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659: How to Get More by Saying Less in Negotiations with Fotini Iconomopoulos

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Fotini Iconomopoulos says: "No is not the end of the negotiation. It truly is the start of the negotiation."

Fotini Iconomopoulos shares the unconventional negotiation approaches to help you get what you want out of work and life.

You’ll Learn:

  1. The four magic words of negotiation
  2. The surprising power of the pause in a negotiation
  3. The script to use when you hear “no”

About Fotini

Fotini is a speaker, trainer, advisor, and author. Fotini helps people get what they want,  by channeling her energy into her passion for the power of forward thinking. Today business executives partner with her to achieve their business goals, increase profitability and create a competitive advantage. She empowers their teams through her expertise in negotiation, communication and persuasion. 

To share her strengths with more business leaders, Fotini occasionally returns to the classroom as an instructor of MBA Negotiations at the Schulich School of Business at York University in Toronto. For the last 5 years, she’s been invited to share her messages with audiences from all industries in keynote addresses across the globe. Fotini’s first book from Harper Collins is Say Less, Get More: Unconventional Negotiation Techniques to Get What You Want.

 

Resources mentioned in the show:

 

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Fotini Iconomopoulos Interview Transcript

Pete Mockaitis
Fotini, thanks so much for joining us here on the How to be Awesome at Your Job podcast.

Fotini Iconomopoulos
Thank you for having me. I’m excited to have this conversation.

Pete Mockaitis
Oh, me, too. And I’m excited to hear a little bit about your time on Canadian Idol.

Fotini Iconomopoulos
You had to start there, huh?

Pete Mockaitis
Sure.

Fotini Iconomopoulos
That came up because I was dating somebody who has kind of dared me to do it. His family was really big on karaoke at Thanksgiving and stuff like that, and he’s like, “Oh, you have to do this.” I’m like, “Oh, what for? It’s just going to be ridiculous.” And I said, “If you wake up at 4:00 in the morning to drive down,” because I didn’t live in Toronto at the time, “…to drive down to Toronto, then I will happily go do it.” And I didn’t think it would ever happen because he woke up at 2:00 in the afternoon usually, so. We were students.

And when he did it, I was like, “Damn, I guess I have to follow through with it.” So, it was a very interesting day. We went from 9,000 people wrapped around what was, at the time, called the SkyDome where the Blue Jays played their home games, and the second day we were 900 people. And I can tell you that all of those folks who you see on television you go, “No, they don’t really think they’re good. They’re doing this just to get on television.” I can assure you they really think they’re great.

And so, there’s a lot of people in that 900 who were chosen because it made good television and there was a lot of really talented people who never made the finals. So, ever since then, I just can’t watch reality television.

Pete Mockaitis
Because you just sort of feel the cringe and emotional connection to those who are being embarrassed or is that the driver there?

Fotini Iconomopoulos
Yeah, it’s like you can see how they’re curating it for television, and I’m like, “Oh, that’s not reflective of like…” The people who won were fine but the people I’ve met in the lineups and who I made friends with there, they were amazing, and I was like, “How are you not making it through?” and they didn’t have that ugly-duckling kind of story that the television producers were looking for. So, ever since then I think reality TV just isn’t for me.

Pete Mockaitis
Yeah, that is disillusioning. So, you’re not actually seeing the greatest singers there are. You’re seeing good singers who have a compelling story.

Fotini Iconomopoulos
Yeah, I think the Kelly Clarkson’s, because American Idol happened way before Canadian Idol did, I think that was likely compelling, a very talented person without needing to scrub the story. But what we saw in Canada wasn’t really reflective of what our talent pool is like.

Pete Mockaitis
Okay. Well, thank you for peeling back the curtain there. I auditioned for The Real World once but it was not much of an audition. I just waited in line for a really long time and sat in the room, and then introduced myself. That was it. It didn’t come to pass. Probably for the best, I think.

Fotini Iconomopoulos
I was actually on The Real World once, kind of accidentally.

Pete Mockaitis
Oh, no kidding?

Fotini Iconomopoulos
Yeah, I was in Cancun on vacation and we met a bunch of people out and about, and they’re like, “Come back to the hotel with us.” Like, “What? Are you crazy? I’m not coming back to a hotel with a bunch of strangers.” They said, “Look around you. We have a zillion and one camera people. Nothing can happen to you.” And I was like, “That’s kind of fair.” It was actually quite boring because I was like, “I’m not going to do anything stupid that’s going to appear on television. I’m out.” So, yeah.

Pete Mockaitis
Yeah. Well, it sounds like you said less and you got more when it comes to your life results.

Fotini Iconomopoulos
Absolutely.

Pete Mockaitis
The poor segues is not my favorite part of the show, I think. And so, that’s the name of your book Say Less, Get More: Unconventional Negotiation Techniques to Get What You Want, and that’s pretty cool. And I think negotiation is one of those topics which sounds just kind of sexy and fun. We got Chris Voss, an FBI hostage negotiator, on the show some time ago. And so, I think some of those skills just can make you feel like a cool Jedi with powers if you know these negotiation moves. But I’d love to hear the practical considerations for your everyday professional who maybe doesn’t make deals on a regular basis, they’re not in sales or an agent. What is the case for why most professionals could benefit from sharpening their negotiation skills?

Fotini Iconomopoulos
I think most people don’t realize that they are, in fact, negotiating a lot of the time because what we hear on TV and pop culture, it’s all about people asking all the time, “Ooh, your life must be like the show ‘Suits,” right?” And I’m like, “Actually, it’s quite boring. If it gets to that point, it means they’re in deep trouble and they should’ve called me a long time before that.”

So, it’s not about the slickest salesperson who does the negotiating, we’re actually negotiating constantly. Every conversation you are having where you’re trying to get somebody on board with your idea, so, in essence, leadership is a negotiation. Every time you are dealing with a toddler who’s having a temper tantrum, you are, in fact, having a negotiation.

Pete Mockaitis
Yeah, what’s up with that?

Fotini Iconomopoulos
And it happens with our peers. It’s not always about money exchanging hands. It’s often qualitative things that we’re talking about as well. So, I think people don’t recognize that they are, in fact, negotiating more than they think they are, but there’s also opportunities to improve your life and reduce your stress if you can spot them.

Pete Mockaitis
Well, yeah, tell us about spotting those opportunities. Like, what might be an opportunity that just passes us by and didn’t even occur to us, like, “Oh, maybe I should speak up or speak less, I don’t know, and negotiate that”?

Fotini Iconomopoulos
Well, I would say, pre-COVID, one of the big questions I was often getting was, “How to negotiate more flexibility?” People are so stressed out and burnt out at work, so time is our most important component of negotiation, it seems, these days. And so, when it comes to that time factor, it’s, “How do I get some of my time back? How do I create some boundaries? If my colleague or manager at work is constantly asking me for additional things, ‘Can you do this extra thing for me? Can you work late on this?’ how do I spot the opportunity to go, ‘You know what, I can say no and I’d actually get both of us quite happy about it because I can do it in a way that’s going to be cooperative and come up with an alternative solution for us”?
So, those are the most obvious ones to me that are most often overlooked for most people. And, especially, those folks who find themselves constantly burnt out and going, “Why am I getting all this stuff piled on me?” Well, it’s because you need to have a more appropriate conversation to manage the flow of work and to help people understand how to create that empathy and make sure that they are thinking about some of those things that perhaps you haven’t raised and vice versa.

Pete Mockaitis
Well, Fotini, please tell us this magic in which we can say no and the other person will be pleased. Can you maybe give us a demo of how it can unfold in practice?

Fotini Iconomopoulos
Well, there’s a couple things that come to mind. One is what I call the four magic words of negotiation. And it is very simple, and it is, “If you, then I.” And by using those four magic words, you are introducing conditional training. So, when someone says, “Hey, can you help me with this project?” you could go, “Absolutely. If you can help me with this other project or if you can take something else off my desk, then I’d be happy to help you with your current project.”

Or, “If you can give me flex days next week then I’d be happy to stay late today.” But it seems like it’s a gift, it’s a more collaborative conversation when you finish with the “then I” piece, I think, that you’re going to get out of it. But if you start with the “If you…” the thing that I need to get out of this, this is where I tell people you can be a little bit selfish because you want to take something first and then you want to finish with the gift, and it sounds like a gift.

But if you do the reverse of it, if you go, “Yeah, I’ll do that but only if you do this thing for me,” now it feels like a punishment even though it’s the same proposal. So, those four magic words are going to be really important in terms of helping people move forward and create some trades whether it’s trades for time or trade for effort or reduce stress levels and so on.

And then the other thing that comes up frequently is this comes straight out of the Persuasion textbooks.

Pete Mockaitis
We got Bob Cialdini coming up on the show. Woohoo!

Fotini Iconomopoulos
He’s one of my favorite people in the whole wide world and I cite him in my book and I talk about so many of his lectures all the time. And I guess this is a bit of a spoiler in case he does come on, but one of the things that comes up frequently when I’m speaking, in women’s groups especially, is people are wondering, they’re like, “Why am I always getting all of this extra work piled on me?” And I ask them, “How are you responding when people thank you in that moment? When you’ve done something nice for someone and they say, ‘Thank you,’ what’s your natural response?”

So many people say their response is, “No problem.” Well, if you’ve just told me, “It’s no problem,” then it’s not going to be a problem for me to come back and dip into the well all over again. But if you were to pause for a moment and think about all this whole say less, get more concept, take a second to think about it, you have a moment of power where you could say, “I’m sure you’d do the same for me.” And, now, suddenly, one of two things are going to happen.

They’re going to go, “Yeah, I would do the same thing for that person,” and then we log this into my subconscious brain and, when the opportunity comes up, I will do something for that person. Or, they’re going to go, “Oh, no, I wouldn’t do that thing for her. I’m definitely not going to go back to this person because I don’t want to feel guilty about it.” So, you’re preventing them from burning you out and continuously dipping into this well.

Pete Mockaitis
Well, Fotini, I want to talk about that specific phrase actually because I’ve said it before and I felt a little weird when I did. It’s almost like I feel like I’m saying and they know I’m saying, “Yeah, well, you owe me, buster.” And so, I don’t know if that’s how it comes across, and maybe it does and maybe it doesn’t. But are there any alternative ways you like to express that? Sometimes I say, “Hey, of course, we’re all on the same team,” which is a little bit, it’s not as direct in either way in terms of me feeling weird or the reciprocity power I’m trying to extract from it. But how else could we say that phrase?

Fotini Iconomopoulos
Yeah, there’s definitely other ways to say it. And one of the things that you tapped into is it’s got to be authentic no matter what is coming out of your mouth. If I’m giving you advice, or the FBI guy is giving you advice, or Mr. Cialdini is giving you advice, whomever is going to be telling you these things, if it doesn’t feel authentic, it’s not going to work because you’re going to stumble all over your words and it’s going to just come out like verbal diarrhea, so it’s got to be authentic for you, but the principle is the key.

So, what you did there is you didn’t do the “No problem” and threw away your power or gave them power. You neutralized it. And so, the issue I have, more than anything, is the “No problem” moment. So, what you said works perfectly, and other things are. When people thank me at the end of a session when I’m doing a keynote or Q&A or something like that, one of the things I like to tell them is, “I appreciate that.” It’s not a “No problem.” I made the effort to show up here today but I appreciate that. It’s neutralizing it as opposed to just throwing it away.

Pete Mockaitis
And I like that because I think I even said to my wife a few times, “Thank you for thanking me,” and that just feels a little cheesy and almost like…but “I appreciate that” sometimes the specific words make all the difference, and I love that because you are acknowledging that you appreciate the thanks, which some people just don’t give. That’s a free tip, thank people. And it’s true. So, I do, I do really appreciate it. Words of affirmation, I like them, one of my love languages. So, game on. I appreciate that. That’s good.

So, boy, we’re already getting so much good stuff here. So, sometimes though it’s not about saying a particular phrase. The title of the book is Say Less, Get More. What do you mean by say less?

Fotini Iconomopoulos
So, it’s two-fold. One is you really actually have to stop talking because people will think and talk at the same time and talk themselves out of a deal. I see this happening all the time whether you’re a junior account manager or you’re a C-suite executive, people will constantly be talking, assuming again, that we’ve absorbed this messages that the one who speaks the fastest, and the one who’s the quick-witted one is going to get the best deal. That’s usually not true.

And so, I tell introverts, “You can rejoice. This is your moment. This is your opportunity to actually pause.” And the reason I say “Say less” so much is I talk about our mental pause button, and I ask people to channel that mental pause button. Because when we’re faced with stress, and negotiation is one of those moments that most people find very stressful, we have this primitive way of handling things where our cave person, our ancestors, we have the same brain as they did. When they were faced with a saber-toothed tiger, all rational thought would leave their brains and that’s what allowed them to run like hell, that super human strength to run from their threat.

Today, we don’t have physical threats. We have psychological threats. So, whether it’s a threat to our ego, or a threat to our security and so on, our brains still respond the same way. And that’s what has those moments that make you go, “Oh, God, why did I do that?” and your palms were sweaty, and your heart was beating faster, and your breath was more shallow, and all of that rational energy left your brain.

