each other, are their feet pointed towards me and are their shoulders parallel with mine? If the answer to both questions is yes, they’re probably relatively engaged. If their feet are pointing away, or if their shoulders are turning away, or they keep looking away, this isn’t rocket science, they’re probably not so much engaged with me.

For me, another myth, if somebody crosses their arms, it doesn’t mean that they’re closed off or defensive. It means they’re likely either the physical discomfort, could be cold, or their back hurts, or emotionally vulnerable at the moment, and their face might be a better place to look to figure out what the specific emotional vulnerability is at that point in time.

But, for me, especially with the nonverbals, what behavior changes isn’t nearly as important as when the behavior changes. So, if I know that I’m saying something to somebody that might cause a stress or a reaction, that’s where I’m looking for that shift in their behavior that potentially indicates they’re more stressful.

On the verbal communication side, I’ll cut straight to my favorite. My absolute favorite thing to observe for when somebody is communicating to me is if they start saying a word, cut themselves off in the middle of the word, and replace it with a different word in the same sentence. So, as an example, if I’m having a conversation, let’s say, I’m talking to…or I have one of my employees talking to me, another manager is talking to me, and she comes up to me and says, “At this point, I’m really just af– well, I believe that my team is concerned at this point that their ability to be successful is limited with the resources they don’t currently have, or limited by the resources they don’t currently have.”

So, the word she stopped herself from saying is afraid. So, now when I hear her cut that word off, talking about intelligence, I can now be reasonably confident that she is afraid, that she doesn’t want me to know that she’s afraid, that she is now using how her team feels in this situation as a way to likely save face and communicate how she feels in this situation, and she’s going through an impression management exercise, which tells me that my presence in this conversation is generating some stress for her based on some potential consequences that could be real and perceived.

So, I can gather all of that intelligence just by catching somebody replace a word or stop a word midstream, change the word, and keep talking. There are other examples, I’d be happy to give you different things I listen for as well, but, for me, that is, from a verbal communication standpoint, often the single biggest thing that gives me the most intelligence right away.

Pete Mockaitis
Well, yes, that’s lovely. I’ve never thought to pay a lot of attention to that, and now I do. So, transformation accomplished. Thank you, Michael.

Michael Reddington
You’re welcome.

Pete Mockaitis
Yeah, lay some more on us. What else are you looking for?

Michael Reddington
From a general standpoint, I’m looking for changes in their speed of delivery, how loud or soft they talk, any pauses. Does the pause fit the question? That’s another big one. I’m not so worried about if somebody has a long pause or a short pause. I care, “Does the pause fit the question?” If I ask somebody a question they really should have to think about and they give me a quick answer, they either prepared in advance, they’re blowing me off, or they don’t have the answer.

If, on the other hand, I ask somebody a question that they should have a really quick answer to, and, instead, they take a long time to think about it, “Well, why are they taking so long to think about this answer when it’s something that they should have off the top of their head?” So, it’s not so much “Is it a short pause or a long pause?” It’s, “Does the pause fit the question?”

And the same thing is true with tone of voice. Does the tone match the message? If somebody is portraying a confident message but it has a questioning tone, they’re probably not as confident as they’re portraying. So, I’m sure there are international listeners to this program, so what I’m about to say is going to be geared a little bit towards American English.

If I hear a question mark where a period should be at the end of a sentence, instead of saying, “Yes, I can do it,” it’s, “Yeah, I can do it?” they have that spike at the end of that question mark, I would never go as far as to say they’re lying. I would go as far as to say one of two other alternatives or more likely. One, they’re not as confident as they’re trying to portray that they can do it, or, two, they’re testing us to see if we believe that they can do it. So, that would be another one I listen for there.

Pronoun usage is another big one. Often, if people are trying to distance themselves from responsibility, the pronouns will change in their statements. So, if I get a lot of us-es and we’s in the beginning, and then a lot of them and they’s when the unfortunate part of the situation happened, that could be an indication that they’re distancing themselves. The reverse could be true as well. They could start with a lot of they’s and them’s and then later on, start slipping in some we’s and us-es, which could be an indication that they’re more involved than they were letting on.

Same thing is true with tense changes. If the tense changes in somebody’s story, past tense, present tense, if they go back and forth, that can be an indication. Really, as I pick up on these things and more, what I’m consistently listening for is something that you mentioned earlier, which is the opportunity to help somebody save face. And when Joe talked about not trying to catch people lying, there’s little to no benefit in that, really, what we should be listening to is “How or why is somebody trying to help themselves save face?” and then how do we go about that.

So, literally, earlier today, I was part of a conversation where one of my clients is working on a negotiation where we know for a fact that they’ve been lied to. And the message that I received today was, first, we need them to tell us the truth. And the conversation after that was, actually, we don’t. What we need to do is find an opportunity to allow them to save face and continue the conversation so we get the outcome we’re looking for. If we prioritize, essentially, getting them to confess to previously lying to us, and we don’t have a good way to help them save face with the process, we run the risk of torpedoing what we’re trying to achieve with this partnership.

So, instead of being focused on righting this moral wrong – we’ve been lied to – let’s just accept that we know that it’s happened. It’s unfortunate, we wished we didn’t. It doesn’t say a lot about the other side. But what’s the intelligence within that lie and how do we now help them save face moving forward to get what we want? So, those face-saving opportunities are really what we’re often observing for.

Pete Mockaitis
All right. Well, now, when we are doing the influential communication, any key tips you’d recommend there?

Michael Reddington
For sure, and it all lies in with the concept of helping people save face. We should be going out of our way, literally, regardless of a specific technique, if we start by just thinking, “At the end of this conversation, I don’t want…” well, I’ll just say Pete for our purposes of this, “I don’t want Pete to feel embarrassed or judged. If I just start there, I’ll be in great shape. I don’t want you to feel embarrassed or judged.”

So, we like to say illustrate before you investigate. So, what I want to do is I want to show some illustration of my understanding of your situation, which often, and quite surprisingly, will give people an excuse to answer the question and save face. So, a common example, especially in the workplace, is somebody committed to getting something done and they’re not going to have it done on time.

Well, if I was to approach you, and say, “Pete, where are you on this? Are you going to have it done on time?” you have two choices. One, you can lie to me and say, “Yes,” to save face and hope for the best. Or, two, you can come up with some excuse as to why it’s not done yet, as you try to save face and maybe get some extra help. So, I’m literally going to start there. Instead of just coming up and saying, “Hey, Pete, where are you on this project? Are you going to be done by Friday?”

Now, I want to approach you and say, “Hey, Pete, how’s it going? I know we’ve had a lot of things added to our plate that we didn’t plan on, trying to help the marketing team, the customer change their expectations, even our family has been crazy. We’ve tried to balance remote work and coming into the office. So, with all of these things that we’ve been dealing with, considering how important this project is, Pete, let me ask you. If I had to reallocate resources in order to help make sure this gets done on time, what would be the most valuable thing I could do for you to make sure this project gets done on time by Friday?”

Pete Mockaitis
Yeah, you’re right. I’ve got so many openings there, and if it’s really, really under control, it’s like, “Yeah, I don’t really need anything but I really appreciate you asking.” It’s like, “Okay, we can feel very confident that that’s pretty darn truthful because you gave me every opening.”

Michael Reddington
A hundred percent. And you’re not offended by it, so you’re like, “No, man, appreciate it. I’m good.” But if you really do need help, now there are any number of ways to save face, “Thank you for asking. If this help was available, or that help was available.” And, now, if any listeners are thinking, “Well, what if I don’t want to give him help?” You’re not obligated to at this point. But we’ve given him an excuse to talk about where he is.

Now, if in this situation, you and I can have a conversation, figure out how far behind you are, if there’s a way that you can get it back on track yourself – great. If not, well, depending on how important this project is, I might be reallocating some assets and changing some schedules to make sure it gets done on time. So, that would be another example of really focusing on the goal, successful completion of the project, when I think about asking the question.

Pete Mockaitis
Lovely. Anything else in terms of questions you love asking or any phrases, scripts, verbiage, that’s just so helpful again and again?

Michael Reddington
Yeah, I’ll give you a couple. My favorite way to phrase a question is, “Please walk me through.” When we say to somebody “Please walk me through,” I’m suggesting that my expectation is both chronological order and detail. So, generally, that makes it easier for me to determine when a story is either out of chronological order and/or missing detail. Because of the way that I suggested the question is answered, it makes it easier for me to figure out where potential opportunities for follow-up are within the story.

Along the same lines, please don’t ever ask somebody, “Can you remember?” or “Do you recall?” We can’t prove it that they know that, so they’re going to give us the yes or no, whichever is face-saving for them, and we could get stuck cold in the bag if it’s not true later on, so it’s not a perfect replacement. But I like to replace that with “Please take me back to…” At least, now I’m forcing their brain to kick off a little bit. It’s given me more of a behavioral read as they think of their answer. They might still say, “I can’t remember,” but at least I’ve given myself a fighting chance.

And then, for me, if I am giving an illustration and I’m trying to learn information from somebody, and I’m trying to help them feel more comfortable sharing additional information with me, the closest thing I have to a silver bullet is the phrase “Please correct me where I’m wrong,” which is significantly different from “Please correct me if I’m wrong.”

If I was to say, “Please correct me if I’m wrong,” that comes across arrogant, assumptive, and you probably just checked out. But especially if I’m talking to somebody who, emotionally, morally, based on position or rank or expertise, feels like they’re superior to me in a conversation, there’s a reasonable chance that they would love an opportunity to correct me.

So, if I preface an illustration by saying, “Pete, I’d like to take a second just to make sure that I’m tracking in the right direction, so please correct me where I go wrong. I’d appreciate that.” Now, I almost certainly have a higher level of your attention because I’ve asked you to do the one thing you want to do, so you’re probably more focused.

Now, as I go through my illustration, when I’m done, I’m literally going to stop, and now I‘m going to give you the opportunity to respond. If my observation is on track, you’re more likely going to…more than likely to say either, “You’re right,” or, “You’re not wrong.” In either situation, I have just increased the perception of my credibility, level-set this conversation, and now earn the opportunity to continue asking questions, which I might not need to because you may be so inspired by hearing that illustration and affirming that I’m correct, that you start filling in the blanks.