But instead of having those moments of “Why did I do that?” instead, you could just pause and give yourself a moment for maybe it’s a meditative breath, maybe it’s a positive mantra, maybe it’s a visualization of some kind, just that chance for your brain to catch up to what it needs to do. And so, you will be far more capable. You can actually change your brain in that moment by reframing things.

There was a really interesting study that was done. Back in 2013, Harvard did a study where they had participants sing in front of a group which, for most people, can create a lot of fear. I don’t get it. If you put me in a karaoke bar, I’m then good to go. But they made them sing Journey’s “Don’t Stop Believing,” but before they did, they put them in three separate groups. And they told the first group, “Tell yourself that you are anxious,” and they told the second group, “Describe yourself as excited,” and then they told the last group to say nothing at all.

And what they found was when there was a computer that measured their volume and pitch, the group that described themselves as excited outperformed the other two groups. And they not only outperformed them when they were singing, they also outperformed them on a math test and a speech test. They were perceived as more persuasive, more confident, and more persistent.

So, what that tells us is when you can take yourself out of a fear mindset and into an opportunity mindset, you can change your cognitive abilities. You can actually change your brain. So, if you’re going in for that negotiation or that stressful moment or that toddler who was having a temper tantrum, if you can just press your mental pause button and go, “I can handle this,” or, “I’m excited about this,” “I’m excited for the resolution,” “I’m excited to show them what I’m made up,” “I’m excited to finally put all of this preparation to good use,” you can actually change your brain in that moment and get better results. So, that’s one element of saying less.

The other element of saying less is actually using fewer words or being more measured in your words because you don’t want to be doing that whole talking yourself out of the deal thing.

Pete Mockaitis
Okay. And so, well, one, that’s a fascinating study. Do you remember who did it or where it was published because we totally got to link to it?

Fotini Iconomopoulos
I know I cited it in the book. It was 2013, it was Harvard, that’s what I recall off the top of my head.

Pete Mockaitis
Thank you. Okay. So, then when are taking that pause, that breath, that mantra moment, that reinterpretation “I’m excited,” I think I’m a little reluctant sometimes to do that because I assume the other person on the other end that I’m talking to expects words to come from me pretty shortly after they stop saying words. So, do you have any go-to, like pause phrases, scripts, like moment-takers, like, “That’s a really interesting point. I’d like to think about that for a moment”? Or, I don’t know, like what do you say?

Fotini Iconomopoulos
That’s one of them. You can call it a crutch if you want to, you can call it a tool, whatever you need. One of the biggest things though is you need to own that moment. And so, you could do it in the form of your body language if you’re face to face or you’re doing something virtually on the camera. Of course, you can have a look of pensive, deep thought on your face, and they’ll go, “All right, she’s contemplating it. I’m going to give her a second to do this.” You can frame it and say, “I need a moment to think that through,” or, “I need a moment to make sure that I’m providing an option that’s going to work for the both of us.”

And so, by owning it, and saying, “I need a moment,” versus asking for permission, it’s not about saying, “Can I have a moment?” because I don’t think you need to ask somebody for that time. But saying, “I need a moment,” or, “I’m going to take a moment to make sure that I think this through. I want to give you a thoughtful answer to this.”

And then if you say something to the effect of collaboration, of course, they’ll think, “Oh, wow, she’s considering my needs and she’s taking the time to think about this. She’s not just coming with something off the cuff. Well, now, I feel like she’s somebody that I can trust.” So, it’s thinking through, framing it up to go, “I am owning this time,” as opposed to, “Oh, no, I don’t know what to say.”

So, you also want to make sure that your body language is consistent with that. You don’t want to look like the deer-in-the-headlights when you’re taking that moment of pause. You want to look like it is intentional and you own it, and they’re the ones who are going to be hanging on your every word when you can do that because there’s a very different message that you’re sending with one set of body language versus the other.

Pete Mockaitis
Yeah, I like it. And there’s so many ways you can convey that and just see what works for you. And part of me is just thinking, just like a noise, like, “Hmm,” like that kind of means I’m thinking, and I didn’t have to use any syllables at all, “Hmm,” and then stroking your chin or whatever. There are so many ways that even looks like I’m thinking and that’s great.

And I’ve actually appreciated it on the receiving end. When I say something and someone else just pauses to think for a while, I like it. I kind of feel valued, it’s like, “You’re actually chewing on that as opposed to just feeling the need to fill the space.” And it does make me more curious, like it’s a bit of suspense, like, “Well, what’s he going to say? It sounds like it might be pretty good because he’s cooking it up for a little while here.” So, that’s fun.

Fotini Iconomopoulos
That’s the beauty of psychology, right? So, that you’re creating what is hard to obtain. People value things that are hard to obtain. So, even if you know the answer in the back of your mind, and you can say it quickly, taking your time and showing that little bit of reluctance means that you’re in charge of the schedule here. And I think that can also speak volumes.

Pete Mockaitis
Well, let’s talk about taking charge. And I think when it comes to negotiations, I think sometimes there can be a tension in that you really do, let’s just say everyone is coming at it and from a good place, they have good faith, they want to work something out and find a win-win.

And so then, I wonder, sometimes when it comes to disclosing information, on the one hand you could say, “Hey, information, knowledge is power and the more you have an advantage in that department, relative to your other person, you have strength and the advantage.” And then the other side of it though is like disclosing is sometimes absolutely just necessary, like, “What are we even talking about here? We gotta get on the same page to like move forward.”

So there’s that tension, if this makes any sense, in terms of if you have information and disclosing it would be a helpful collaborative thing that you’d like to do, but it’s also something that is in and of itself can shift a bit of the power dynamic, how do you think about these things?

Fotini Iconomopoulos
Yeah, so there’s two things to think about. One is, “What type of negotiation is it?” And so, I talk about negotiation as a spectrum, so I came up with a model to help my MBA students and my clients think it through. So, there’s kind of like a spectrum of light. If you can imagine that there’s a more competitive side of the spectrum, that is when you are talking one dimensional, it’s really just about price and nothing and else. Those are the toughest, coldest, there’s no relationship, there’s no real trust to speak of.

So, if you can imagine you’re on a beach in Mexico, buying a souvenir, or in Thailand buying a pair of elephant pants, it’s a done-and-done really quick negotiation. And when you’re talking about those types of negotiations, again, say less, get more comes in here because you don’t want to give away any information, you don’t trust this person, and anything you do say will likely be used against you. So, you’re never going to go in there and say, “Yeah, I’m trying to propose to give you $10 for this item but, really, I have $50 in my pocket. Feel free to take advantage of me.” That’s just not what we do.

Pete Mockaitis
Sure thing. “This is my daughter’s favorite stuffed animal in the world and in her favorite color. She’s absolutely going to love it. Hey, how much?”

Fotini Iconomopoulos
Yeah, “She’s going to have a temper tantrum if I don’t get it. What are you going to charge me?” So, those are the scenarios where you’re not going to share very much information. And as you move along the spectrum, you build more trust, the consequences to the relationship are greater. It is a more complex and creative negotiation so it’s not just about cash.

So, if you think of in the middle of a spectrum, I would call like a job offer negotiation would fall in there, where, yeah, salary is still going to be likely the most important thing, but there’s other things in the mix that we’re going to throw in there, and maybe it’s bonuses, and maybe it’s a car, or maybe it’s flexibility and other things that I can attach a tangible value to. And if you don’t share with them what would be important to you, well, then it’s going to be very difficult for them to come up with a solution that’s going to be tasteful to you.

Pete Mockaitis
“If I don’t know what you want, how can I give it to you?”

Fotini Iconomopoulos
Exactly. And then, of course, when you have the closest of collaborative negotiations, those are the ones where there’s a merger perhaps happening, or you’re talking about the negotiations at home with your spouse or your child or somebody with whom you have the greatest amount of trust, you’re going to be a lot more transparent there.

So, it depends on where you are in the spectrum and the amount that you’re going to share with them but you also still have to pause and say less in those moments, to go, “What information is going to be helpful to moving forward and what information is going to be harmful that they can use against me?”

So, even in that job offer thing, there’s a balance. And so, with most of my clients, when I’m working through high-stakes negotiations with a lot of these corporate folks who hire me, we actually come up with a list of, “What information are we going to share now to build a little bit of trust? What information are we going to hold back until later to make sure that, well, I need to know that I can trust them and they’re not going to take advantage of me? And what information is completely off limits altogether? Never going to tell them what the secret family recipe is, or raw material costs and that kind of thing.” And we’re very clear on those things before we go into any type of negotiation.

Pete Mockaitis
Yeah, that’s good. The raw material cost, well said. Well, so then let’s hear are there any particularly unique, novel, unconventional approaches or recommendations that you put forward that we should know about while we’ve got you here?

Fotini Iconomopoulos
I would say one of the easiest ones is that there’s too often this assumption that negotiation has to be this tough and nasty, banging-my-fist-on-the-table kind of conversation, and that is rarely the type of approach that is going to get you the best results. I’d say the one that gets you the most results is going in and asking questions in a curious mindset. If you can go in there and be curious about somebody instead of defensive or instead of tough and arrogant and so on, that is likely going to get you much further.

And I would say when you can make them be curious about you, then they’re going to want to find a way to deal with you. And I will tell you from personal experience that when I used to work for a consulting firm, and I worked for large corporations before that, and when I left and I quit my job and I went into self-employment, it was actually unintentional. I just quit my job because I knew I needed a change of some kind in my life.

And when I quit, I had all of these clients who called me up and said, “Fotini, when are you going to come back and work with us?” And I’d say, “I don’t work for that company anymore.” They said, “We didn’t hire the company. We hired Fotini. We liked dealing with you. We want to deal with you.” And the reason they were doing that is not because I was giving them these massive discounts, and not because I was puffing up my chest and being demanding, like, “You must do things my way.” It was because I was taking the time to get to know them a little bit. I was curious about them and I was understanding a lot more and acknowledging some of the challenges that they were facing.

They were learning a little something about me as well and they got to know the person behind the negotiation title, if you will, and that made them want to deal with me. So, my entire business exists today because I thought of the person and not the Excel spreadsheet. We don’t conduct negotiations on spreadsheets. We are dealing with humans, and humans are crazy and psycho at many times so we need to think of the psychology more than anything.

Pete Mockaitis
Humans are crazy and psycho. That’d have to be our pulled quote for the interview.

Fotini Iconomopoulos
I’ve been known to say people are psycho in my MBA classes, and my students loved that one. I don’t live that down.

Pete Mockaitis
Well, could you bring this to life for us with a story in terms of, “Okay, we’re putting into play some of these principles and we saw a cool outcome”? Like, “Oh, it was more than about just price. There was some emotional elements. Saying less was helpful.” Can you tie it together with a bit of a finale story? No pressure, Fotini.

Fotini Iconomopoulos
So, for example, a couple of years ago, I renovated a house and it was one of the most awful experiences of my life. I don’t recommend going through, living through renovations and leaving your house.

But there was a lot of negotiations that had to be done in that moment. And I was pulling out carpets and I needed to match the exact same hardwood in the rest of the house to the bedrooms that I was removing the carpets from, and it’s hard to get a perfect match when you’re doing this type of stuff and you’re trying to avoid having to redo the entire house.

[27:05]

So, I go in, there are two retailers in the entire Toronto area that had this very specific brand of hardwood floors and this very specific color that I needed to match. And when I went to the first one, I said, “Here are the specs? How much do you think it’s going to cost me?” And the guy went, “Hmm, it’ll be about 1500 bucks.” I said, “Okay. Thank you very much.”

I went to the other one, and I said, “Here are the specs. How much do you think it’s going to cost me?” And he spent some time and he’s looking at his calculator and he’s punching things in, he said, “It’ll be 1725.”

Pete Mockaitis
$17.25?

Fotini Iconomopoulos
I wish. So, $1,725.00. Which one sounded more credible? The reality is that unround number and that time that he took to make sure that he was thinking through that analysis, if in fact he was, sounds far more credible to most of us versus that cheaper one that goes, “It’ll be about 1500 bucks.” When he came up with that answer really quickly, I went up, “Huh, that doesn’t sound accurate. I bet you I’m going to have some surprise fees and things like that in the mix.”

So, by using things like, these are tactics, like unround numbers, and by using that hesitation, that saying less, and taking your time to build up that anticipation, you can change the credibility factor. If I was looking at it just on a spreadsheet, I probably would’ve made a very different decision. But when I’m looking at it from a holistic, “Okay, this one sounds more credible than this one. The rounded number sounds like it has more risks attached to it. It’s probably going to cost me a lot more. Will it be the same quality that I wanted, and so on?”

We can provoke people and make them think and change their perceptions in many different ways. So, it’s all about considering all of the entire holistic picture rather than just that cell on an Excel spreadsheet.

Pete Mockaitis
And I also want to add, when you talked about renovations, that reminded of the time that I was getting a new garage door put into the garage. And so, I don’t know what the heck that’s supposed to cost but I got a number from my contractor who’s working with a garage door person, and I said, “Well, I mean, I don’t know anything about garage doors, but that number is higher than what HomeAdvisor.com says it should cost, so I’m going to call somebody else.” They said, “Wait, wait, wait, let me go back.”

And so, this happened like three times, I was like, “Well, I really appreciate that you’ve reduced the price and we’re getting closer, but again that’s higher than the HomeAdvisor range, so, yeah, just to check, I’m going to check some others.” They’re like, “Well, let me get back…” It was comical to me in terms of like because I had no idea, had I not spent like two minutes pulling up that page on HomeAdvisor.com, I’d probably say, “Okay.”

But because I did, I was able to save a few hundred bucks. And I think that’s just wild how, in my experience, I’d love to get your hot take on this, it rarely boils down to a genius psychological maneuver or charismatic Jedi mind persuasion trick for me and more so boils down to, “Hey, I’ve done my research and this is sort of like the alternatives and I’m just going to do that if you can’t work with that,” and then that’s that.

Fotini Iconomopoulos
You’re demonstrating your credibility by saying just very few words, you’re going, “Oh, well, when I checked such and such website…” and they’re like, “Oh, crap. Now he knows the jig is up. Now I have to make sure that I appease this person,” and all you said was very few words. You mentioned one website and, all of a sudden, the whole thing changes.

I actually have a really funny story that, again, when I moved into house living, I lived in a condo for many years, and, in fact, I hate house living and I moved back into a condo last year. But when I moved into this house, I forgot how much I hated shoveling snow, and I live in Toronto where we have a ton of snow, and you have to have your sidewalk shoveled within 12 hours of snowfall or you get ticketed by the city, and so I was like, “Screw this. I’m going to find somebody else to do this for me.” And so, I’m very good at outsourcing, and I did some research, and I asked around, and people said, “To get the driveway the size of yours done for the entire winter, you should spend no more than $400 for the next four months.” I was like, “Great.”

So, I put a post up in a local Facebook group with the specs so everybody knew how small the driveway was and that’s when things got really interesting. And one gentleman replied and said, this is all over text, this is Facebook Messenger, and he said, “I would take care of your property for $800 for the season,” and I was pissed. I was so angry, I was like, “You think I’m a woman and you’re going to be able to take advantage of me and treat me like a statistic and get all aggressive? I don’t think so.”

But I pressed my mental pause button and, instead of saying all those things, I said, “Wow, that’s a lot more expensive than other quotes. Thanks for reaching out but that’s too much for me.” And then he came back, and he said, “So, how much are you looking at spending?” And I said, “Well, I’ve got students in the neighborhood willing to do it for $200. I’d be willing to pay for someone more reliable but you’re just way too far outside my price range.” And that was true, I had a neighbor kid who was willing to do it for 200 bucks.

And he said, “So, what do you want to spend? I live at Woodbine and Gerard. The lowest I can do for you is 500.” And that was all in one text box. So, he asked me a question, and before I could even see that question, he answered that question, which means he’s now negotiating against himself. And he gave me his location that if I needed to, I could use to my advantage to go, “Great, then you can work into the very beginning or the very end of your route. No problem.”

And then he said, “The lowest I can do for you is 500,” and it’s almost like cue the dramatic music, it’s “Dun, dun, dah,” because I know the highest I would spend is 400, and if the lowest he would go is 500, that means that we can’t get to a deal. So, I said, “Thanks but that’s still way too much. I’ll have to settle for one of the kids.” And then I put my phone away because this happened first thing in the morning, and I was running a workshop that day with a client, and I never look at my phone when I’m with clients.

And so, what I found was, later on that day, when I checked my phone, the negotiation wasn’t, in fact, over. And many hours later, I saw a message that was waiting for me and it said, “400.” And then, because I hadn’t seen that message, at 5:18 p.m. that day, there was one more message waiting for me, “300.” And that is the beauty, that is the power of saying less and getting more. The less I was saying, the more I was getting rewarded, right?

And so, that’s just that little extra hesitation that you can put in there, and I didn’t have to yell at him or shout the obscenities that were running through my mind earlier. It was diplomatic, it was polite, and it was still fruitful. It didn’t have to be that banging-fist-on-the-table stuff in order to get the best possible deal.

I will tell you, however, I didn’t go with that guy. I just didn’t trust him and I ended up negotiating with someone else to get my driveway and my neighbor’s driveway done for 240 bucks each for the season. Yeah, so she was pretty psyched to have a professional negotiator living next door.

Pete Mockaitis
Well, yes, congratulations. And that is a lovely story in terms of tying those things together nicely. And it all started because you had some idea, okay, 400. Like, had you not inquired, even like, “Huh, 800.” If I had to, you’d probably part with 800 bucks to have the snow handled but you didn’t have to. And the reason you knew you didn’t have to is because you’ve got that upfront info and then you just let some silence bring it on down.

Fotini Iconomopoulos
Yeah. I mean, that’s one of my favorites just to show you the value of saying less, and the power of just taking your time for things whether it was intentional or not. That is what people need to learn is that you can talk yourself out of a deal or you can say less and you can get a lot more out of it.

Pete Mockaitis
And do you have any other recommended scripts, or phrases, or key gems of things you find yourself saying often in negotiations?

Fotini Iconomopoulos
Well, I have kind of an automatic reflexive response to the word “No” or the words “I can’t.” And so, my automatic response is, “How could you?” “Under what circumstances?” “If I could wave a magic wand and make everything happen, what would it take in order to make that happen for you?” So, for me, no is not the end of the negotiation. It truly is the start of the negotiation.

And I think that’s something that I learned when I was negotiating with my dad as a kid because, quite frankly, I grew up with the strictest of dads and that was just the only way to get out of the house, “Well, what would it take? Does it mean my sister has to come? Does it mean so and so has to be there? Does it mean my big cousin is going to pick me up? Any of those things. What other scenarios can we come up with?” But by asking really great questions like that and having them in the back of your mind, kind of like as my mental rolodex of, “What could we do to make that happen? How close can we get to my proposal?” Those are all some of the things that are my response to a “No” or “I can’t.”

Pete Mockaitis
All right. Thank you. Well, now could you share with us a favorite quote, something you find inspiring?

Fotini Iconomopoulos
I think the one that sticks out to me most when it comes to negotiations, specifically, is the kind of infamous JFK one, “Let us not negotiate out of fear.” It’s about “Not negotiating out of fear but let us not fear to negotiate.” Because if you negotiate out of fear, it’s a Harvard study that I mentioned to you earlier, you’re not going to get great results. And if you avoid negotiating altogether, you’re going to get even less results. So, what can we do to psyche ourselves up instead of psyching ourselves out?

Pete Mockaitis
All right. And a favorite study or experiment or bit of research?

Fotini Iconomopoulos
One of my favorites is probably a lot of the stuff that Cialdini talks about. He is definitely one of my favorites. He talks about a study on MBA students and likability of negotiation where they put them into two separate groups, and they told one of the groups, “Start negotiating right away,” and they told the other group to, “Spend a few minutes getting to know each other.”

And the group that started negotiating right away, 55% of them managed to close a deal, and that’s not too shabby. But the group who started negotiating after they got to know each other for a few minutes, 90% of them managed to close deals. And I know most people will go, “Oh, sure, you get to know each other, you like each other, you give them a better deal, and that’s how you close it,” but that’s not true.

What ended up happening is not only that 90% of them closed deals, they also closed better deals. They closed deals that were 12% greater in value, which is pretty remarkable when you think about just spending a few minutes before the negotiation even starts, getting to know the other person, being curious about them, sharing something in common with them. Those are the things that are going to help you move further ahead versus that being very aggressive and trying to be super demanding. It’s likability before the negotiation starts that’s going to get you much further ahead than getting straight down to business right away.

And in our temptation to do things over email and try to be efficient, we kind of skip over that stuff in a virtual world now. And so, we have an opportunity to use that study to our advantage and go, “What can I do to just warm things up a little bit at the beginning of the email or the beginning of our conversation and so on just to get to know this person a little bit more?” That, for me, is the sweet spot of being able to maximize negotiations. And so, Cialdini is one my favorites to lean on over and over again.

Pete Mockaitis
All right. And how about a favorite book?

Fotini Iconomopoulos
Surprisingly, right now, I’m reading one called Greenlights by Matthew McConaughey, and I never expected to enjoy it as much as I did. So, that’s been my most surprising book this year.

One of my favorites though that I feel that I recommend a lot to my audiences is Presence by Dr. Amy Cuddy, which I think is a phenomenal one for loads of great tips to build your confidence and show up and be really credible.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Fotini Iconomopoulos
I use my mental pause button. Really, that’s it. It’s taking my time to take that meditative breath and think through what I need to say next.

Pete Mockaitis
And a favorite habit?

Fotini Iconomopoulos
My favorite habit is reading. Absolutely, 100% it is reading. I read audiobooks now to get even more books when I’m going out for a walk, for sure.

Pete Mockaitis
And is there a particular nugget you share that seems to connect and resonate with folks; they quote it back to you a lot?

Fotini Iconomopoulos
It really is the pause button that people seem to resonate with most, and that’s where the whole “Say less, get more” mantra came from. So, when I talk to my MBA students, or my audiences in keynotes, or even my corporate folks, when I’m seeing people live, I actually give them a little card that has a pause button on it. And so, some of my students even tell me, they’re like, “I have your card on my bathroom mirror,” and, “I have it on my night table,” and, “I have it on my bulletin board.” I’m like, “Why is it on your night table?” They’re like, “It prevents me from getting into arguments with my spouse.” So, that one, I think, is the favorite from everybody in my audiences.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Fotini Iconomopoulos
They can go to my website FotiniIcon.com or they can find me on Instagram where I’m sharing loads of stuff all the time @fotiniicon there, and LinkedIn is also one of my favorite social media sites where I share loads of information.

Pete Mockaitis
Okay. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Fotini Iconomopoulos
I do. So, I always leave my keynotes and I give my audience as a challenge to put saying less and getting more into practice right away, and there are two very easy ways to do that. The first is ask yourself, “What kind of a question can I ask to learn a little bit more about this person and get more out of this conversation?” And the other is, “Is there a moment where I can be quiet and say less and maybe let my body language do the talking to get more out of a situation?”

Pete Mockaitis
All right. Fotini, this has been a pleasure. Thank you. And I wish you all the best and much luck in all the ways you say less and get more.

Fotini Iconomopoulos
Thank you very much. I hope it comes in handy for you with your kids as well.

648: How to Turn Stage Presence into Screen Presence with Diane DiResta

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Diane DiResta shares expert tips to up your presence in remote meetings.

You’ll Learn:

  1. The simple change that dramatically improves your presence 
  2. Cost-efficient tips for improving your audio
  3. Expert tips for engaging your virtual audience 

About Diane

Diane DiResta, CSP, is Founder and CEO of DiResta Communications, Inc., a New York City consultancy that serves business leaders who deliver high-stakes presentations—whether one-to-one, in front of a crowd, or from an electronic platform. A Certified Speaking Professional, DiResta is one of only 12% of speakers to hold that designation. She was President of the New York City chapter of the National Speakers Association and former media trainer for the NBA and WNBA. 

 

Resources mentioned in the show:

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Diane DiResta Interview Transcript

Pete Mockaitis
Diane, thanks for joining us here on the How to be Awesome at Your Job podcast.

Diane DiResta
It’s great to be back.

Pete Mockaitis
Yeah. Well, it’s great to have you back. And, boy, yeah, a lot of things have evolved since our last conversation.
Well, so much of your business has now shifted to a whole boatload of virtual meetings, presentations, trainings, interactions. Tell us, how has that shift in experience gone for you?

Diane DiResta
I love the virtual world. Now, what’s interesting is I’d already started virtual coaching before COVID hit because I had some people who were from North Carolina, Canada, Texas. So, what I was doing ideally when I could is either they were coming to New York for the first visit or I was going to them. And then it worked really well virtually. But once COVID hit, it was all virtual.

And I didn’t get any pushback from people. I had one client who I started with in-person, he had one session left, and he didn’t want to do it virtually. And then, finally, he realized this might be a year or so, and he said, “Let me do it.” And so, he realized it’s working really well. So, I’ve done training sessions, speaking engagements, and coaching virtually. I really like it.

Pete Mockaitis
Okay. Cool. Well, so you’re a pro and you have made the transition like a pro. Can you share with us any surprises in your own personal experience as you’ve made the transition?

Diane DiResta
Well, the first thing I did immediately is I went for certification so I’m now a certified virtual presenter.

Pete Mockaitis
Oh, interesting.

Diane DiResta
Yeah.

Pete Mockaitis
Where does one do that?

Diane DiResta
Through eSpeakers.

Pete Mockaitis
Okay. Oh, that’s right. I have seen that little icon there. Sometimes we recruit guests from eSpeakers because they have a huge database of experts. Pro tip, podcasters.