That also works when we miss. Now, I would never coach somebody to miss intentionally. Any time we risk coming across inauthentic or lying or insincere, there’s ripple effects there we don’t even want to deal with. But if I give this a legitimate shot and I just missed, and instead of saying “You’re right,” you come back with, “Close.” My job is to be patient because I’m willing to bet, after you say, “Close,” you are going to explain to me what I missed because I asked you to correct me.

So, in your explanation of what I missed, or how I didn’t quite get it, or what I don’t know or wasn’t thinking, I am now gathering a significant amount of intelligence without ever having to ask for it. So, I don’t risk creating question fatigue because I’m asking too many questions, and you’re happier to share the information with me because you feel like it was your idea, and it wasn’t forced upon you.

Pete Mockaitis
All right. Beautiful. Thank you. Well, now let’s hear about a few of your favorite things. Could you start us off with a favorite quote, something you find inspiring?

Michael Reddington
My favorite quote, actually, I believe ties into a lot of what we talked about today. It’s an old Sun Tzu quote, other people probably use it as well. I believe it goes, “Submitting the enemy without fighting is the acme of skill.” That’s the quote, “Submitting the enemy without fighting is the acme of skill.” And not that in any way I’m suggesting everybody we talk to is our enemy, but I am certainly suggesting that getting through conversations without creating unnecessary conflict is, metaphorically, the acme of skill.

Pete Mockaitis
All right. And a favorite study or experiment or bit of research?

Michael Reddington
I’ll quote three, and it comes down to first impressions, and it really level-sets how I interact with people So, there were three studies from three independent universities, I’m assuming I’m going to get them correct. The first one came out of Princeton, was that we are capable of judging somebody’s intellect, character, and trustworthiness, if I have that correct, within 100 milliseconds after looking at their face.

A similar study out of the University of Glasgow showed that we’re capable of determining the same factors within 500 milliseconds of hearing somebody say the word hello. The third study came out of the University of Colorado, where they found that we’re capable of categorizing somebody, essentially fitting them within one of our previously conceived mental models, as fast as 100-150 milliseconds. So, really keeping in mind that we’re judging people that fast, and we need to be careful, but also that people are judging us that fast. And the literal instant of introduction is so important to set the tone for our conversations.

Pete Mockaitis
Okay. Now, when you say we’re capable of, I imagine, is it fair to say, it doesn’t mean we’re capable of doing it well or correctly, it’s just that we can make snap judgments and they may or may not be correct?

Michael Reddington
Roger that, yes.

Pete Mockaitis
Okay. And a favorite book?

Michael Reddington
I would start by saying I highly recommend people read every word Robert Cialdini ever wrote.

Pete Mockaitis
Oh, yeah. We’ve had him on the show. He’s amazing.

Michael Reddington
Yes. So, Influence: The Psychology of Persuasion, Pre-Suasion, anything that he wrote. I’m a fan of Malcolm Gladwell, and I’m not breaking any new ground there. For me, the best leadership book I’ve ever read, and it’s hands down, no competition, is a book called Care to Dare by George Kohlrieser, so I’ll throw that one on the list as well. I think that’s probably a pretty good list to start. I also like the Freakonomics crab. I’m forgetting their…both the authors are named Steve, but Think Like a Freak and those books. I’m a huge fan of those books as well.

Pete Mockaitis
All right. And a favorite tool, something you use to be awesome at your job.?

Michael Reddington
Patience. Give other people the space they need to talk. The more they talk, the more they learn. The more they talk, the more they feel respected, the more they feel that we care about them, the more they feel that we’re invested in them. I know, especially with leaders in a time-compressed world, patience is a four-letter word, but I honestly believe if I had to rank conversational tools that lead to success, if I understand your question correctly, patience is right at the top of the list.

Pete Mockaitis
All right. And is there a key nugget you share that really connects and resonates with folks; they quote it back to you often?

Michael Reddington
That time is the enemy of empathy comes back to me a lot. I’ll give you two more. People react the strongest to what they observe first. Go back to those statistics about how quickly we’re judging people. We tend to carry expectations into every interaction. We tend to commit the level of energy and a focus that we believe is appropriate based on the expectations we carry in. It becomes a self-fulfilling prophecy.

So, people react the strongest to what they observe first. Whatever we say or do first, how that either lines up or violates their expectation, often kicks off their initial reaction process. And with that people will perceive how we communicate with them as proof of how much we respect them.

Pete Mockaitis
All right. And if folks want to learn more or get in touch, where would you point them?

Michael Reddington
Appreciate you asking. They can learn more about the book at DisciplinedListening.com. they can learn more about what we do at InQuasive at InQuasive.com. And if they want to learn more about me, the two best places to look would be MichaelReddington.com or on LinkedIn at Michael Reddington, CFI.

Pete Mockaitis
Okay. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Michael Reddington
Go into as many conversations as you can and allow yourself to be surprised. Go into every conversation, thinking to yourself, “How can this person surprise me?” Our brains are wired to look for information that confirms what we already think and believe, we’re wired to disregard information that conflicts with what we already think and believe.

So, if we can go into our important conversations, and think, “Okay, let’s see how Pete surprises me today,” and not from a point of arrogance, “Let’s see if Pete can surprise me today,” but from like a literal point of curiosity, “Let’s see how Pete surprises me today.” We’ll be surprised, we’ll be able to learn, and then how we’ll be able to use what we learn to impact our relationships.

Pete Mockaitis
All right. Michael, thank you. This has been a treat. I wish you the best and many great conversations.

Michael Reddington
I appreciate the time, sir. Thank you. I’ve enjoyed it as well.

776: How to Pushback Effectively and Stand Up For What You Want with Selena Rezvani

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Selena Rezvani reveals why self-advocacy is critical for success–and how to do it effectively.

You’ll Learn:

  1. How to turn a “vague no” into something you can use 
  2. The LARA framework for when you’re faced with a no
  3. How to know when it’s time to stop pushing 

About Selena

Selena Rezvani’s mission is to help professionals stand up for themselves at work and advocate for their needs. She’s the author of 2 leadership books, the bestseller Pushback and The Next Generation of Women Leaders. 

Selena addresses thousands of professionals each year and has been featured in TEDx, Oprah.com, Inc., Todayshow.com, and NPR. Today she’s a columnist for NBC News Know Your Value. Selena is based in Philadelphia where she lives with her husband Geoff and 9 year old boy-girl twins.  

Resources Mentioned

Selena Rezvani Interview Transcript

Pete Mockaitis
Selena, welcome to How to be Awesome at Your Job.

Selena Rezvani
Thank you so much, Pete. I love this podcast.

Pete Mockaitis
Oh, thank you. Well, I’m excited to get into your wisdom and I also want to hear about your experience. Recently, you’ve become an enthusiast for weightlifting, as am I. What’s your story here?

Selena Rezvani
Yes, I’m a runner and I dealt with some runner’s knee that made it difficult to do that at the same rate I had been doing it, and so I was really bummed. And then the world of weightlifting opened up, and I kind of created my own home pandemic gym.

Pete Mockaitis
Oh, great.

Selena Rezvani
And it’s been so cool and, like, really empowering, may I add.

Pete Mockaitis
You may, indeed. I feel the same way. What is it you love most about it?

Selena Rezvani
Well, I think it’s being able to watch yourself getting stronger and see some proof of that, you know, with bigger weights and bigger barbells and dumbbells and stuff, and doing things you didn’t think you could. It’s kind of nice to prove yourself wrong. How about you?

Pete Mockaitis
I feel the same way. And what I really like is I’m a believer in the notion of doing your best, but what’s funny, in my brain, I get all wrapped up in opportunity costs, “Well, my best, conceivably, I could spend 20 hours doing this thing to be my best.” But in the gym, it’s just very clear, it’s like, “It would be impossible for me to do a single additional repetition at this weight, and that is my best. That is just indisputable.” And then to watch that indisputable best go up and up and up, it’s like, “Huh, I have incontrovertible evidence that I am stronger now than I was one week ago, and that feels good.”

Selena Rezvani
Yes, that’s right. In a world where there’s not always a lot of concrete progress, right?

Pete Mockaitis
Totally. Absolutely. And it just feels good in terms of energy boost for the day and it just comes in handy, and I’m 38 years old now and, in not too many years, muscle begins going away from me, which will be a sad day but better to be ahead of the curve such that you’re able to rock and roll when you’re 90, hopefully.

Selena Rezvani
I think so. I think it keeps you young. I really do in a different way than other exercise.

Pete Mockaitis
Well, now I want to talk about some of the wisdom in your book Pushback: How Smart Women Ask–and Stand Up–for What They Want. Now, our listeners are mostly women but I am presuming, Selena, that these insights are, many of them, applicable to men as well. Is that fair to say?

Selena Rezvani
Yeah, it is actually, and to introverted folks, no matter how they identify their gender. Some of the same characteristics actually come up with folks who might struggle to speak up and speak their mind. So, I think very universal tactics here.

Pete Mockaitis
All right. Well, could you kick us off with a particularly surprising discovery you’ve made as you were researching and putting this together?

Selena Rezvani
Yeah, one of them came from my professor, actually kind of nudging me and giving me the kick and the push I needed to be a better advocate. And when I was in business school, I had this exciting opportunity to lead some research and choose what the topic of the research was and direct it, and you’d have to write a proposal, and I knew just what I wanted to do. I wanted to interview women about how they had negotiated their success, C-level women.

There’s only one problem, Pete, which is I didn’t know a single one, had zero connections to connections to them either, and my one female professor in my MBA program said, Lindsey Thomson is her name, she said, “Selena, I will approve your request to go interview women execs on one condition.” She said, “You have to go after the whales.”

Pete Mockaitis
All right.

Selena Rezvani
“You have to go after the women you think won’t even entertain an email from you, let alone an hour of their time.” And, thank goodness, she did that because so many of those women said yes, and those interviews changed my life, how I see leadership, and I knew this could help other people. So, it became a book, a business, a mission.

Pete Mockaitis
Well, now, even before we get into the particulars of the book, I want to know what are your pro tips for getting powerful, busy, influential people to say yes to you and take the time?

Selena Rezvani
That’s such a good question and one I haven’t thought about in a little while. I would say operate on a no-surprise basis, like, this is a group that doesn’t want to be surprised. They want to know, “Why me? Why this topic? And, like, why you?” Selena, the interviewer, in this case. And so, I think I needed to make that clear in my email pitch. It was an email pitch.

It wasn’t calling them on the phone or harassing but just a really open out-on-the-table, “Here’s why I think you’d be excellent. Here’s why I think this topic really overlaps and aligns with what you’re about. And here’s where I’m coming from and what I hope to do with it.” And so many of them either right away said yes, or those that had 57 questions tended not to, and I think that’s an interesting datapoint. It either hit and resonated or just it didn’t.

Pete Mockaitis
Yeah, that makes sense in terms of if a person has 57 follow-up questions, they’re not completely uninterested or else they would just sort of say no or ignore you, but they’re not fired up in terms of, “Oh, yeah, I’m so in. This is inspiring.” Like, “Well, this may be worth my time. What’s your projected reach and dah, dah, dah?”

Selena Rezvani
Exactly. And you have to remember, at that level, individuals have a lot of handlers and people weighing in, and communication departments, PR departments vetting things like this. Sometimes other departments are involved as well. So, sometimes my interviews had those individuals in the room with us as a kind of support to the executive or making sure they didn’t say the wrong thing. So, I think some of the questions may have been coming from the teams that’s surrounding these execs.

Pete Mockaitis
Understood. All right. Well, so onto the meat of things. What’s the big idea behind Pushback?

Selena Rezvani
Well, the big idea is that there are some gender differences that are really important when it comes to negotiating for what we want and for what we need. Women tend to report more apprehension asking for what they need, and yet they are excellent advocates, very effective advocates for others, saying, “This person deserves recognition,” or, “This person really ought to be promoted and advanced in the organization.”

And one more datapoint that really screamed out at me, women are less likely to negotiate when conditions are ambiguous. And if that doesn’t describe the workplace, I don’t know what does. It can be a very ambiguous place, a lot of gray area, and I wanted to do something about that. And so, that really led me to seek out 20 C-level women executives to understand, “How did you negotiate success at work?” And the culmination of those interviews, those best tips, those hardest-won lessons, is really what Pushback is all about.

Pete Mockaitis
Okay. Well, please lay it on us, what are some of the highest impact tips in terms of, there’s a lot of ways we could frame this, but I’ll say if I could be choosy, those that take relatively little effort and provide a huge return on that effort, and are relatively rarely practiced?

Selena Rezvani
Yeah. Well, there’s one that stands out to me. Something lots of professionals have brought up is, “I got a vague no. I mustered up the courage to pitch or propose or ask for something, and I got this vague dismissal of a no.” And one of the pieces of feedback I have for people is to really insist on objective criteria.

That may require you to peel the onion back. But a quick example of this comes from one of the women I interviewed, DeeDee Wilson, a CFO at Nike, and she said, “I was told, at one point in my career, ‘DeeDee, you’re just not CFO material.’” And she said, “You know, not only was that crushing psychologically but it’s like the least actionable input ever.”

Pete Mockaitis
Oh, yeah. And I’m also thinking fixed mindset much? Come on now.

Selena Rezvani
Right. This has been decided by the heavens, it seems like. And her advice was, first of all, she got to CFO, she got there. And her advice was, “Insist on that objective criteria, aka, a real reason.” She said, “In my case, I asked, ‘Is it my financial acumen? Is it my visibility in the organization? Is it my people management skills? What exactly do I need to improve to be eligible?’”

And guess what? She got some of those answers, and she project-managed her way to that promotion, really taking her manager by the hand, not waiting for somebody else to, like, anoint her. And I thought it was really helpful advice when you’re dealing with that ambiguous no.

Pete Mockaitis
Yeah, boy, that really resonates and there are so many different flavors of a vague no, like, “Oh, maybe next quarter or so when we have a little bit more budget.” Okay, like that’s unclear timeline, unclear how much budget.

Selena Rezvani
Yes. Or, one of my favorites is also, like, “Well, I’m supportive of you, Pete, getting the raise. It’s just the backdrop right now or my higher-ups may not be.” This kind of like little bit breadcrumb support that’s thrown to you, and yet it’s not the same as someone giving you the greenlight or advocating for you.

Pete Mockaitis
Yeah, absolutely. And so, then in those situations, and that scenario, for example, is it to ask very specifically, “Which higher-ups and what are their concerns?” Or how would you play that?

Selena Rezvani
Yeah, I would and I’d even go so far as to ask something like, “Would you be comfortable with me talking directly with Ted or Susan?” Maybe that’s a skip-level person, but sometimes the person is burdened who you’re asking, and they are supportive of your ask but it would be a relief for you to handle it directly with HR or with that skip-level manager, so I would absolutely do that.

I’d be persistent, “I hear you telling me it’s not a good time right now. I’m going to put time on our calendar four weeks from today, so please expect that invite in your inbox.” Unfortunately, you can’t always operate from a place of trust, like, “I’ll trust you to take care of me. I’ll trust you to remember.”

Pete Mockaitis
Right. And not distrust as in that they’re all snakes and liars out to get you, but rather that you can fall by the wayside in the cacophony of competing priorities that are out there.

Selena Rezvani
That’s right. Right. And maybe an even better frame is ownership, to think about it as an ownership, that in a perfect world, you’re co-owning your development and advancement with your boss or your organization. You and your organization co-own that. In this case, you need to operate much like you fully own it and that you’re going to move the ball up the field. You’re going to advance it, because what’s the old saying, “Managers have short memories.” They have so much going on that we can’t always assume they’re thinking about our development and where we need to go next.

Pete Mockaitis
Okay. Thank you. Well, we zoomed out a little bit. Could you share just a few of the key principles that we should bear in mind when it comes to self-advocacy? Any kind of top do’s and don’ts that make all the difference?

Selena Rezvani
Yeah, one of them that I really like that could be counterintuitive to folks is to bring options to the table. So, if, for example, you’re not feeling the love with your project assignments. You’re doing a lot of the same and you’re not really growing. When you go to that one-to-one to talk to your manager, don’t just bring one preferred outcome, like, “Hey, I’d really like to come off project Déjà vu.” Maybe that’s your first choice and you can bring that up. But in your back pocket, you want to have some other options that allow you to extend the conversation and elongate the dialogue that’s going to serve you.

So, in your back pocket, you might have a second option, like, “Hey, next time, Dan, a director I admire, has an opening on his team, I’d really like to be considered.” And maybe you have yet a third option, “Hey, I’m very interested in getting exposure to XYZ client of ours. Is that something that we could look at together, me getting involved with that client?”

Why do I say this? Well, we all know some yeses are easier to grant than others but we’ll never know unless we ask and we present some different options. Sometimes there’s money in the professional development budget, not the salary budget right now. And so, you get to learn about some of that when you bring options to the table.

And a lot of people shy away from it because they think it’ll make them look entitled or like, “I’m asking for the world.” But it’s really not that way. If anything, it gives you maneuverability to say, “I hear you telling me no, Pete, on coming off project Déjà vu. Would you consider? What do you think about?” And that can be very powerful. It signals your self-confidence.

Pete Mockaitis
And that you’re flexible, you’re reasonable, you’re willing to work with them, as opposed to just adamant, “My way or the highway. This is my thing and I’m not backing down no matter what.” Cool. And then when we think about sort of the emotional dimension of this, I think that’s huge in terms of, “Oh, I’m scared. I don’t want to look demanding,” or any number of undesirable things. Are there any sort of mindsets or mantras or ways you recommend folks deal with that internal mental game?

Selena Rezvani
Yes, and I struggled with this myself for so long. I grew up in a household where I was taught to defer to authorities, to authority figures, to take just enough, don’t be greedy, be humble, don’t be too bold and brash in what you ask for. So, there’s a lot of undoing, and maybe some of the people listening can relate to that. That can be stuff you bring with you as an adult into the workplace.

And so, one of the things I would encourage you to do is stoke a sense of belonging in that conversation. I tell myself, as a mantra, “I four-hundred percent belong in this job interview,” in this podcast conversation, in this negotiation, in this high-stakes board meeting. Fill in the blank. But, oftentimes, when we tell ourselves, “Ugh, I don’t belong. I’m this foreign visitor coming to this place. I don’t think I should be here.” It creates all kinds of uncertainty.

And, oftentimes, when we get resistance in a situation like that, we can kind of slink away at the first sign of no. And so, it is so important to stoke that sense that, “I belong. In fact, I four-hundred percent belong.”

Pete Mockaitis
I dig it. And that’s a good mantra. And I find in my own experience, I really do well when…I’m thinking about sort of, in my entrepreneurial journey, like pricing, it’s like, “Ooh, I don’t know if I should really ask for that big number. That seems outrageous.” But then once I really do the research, like, “Oh, okay. If I take a look at the cost per learning hour benchmarks associated with dah, dah, dah, dah, dah, well, shucks, like this is a bargain.”

And so, I have some evidence that’s like, “It’s not just my opinion that this is a good deal or a worthwhile price but, in fact, relative to the alternative options, this is absolutely a smart investment that folks should be making.”

Selena Rezvani
Right. Absolutely. And you are smartly kind of stopping to do research and not looking for all the validation in your pitch or your proposal externally from other people, but you yourself are validating your own pitch, and that matters. That makes us sit up a little straighter. It makes us speak with more conviction when we’re asking for something. It empowers us to go a few more rounds in the conversation. So, I tell people, like, “The power phase is not when you’re in the room. It’s the getting ready. It’s the research. It’s the preparation,” like you did.

Pete Mockaitis
And I also want to get your take on particular words, phrases, magical sentences, scripts, that just really come in handy in a lot of circumstances, whether it’s the key questions. Or, what are some of your faves?

Selena Rezvani
Yes. So, one of them comes from Stanford, and it’s called LARA. I don’t know if you’ve heard of it, L-A-R-A, but it’s a simple doable thing. So, let’s say you’re getting some resistance in one of these conversations. You just made an amazing proposal, let’s say, for a new role that doesn’t exist but could add lots of value, and someone’s kind of, “Ahh, I don’t know. I don’t think we could do that.” The L stands for listen, so listening.