Diane DiResta
Yes. And so, well, it was important for my credibility. And a big surprise to me was how bad some of these presentations are from people at higher levels. So, the first surprise was I was watching TV and I saw this senator that I had seen many times on the news, who was a spokesperson, who was very media savvy, very good, and I witnessed her first Zoom presentation, and it was like this – side of a face, looking down. She didn’t even know where the camera was, and I’m shocked. Like, how could this happen?

[03:31]

And then someone explained to me, “Well, when you’re in the media at that level, people are doing things for you. You’re talking into a teleprompter, there’s a producer, so they don’t really learn this.” So, I realized there is a market here and people need me. So, I start to rant when I see these kinds of things happening.

I was working with a physician, I was a facilitator or an interviewer for a health summit, a virtual summit. We had a conversation beforehand, we met five minutes before the meeting, and I was shocked, once again, because here he was, in his office, with a ceiling fan, a rotating fan. So, I got rid of that through manipulation of the laptop. But then his backdrop was so messy, there were tons and piles of books and papers and files, and there was nothing I could do.

So, here’s what people need to realize. You are communicating a message, and that messy background interferes. Number one, it’s a distraction to the message but, secondly, it’s communicating another message about your presence. So, there are some people who feel or believe that if they have really good credentials and they have very good content that that’s what counts.

But, no, if you have a mess behind you, you’re communicating sloppiness. So, what does that mean? Is your research sloppy? Is your presentation sloppy? So, it’s really important.

Pete Mockaitis
Wow, boy, there’s so much there in terms of, one, those associations. And I’m reminded of, well, I’ve got that book in my background, Pre-Suasion by Bob Cialdini talking about how we have associations. Like, if a resume is on a heavy clipboard, we sort of associate some weight to it. If you’re given a warm cup of tea, you might have some warmth toward the person who shared that. And so, there are some studies that point to that, and so then how much more so when it’s your entire background, that which is in my field of view as I’m beholding you, is messy. Like, that association will pop up all the more so.

Diane DiResta
Absolutely. So, this is what’s different and this is why I’m helping people translate stage presence into screen presence because the 3D world is very different from the virtual platform. So, one of the things people have to realize is they need to stage themselves. When you go into a meeting in a 3D world, the meeting room is there. You go into a conference room, the overhead lighting is there, the table is there, you don’t do any of that. But when you’re recording from your home or office, home office, you need to change the way that looks, you need to take control, so you become a producer. And the staging is very important, it’s the backdrop, the background.

And so, when I talk about staging, it’s what’s your backdrop. So, you have a few options. One is a screen. I have a room divider and what that allows me to do is hide any mess so that I can be camera-ready in a pinch. And we just had this experience a moment ago. You saw the mess behind me and there was no dial to change the backdrop so I took my screen up. So, that’s the first thing, it’s a physical screen.

Secondly, you can change your backdrop. I use Zoom a lot, and so you can upload your own backdrop. Now, here are some choices. One is, if you want to promote, if you want to communicate your brand, you can create your own. So, what I have is my logo on one side and my book and my Certified Virtual Presenter on the other side, so it’s speaking for me.

But you can have a nice scene, a beach scene, or a mountain scene, and that’s very calming. Or you can have a regular real-world backdrop. So, for instance, if you have a lovely living room or a very calm soothing office, and that’s real, use it, but make sure that it is supporting you, that it supports your brand. So, I would say be mindful and be strategic. What is it that you want to communicate?

Now, let me explain why this can impact you on your job. People take this lightly. When we first came to the virtual platform, post-COVID, people were very casual, they were showing up in their hoodies. But then we got over that because we realized this is here to stay. Well, I had a client who said to me, “Listen, Diane, full disclosure. In the beginning, we hired a vendor and they did four hours of virtual training, and I still don’t like how my team is showing up. They’re too casual. They’re too lax.”

So, I came in and I did a two-hour workshop, and one of the things we did is staging. And so, they learned how to center, they learned about lighting, they learned about backdrops, they learned about anything that would distract. So, what was fun is I had them look at still pictures of people in a frame and they had to critique it.

And then I had them do it on each other. So, I’d call on someone, I say, “All right, Pete, we’re going to have someone else look at you. So, Joe, take a look at Pete right now. What would you say about him if you were coaching him on his backdrop, on his staging?” and it was very enlightening for them, and they realized that, “Oh, this is about presence.” It affects your executive presence, so your screen presence can’t be lax.

Pete Mockaitis
Yeah, absolutely. And I feel that in many regards in terms of visually as well as auditorily. Before I go there, since that’s a whole other ball of wax, I love that technique there associated with having peers review each other because they…and sometimes they may have something they’ve been wanting to say for months, “That thing has been annoying me…”

Diane DiResta
Well, we don’t do it that way.

Pete Mockaitis
Certainly. I’m sure it’s constructive and uplifting and positive and useful and so forth. So, that’s great right there in terms of a great way to get feedback because I think, a lot of times, we don’t even see that stuff because we’re just so accustomed to it. Sometimes I don’t even see my own mess in the house if it’s been there for a long time, it’s like, “Oh, yeah, I guess there’s no reason whatsoever for that thing to be hanging out there.” But someone else coming in will say, if we’re good friends, like, “What’s up with that random thing shoved in the corner?”

Diane DiResta
Exactly. Well, I had another client and I had done a similar workshop for them, and then they got a new CEO, and the HR person contacted me and said, “Listen, I want you to talk to his assistant because the way he’s showing up, he really needs your training.” So, I worked with him and he said, “You talk away. Tell me what I need. I don’t have the equipment. I don’t know about my backdrop.” And he had a backdrop that he created, and I said, “No, that doesn’t work for you. Let’s come up with something else.” And, afterwards, the next day, or the next week, his assistant called me and said, “Wow, I really see a difference.” So, it really is skill-based. People don’t know, a lot of times, what they need to do and they don’t know how they’re coming across. And so, that’s where I come in.

Pete Mockaitis
Absolutely. And, actually, to also follow up on the point you brought up at the beginning, it’s skill-based. And if you are senior, you may very well have people that are handling all things for you, and so you need that skill and it could really be a blind spot. So, great that we’re shining a spotlight on that right now. But, now, I got to hear, if this person made the time to construct their own background but it wasn’t working for them, what makes a background bad?

Diane DiResta
Well, here’s the thing. He didn’t construct it, it was one of those backgrounds that you can download, and it looked like it had flipcharts on the floor, and I said, “It doesn’t look right. Let’s take it out.” In fact, when he had no backdrop and he was in a regular office, that actually looked better. So, he just needed the feedback.

Pete Mockaitis
Sure. Okay. So, yes, there could be any number of reasons why something doesn’t fit. And maybe flipcharts on the floor, I don’t know, if you’re a design-thinking coach, it might be perfect, like, “Oh, that really gives me a creative space.”

Diane DiResta
Yes, but not for CEO.

Pete Mockaitis
Right.

Diane DiResta
It did not communicate his brand and his level. So, again, I tell people, “Be strategic. How do you want to be perceived? Because you have the power, you have the control over how people are going to perceive you by how you show up.” And we all know the studies about the visual and the impact and it takes seven seconds or less to make a first impression. And, boom, as soon as you turn on the camera, they see that and that’s their first impression, so make it positive. Make it powerful.

Pete Mockaitis
Well, we talked about sort of the visual components here. I’d love to talk about audio, and I’m going to try not to dork out too hard here because I’m pretty intense about this. Well, Diane, you’ve seen the booking process. The choices are, “Are you going to be in a professional studio or should I send you a headset?” Those are the only two choices.

And you can debate what constitutes professional in terms of audio, but that is my experience, that if something is unpleasant to hear, well, one, there’s those associations again. It’s like, “Hmm, I just don’t like the feeling of you talking.” Like, you don’t want that associated with you just because of a bad microphone.

Diane DiResta
True.

Pete Mockaitis
And, two, I’ve got hard data from podcast listeners. Bad or even a little bit worse than mediocre, so like maybe slightly disappointing audio quality, results in lower engagement. People just tune out and stop listening earlier – I’ve got hard numbers on this – when the sound is lame. So, tell us, how do we make sound not lame?

Diane DiResta
Well, you’re exactly right. If you have to air, people will forgive you, let’s say, on YouTube if your lighting isn’t great but not the audio. The audio is really key. So, how do you make your sound good? The first thing is the worst kind of sound is when you talk directly to the computer because it sounds tinny. And I know when I see these new shows and they bring in experts and they’re talking to their computers; it’s irritating for me to listen to.

Pete Mockaitis
Now, do you mean the computer’s internal microphone, talking to the computer?

Diane DiResta
Yes. In other words, you don’t have any external mic. You’re just talking to the internal mic and it’s tinny. It’s not the best quality. So, at the very lowest level, put in some earbuds. I’ve used them, they work really well. Get an external mic. The Yeti is one of the top-level mics. And, again, when you have microphones and you test them, it’ll be much more effective. You can also use a headset, and Logitech is a good brand. I actually was on a very high-level podcast, and this podcast host required a certain headset.

Pete Mockaitis
John Lee Dumas, the Logitech H390.

Diane DiResta
Yes. Yes. Yes. Entrepreneurs on Fire. It’s John Lee Dumas, yes, and he actually tells you which one to get. And I got it. And I don’t use it that often because, it was interesting, in my network group today, a question came up, “What about headsets and executive presence?” And I thought about it and said, “You know, it depends on your level. I would not recommend someone at a high level, at the senior level, to be wearing a headset. It just doesn’t look like an executive. But, at other levels, it’s appropriate. It really depends on the venue, the culture of your company.” But headsets are good because they have the built-in mic, you don’t have to worry about anything. It’s all there. So, it depends on what you like. If you’re a podcaster, headsets are the best. Usually the best choice.

[15:50]

Pete Mockaitis
Well, yeah, it’s sort of like, in our world, so we send headsets to guests because, it’s like, “Hey, we’re only recording the audio so it doesn’t matter to listeners what you look like and it doesn’t matter to me.” You look great with your backdrop there. That’s really lovely.

Diane DiResta
Thank you.

Pete Mockaitis
So, I think that’s great. I will make a shoutout. We’ve spent dozens of hours testing many, many headsets and we love the Sennheiser or IMPACT EPOS SC30 or 60 in terms of bang for the buck, in terms of mic quality. Not the most comfortable or durable or best headphones, but, darn it, for a great-sounding mic at a great price, that’s, I think, the best game in town.

And I got to comment on the Yeti, and I think the key to using that well, and please chime in, Diane, if you’ve got some perspectives on this, is that you want to set it to the cardioid pickup pattern and speak pretty close to it and have enough stuff in the room so it’s not super echoey because I’ve seen a Yeti in a closet is a dream come true, a yeti in an empty room is echoey and unpleasant.

Diane DiResta
Yes, there is the acoustics factor and there are certain microphones that are unidimensional or multidimensional, and you need to know which they are so that you can speak differently. So, there are certain microphones where you speak right to the head, and there are others that are standup and you speak to the side of the mic, depending on which kind of microphone it is.

Pete Mockaitis
Totally. So, I think that’s great. And that notion of just stepping into your thought process is excellent in terms of thinking about the headset and the presence and the impression that that gives. I can totally see what you’re saying with regard to if you are a CEO or a senior executive, a headset kind of makes you think call center, like, “Wait a minute. That doesn’t feel quite right.”

But then, again, if you are an analyst, I’m thinking about like with Jack Bauer, CTU, the 24 TV series, like CIA analysts who are like fighting terrorism and using computers and being brilliant at them. That can kind of fit in terms of, “Oh, look at you. You’re a hardcore and you don’t have time to waste. You’re going to be clear and get right back to coming up with brilliant insights from your analysis.”

Diane DiResta
It goes back to your style, the culture, what you’re trying to communicate.

Pete Mockaitis
Totally. That’s cool. Okay. Well, we’ve got a lot of great tips here. Let’s talk more about maybe sort of like mindset or thought process or key questions to go through because we can get the particulars in terms of what’s a great background and what’s a great meeting platform, software, and what’s a great microphone. I just want to hear about how we should go about thinking through these questions to make the perfect choices for ourselves.

Diane DiResta
Well, the first thing, is people are not familiar with the technology, and there are so many different platforms. There’s Zoom, there’s Teams, there’s Google Meet, there’s WebEx, and so you need to know which one you’re on and get familiar with it. And, in fact, I went to a seminar that was virtual court, yeah, the virtual courtroom. It was for lawyers but I thought it’d be very interesting.

And one of the things that they said, the judge said, is, “We offer jurors, or people coming for hearings, the day before, to meet with a court officer who will train them and take them through the process.” That’s really important because, too often, people are on mute, and people don’t know it. And, in fact, there’s a coffee mug I’ve seen, it says, “You’re on mute,” and I think that is brilliant because it happens on every call. So, you need to get familiar with the technology. You need some help.

One of the worse situations, there was a professor recently, and he was giving a lecture and it was really interesting, but he started out and he didn’t even know he was on mute. And because there was no video, they were trying to let him know, and it took a while. And then, finally, “Oh, the wife is coming. She knows technology.” And then he said, “Well, you know, I’m a technophobe.” You’ve got to be prepared. You can’t let that kind of thing happen. So, that’s really key.