Pete Mockaitis
“I’m hearing you say you’re not sure if we can.”

Selena Rezvani
Yeah. And even maybe quieter than that, in the sense that I have nine-year-old twins, and one of the things they teach them is whole-body listening, like really making somebody feel heard with your whole body generously listening. Your torso, your eyes, everything is focused on that person. The next one, affirm. A is for affirm. And that might be what you just said. It might be mirroring back what you heard or it might be validating a concern, “I hear you telling me this is really shockingly new and different. And I hear you on that.”

R is for respond, “But I want to tell you that this role is actually not so new and different. In fact, it’s a lot like a role that exists in the next division over that’s been really successful.” And then the A is for ask questions. So, you might end something like that by saying, “You know, what would need to be true for you to get behind this role? Or, what else would you like to know about that role I referenced over there, the best practice kind of role? What could I share with you? Or, what would be helpful for you to know about that position?” So, I love that framework. I think it comes from a place of empathy and wanting to take other’s perspectives, and that’s what important conversations are all about.

Pete Mockaitis
I love it. Any other key phrases?

Selena Rezvani
It’s a framework, if you will, rather than a phrase but I really love it as well and, again, it starts with empathy. But before you go in that room and you ask for something, as you’re doing preparation, think about your audience, it could be an audience of one or a team, think about their GPS, which stands for their goals, passions, and struggles.

And if you can integrate even if only in a small way something about how this new role you’re proposing will further the goals of your manager or this team or division, or how it’s going to push us and advance us further towards a passion, that’s the P, a really deeply held interest, a meaningful interest or passion that people care about. Or, how is it going to alleviate a struggle? And that’s the S. How is what you’re asking for going to somehow make a pain point less burdensome?

This is actually how one woman I interviewed got more responsibility. Her boss would complain to her in kind of a good-natured way about some of the projections he had to come up with for executives, and she said, “Hey, look, I know this is a burden on your time and yet it’s also a goal you’re on the hook for. What if I assume these projections?” Think about how yes-able she made her request when she framed it that way. So, I think GPS – goals, passions, struggles – can be just be an awesome lens to look through before you present information, ask for something, make a bold new proposal.

Pete Mockaitis
Okay. And as you’re being persistent and advocating, how do you know when it’s time to stop?

Selena Rezvani
That’s a funny one because it can be so individual. But, honestly, from some of the executives I interviewed, there was a magic number that kind of emerged of three.

Pete Mockaitis
All right. We like magic numbers.

Selena Rezvani
Yeah? If I try it three different ways and I have asked for feedback, I have really tried to make the value of this idea shine through, and I’m still getting a stonewall, it’s time for me to either get on board or shift focus. And so, I think there’s something to be said, especially in corporate environments. Might be different if you’re an entrepreneur. But, particularly for professionals, I think that’s a good compass.

Pete Mockaitis
I appreciate that because I’m sure there’s some variability and yet it’s comforting to have a clear figure. And that sounds about right to me on both sides in terms of if I’m going at it four, five, six times, or I’m hearing it a fourth, fifth, sixth time, it’s like, “Okay, this is just annoying now.”

Selena Rezvani
Right. That’s right. Like, you have to learn to move on.

Pete Mockaitis
“I feel like you’re not even listening to me, so I don’t know what else to say to you about this matter.” Thank you. Well, tell us then, anything else you really want to make sure to mention before we shift gears and hear about some of your favorite things?

Selena Rezvani
Yeah, I think there’s a really important one to mention, which is when you do tap your network, and I think it’s really important that you do as part of your preparation to get smart and to do your research, particularly around compensation, this is some un-advice. We all love some don’t do’s. And that un-advice is don’t just talk to your friends.

There is some really interesting research done on physicians, and it showed women are more likely to talk to their friends when asking for compensation data or trying to get a ballpark or a benchmark of where they belong. Men are more likely to seek people out as reference points who are very much related to the role. So, while women are more swayed by rapport, men are going after people who closely aligned with the role.

And I think it’s so important, even though it can be awkward and uncomfortable to have money conversations, to really consult that broader network of individuals, not just people who look like you, or are like you in some ways. We already know you get some of the best opportunities from those weaker ties in your network, not your inner tight little circle. And so, I can’t urge people enough.

I made this mistake myself as a young management consultant at a big firm. I psyched myself up to go ask for a raise and a promotion and I consulted two people a little further along at my firm than me, and I was really proud of myself for doing that because it was scary but they were my two best girlfriends, and it’s like, “Who else should I talk to?” Men. Maybe even some people outside the firm.

And so, I hope people will learn from that mistake to think broadly. You want accurate good data. Take those calls from recruiters. That can also round out the picture of where you should be money-wise. Just by taking those calls and hearing, “Well, here’s I place you,” can be really helpful.

Pete Mockaitis
That certainly is handy as they’re talking to a lot of employers and a lot of employees, so they’ve got their finger on the pulse there. I’m just sort of putting myself in the situation where I’m reaching out to somebody I don’t know that well, and I want benchmark information about their compensation. How on earth does one articulate that request? “Basically, how much money are you making?”

Selena Rezvani
Right. Right. Slipped in between two other questions. No. I think being upfront and honest works for people and giving an out is really powerful, “Hey, Pete, I’m excited to be looking at new roles, and I wondered if you’d be open to talking to me about compensation and your experience with X. If you can’t for any reason, that’s totally okay.” And just allowing people that so it’s just extra not awkward to say, “You know, I can’t,” or, “I’m too busy,” or, “I’m happy to.”

And one other tip with that to make it a little less awkward is if you can bring like a gift. Maybe it feels like you’re asking in this case, but is there something helpful that’s related to the conversation? Maybe there’s a salary study in your industry, and you’ve just equipped yourself with that. Offer to give it to them or share a helpful resource.

Pete Mockaitis
That is handy. I’m thinking about getting first, it’s like, “Hey, I’ve collected a few datapoints and I don’t know if they’re perfectly applicable. I see X, Y, Z, A, B, C,” and then they might feel more comfortable commenting on those, like, “Huh, those seem a little low to me.” Or, if you’re talking about compensation, they might not tell you directly their package but, “Hey, when I was interviewing for different director roles, I tend to be offered between X and Y, but, ultimately, I prioritized this other benefit or piece of the package, and so I was willing to settle for a little bit less provided that they dealt with that.” So, that way they haven’t told you precisely “$268,000, Selena, is my total all-in compensation,” but rather, “Okay, somewhere in this ballpark,” and it’s not as personal, and that’s handy. Thank you.

Selena Rezvani
I love that. I love your suggestion. And some people don’t even ask the outright question. I’ve heard some people say things like, “How did you go about negotiating the budget for your lab?”

Pete Mockaitis
All right. Well, that’s a very different question.

Selena Rezvani
Like, “How did you approach it?” And so, that’s also another kind of slightly different angle.

Pete Mockaitis
All right. Well, now can we hear a favorite quote, something you find inspiring?

Selena Rezvani
There’s a great quote I love and it makes me, like, tingle every time I read it or see it. And it’s, “Happiness is going from failure to failure without losing your enthusiasm.”

Pete Mockaitis
Thank you. And how about a favorite study or experiment or bit of research?

Selena Rezvani
So, one of my favorite studies is The White Lab Coat Study out of Northwestern. And it says so much about mindset. And what, essentially, happened was people were asked to wear white lab coats, something that we generally associate with care and attentiveness and doctors and scientists. And what was fascinating is people who were not scientists or doctors, when they wore these white lab coats, tended to exhibit more of those traits, those qualities.

And, to me, that is fascinating and applies to all kinds of ways that we carry ourselves into important conversations. And this idea that we can ascribe meaning to the way we present, whether it’s our clothing or something else, and we can use it to our advantage.

Pete Mockaitis
Absolutely. We’ve had guests talk about psychological Halloweenism and enclothed cognition were some of the phrases associated with this, and I love it. Sometimes I deliberately put on my blazer before a podcast interview just so that I’d be a little bit more professional and attentive to the matter at hand, as opposed to just chit chatting about whatever.

Selena Rezvani
Yes. Yes. For you it’s a blazer, for me it’s color. Like, there’s something about just really bright colors that makes me feel bolder, more optimistic than something else. So, I love that it’s different for you and me, and probably for people listening, too.

Pete Mockaitis
I will occasionally take out my high school homecoming king crown when I need a boost or I feel sad.

Selena Rezvani
I love that.

Pete Mockaitis
“People still like me.”

Selena Rezvani
That’s right.

Pete Mockaitis
“I have a crown to prove it.”

Selena Rezvani
I love it. You should do your whole podcast in that.

Pete Mockaitis
It’s getting so beat up because it’s so old now. And, tell us, is there a key nugget you share that really seems to connect and resonate with folks; they highlight it in the book, or they quote it back to you often, or re-tweet it?

Selena Rezvani
It’s this idea that don’t give the other person all the power. I tell people, “If you put someone up on a pedestal, don’t be surprised if they start to look down on you.” And sometimes, when we’re negotiating with an authority figure, we put ourselves way down here and we put them up here, and I caution against that. If anything, approach it peer to peer, like, “It’s you and I versus the problem in front of us. You and I simply having a conversation that’s going to end in agreement.” But not the hierarchy. You don’t need to bring that in.

Pete Mockaitis
Okay. And if folks want to learn more or get in touch, where would you point them?

Selena Rezvani
Come see me at SelenaRezvani.com. You’ll see a contact form there and on all your socials. I love sharing career advice, so you’ll find me on TikTok and Instagram, LinkedIn, Facebook.

Pete Mockaitis
All right. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Selena Rezvani
I would say don’t wait for the conditions to be perfect. They rarely are. So, whether you’re trying to negotiate a better return to office setup, or taking your vacation and totally unplugging and not getting calls from the office, or asking for a job title that actually reflects your job duties, now is a great time to ask for that. Don’t think to yourself, “Oh, because it’s a time of change or flux, I better not.”

No. Actually, “Times have changed” are some of the most lush productive moments to ask for what you need because things aren’t written in stone. So, be emboldened to make those changes right now even if things are a little bit up in the air in your company. It really relies on you being your own vocal champion.