Pete Mockaitis
That’s true. Either you got to have the skills or you have to have a team immediately available whenever the situation calls for it.

Diane DiResta
And even then, things can go wrong.

Pete Mockaitis
Oh, sure. You’re talking about virtual court, we’re just going to have to link to this because it’s the funniest thing I think I’ve seen this year. Have you seen the cat?

Diane DiResta
Are you talking about, “I’m not a cat”? Yes.

Pete Mockaitis
Oh, my gosh.

Diane DiResta
I blogged about that and I said the same thing, it’s like, “Get there early. Test it out.” Because that so embarrassing and it was funny but it was embarrassing. So, we don’t ever want to be at a position. For those of you who don’t know what we’re talking about, there was a viral video, there was a lawyer in court, and he couldn’t get his video to work except for an animated cat. So, every time he spoke, it was his voice through this cat. And the judge was saying, “Well, check your filters,” and he still couldn’t get it to stop. And that’s an embarrassment, you don’t want that to happen on the job.

Pete Mockaitis
“Oh, I’m here live, judge. I’m not a cat.” And it’s the funniest thing I have seen, thus far, in 2021, so do yourself some favor and pull that up.

Diane DiResta
I will tell you, one of the things that people don’t realize is, and this is my rant, the talking head is dead. Truly, the talking head is dead. So, if you think you’re going to come online and lecture, you’re not going to be successful. People will tune you out. So, I talk about the two Es which are very different in the virtual world, and that’s eye contact and engagement.

Eye contact, when I coach people in the 3D world, I tell them, “Look at one person at a time and spread it around so you’re looking at the whole audience.” The reverse is true online. You want to look directly at the lens of your camera. Now this is hard because it’s like having a satellite interview. So, here’s what I do.

When I’m speaking, I look at the lens. When you’re speaking, I look at you so I can catch the nonverbals. But if I don’t look at the lens when I’m speaking, I’m not making a direct eye connection. The second thing is I always encourage people to start out with interaction. A poll is great or a question where they respond in the chat.

Because if you don’t do that and if you don’t engage them immediately, they’re on their phones, they’re going through their papers, they’re doing other things because they think they can just flip you on and listen as if it was on an ongoing webinar. So, don’t do a slide show where you’re just a voiceover slides because you will not have an audience paying attention. So, those are key.

Pete Mockaitis
Yeah, that is big. And that’s a great point on the eye contact with regards to just getting into that habit in terms of, “Now, I’m looking at the lens, and now I’m looking at you.” And I’m sure, someday, one of these tech people are going to make a lens inside a screen so that…

Diane DiResta
It’s happening. I think it might be Invidia. It’s already happening but it’s not going to be available for us, but, eventually, it will.

Pete Mockaitis
Yeah. So, here we are and I think that’s a good point with regard to conscientiously choosing that because it makes an impact in terms of, like, “I have a different feeling when you are looking right at the lens and I’m seeing you do that than the reverse, even though it’s so weird that we are not actually able to both make eye contact with each other at the same time.”

Diane DiResta
I know. And that’s one of the downfalls of the virtual world. But just think of yourself almost as a broadcaster or an actor, and you’re talking to the camera, and I can see you, I cannot see your face but I see you there in my peripheral vision. But, now, when you talk, I’m going to look at you.

Pete Mockaitis
Yeah, that’s great.

Diane DiResta
And that’s what I do these days.

Pete Mockaitis
That’s great. Well, let’s talk about the engagement piece in terms of interactive, a poll. I would love for you to just rapid-fire share your favorite tips, tactics, tricks, brainstorms on how to engage virtually. I think a poll is great. What are some other ways you can do that?

Diane DiResta
Well, it depends on your platform. Some are more robust than others. I have the enterprise version of Zoom, and you can do a lot of things. So, polls are great. It can be a question-and-answer, a one-word or a sentence response, or it could be multiple choice. What’s great about polls is they’re fun because we can see them in the moment.

One of the things I do after a presentation is I raffle off a digital copy of my book Knockout Presentations. And the way I do that is there’s a virtual wheel, and I input everybody’s name before the presentation, and then I go to that wheel and spin it so they can see it and they can see their name, the spindle landing on their name, and it’s a lot of fun. It keeps people engaged and it also keeps them engaged to the end because they know that they’re going to get a prize. So, you have to have something at the end that they’re looking forward to.

There are some other ways that you can engage people. And, of course, we have breakout rooms, in that way people are getting into small pods and they’re talking to each other which is great. I love some of the icons, the hand raising. Now, you can do this a couple of ways. One with the icon or you can just have people raise their hand for a visual aid.

Sometimes when you need an icebreaker, if you see there’s a lull in the conversation, what you can do, I have a friend who does fabulous footwear, she’ll say, “All right, everybody, take off your shoe and hold it up and let’s see who has the most interesting shoe.” And, again, that can be something fun. You can use music. And I like to do something called square dancing when I want to get energy going. And so, you put on the music, you crank it up, and then people start dancing in their squares. And, again, people are moving to the music.

Pete Mockaitis
Yeah, that’s kind of fun to watch in the gallery view, everyone moving at the same time. Okay.

Diane DiResta
Yes. Now, of course, if you’re talking to an investor, you’re not going to use that technique, but it depends. Now, here’s something that is a lot of fun. It’s an investment because you have to pay for this. But you can go online and download software games such as Jeopardy, Wheel of Fortune, and Let’s Make a Deal, whatever those are. And then you can use them as part of your learning.

So, let’s say you’re doing sales training. Instead of the typical lecture and who has the answer, you can have two teams and you can input different answers beforehand and then you call in the team, they give you an answer, and either they get it or they don’t. So, it’s a lot of fun and it’s very engaging.

Pete Mockaitis
Oh, that is cool.

Diane DiResta
So, some of the software games are fun.

Pete Mockaitis
Well, I love to zoom in on a couple of these in particular. So, software games, there’s a training company that does this. Is there one in particular that you can mention here?

Diane DiResta
The Training Arcade.

Pete Mockaitis
Oh, The Training Arcade. Okay. So, they have like a Jeopardy piece over there. Okay. Excellent.

Diane DiResta
You can download them. You’re going to pay for them but it’s worth it if you have a lot of people. So, I would say, if your goal is to train or to have fun or to motivate, if you’re in a sales culture, a training culture, you might want to do that.

Pete Mockaitis
Okay. Excellent. And then your little spinney piece.

Diane DiResta
The spinning wheel?

Pete Mockaitis
What was that?

Diane DiResta
That is called WheelofNames.com.

Pete Mockaitis
Wheel of Names. Okay. Very cool.

Diane DiResta
And what you do is you input the names in advance. So, let’s say I have 20 people who are coming, I would put those 20 names in. And then, when I was ready, I would go to that page online and I would start spinning. It’s so much fun.

Pete Mockaitis
And I think that’s so cool, it’s that just the ability to share your screen enables tons of things to be possible. And this is very rudimentary, but I remember when I have my mastermind meetings with my fellow podcasters, who are awesome, everyone has been on the show and vice versa as it should be with the mastermind, we have…even just someone having the notes and the timer, and then sharing that screen so we’re looking at the notes and the timer, makes it more engaging than, hey, we’re just kind of talking.

So, those little things can make a world of difference even when it’s nothing fancy at all.

Diane DiResta
Using a whiteboard and actually drawing in real time. You see, here’s the thing with the brain. Every time you do something different, it stimulates attention. So, even the act of going to share your screen to show a document, people are, “It’s something new.” They’re going to go and look.

Pete Mockaitis
Great point. It just feels good to task-switch or multitask, even though that has its perils, which we’ve discussed several times. So, too, the switching it up feels good in that way. And I’m thinking about, I think, Miro – hey, they were a sponsor once, they’re awesome – has a lot of cool ways to like whiteboard and engage interactively there.

And I’m also thinking about even just like a Google Sheets. We’ve had some moments where it’s like, “Okay, guys. We’ve all talked about these options and now it’s time for us to, each on our sheet, rank or rate how well we think each of these options hits each of these criteria.” And then there’s sort of a top-level sheet that summarizes.

And, sure enough, I find that supremely engaging because my heart is stomping and I’m kind of wondering, “What number are they putting? What number am I putting? Should I check what number they’re putting? No, Pete, don’t be like the Olympic judge. Stand by your own opinions. Don’t sneak a peek.” It’s like, “I wonder if the one I’m supporting is going to be the winner.” Anyways.

Diane DiResta
Yeah. And, also, video clips. You can show a quick video clip that everybody watches and then can comment on. So, there are a number of ways you can do this. You can actually have people write their responses in the chat or you can open up the mics. Call on someone and say, “Let’s hear your voice,” because people want to talk. They want to hear their own voice. So, a number of techniques help to engage.

Pete Mockaitis
That’s good.

Diane DiResta
So, the more variety, the better.

Pete Mockaitis
That’s good. Well, Diane, tell me, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Diane DiResta
I would say a couple of things. People don’t realize that this is a skill. And I always say that gifted speakers are born but effective speakers are made. So, make a commitment to learn these skills because, years ago, I used to say that tomorrow’s speakers would need broadcasting skills, and we are here. We are way beyond that. So, you need to start thinking of yourself as a broadcaster, not just a speaker presenter.

Pete Mockaitis
All right. Thank you. Diane, now, could you share with us a favorite quote, something you find inspiring?

Diane DiResta
The quote that I put in my high school yearbook, which is, “A quitter never wins. A winner never quits.”

Pete Mockaitis
Thank you. And a favorite study or a piece of research?

Diane DiResta
I like some of the research that’s coming out about women. The one I read recently was, you know, the belief that women are talkers, and yet when they show research, I believe it was Harvard or Stanford, women actually talk less than men do in meetings. So, it really blew away a stereotype.

Pete Mockaitis
And a favorite book?

Diane DiResta
The Science of Mind and Think and Grow Rich. The Science of Mind is a huge textbook-like book by Ernest Holmes but it’s all about spiritual, mental training which really helps people understand the power they have when they use the power of their mind.

Pete Mockaitis
And a favorite tool, something you use to be awesome at your job?

Diane DiResta
A favorite tool. I love Zoom. I use Zoom all the time.

Pete Mockaitis
And a favorite habit?

Diane DiResta
I don’t know if it’s a favorite habit but I have a habit of getting up early now, and that makes a big difference in my productivity. I get up at 5:30 in the morning. To me, that’s early. And that allows me to create certain rituals, so prayers, affirmation, and I read one page of something spiritual before I look at my phone.

Pete Mockaitis
And is there a particular nugget you share that seems to connect and resonate and get quoted back to you frequently?

Diane DiResta
What I said earlier, that gifted speakers are born and effective speakers are made.

Pete Mockaitis
Okay. And if folks want to learn more or get in touch, where would you point them?

Diane DiResta
The best place is my website DiResta.com. And I want to tell people that I’m going to be starting a group coaching for women, for women business professionals so that they can feel more confident and have the support of a group as well as work with me in a coaching capacity. So, that’s coming up. If you would like to learn more about that, send me an email through DiResta.com. And you can also get my book Knockout Presentations on Amazon or any of the online stores.

Pete Mockaitis
Okay. And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Diane DiResta
The final challenge is commit to being a good communicator. I don’t think there’s any skill that’s more impactful or important than communication. It doesn’t matter how technically proficient you are or how smart you are, you need to be able to be a good communicator. So, make a commitment. And make a commitment to be able to do that on a virtual platform because this is not going away.

Pete Mockaitis
All right. Diane, this has been a treat. Thank you and I wish you lots of luck with all presentations, virtual and in person.

Diane DiResta
Thank you. And I wish you success on the platform of life and may all your presentations be a knockout.

624: How to Be More Engaging with Storytelling and Humor with David Nihill

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David Nihill says: "Our human brain is crying out for the story behind the numbers."

Comedian David Nihill shares his key techniques from his stand-up act that can help you become a better speaker.

You’ll Learn:

  1. The secret to creating stories that stick 
  2. How to use callbacks to delight listeners
  3. How to always remember what you want to say 

About David

David Nihill is a bestselling author of Do You Talk Funny, listed by Book Authority as the best book of all time on public speaking and storytelling. “One of the best speaking coaches out there” according to Forbes.com his work has been featured in Inc, Lifehacker, The Huffington PostForbesThe Irish Times, TED, and NPR. His videos have been viewed more than 40M times. David is a winner of the prestigious San Francisco Comedy Competition winner, runner up in the Moth’s largest US Grandslam storytelling competition and the first ever Irishman to have a special on Dry Bar Comedy.

Resources mentioned in the show:

Thank you, sponsors!

David Nihill Interview Transcript

Pete Mockaitis
David, thanks for joining us here on the How to be Awesome at Your Job podcast.

David Nihill
Yeah, sure. Thanks for having me all the way from exotic Ireland.

Pete Mockaitis
Oh, yeah. Well, it’s great to have you here and it’s a late night for you a bit, but you say there’s not much to do right now anyway.

David Nihill
Yeah. It was a very early night at 8:45 P.M. back in the days in Ireland before this COVID carry-on but now, with no pubs or bars or alcohol on tap, really, it is a much longer evening with a much earlier bedtime. The time just doesn’t go by as faster or as fun.

Pete Mockaitis
Yeah, understood. Well, you’ve got a lot of fun stores. In fact, you’re award-winning at storytelling. We’re going to learn some of your wisdom there and when it comes to being engaging and funny. But, first, could you open us up with the short version of your story of being an impostor?

David Nihill
I did impersonate a business fellow called Irish Dave who just happened to be an established comedian in Ireland, albeit with possibly the worst stage name in history, but nobody seemed to question that when in America so I did pretend to be a comedian called Irish Dave for a full year to try and get over a fear of public speaking in the worst way possible, which was to do standup comedy every single night multiple times a night. And I had a fake website, and I had fake Twitter followers, had Facebook fans at one stage. I was really big in India there for a while, which was slightly interesting despite, sheer of the fact, that you could go on Fiverr.com and buy fans from India at a very discounted price, which is ethically questionable, but definitely it was done. And that’s how we get booked in…

Pete Mockaitis
It’s forbidden in some contracts I’ve signed.

David Nihill
It is forbidden, yeah. Well, I faced no such legal technicalities, thankfully, a few years ago, and it just allowed me to get booked in a bunch of places. I really shouldn’t have been with very little experience and it snowballed and got a little bit out of control.

Pete Mockaitis
What’s so funny, well, in the US, it’s like, “Okay, your name is Dave and you’re Irish so you might be Irish Dave, so.”

David Nihill
By default, yeah. But there’s no way you’re going to turn up in Ireland, where like, “Oh, my God, it’s American Pete.” It will just seem too obvious. But you guys love that stuff.

Pete Mockaitis
Oh, yeah. That’s fun. That’s fun. And I love, I saw some of your YouTube videos. I love how you make fun of Americans, playfully. The majority of our listeners are in the US but you have people from all over the world, so feel free to let her rip. I love it when folks with accents do an American accent. Can you lay one on us?

David Nihill
Oh, they’re like, “Oh, my gosh, I’ve been doing it recently because in Ireland we have a requirement that you can’t drive more than five kilometers from your house, but technically I’m on vacation from San Francisco right now,” whenever I get pulled over, and it goes horribly wrong because they’d be like, “How many weeks are you here for?” And you’re like, “Three.” And Irish people just cannot pronounce the number three and the police obviously know that, and they’re like, “An American would never nail the word three like that,” and I think that’s what gives me away every time. But, yeah, I definitely have a horrendous range of American people’s accents.

You know, I figured out the hard way that more people speak Spanish probably than English in America, so I was like, “Let me just get my Latino voice down in Spanish.” Actually, the best voice is an American trying to speak Spanish, where it’s like, “Yo quiero un harmbergeza,” and you’re like, “That is not Spanish. You just completely used an American pronunciation there to order a burger.”

Pete Mockaitis
Well, it might you get you a lot of burgers because I think of a guy, he’s name is Nick, in college, he was from the UK, and he’s like, “Hey, so what do we sound like to you?” He said, “I don’t know. It’s kind of like, ‘Hey, guys, want to grab a burger and fries?” It’s like, “Okay. Thanks.”

David Nihill
And, you know, I must say, I poke fun at America but always in a lovely way. I like it a lot and it’s kind of been my home from my home for like 14-15 years, so it creates some great opportunities. You can’t beat the positive in America.

Like, in Ireland, if I announce to my friends that I was going to try and do standup comedy to get over a fear of public speaking, they would quickly label me an idiot and tell me I was wasting my time, where in America, they’d be like, “You should do that, man. That could be a great learning experience.” It’s a very different approach, and you guys definitely lean on the positive where we lean on the negative.

Pete Mockaitis
All right. So, let’s talk about it. So, you learn some things the hard way, and you’ve captured some of those learnings in your book, Do You Talk Funny? So, could you just lay it on us, first of all, sort of what do professionals have to learn from comedians when it comes to public speaking?

David Nihill
I think everything because the scary thing is like if you dig into people who teach public speaking or training, you realize that they haven’t clocked up that many hours on stage themselves, so you’re like, “Where are you actually getting this information from that you’ve put together?” They seem to ignore. If you’re a big subscriber to, say, Malcolm Gladwell’s 10,000 Hours Rule that he popularized that 10,000 hours it takes doing something to make a master, you’re really not going to find any other group other than comedians when you go down that research path that is doing the 10,000 hours and doing it in the most high-pressure environment possible.

Like, there is nothing more difficult than someone who’s paid money for you to make them happy when they’re having a horrible day, and just walking in, sinking a couple of shots, crossing their arms, and going, “Hey, idiot, entertain me.” That is horrendous. And imagine you do that night after night. Like, they estimate it takes comedians about seven years on average to be able to make a full-time income from comedy, and that pretty much pans out, in my experience, as accurate. That’s kind of putting two to three to four hours into your craft most days over a period of seven years. That is a very large amount of learning in a very painful way.

And the thing is, “What did they learn the hard way on that journey?” And most of the time it’s just a more succinct entertaining form of storytelling that you’re missing in the average world of any snooze fest corporate presentation, or even more so at the moment. Like, virtual meetings are scaring the life out of people emotionally where someone with an imaginary sombrero sitting in front of a background of a place they’ve never been to.

There was a guy on a call the other day with me, and he was sitting on a virtual toilet in the middle of the call, I was like, “That’s not good. Just make it stop now.” So, never on Earth have you had such an opportunity to stand out in such an easy way by doing something a little bit different and open the engagement in all your talks. Like, all you have to do, if you’re the average listener, is take four or five stories that you absolutely love to tell. They’re the ones that when you go to a college reunion or a work meetup with colleagues you just kind of forgotten about or haven’t seen in years, and they’re like, “Oh, Pete, you’ve got to tell that story. That’s the one. Tell it.” And you’re like, “Oh, come on, I tell the story every Christmas when we meet up for beers.”

But every one of us has those three, four, five core stories that we kind of forget about, that for some reason, when it comes to business public speaking, we abandon them. And we’d be much better off if we just rewrote them, change the word order ever so slightly, so we’d borrow something from the world of standup comedy which would be the structure to tell the story, i.e., start in the action, know what you’re going to say last, know the key point or the key funny bit and go your way to make that the very last word. That’s what makes your timing look really good. And, actually, try writing it out or listen to yourself giving that story and have it transcribed if you hate listening back to yourself, like most people do.

So, we use a tool like Rev.com and just put it on a script, and go. Well, I say a lot of waffle unnecessary words when I’m telling that story. Imagine I was a comedian and I only had a short time period to work with, “Could I tell that big long-winded story in one minute? And if I could, what would be the words that I use?” And just look at it because it just forces you to be concise.

Most people, like in business, where it’s like, “Let me share a story with you,” and most of us are like, “Oh, my God, I’m out of here because this is going to be terrible.” We love storytelling, but once they telegraph the intention to try and tell it in an environment where we’re not expecting it, we’re kind of go, “Oh, I’m out of here.” But it’s just little things like that. Like, a comedian never say, “Now, I’ve got a joke for you.” They just tell you a joke. So, it’s by telegraphing your intentions, you naturally change the expectations for something. And I think the world of business just gets so many of those things wrong in business presentations that comedians would never get wrong.

Do you ever go to a comedy club or like a business event? If you go to it, you’ll hear them do an introduction for a speaker. And most business speakers in presentations don’t realize that when you’re in a meeting, or you’re giving a speech, or you’re speaking at a conference, that your talk starts with your introduction. It does not start when you start speaking. So, a comedian knows that, and a comedy club knows that, so they use that to capture some sort of an anticipation and buildup and excitement and guarantee that they get everyone’s attention to get the speaker a round of applause and off to the best possible start.

So, if you go to…they’re around the Bay Area, there’s a conference called TechCrunch Disrupt, and they’d be like, “Our next speaker is Brian. Brian is a serious A investor in Call Comm. Brian has invested in capital stock. And Brian and me used to go skiing together. We were really early at this particular company. Brian is a really great standup guy. Welcome, Brian.” Everyone knows it’s Brian. We don’t care. We’re not really tuned in anymore. It’s gone on for too long.

But in a comedy club, you’re going to hear them, “Ladies and gentlemen, your next comedian just opened for Jerry Seinfeld. His comedy album has debuted number one on iTunes. He’s currently streaming on Netflix. Please welcome,” and the key word, which is the name is only said once, only said last, and that gets people’s attention because they’re asking, “Oh, who is it?” And then when you say the name, they’re naturally trained to clap. And then the whole talk gets off to a great start because you don’t have to sell yourself as the business speaker. You can give your introduction to someone, give them three key points, in that way your audience is like, “Oh, you can just come out and be yourself.”

In nearly every presentation you go to in the world of business, it doesn’t start like that because they just don’t know anything about the world of standup comedy and they ignore comedians as a source of wisdom. So, that’s what I went very deep into but it’s just the small things that make a huge difference.

Pete Mockaitis
Well, yeah, I love it. You’ve already dropped specific tactics that are right there in terms of what is at the very end and how you build some anticipation, and that’s really good. I’d love it if maybe we could zoom out a bit and hear sort of, I guess, maybe, fundamentally, what makes something funny or engaging? Like, it’s kind of hard for me to pin down, like, why is one thing funny and another thing not funny?

David Nihill
Yeah. Well, funny is a subjective one. When you’re trying to bake funny content, always start with fun and so you can turn fun into funny and then you don’t have much of a failure. Also, if you attach to it that you’re never trying to tell a joke, you’re trying to tell a funny story, and the key word, the key with the funny just happens to be at the end. So, by moving that to the end, you’re maximizing people’s chances of reaction to it.

Then you’re taking a bit of pressure off yourself to be funny because no one knows you were trying to be funny in any way. The engaging comes from storytelling. Number one, always start with a story but do one very key thing. Allow the listener to see themselves in your shoes. That’s what makes it engaging. So, the audience, whatever story you’re telling is not about you, it’s about the audience. So, if you’re talking about your own mother, they’re picturing their mother. If you’re talking about the car that you had that was a beat-up car, that was your first car, and it was red and the exhaust pipe was hanging off, and it was a 1979 whatever it was, the minute you start talking about it, they start picturing their own car in their own head. So, you’re automatically trying to make the storytelling process visual, and your job as an engaging storyteller is to make that easy for people.

So, any of the key details, if it’s a nice one, it has a color. If it’s a person, it has a name, and that gives the signals that, “This is important. Pay attention.” You have a couple little twists when you’re trying to be engaging. You have to keep people hooked and you do it CSI-style. Remember that TV show? It was a bit scary back in the day. The minute you turned it on, you know, there’s a police investigation. The minute you turned it on, someone was dead, and in 10 seconds somebody was on fire, there was like a cat and a hippo, and you’re like, “What is going on in this thing?”

Pete Mockaitis
Something falls out of a window to their…

David Nihill
Exactly. They’re dead. “Who killed this priest and why is he dead within 10 seconds? Well, I better hang around and find out.” And that’s the natural curiosity with engaging stories that it does not start chronologically. You’re not walking through somebody through your LinkedIn bio or your resume or your job experience. You got to grab them right in the middle in the action. So, you never start off by, say, you’re climbing a mountain, you never want to talk about your mental decision to climb that mountain. You want to start near the summit of the mountain. Is there a chance you’re going to make the top? I don’t know. And then you change some of the key words when you’re telling that story to make them into present tense.

So, you never want to say, “I was on the side of the mountain, looking at the top.” It’s like, “I’m standing looking at the summit of the mountain and I can’t feel my feet anymore.” People are like, “Whoa, what’s happening?” And this changes the dynamics of the story instantly. So, if you listen to Snap Judgment, or NPR, or some of the award-winning storytelling podcasts, you’ll hear every one of those guys change the wording of the stories to the present tense because that brings it to life. And within it they’re going to be using a lot of comedic techniques like they will try and build in triple sets anytime they can, which is just basically coupling elements into groups of three, that number that Irish people cannot pronounce.

But three is the smallest number of elements that your mind needs to create and recognize a pattern. And all comedians and great gifted storytellers are doing is usually just breaking that pattern and that makes content memorable because three is easy to remember. But if I say, one, two, four, it’s only retrospectively that you can figure out that I was multiplying the numbers. So, it appears that I’m ahead of you a little bit. So, I always would give an audience apples, apples, oranges. When Chris Rock was talking about…he had a joke that’s a bit dated now, but it was like, “Women, all they need to survive is air, food, and compliments.” I mean, that’s not hugely amazing stuff and it’s dated now and it’s referenced, obviously, but it does demonstrate clearly that pattern is one, two, four.

And when you’re storytelling, people who incorporate those things, link the start to the finish, put the key words at the end and start in the action, use key details, colors, and names, people just see themselves within the story, and that’s what makes it engaging.

Pete Mockaitis
All right. Wow, this so much good stuff, so fast. I’m loving it.