Pete Mockaitis
All right. Selena, thank you. This has been a treat. I wish you much luck in all the ways you push back.

Selena Rezvani
Thank you, Pete. You are awesome. And thanks for all that you’re doing to help people really thrive at work.

773: How to Amplify Your Message Through Powerful Framing and Storytelling with Rene Rodriguez

By | Podcasts | 2 Comments

 

 

Rene Rodriguez reveals a powerful three-step formula for amplifying your influence and getting your message heard.

You’ll Learn:

  1. The surprising reason why your audience isn’t listening
  2. The most powerful communication skill in your arsenal
  3. How to craft a narrative and message that sticks 

About Rene

For over two decades, René has been researching and applying behavioral neuroscience as a dynamic keynote speaker, leadership advisor, world-class sales expert, and renowned speaker coach. He has also trained more than 100,000 people in applying behavioral psychology and neurology methodologies to solve some of the toughest challenges in leadership, sales, and change. 

Resources Mentioned

Rene Rodriguez Interview Transcript

Pete Mockaitis
Rene, welcome to How to be Awesome at Your Job.

Rene Rodriguez
Thanks for having me, Pete. I appreciate it.

Pete Mockaitis
Well, I’m excited to dig into your wisdom. And I’d love to kick us off right at the beginning with hearing one of the most surprising and fascinating discoveries you’ve made about humans and influence over the course of your career, researching and teaching about this stuff.

Rene Rodriguez
One of the most surprising and fascinating discoveries, I love that question. I would say that one thing that everybody here has in common is that we all are trying to create change. Influence, leadership, selling, parenting, being a police officer, it’s all about trying to somehow create change. If you’re selling something, you want people to change what they’re purchasing, to buy you. If you’re parenting, don’t change, change this behavior to better behave, brush your teeth if you weren’t brushing your teeth. And leadership is about, most often, and management, is about changing behavior.

And a lot of times behavior change will most often is resisted. And a lot of times, if you’re getting people to want to change, the one thing that is probably the biggest is to help people save face in the process. That is probably the oddest discovery.

Pete Mockaitis
Save face. So, like they don’t need to be humiliated and beaten down, say, “I am so wrong.” It’s like, “Oh, okay, I guess this makes sense and it’s kind of like something else I’ve done before. All right. Cool.”

Rene Rodriguez
Well, if they don’t have to admit they’re wrong, you are much more likely to get massive change, and it’s kind of a deeper topic on how to get there but it’s really…I mean, think of what it requires though to get a leader to be okay with that, that they don’t have to get the people to admit they’re wrong. It’s a big requirement. It shows a lot of self-assurance and it shows a bigger view of a bigger picture that doesn’t matter who is right or who’s wrong. It’s a search for truth. And as long as we’re on that path, it’s okay.

And people, if you create a safe space for people to do that, most people will opt into it but very few will say, “Hey, I was wrong.” And what’s ironic is if you create a safe space for people to save face, later on they’ll say, “You know, before I used to look at it this way.” They’ll come to you. So, that’s my answer to the random question. I love it.

Pete Mockaitis
Well, can you give us an example of how someone can make a change and not admit that they’re wrong, just like in practice? Like, what’s the example of how that unfolds?

Rene Rodriguez
I think it applies to kids, I think it applies in relationships, I think it applies in management leadership. So, I’d say an example would be a lot of times if, let’s say somebody just had a poor attitude, and they came to work. Trying to get somebody to admit, “Hey, you really have a poor attitude,” is a big sell. It’s a big sell. But if you both, let’s say, watched a movie, or a TED Talk, we had a couple of concepts that we share. One of them called the courage scale. But let’s just say to accomplish the same thing, a movie that really pinpointed in a third-party view that the effects of a negative attitude, and everybody watched it equally together.

And watching that creates sort of a self-diagnosis or self-assessment, and it’s much easier to get somebody to opt in the new behavior if they don’t have to admit they’re wrong. Like, most people will say, “Wow, that’s kind of how I’ve been. And nobody told me that but I watched a third-party kind of talk about it,” and they can safely do it. And it comes down to psychological safety. It’s really what it comes down to.

Pete Mockaitis
Okay. So, then they can just sort of watch that and say, “Oh, okay, that’s cool. These people are sort of smiling and asking about each other’s day, or whatever those particular behaviors are associated with better attitude.” It’s like, “No, that seems to be working well for them, and my colleagues want to do that, and it seems worthwhile, I guess I’ll go ahead and do that too. Cool.”

Rene Rodriguez
Well, it’s moreover, if you watched the negative impact, like, “Wow, what a jerk that guy was, and look at the impact it had on the team,” and if it was presented in a way that goes, “Well, who am I?” If it caused self-reflection in a safe way, so usually the positive, unfortunately, I wish it was more persuasive, but if we looked at the negative impact of it from…so, we have this thing called the courage scale and it’s a really simple way of defining where you are from an attitude influence sort of energy perspective. Below the line would be, the bottom would be zero, that you got zero’s death, then you got guilt, shame, fear, apathy, anger, and then courage.

And so, all those things are sort of below this line that we call the taking side of life. And so, if you were to say if you met somebody below the line that usually lives their life in fear, anger, guilt, apathy, all those things, do they give you energy or do they take it away? And what most people would say, “Well, they take it away.” Well, how long does it take them to take it away? It’s seconds. You can be having a great day, and that person, you see their name on a caller ID, and instantly you’re like, “Oh, God.” Like, we all know that person.

And so, it becomes humorous, like we all know that person, we could see it in someone else. And then we see above the line, things like openness, willingness, reason, logic, joy, peace, enlightenment, which we all want to get to. But just those other things, can you think of somebody who lives the majority of their life above that line? And they go, “Yeah.” And so, when that person calls, how are you feeling? Immediately great. You can be having a horrible day, but that person calls and it puts a smile on your face.

And so, we talk about the difference between above the line and below the line as a simple example. In fact, my first TED Talk was on that. And then you watch that, and you watch people who typically are below the line, they self-reflect, they go, “Wow, I’ve really been below the line,” and they see the impact, and they just slowly start acting differently. But if you were to say, “Well, who’s been below the line? So, you were below the line, you were below the line, and now you’re going to change.” Well, now, the whole psychology has changed.

Pete Mockaitis
Got you. Okay, that’s good stuff. And then I also want to hear a story perhaps of someone that you’ve seen, maybe a client, or audience member or reader, who’s really had quite a transformation. They didn’t have the influence they wanted, they made some changes, and then they got it and saw some cool results.

Rene Rodriguez
Yes. So, the journey of influence is really, I think, really cool. And people ask, “Why influence?” And so, I always look at the opposite of it. So, look at a life without influence. You tell a joke, no one laughs. You sell a product, no one buys. You set a vision, and no one follows. The feeling that follows that is usually ones of insignificance. Some people might even fall into depression, high anxiety, questioning themselves, “Why am I here?” No purpose.

And the reason is because everything you’re doing seems to have no impact on the world. And so, then I go, “Okay. So, what’s the opposite of that? What does influence feel like?” You tell a joke, people laugh. You sell a product, people are buying. You cast a vision, and people follow. And now you realize that when you put something out into the world, it has an impact of some sort.

Now, we can use that impact in selling, you can use that impact in being a teacher, you can use that in leadership. Influence is that ability to influence an outcome of some sort. And so, when you look at the transformation of those that never knew the skill and never knew the sequence involved, or the science of it, there are a lot of people that sort of naturally picked it up over the years. They realize that you could act a certain way, speak in a certain sequence, and you’d get better results.

There are whole tons of reasons why that’s the case. My mission has always been, “How do you get those skills into the hands of people that are good but maybe have never been taught how to communicate?” Because in business, a lot of times, it’s the louder person that processes, maybe even half-baked ideas, but authoritatively they get listened to.

And then you have sort of the smarter introverted folks that maybe process silently what’s going on and fully bake an idea, but if they never speak up or communicate it in a way that people want to listen to, those ideas go by the wayside. And the benefit of the business isn’t achieved or felt, and the person doesn’t feel any sort of movement in their career, and so everybody loses.

So, I could tell you, we’ve got hundreds of stories. One of my favorites is Julia. So, one of my good friends and clients is a company by the name of PURIS. So, we’ve just named the number one most innovative food company in the world. So, Tesla was the innovative car company; they were food. So, they revolutionized pea protein. And what it’s doing is they make it taste good. The company is amazing. The research behind it was amazing. It’s incredible.

So, the CEO came to me, and said, “One of our content managers has got a TED Talk, and she’s 25 and has never given a talk.” I said, “Okay, so she’s going from never to her first talk, giving a TED Talk.” I said, “That’s great.” “Can you get her ready?” “Yes.” So, she came to our first session with 85 pages of research that she wanted to cover, and she was an amazing incredible nerd, and I loved it.

And I said, “Okay, Julia, you realize you have 13 to 17 minutes and you got 85 pages.” “I know. I don’t know how to get it all in.” I’m like, “Well, you’re not going to get it all in.” And we fought, arm-wrestled, back and forth on how to tell the story, what research to share, what not to share. And I finally found out that she was a basketball player and she got into a really bad accident and had traumatic brain injury. And that story began a whole journey of what it felt like to sort of make the comeback, but it was such an incredible story that it was what immediately captured attention, but she didn’t want to tell the story because it wasn’t about pea protein.

And I said, “Well, you have to understand if you want your audience to listen, because a lot of influence is about ‘What do I say?’ with very few, very little work is done as to ‘How do I prepare the audience to listen?’” And so, I gave the analogy, “Would you ever plant a seed on cement?” And, of course, we’d never do that. You’d till the soil first, get rid of the cement, find good soil. I said, “Well, there’s a sequence there. But most people plant their seeds of ideas in cement, in audiences that aren’t ready to listen.

And so, how do you get them ready? Well, a story like that than you can tell in just a couple minutes, people watching you go through this traumatic brain injury,” and she’s getting ready to play basketball, listening to her favorite song, and then, smack, she pauses, “And I was blinded by a car, traumatic big brain injury,” and she tells her whole story, but instantly you’re captivated by the story and sort of her journey through on her love for not being able to play basketball, but going back in to school and the comeback that the little pea made.