David Nihill
Yeah. Sorry, got excited there.

Pete Mockaitis
No, bring it more.

David Nihill
That’s kind of the tactical side of it. But there isn’t much more to it than that. Like, people have courses on storytelling, and you’re like, “Stop with your four-day seminar on storytelling.” This is an innate human thing that we all know how to do. We just don’t all know how to do it in the most succinct form possible. So, it’s just consciously editing out all those details that don’t need to be in there. And you, yourself, identifying the key point of the story, and go, “I know this one.” I tell this in a pub. Friend of my friends laugh. Like, when I tell this at the dinner table, “Where is the biggest reaction moment and what do people remember or what can they say back to me?” And you just need to take out words to get to those points quicker.

Pete Mockaitis
Well, all right. So, now, in your book, you lay out seven principles. We’ve already kind of hit a few of them here in terms of having it start right in the middle of things with a story. Can you walk us through some of the other key principles that we haven’t touched on yet?

David Nihill
Yes. My favorite by a mile is to build in a technique called a callback. And the beauty of a callback is, and this is for job interviews, for meetings, a callback is killer. It is simply a reference to something that was said in the moment that couldn’t have been pre-scripted or planned. It was enjoyable between you and that other person, and it looks extremely spontaneous.

So, in the world of storytelling or comedy, a comedian, Dave Chappelle is known for using a lot of callbacks where he’ll drop something at the start and he’s always going to come back to it later on. And a great story will always have the same thing. In the book, it’s called bookending technique. In a movie, where they drop something at the start, they put in some clues, and they’re always going to come back to it.

And just in the world of general presentation, you’re in a meeting, you’re in a job interview, you’re on a sales call, you can use this stuff daily. I was on a call the other day trying to pitch someone from Salesforce, and I knew through research, we had mutual friends who organize a pretty wacky party in San Francisco where they all dress up around Christmas as elves. All parties in San Francisco are kind of wacky, in fairness, given they’re half naked going around in a bicycle from some Burning Man calls that you didn’t really know. Now, I remember all of a sudden. I definitely have those nights up.

I was chatting to them and they knew about this elf party organized by one of their colleagues. So, at the end of the call, I’m like, “Well, listen, I look forward to speaking to you next week. If I don’t hear from you, I’ll shoot you an email. Worst-case scenario, I’ll see you at an elf party.” So, even in that conversation that would’ve taken place on a call, you know it’s got the rule of three, it’s got the triple set, it’s got the flip at the end of it, and it’s got the callback, the reference to the joke that was already shared between a couple of people.

So, I had to give a TEDx Talk, a very short notice, about a year ago and it ended up in front of like 2,400 people. And I’m sitting in the audience, which is a key cool thing a comedian can do sometimes, and any business speaker should do is watch the people before you. How many times in life have you seen a business speaker go on and talk about and referenced something that somebody else just talked about? And you’re like, “Well, you’re not even listening to the last person. Like, they already said this.”

So, I would always sit in the audience and just watch what’s happening before me. And I remember this lady standing there, and she’s just come on the stage, and she hasn’t got much of an introduction, nobody really knows her background. And there’s a smoke machine and it’s clearly broken because there’s way too much smoke in this theater. There’s 2,400 people and she’s the very first talk of the day kicking it all off. And she says, “I’m going to start this talk when I feel an earthquake,” and then she just stops and stands there in dead silence, and just the tension is multiplying by the second. And we got to about 40 seconds and people are vocally shouting out the words “Earthquake!” They haven’t a clue what’s going on.

And then, finally, she stops and goes, “Right. I felt one.” And up on the live feed pops a magnitude earthquake in Guatemala or somewhere, and she is actually a human cyborg, and she’s had these sensors fitted in her body that allowed her to feel any seismic plate shift anywhere in the world, and it’s one of the craziest things you’ve ever heard, but that wasn’t really said in the introduction. The audience didn’t know this so they just thought she was nuts for 30 to 40 seconds. But I’m sitting there and I’m like, “This is a perfect callback. This is something that I couldn’t have planned for,” so I’m super nervous, and I don’t have butterflies in my stomach. I have pigeons. Like, I’m sweating bullets, all the usual nerves that you’re getting ready when you’re going to do a talk. But rather than focus on that, I’m like just trying to remember what she said.

So, I went up, I’m standing on stage, and the same two thousand and three hundred, four hundred people are staring at me, and I was like, “Well, ladies and gentlemen, I’m a bit nervous to be honest. I’m put off because I don’t know how to start this talk. I had initially planned to just stand here and wait for an earthquake but that’s been done already.” And they just cracked up, and this applause just keeps building and building, and I was like, “And you’re obviously a great audience because when she said earthquake, I left the building. Like, you didn’t even budge from your seats. How much did you pay for these tickets?” And now, they know, I couldn’t have planned for this. This is obviously in the moment.

And, again, it’s a technique that you’ll see in a lot of great stories and a lot of great live performances, and even just great job interviews where whatever the other person says, you got to listen enough to give it back to them. And in the world of comedy and storytelling, it just shows that you’re not separate from the audience; you’re actually one of the audience.

Pete Mockaitis
Yeah, that’s powerful and a great example to bring that to life in terms of it’s clear that that was not pre-packaged, it’s in the moment, it calls back to something unique because, I guess, if you called back to something, I don’t know, not that noteworthy.

David Nihill
Well, you don’t want to reference something not funny.

Pete Mockaitis
Like, “I was going to red shirt but the last speaker was wearing a red shirt, huh.” It’s like, “Okay, none of us care about that. Like, we’re not at all moved by what you’re saying here.”

David Nihill
But then if you…Here’s an example of stuff that isn’t wildly exciting. I spoke at a Google conference recently, and it was a developer’s conference, and I sat in there watched the three speakers before me, and someone told the story about Indonesia, and they’re like, “Oh, my grandmother in Indonesia is kind of crazy.” And I was like, “All right. The audience laughed a bit at that. Noteworthy.” And then someone started talking about origami and linking their passion for origami to coding. I’m like, “All right. That’s a bit unusual. Noteworthy.” And then the biggest cheer of the morning, by far, was when someone gave a talk, and they said, “We need more Google credits.”

Now, I have not got a clue what Google credits are but these people were going wild for Google credits. So, like about doing my talk, and a comedian will do this all the time. They’ll get up in the first 30 seconds all pretty locked down unless they’re going to do the callback and go. So, what I did in the TEDx Talk was a bit risky because I haven’t established any relationship with the audience that I’m clearly going off script. So, the payoff is huge but the potential for failure is a little bit high unless you know a key thing. So, a smarter way to do that is prepare the first 30 seconds of your talk like a comedian would do or a great storyteller. Make sure you get off to a good start and then try the goofing around just a little bit so if it doesn’t pay off you can just go seamlessly back into what you’re talking about.

So, I get on stage at this Google event and I started my talk as I normally would, and I just stopped for a second, I’m like, “It’s an interesting day-to-day, I tell you. I’ve learned a lot. I didn’t know anything coding but now I know a lot about Indonesia and I’m scared of grandmothers over there, and origami and coding are linked. Who would’ve known? And, most of all, my biggest takeaway is what’s clear that everyone in this room should get immediately more Google credits.” And they go wild and it’s an applause break for someone they don’t know, who’s a stranger and an outsider, and definitely has impostor syndrome because what do I know about developers or coding. But they’re reacting to a technique.

Again, it’s the callback. It couldn’t be pre-planned but it is. It’s put into a structure that just allows you to move along seamlessly. And it’s nearly, like, a magician pulling back a magic trick, someone showing you, “Oh, actually, I’m using this structure where I just need to pick different elements every time.” But those elements are quite important. The biggest reaction has to be last. It’s the same as the rule of three. So, normal thing, normal thing, biggest thing. And you want to build recency into that as well. So, you want most recent mention, second most recent mention, third most recent mention, because then they know what you’re doing. Whereas, if you do it the other way around, they don’t catch on as quickly.

Pete Mockaitis
Okay. Well, there’s so much good stuff here. So, again, to have rocking, engaging stories, we want to have the good or funny bit to be last; patterns and threes are great, are as callbacks; it’s absolutely critical that it is relatable, like, “I see myself in your story, in your shoes”; and it’s succinct in that we’re getting just the most relevantly excellent bits and stripping away excess words and sentences and details that don’t need to be there; and some details like colors and names. Tell me, any other critical ingredients for a great storytelling?

David Nihill
Yeah, you’ve hit them all. I just think you have to love the story you’re telling is the probably the most critical one. Like, you actually have to dig it yourself and you actually have to get a bit excited when you’re telling it, and it has to be just from the heart. And the more personal it is, the better, the more unique to you. And you may be like, “Oh, that story is inappropriate.” It’s not if you make it appropriate. You can tell a story that is not as you.

I remember doing it. It’s the transition line that’s the key thing. So, once you plan the story and you’re building it into some form of talk or some part of learning point, once you write the story, go back and then write a transition line that makes it pretty fine and pretty obvious and unquestionable why you’re sharing that particular story.

So, I was speaking at a conference recently in Portugal called Web Summit, it’s the world’s largest tech conference, and they had me hosting a session on innovation which I know nothing about whatsoever, unless I find a new way of washing my underpants. That’s about as innovative I get most of the time. So, normally, I don’t really know how to start it off because they have 100 of the world’s most innovative large-scale companies in there sitting around, and I just start off telling about my mother.

And I was like, “Geez, you know, my mother came over to San Francisco to visit me recently. And she’s a bit older, grew up pretty Catholic and conservative, and we’re just sitting there on the couch. And out of nowhere, she’s like, ‘David, do you have any of those cannabis cookies?’ And I was like, “Cannabis cookies?” As it happens, I actually have a whole fridge full of them, thanks to San Francisco for legal medical reasons, obviously, so I fed her a few of them. And it was life-changing. We were making roast potatoes, which is basically caviar for Irish people at the time, and she was over-staring at the oven like a puppy just waiting for these things to be done. We nearly had to drag her away from it. The odor was kicking her up because it’s her first time in life having the munchies and she was basically snorting potatoes as they were coming out.

To only change her life, she went off walking to the Golden Gate Bridge the next morning, like this lady hadn’t been walking in years, came back with a pair of Lululemon pants on her, I couldn’t believe it. She’s like, “All the girls are wearing them,” and corrupted my auntie when I went home, just like weed smell coming down from the house in Ireland, I was like, “Geez, what is going on here?” And the thing is you think, “Oh, that story is not relevant to anything.” It got more bonkers, long story short. Like, one day she’s like, “David, what do you think of that gay marriage in Ireland,” because Ireland was the first country in the world, by popular vote, to legalize gay marriage, which is quite a turnaround for a place that’s seen as backwards in the eyes of a lot of people to be very forward that quick.

Before I could answer, me Ma says, “David, nothing new to me. I was the first lesbian in Ireland to get married back in 1970.” And I was just sitting there dumbfounded, I was like, “Does Dad know about this? Like, what’s going on here?” And she’s like, “Well, when your dad and I were going to get married, he got a bit drunk the night before, lost his birth certificate, we couldn’t find it. But, luckily, he had a dead sister, Patricia, she died when she was two.” And I was like, “Dad had a dead sister Patricia? You never mentioned this to me before.” She’s like, “Well, it’s not central to the story. Don’t worry about it.” I was like, “This sounds pretty central to me, mom.” And she goes on, she’s like, “Well, the priest didn’t have the best eyesight, your dad’s called Patrick, his dead sister is called Patricia, so we just went ahead and used her birth certificate, so technically I’m married to your dad’s dead sister.” Delighted with herself.

And I’m at this tech conference and I was telling them something similar, I can’t remember how much detail I went into the weed, but I was like, “We’re all in here in this room focused on innovation, but how well do you know your own family members? You assume that your customers, you know them, that you know what they want, that they desire, but I didn’t know my mom was into munching weed cookies and was experimenting with lesbian marriage on the side. Sometimes we assume we know things, and we shouldn’t. There’s nothing that research can’t solve that we could get to know our customers better and drive further innovation.”

And then whatever waffly section you put in there off the top of your head, it will come out better than what I just said off the top of mine. So, off the top of your head, then script it and write it, and say, “How do I get from this story to illustrate a point that I want to make?” So, the core point there was like, “You don’t know your end users as well as you think you do, and I’m going to substitute my parents for them in that story.” So, a big skill in the world of storytelling, I think, that’s overlooked a lot of the time is, “What is the transition line? Or what is the excuse you need to give yourself to make that story make perfect sense for your audience?”

Pete Mockaitis
And so, in the sequencing, the transition happens after the story and not before the story?

David Nihill
Yeah, usually, unless you say you kick off…a lot of TED Talks will start in this way as well or you’ll notice a lot of good effective talks will start with one very generic statement and then they’re into the story. And the statement is generic for a reason because they don’t want to get people to argue with them off the bat, so they’re not like a lawyer. When you’re doing storytelling or you’re doing any form of live performance, you’re trying to win over the audience. So, if you have an argument, you’re not going to make it at the top. You’re going to hide it.