And this made this amazing story. In fact, I have the whole sort of video transformation on my website. And watching her tell that story, she came back, I said, “Okay, you tell the pea story with all the research, or you tell the basketball story to ten people, come back to me, and you tell me which one people liked.” And she came back, and she said, “Nobody wants to hear about peas. They want to hear about my car accident and basketball.”

I said, “Okay, so we’re going to use that as an opening to capture people’s attention, and then we can transition into the story.” And then that transitioned into some amazing stories that she told. And if you watched the two different people, it’s something that’s very, very inspiring to see once people learn how to tell the story.

Pete Mockaitis
And I want to talk to you about storytelling in particular. And so, right now I’m wondering, that does seem like a captivating powerful story, “Whoa, how did you feel? What happened?” So, then how does one then make the connection to pea protein?

Rene Rodriguez
So, with her, it was literally using the journey of saying, “What that got me now back into what were my passions at school.” And those passions at school led her to her passion for health, and what gave her brain health, or what were the things that really led to a search internally for, which transitioned into the benefits of peas.

So, without going through the whole piece, they’re everything that we do comes from the past events that we’ve been through. All of our past events shaped what we’re attracted to and what we’re repelled by. And so, in one of the exercises, if people want to learn how to tell their story, is we’ll ask a very simple question of what makes you unique.

And so, well, we can do it together. So, like, what makes you unique?

Pete Mockaitis
Sure. Well, we here are on the How to be Awesome at Your Job podcast, it’s like I’m a total dork with the stuff. I was reading books about success, goal-setting, leadership, communication, psychology, influence, whatever, as a teenager, and this was my thing. And I remember other folks had like basketball player posters on their walls, and I was like, “They don’t really make Tony Robbins or Stephen Covey posters, so I don’t know what to put on my wall. I guess I’ll just have more books on the shelf.”

Rene Rodriguez
I love it. So, you were a fan or personal development, leadership, all that stuff. So, what would you round that off as a uniqueness? Is it about learning? Would you say that that’s the value behind it? Where would you put that?

Pete Mockaitis
I do like learning and I’m really into it. And I guess it was happening. I got good grades, and I remember that someone asked me, “Oh, Pete, do you study a lot?” I was like, “Hmm, studying.” And it was funny, it sounds like a straightforward question but I thought, “Well, I guess I don’t even think about it as studying. I guess I know what I know, and I know what I don’t know, and then I feel like an attention, a curiosity, an uneasiness about that, and so I need to go ahead and close that gap.”

And I guess what one does when closing that gap is what you call studying, but it doesn’t really feel like, “Oh, got to crack the books and study.” It was like, “Okay, well, this transcription business is clear but the translation is not. What’s that about? Okay, what’s the page on the translation? Okay, okay.” And so, for biology or whatever. So, yeah, I guess it’s about curiosity and learning and stuff.

Rene Rodriguez
So, curiosity and learning, okay. So, let’s just pretend that those two are the ones we’ll focus on. And so, would you say that those are two personal values, that learning and being curious in life are very important words to you?

Pete Mockaitis
Yeah.

Rene Rodriguez
So, then the research says, the neuroscience says that those are personal values, or at least reflect your personal values, they were formed between the ages of nine and 13. And so, then the next logical question is, “So, who’s around during that time period?” And that you’re looking for one of two kinds of stories, either we call a lighthouse story or a foghorn story.

And a lighthouse story is somebody that was there that really was the guiding light. They were always wanting to learn. They were the perfect example, the guiding light of this value. Or, the foghorn story. Maybe it was somebody that you needed and didn’t show up, somebody that didn’t value school, and you watched what happened to them. They weren’t curious. They thought they were a know-it-all. And you watch where that led their life.

And so, instead of saying, “Well, the world didn’t give it to me,” you say, “Then I’m going to be that for the world.” So, you became it. And so, it’s one of those two stories. So, what it would be for you? Who was around and what happened, age nine or 13, that really led to learning and curiosity?

Pete Mockaitis
Well, I think it’s more of a lighthouse story. That’s my dad, and I remember I could always escape the house by asking to go to the library. He would comply just about always with that request. And we were curious about all kinds of things from photography to chess or whatever, and would read books and do stuff together.

Rene Rodriguez
And so, you enjoyed those conversations with dad?

Pete Mockaitis
Yeah.

Rene Rodriguez
So, how did it make you feel when you did that? So, what we’re looking for is what we call pathos. What was the feeling associated with that?

Pete Mockaitis
It felt really powerful. I remember it just like, “Holy crap, books make you better. Like, you can become better at anything by learning the stuff.” And there’s vast arrays of books and resources and people that can help you. So, it just felt like, in a way, anything is possible.

Rene Rodriguez
Love it. So, now, give me a little creative freedom. So, if I were to hear that story and I were to craft the message is saying, “So, what is this podcast about?” And so, you’re saying, “Well, here’s what it is. Here’s the ethos. Here’s the research. Here’s all these things,” which are what we call logos, very intellectually driven. You might start with, “Well, as a kid growing up, I was always really curious. My father was one of the most influential people in my life, and he really nurtured that curiosity. If I ever needed to go out of the house, my escape was a library.”

“And if I ever wanted to go to the library, he was always behind it, whether it was me learning about photograph, or learning about astronomy, or whatever it was, I always knew that he could do that. And every time he did that, I was overwhelmed with this feeling of power. I felt powerful. Like, knowledge really did equate to power because I could see the world differently. And now that, as I was growing up, my friends had basketball posters of Michael Jordan and Lebron James, I was looking for posters of Stephen Covey and Tony Robbins, and all of the people that were really sharing more of that knowledge.”

“And so, when I decided to do a podcast, I decided to do it around the theme of giving people the same gift that my father gave me, was finding those same knowledge sources to empower people to be better. And so, now that’s why we created the podcast.” So, now you see how the sequence sort of formed based on understanding those two words, tracing that back to a story, which we would call your origin story, and we did it very quickly, but it hits the brain in a very different way when it’s heard in that sequence.

Pete Mockaitis
That’s well put, hits the brain differently. It’s like I’m trying to articulate how it’s hit my brain because it’s like, I mean, it’s my story, I know it, it’s true. And yet I don’t think I’ve quite articulated it that way. There have been bits and pieces, but it’s got a…the hitting of the brain, it’s like a feeling of openness, or it’s kind of like a, “Oh, okay. So, that’s what this is.” It has a little bit more of emotional resonance, as opposed to…

Rene Rodriguez
Resistance.

Pete Mockaitis
Yeah.

Rene Rodriguez
Or cliché, right? Well, I like to help people learn, so we start with a message and it hits the brain differently, hits the part of the brain we call Broca’s area. And Broca’s area is a very tiny little speck in the brain that deciphers language. And we go, “So, yeah, I like to help people learn through my podcast,” and we go, “Okay, cool. So, every podcast does the same thing? Cool. Really unique, bro.”

But then when you start with a story, what it does is it triggers your entire sensory cortex. It triggers your limbic system, which triggers emotions. All those past things light your brain up. If you like a functional MRI scanner or a SPECT span, it lights your brain up like a Christmas tree. But what it also does is it lights up the brain of the listener because storytelling is involved.

And so, because our brains light up in the same way, it begins a process of neuro-coupling. And when neuro-coupling happens, there’s a coherence that happens between the two brains and safety is created, what we call psychological safety, “So, I know I’m not going to be judged. There seems to be an alignment of values. If I agree with the story or I like it, I’m attracted to the story and the values it represents at a deeper level,” and it bypasses the parts of the brain that resists, that don’t feel safe.

And so, that sequence is what we call the beginnings of the amplify formula to be able to begin to till the soil of the audience, meaning prep them to hear the message, which is, “Now I want to hear all about what your podcast is about because I have the backstory to what the frame is.” And so, that’s creating a frame or frame of reference. And that frame of reference, frames act as constructs of reality so I can understand reality in front of me.

Like, you have a podcast. Well, I understand the podcast based on what are the frame of reference I choose. But if you don’t provide a frame of reference, I’ll choose one. In fact, if I have a negative…let’s say I have a negative experience of podcasts, and I go, “Oh, gosh, another podcast.” Maybe that’s my frame of reference.

So, I hear your podcast through that filter. But if you provide the frame first, because that’s how the brain works, it needs a frame, and you provide it, the story with dad and what it did for you and your passions for learning and curiosity, and giving a gift back, I don’t pull from my negative frame. I pull from your origin story as the frame, and I hear the message completely different, totally different narrative.

Pete Mockaitis
Okay. Well, thank you. So, you said there’s amplify sequence, and it starts with some story and framing. Can you sort of give us the overview of the whole process sequence?

Rene Rodriguez
Yeah. So, the science behind it is pretty in depth in terms of understanding what I just said, which is part of influence, and it sounds crazy, it’s about understanding how we construct reality. And so, either I construct a reality that your product is valuable or not, or maybe I construct a value that my product and my time is more valuable than yours, so then why would I meet?

And so, how does it do that? It does that by choosing a frame of reference or the narrative around it. The narrative creates meaning, and then I understand it through that. Now, I’m not talking about a physical reality, like my table here is wood, this mic stand is metal. Those are physical realities, proven to physics and science. But the social reality of how I interpret the meaning behind something is created through narratives and frames.

And so, my brain, to understand it, I’ve got to pull a frame first that is a neurological sequence of understanding how I process information. And so, for example, I’m going to say a profession and you tell me what word comes to mind. Used car salesman.

Pete Mockaitis
Well, it might not be fair to great professionals in the field.

Rene Rodriguez
Of course not.

Pete Mockaitis
But, you know, sleazy, dishonest.

Rene Rodriguez
Right. So, every time it’s usually something along that. So, what happened is you accessed your frames of reference which are societal frames of reference. That is pretty predictable that we get that because of the stigma that’s been created, that people say sleazy, dishonest, all those such of things. So, that frame of reference comes in front and acts as a filter to really filter out and create meaning around what’s said.

So, if I were to say, “Don’t worry, you can trust me. I’m a used car salesman,” most people will giggle, they’ll say, “Hahaha,” because it’s an incongruent message. And incongruency translates, typically, into lack of trust, when I’m saying one thing but I mean another, or my body is saying one thing and my words are saying something else. Like, “I’m really excited to be here today.” So, my tone is saying not but my words are saying I am. That’s an incongruency.

Sometimes we want to stand with power and authority and influence, but we stand with insecurity and submission. Those are body language cues that are being incongruent. And so, my grandfather was in Cuba, and he was watching the Cuban Revolution just begin, and so he wanted to get his family out of Cuba. So, he wrote a letter to the President of the United States, and said, “If you can get me and my family out of this country, I will come and fight for yours.”

So, somehow that letter made it to the right person and they pulled my grandfather out, along with my mother, her sister, and my grandmother. And so, he went and served in the American Armed Forces for eight years. After his time, he landed at Patrick Airforce Base in southern Florida, in Homestead, Florida, and realized very quickly that his American dream was really limited to how far he could walk because he didn’t have a car.

And so, there was somebody, though, that believed in my grandfather. He saw what he did for this country and got him into an older vehicle. And that older vehicle allowed him to stretch his reach by 25, 50, even 100 miles finding better employment, better pay, changing the trajectory of his life, my mother’s life, and, ultimately, my life. And that person who believed in my grandfather was a used car salesman.

And so, now, if you noticed, the brain didn’t have any of a chance to pull sleazy or dishonest because I did the work for you. I gave you a frame first, and so now you’re hearing that in the context of that frame.

Pete Mockaitis
Yeah, that’s good.

Pete Mockaitis
When you talked about that reframing of the used car salesperson, I’m thinking now about this goofy movie, Cedar Rapids. It’s got Ed Helms and John C. Reilly and Anne Heche. And the idea is Ed Helms is going to the big city of Cedar Rapids because he’s been in a small-town environment for a long time, and it’s all about insurance.

And my frame for an insurance salesperson is, “Oh, geez, what a boring job. Insurance is a boring thing, and selling, not a lot of fun.” But then he tells a story about how his dad passed away, and it was an insurance person who was… I’m actually tearing up a little bit. An insurance person was like the hero for his family because they didn’t know what they were going to do. But when they had that insurance money come in suddenly, their worries associated with, if they could still go to school or whatever, were put to rest.

And so, life insurance salespeople are heroes to him, and doing this is like a dream. And it was a very powerful and a goofy fun movie. And so, there you have it. We have a story and we have a frame, and it totally…you’re right. It doesn’t give me an opportunity to grasp onto, “Yeah, life insurance sales is boring.”t

Rene Rodriguez
And so, if you think about if it changed the frame, frames dictate perception, and perception equals reality. And so, the superpower here is understanding storytelling. So, look at what just happened. You recalled the story and you got emotional.

Pete Mockaitis
Yeah, a ten-year-old movie that’s a comedy.

Rene Rodriguez
A ten-year-old movie. And so, what’s the science of storytelling? Well, think about it this way. The research says that upwards of 33%, sometimes even 50% of our waking hours, we spend daydreaming. And daydreaming is really scenario-planning. Like, “If I do this, then that. What color shirt shall I wear on the podcast? Well, should I be ready for that? Headphones or not? How do I get ready for this? Did I leave the stove on? Well, I better call this client.” We’re constantly running scenarios. That’s a prefrontal lobe activity. It’s a future simulator.

And a future simulator, for example, it’s powerful. Like, if I were to tell you I’ve got this new ice cream that’s from Ben & Jerry’s. It’s called Liver and Onions. Do you want some?

Pete Mockaitis
Not yet. I want to hear the magic you work on this, Rene.

Rene Rodriguez
Yeah, exactly. Now you’re expecting that. But, no, typically, you’d probably have a visceral response of saying, “Ugh, gross.” Even though you’ve never tried it, your brain went from a past experience, went out into the future, concocted liver and onions as an ice cream, and you taste it hypothetically as a scenario, and sends a signal back, saying, “Nah, we don’t like it.” And it happens in a split second.

And so, we’re constantly running these future simulations, and there’s only two situations that we stop doing that throughout the day. One is life and death situations. Somebody is in trouble, I’m in trouble, somebody’s got a gun on my head. I’ll stop and be very present. The other is through story. When somebody tells a story, the reason we stop daydreaming is because a storyteller is daydreaming for us, and we use daydreams, we use stories to create narratives, which create a simplified model of reality so we can understand what’s going on.

I’m here in my studio, I’m on a podcast. The reason I’m on a podcast is to grow my brand and awareness. And, hopefully, that will translate into access. We run these stories and scenarios. And so, if I’m listening to this as a listener, ask yourself and your business, “What things and stories are you a part of?” And when that story doesn’t match, how difficult it feels.

But think about this. If the stories create the narratives, and the narratives construct reality, and somebody tells me a good story, I’m allowing them into my brain to take a real estate and set whatever narrative they want. And the crazy thing is that we…the brain doesn’t know the difference between my story and reality.

Literally, you just cried recalling a movie that was done based on fake actors. A story bypasses all of that, and we take on the role of the protagonist, our empathy is triggered, sensory cortex is triggered, emotions are triggered, and we experience it as real. And we get into this process where we, over time, we take on even the belief systems and the decision-making process if we hear someone’s story or the thought process over and over and over and over again. We start acting as like, “Okay. Well, what would this person do?” And we forget that that’s their thinking and we take it on as our own.

And so, we can install narratives of love, narratives of hate, of racism, of giving back, of strong value proposition, of buying into a vision, the thoughts of new possibilities, new relationships, dating someone. You name it. It’s all done through story.

Pete Mockaitis
Well, Rene, these implications are vast not just for getting someone to follow you or to buy. I’m thinking about just like in terms of just your emotional states and the stories you tell yourself associated with what’s going on around you. It’s like, “Am I a victim to this thing? Am I trapped here forever? Or, am I a hero or whatever.” We can construct it to story and feel completely different about the circumstances we’re presented with.

Rene Rodriguez
You nailed it. And the stories that we tell ourselves are the most powerful. The narratives that we choose, and so many people choose the narrative of victim. And there’s a term that I love to use called amor fati. And so, when we go through our program, we help people identify their story and then tie it to their business value proposition, which becomes a really powerful combination.

But some people go through…you want to help them sell more, or you want to help them be a better leader but they have these inner narratives that are either of a victim, they got a chip on their shoulder. Who knows what it is? It isn’t serving them in a way. Some people, me being Rodriguez, I grew up with a narrative that being Hispanic was people were against me. If it’s maybe a female growing up, that women are trying to be held back by men, or bald men don’t have it as easy as others. Whatever it is, whatever the narrative you’re running.

And what I always tell people, saying, “So, how do we set ourselves up in the best strategic position possible?” Part of that is we have to achieve amor fati. And amor fati is, literal transition is lover of fate. It’s a lover of your story. And I’ll give you one example of this. We had one woman come through our class, and she had a lazy eye. And you could tell right away, at first, she’s not looking at me, she’s bored. Ah, she’s got a lazy eye. So, no big deal. It’s really not that big of a deal, very common.

And halfway through day two, or actually at the beginning of day two, she said, I was in front of the room, talking, she goes, “I don’t know if you’ve noticed it but I do have a lazy eye. And I don’t know if you’ve noticed.” I’m like, “Yeah, noticed it right away.” And she like looked at me with a smile, like surprised that I would just say it, I’m like, “Of course, yeah, big deal.” I said, “So, tell me about your lazy eye.” And she’s like, “Well, it’s been an insecurity. I’ve tried to hide it. I don’t like looking at people in the eye because it just makes it obvious.”

And then she said, “But it helps me read 800 words a minute.” I’m like, “What?” She goes, “Yeah. This eye right here reads 800 words a minute.” I’m like, “Somebody Google the average…” somebody Googled it. It was 250 words a minute is the average, and a really good reader is 400. Well, this one reads 800. And so, I looked at her, and I said, “So, you’re saying you have a bionic eye?” And she looks at me and she goes, “What?” I’m like, “I want an eye that reads 800 words a minute.”

We looked at the audience, and they’re like, “I want that eye, too.” And she kind of smiles, I’m like, “You have a bionic eye, don’t you?” And she goes, “I never thought about it that way. I wish my other eye sees this and so I can look at people and read, and it’s kind of cool, and sometimes they don’t cooperate.” We all started laughing. And I said, “So, here’s your new narrative. Now for those of you who had real eyes…”

And she starts all her talks this way, “I was given the gift of a bionic eye. I got an eye over here, this baby right here,” she points to it, “reads 800 word a minute. Average reader reads 250, a really good, 400. I’m twice that. In fact, I read a 500-page book on the plane right over here. It’s fantastic. I’m going to read another one tomorrow, and the next day probably. With my left eye, it’s for distance so I can see all of you. Well, the challenge of the bionic eye is it has a mind of its own. Sometimes it doesn’t cooperate, kind of like my personality and probably a lot of you in this room here.”

“And so, if you’re wondering which eye to look at, just keep your eye on this one. That’s the one that’s looking at you.” And everybody just dies laughing. She’s standing there with this pride, a new narrative, something that used to be a story she told herself of insecurity. Now, she came up to me at this event, literally last week, ran up and hugged me, she goes, “That narrative, that story has changed my career and my life. I tell it at every event, I tell it at every meeting, and I stand differently. I’m just happy.” But to your point, the narratives we tell ourselves.

Pete Mockaitis
Oh, Rene, this is so powerful. I feel like we could, and could and maybe should, dig into this for hours. You’re invited back, Rene, already.

Rene Rodriguez
I’d love to.

Pete Mockaitis
So, all right, stories are powerful, they establish frame, which impact how we interpret stuff and how others we’re trying to influence interpret stuff. So, then what are the best practices associated with forming these stories? And maybe what are some watchouts? So, you walked through a bit of the process with me moments ago. Is that the primary pathway you recommend? Or, are there a few flavors on the menu to choose from?

Rene Rodriguez
So, there’s a real simple exercise, I can give it to you. I’ll try to do it auditorily. Is that a word?

Pete Mockaitis
I think so.

Rene Rodriguez
That’s a word. We just made it up, if not. And it’s a way to what we’re trying to uncover is what we call a signature story. And a signature story is a story as unique to you as your own signature. And so, what I do is I create a matrix. It’s basically a four by four, so four, one, two, three, four, by four lines. And at the top, on the far-left column, there’s going to be four phrases that we go down.

The first phrase is, “I believe.” The next phrase is, “I remember.” The next phrase is, “I was taught.” And the last one is, “I’m passionate about…” And so, those four phrases are what I call entry ramps into stories. And what I’ve come to learn over, gosh, we’ve trained tens of thousands of people on this, is that people know how to tell stories but sometimes they need the entry ramp.

And the entry ramp is what helps trigger the memory. And so, the first thing we start with is three beliefs, “I believe…” and we’ll just use three. For example, you chose “I believe in curiosity and learning.” And if you had a third, what would it be?

Pete Mockaitis
Oh.

Rene Rodriguez
First one that comes to mind.

Pete Mockaitis
You know, spirituality. God stuff.

Rene Rodriguez
Spirituality. Faith, spirituality, right? So, across the top says, “I believe in…” the first column, second column says “learning,” third column says, “curiosity,” and the last is “faith.” And so, now we go down the matrix to the next question, which says, “I was taught…” and we go to the first belief. And then we want a story, something you were taught as a kid about learning. And in that little box, we read a little story. And you have to remember what you were taught as a kid about learning.

And then you go down one. What do you remember about…? Remember something you remember about learning, a story, and then something you were taught about learning. And the last one, something you’re passionate about when it comes to learning. And then we go back to the question of curiosity, “Something I remember as a kid about learning,” or curiosity, “Something I was taught about curiosity and something I’m passionate about when it comes to curiosity.”

Then the last column would be something “I remember about faith or spirituality, something I was taught about faith or spirituality, and something I’m passionate about.” And now you have nine signature stories to be able to draw from. But here’s the thing. What do you do with them, those stories? They’re nothing without a message to follow, and the third part of what we call the amplify formula, which is a tie-down.

And a tie-down answers the question of what this means to you is. Like, I can give you a story about all three worked together if you’d like.

Pete Mockaitis
Let’s do it.

Rene Rodriguez
So, my second TED Talk actually has this story in it but it’s a story of Janice. Now, Janice was an executive of a very large organization. They wanted me to help her get ready for an interview to take on the CEO position of a billion-dollar organization within the larger conglomerate. And the interview is very intense, seven, eight, nine, ten hours sometimes with ten people in the room, all focused on her, drilling her with questions.

So, we started with a mock interview of three people in front of her, and asked her a question. First second, I sit off to the side, I look at facial expressions, sequencing, timing, storytelling, framing. I look at all the things that I look at. And the first question was, “Tell us something you’re proud of.” And she looks at us and answers very presidential – short, concise, and to the point.

“I got straight A’s my last year in school, one of my proudest moments,” was her answer. So, now, one thing we know about frames is that when we talk, if we don’t provide one, the listener will create one for us. They have to, that’s how they construct reality. So, they look at me, and said, “Rene…”

Pete Mockaitis
You’re right. Right there is like, “Okay, you worked really hard,” or, I mean, “You worked really hard or your parents were smart, or you had a good tutor.” It’s weird, I’m just making stuff up.

Rene Rodriguez
And immediately, right? And the brain can’t handle it. It’s like one of the things that…

Pete Mockaitis
Excuse me. Something fell off the shelf but we’re fine.

Rene Rodriguez
So, now you saw my reaction there, right? And so, I’m looking off, I paused, and so the listeners might say, “Hold on a second. Did we lose something?” I’ll sometimes get up and walk off the camera in the middle of a podcast, and the interviewer is looking at me like, “What happened?” and I’ll do this little training.

Pete Mockaitis
“Is he mad at me?”

Rene Rodriguez
Yeah, is he mad at me? I did it on stage in front of 600 CEOs. I stopped in the middle, I’m like, I looked at them, I turned around and walked off stage. And then from behind stage, I said, “Now, I want you all to pay attention on how you feel and what’s going through your minds.” And I came back out, and I said, “What do you think happened?”

And I got five or six, ten responses, and all of them were different, “I thought you’re having a heart attack,” “I thought you might’ve forgotten your lines,” “It looked like you’re crying.” And they were all assumptions. And I do that to illustrate the point that your brain does not deal in narrative gaps. It has to fill it even if it’s false. And our world is full of narrative gaps right now.

And so, when she says, “I got straight A’s my last year in school,” there’s a huge narrative gap there. And I’m going to fill it based on my own past experience. So, they looked at me, “What do you think?” I said, “Oh, so straight A’s your last year in school? So, you’re a procrastinator? Are you going to procrastinate for us as well?” She looks at me like I’m crazy, and I said, “Oh, I’m sorry. Did mommy and daddy pay for school so you didn’t have to work that hard?”

Or, even yours, “So, your mom and dad must’ve been really smart, rich, probably had good tutors. Lucky you.” So, who knows what these unfair narratives are? But the brain doesn’t have a choice. It has to fill it. And so, now pay attention to this. I said to her, and she’s got a tear in her eye when I said that to her, I said, “Look, I didn’t mean those things but you didn’t fill it for us. You didn’t tell us the frame or the narrative but I know it’s important to you, wasn’t it?”

She just nodded her head. And I said, “Why?” And then when she told them the story behind it, it changed everything. She looks at me and she said, “When you’ve been told you’re stupid your entire life by adults, you tend to believe them. And something happened my last year in school, where I looked myself in the mirror, and I said either I’m going to believe them forever or I’m going to do something about it. And I did something about it.”

So, now that frame completely shifts the message. And the message, now understood differently, changes the reality of the relationship between how I perceive her. And so, now I’m emotionally moved, I’m probably more connected with her. I mean, if you’re listening to this, you probably felt some sort of shift internally, maybe protective of her. Who knows what it is? But this pathos is an emotional connection there.

And so, then the next question is, “So, what do I do with that?” because that’s powerful. There’s a lot of emotion in the air but for what purpose? Most speakers, most leaders that learn how storytelling will stop at that but it doesn’t create influence. It creates emotional connection but influence is about affecting a behavior.
And so, the last part, the tie-down would be adding the step next, which is having a clear influence. Objective, to get the job. A tie-down answers a question of what this means to you is. So, I might share that story instead of saying, “Hey, tell us something you’re proud of,” and starting with, “Oh, I got straight A’s last year in school,” frames and narratives gone wild. Who knows what they’re going to believe?

Or, if I just go with a little contextualization, “Well, I was told I was dumb but then I decided to turn it around, and now I got straight A’s.” Everyone was like, “Wow, that’s great. Who’s next?” No action taken. But if you do all three, it sounds like this. “Tell us something you’re proud of.”

“Well, unfortunately,” start with the frame, “I was surrounded by a lot of adults who told me I wasn’t really smart. And when adults speak to you that way, you tend to act that way, and I didn’t do well in school. But something happened my last year in school, where I looked myself in the mirror, and I said either I’m going to believe them forever, or I’m going to do something about it. So, I went on and get the help that I needed, put my nose to the grindstone, and I’m proud to tell you that I got straight A’s my last year in school.”

Tie-down. “Now, I’m assuming if I do get a chance to work with you and your team, that there’s going to be times where we’re going to be facing some pretty big challenges, and maybe some insurmountable obstacles, or seemingly insurmountable obstacles. But I promise you this, if I get to be on your team, I’ll be out there next to you, if not in front, overcoming those challenges in the same way I overcame them in my own personal life, but this time for you and for your team.” Frame, message, tie-down. That’s the sequencing that creates influence.

Pete Mockaitis
Ooh, that’s powerful. There’s so much gravitas, conviction, oomph, power there. It’s hard not to believe such a person as opposed to…and interviews are stomping grounds for BS, and you’re like, “Okay, all right. You believe that and I believe you. Let’s see if you can check the other boxes. Determination, conviction, totally covered. Let’s see. How about financial skill?” I don’t know, whatever is next on the checklist.

Rene Rodriguez
Yeah, all those things sort of come second nature. Once you believe the person, who they are, you start saying, “Okay. Well, let’s just make sure they check all the boxes so we can move forward.”

Pete Mockaitis
That’s good. Well, Rene, tell me, anything important you want to make sure to put out there before I ask about a couple of your favorite things?

Rene Rodriguez
We wrote a book, it just landed number two Wall Street Journal bestseller.

Pete Mockaitis
Amplify Your Influence.

Rene Rodriguez
Yeah, and I think with MeetRene.com, follow me on social media, Instagram @seerenespeak right there.

Pete Mockaitis
All right. Perfect. And could you now share a favorite quote, something you find inspiring?

Rene Rodriguez
Probably one of my favorites is from Stanley Kubrick, and he said that, “Our ability to eloquently talk about a subject matter can create the consoling illusion that we’ve mastered it.” To me, that keeps me humble because I can talk about all these things eloquently, and yet I can still struggle with every single one of them.

Pete Mockaitis
And a favorite book?

Rene Rodriguez
One of my favorite books is Let’s Get Real or Let’s Not Play. It’s from Mahan Khalsa. He’s a Harvard guy that talks about how to really sell difficult complex technology solutions but his mentality behind the concept of let’s get real, let’s have real conversations, let’s deal in the reality here, let’s not just play. And, to me, it was one of my favorite books I’ve ever read.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Rene Rodriguez
Yeah, I would say this, that the challenge that we face in growing up, most of us here, was that the things that now are most important, we were told weren’t. They were called soft skills, the things that, like, “Oh,” the interpersonal skills, emotional intelligence, all of those things, and we valued all the “hard skills” that school taught us.

Well, we know with the research right now that those hard skills aren’t the determining factor for success. They’re needed. Trust me, they are needed but they aren’t the differentiator. Your ability to deal with people, connect with people, build trust, and that is mostly done through vulnerability, through your story. When you can share your story, where you’ve been through, and where you come from, that creates the ground for trust, empathy, and most importantly, somewhere to move forward together.

Pete Mockaitis
Rene, thank you. This has been powerful and beautiful. I wish you much luck and that your book Amplify Your Influence is a huge success.

Rene Rodriguez
Thank you. Appreciate being on here. Thank you so much.