So, say I got up there and I say, “Oakland is a crazy place,” and I’m in San Francisco, pretty close to Oakland, someone will cross their arms, dead stare me, and go, “I don’t agree with you. I live here. I love the place. I don’t agree with that statement.” But if I say, “Oakland can be an interesting place sometimes,” pretty much that statement would agree to everybody, agreeable to much more people, and it allows me to tell my story. And so, I haven’t made my point of view clearly on it so it’s a bit more intriguing, “Oh, what does this guy think about it? What’s he going to say?” Whereas opposed to, “I hate this. Let me tell you why,” which you don’t want to make.

So, it’s nearly the anti-lawyer’s approach to public speaking where a lawyer will make their argument really quickly because that’s their job, they’re on the clock to do it. As a public speaker, you really have to walk people into it, win over the room to get them on your side, and then you’re closing argument kind of sneaks up on them. So, your full license to tell the story.

There’s a TED Talk by Shawn Achor about happiness that’s one of the best you’ll ever see. I think it’s the eighth or the ninth most watched in the world. But if you watch it, it’s 11 to 12.5 minutes long, and the first 4.5 minutes is a story about him playing with toy soldiers.

Pete Mockaitis
With his sister.

David Nihill
Yeah, with his sister and breaking her arm. And it has nothing to do with anything, and you’ll see the same thing in Ken Robinson’s TED Talk. It’s “Do schools kill creativity?” It’s the most viewed and popular TED Talk of all time, and he tells a million stories, well, not a million, a slight over-exaggeration but there’s at least four to five stories in there that have absolutely nothing to do with that topic, but they’re beautiful stories that you can tell he loves telling, and they loosely are connected to the topic.

So, if you’re giving a talk about technology, your parents’ struggle with sending you emojis in an inappropriate basis, or whatever you’re getting eggplants from your mother in the middle of the night, who literally thinks they’re just eggplants and nothing else, well, that’s mildly entertaining to an audience, and you can use that to support a transition line that might be the struggles of a certain demographic to adapt to different features of user design.

Pete Mockaitis
Oh, yeah, this is really rich stuff. I guess I’m thinking about there’s very different modes of communicating. Like you mentioned a lawyer, I’m thinking about consultants. We always talk about answer first, or the executive summary, I’m like, “All right. David, you need to sell this division for four key reasons. It’s unprofitable, it’s shrinking, and whatever.” And so, then it’s sort of right from the get-go. And so now our, like I speak for the consulting industry, the consultants’ perspective on the matter is that that is an efficient use of time for busy executives who don’t want to guess as to what your slide means. They want you to lay out the argument.

And so, I guess that’s how I’m thinking about the tradeoff there is it’s less fun than what you’re talking about, it’s less engaging unless you have a really strong vested in that position on either side, but it may be faster. How do you think about this, like, the different approaches?

David Nihill
I think that’s fundamentally the reason why many of us live and are subjected to so many boring meetings because we feel…we take the emotion out of people and we assume that they want the highest value in the shortest amount of time illustrated with numbers and graphs. Whereas, realistically, our human brain is crying out for the story behind the numbers. So, you can show me a chart and a line, they’re like, “Oh, look at the way the line goes up and then it goes down again, and then it goes up. Bet you didn’t see that coming.” “Woohoo, amazing. Please share your slide deck with me.”

By way of interest, next time you give a presentation, give a link in the end and say, “Here’s a link.” Make it a bit.ly link so it’s trackable and give it to people because they always ask for the slides. They love asking for slides, “Oh, I’d love to get the slides from that presentation,” and just see how many people actually click on that because. Like it is miniscule. I do it at big conferences where there’s like 2,000 people, people don’t care. They like the story, they like relating to you as a human. They’re more likely to buy from you if they learn something about you.

And if you have that kind of…it’s very hard to like someone that just leads with the numbers and just says, “Here’s the four things you need to do to turn this business around today.” Where if you could illustrate one of those things for me, I’m much less likely to give you resistance in following your advice in it if the story is so clear as to why I should do it.

Pete Mockaitis
Okay. Understood. Well, tell us, we got a lot of good stuff, you’ve got something I can’t resist. You’ve got a secret for finding the funny: preparation, anticipation, punchline. We touched on some of this. Can you expand on this approach?

David Nihill
Yeah. I don’t know if that…it’s definitely not a secret because you’ll see it all over the time. But, yeah, it’s just, “What is that little bit of buildup that you need there to flip it?” I think it’s most easily repeatable in the world of visual presentations. So, if you have like a whole bunch of data and words on a slide or some form of presentation in your job, just take it off and put the key word or metric, or break it down to five words. And if you want to have a bit of fun, and you want to get funny in there, just don’t take a picture that’s funny and throw it up there and point at it like a lunatic, and be like, “Look at that dog. I found it on the internet. It’s nice, isn’t it?” And they’re like, “Yeah, okay. You’re a weirdo.” But if you build some anticipation to the image and use the misdirect, like the one, two, four, basically, you’re setting up the sequence where you’re not going to give them what they expect.

Pete Mockaitis
“I’d like to share with you our new mascot, the marketing team has been hard at work for months finding just the perfect brand…” and then the ridiculous dog goes, like, “Ha, ha, ha.”

David Nihill
Exactly. Or a three-legged hippo or anything, and then they always react. I had a friend, she was speaking at a conference in Australia, and she was the head of growth for Airbnb at one stage when they were in pure hybrid inflation mode. And she’s like, “Here’s a picture of me. And what I love is that I look so calm and calculated at this, my desk is organized. But the inside, I actually feel like this,” and that’s the moment that builds the anticipation because they’re like, “Well, what’s this look like?” and then the image becomes the flip. So, the timing on that is quite important to build up the expectation, then reveal the image, and then comment on the image.

So, she showed them a picture of a little girl getting sprayed in the face by an out-of-control fire hydrant for what she was then, and they cracked up laughing. But it’s not the viral hilarity by any means, but it just gives that anticipation, and it’s a very clear and simple misdirect. And I would say just bear that in mind when you’re presenting any form of information from wherever it may be to a job interview or anything. Just try and not do what they’re expecting you to do.

Pete Mockaitis
Yeah. Well, maybe a final question before we hear about your favorite things. If folks, they think, “Okay, this is good stuff or good content and it’s funny but, hey, I think I may be just too nervous to deliver at this kind of high level. It seems intimidating to go. It’s like advanced ninja skills in presentation is what you’re asking. And I’m nervous already right now with my not-so-funny presentations,” how do you recommend folks overcome stage fright?

David Nihill
Yeah. Well, I think, number one, we get sold on the belief that we can overcome it, which I think is mostly false. I never overcame it but I got really good at managing it. And everybody else I’ve talked to over the years got really good at managing it. And I would add to that by saying when you were talking about advanced ninja skills, it’s a funny thing. And in the world of public speaking, they’ll try and sell you a beginner course, advanced, intermediate, whatever it might be. We’re not learning a language here. There’s no intermediate or advanced level. We’re just speaking. And the people who get paid 30 grand to talk, they make the same mistakes as someone who’s doing it for the first time. They just don’t know it because they have a bit of a false confidence that goes with the title they have.

But just recognize that the little things that make a big difference are not advanced, so outsourcing your introduction is super easy so that you don’t have to start off listing your own achievements and building your credibility, do that every time. Use an app like Perfect Timer, which is totally free, to track the timing of your presentation and go short before long. Never talk for an hour if you don’t have to. Like, the brain taps out.

The maximum human attention span, according to John Medina, who’s one of the world’s leading brain psychologists, is 9:59. Once you’re over that, you’re in a little bit of an uphill battle to keep people’s attention. So, realize that no one’s ever going to come up to you after a presentation, going, “That was amazing. I just have one problem. I wish it was longer.” Not even your family, your loved ones, that granny you haven’t seen in years, none of them want you to go for longer. So, go short before long. Let’s say never finish on a Q&A. Like, these are just simple things.

Like, when it gets to the end of your talk, say, “I’m going to take a few questions before I make my conclusion.” Ninety-nine percent of the world’s speakers don’t do that and they stand there like an absolute lemon while nobody asks them questions. They feel mildly embarrassed and that they don’t get an applause because nobody knows it’s over because you didn’t get asked that question anyway. And every speaker in history has been in that scenario, and they stand there, and the host is like, “Ooh, has someone got a question? You down the back?” And that person is like, “Hell, no. I don’t have one thing,” nearly going under the table. And you, as the speaker, go to walk off, “Okay, we’re finished here.” And then someone shouts a question, “Oh, actually, I have one,” so now you’re back on again. Now people are like, “Oh, God, how long am I going to be here?” so they start leaving.

So, it’s like this takes on like your favorite band. Like, U2 would never go around the world with their new album. Of course, I’m going to take an Irish example here and be stereotypical. But they’re never going to go Madison Square Garden and debut their new album, play 10 songs, get to the ninth song, and they only have one left, they planned it, it’s the best song, it’s the one that’s going to bring it home, but they’re like, “You know what, we were going to play that but how about, does anyone here in the audience sing? Anyone want to bring this home? Anyone want to bust out a ukulele?” That will be insanity, but every speaker does that, and they’re like, “Hey, audience, say something crazy to me.”

So, just using that sentence, “I’m going to take a few questions before I make my conclusion,” tells people that there’s more to come, their questions have to be short and sweet, and, of course, you’re going to save a slide with learning points on it to remind them what you’re actually talking about. And how many are there going to be? Three. And those things aren’t focusing on funny, they’re not focusing on humor, but they make you look way slicker, all of a sudden, as a speaker, and maybe you weren’t the most confident.

It’s like me with shaky hands. Like, my nickname in college was Shaking Stevens. When I gave a presentation, I shook so much that I turned into an Irish salsa dancer, like my whole body was going in places that I didn’t wanted it to be going. People would come from other classes just to see me falling apart in front of people. And it’s not a matter of, “How do I stop shaking?” I can’t because that’s adrenaline. I’m never going to convince myself to go.

So, to this day, that happens where you just identify, “Well, what are all the things that are going to go wrong? Someone is going to give me a glass of water and there’s no way I can drink a glass of water with a shaky hand. I’m going to have a bottle of water and my mouth is going to be dry. Well, geez, I’ll never be able to open a bottle of water. And if it’s a full bottle of water, I’m going to squirt it all over me. My hands are shaking so much.”

So, it’s a matter of little things like that, like no glass, get rid of that one, make sure the bottle of water is three quarters empty and already opened, and safe distance from you to knock it over. If you’re more comfortable, start with your hands in pockets. Don’t show people shaky hands. Use a technique called The Memory Palace that was popularized by Joshua Foer in his book, Moonwalking with Einstein, and he has a killer talk on that as well on TED, and it’s just a memorization technique that allows you to visualize key points so you’re never going to hold notes in your hands. So, now, if you shake, you don’t have to hold notes. You’ll look way more professional. And then if something happens, The Memory Palace, you will never ever go blank. And nearly everyone’s biggest fear when it comes to public speaking is going blank on stage but nearly nobody teaches it which is insane.

So, like, if I want to teach you the word in Spanish for “to fit,” the word is caber. It’s super hard to remember that tomorrow. But if I asked you to picture a New York City taxi cab, a yellow bubble one, and it’s pulling up downtown Manhattan in front of Trump Plaza, and a bear runs out of this taxi, or bumps out of Trump Plaza and tries to get into a taxi, and, of course, the hairy bear doesn’t fit, he’s huge, and his hairy legs are kicking out the windows as he tries to squeeze his body in the window, and his hairy bear bottom is in the air. And you’re visualizing that, and you’re visualizing that the cab, the bear does not fit in the cab, caber is the word for “to fit.”

So, you have this whole little trick of remembering information and making it visual. And, for the rest of your life, you’ll never forget the word for “to fit” in Spanish, and it’s because you’ve used something called The Memory Palace, which is visualizing, creating a crazy that only makes sense for you for everything you need to remember, and then The Memory Palace just means putting that, picturing it taking place somewhere that’s familiar to you.

So, instead of having a bullet point list for your talk, you picture your talk taking place in your house, and all you’re doing is walking around the lap of your house encountering crazy images that you’ve created, like a bear trying to get into a taxi cab. So, when you put that together, you become very spontaneous in public speaking because you’re never going to forget what you’re talking about. So, if someone falls off a chair, or farts, or burps, or screams, or interrupts you, you’ll react to it, and you don’t go into panic. If the fire alarm goes off, you don’t try and keep going, you just say, “God, the fire alarm has gone off.” Everything becomes an opportunity for some form of entertainment because at any moment you can get back on track.

So, I wouldn’t think of it as trying to be funny or off the bat. I wouldn’t put it as advanced level stuff. It’s just the techniques that can make you look advanced, that if you know 10 or 15 things that most people don’t, no matter how many years they’ve been doing speaking, you can normally look better than them really quickly. I have all people all the time writing me messages, and they’re like, “Dude, I give the exact same presentation as I did a year ago. I put in a couple of GIFs, some funny images, told one story and I got voted the best speaker. No idea. Night and day the last time.” And that’s the kind of stuff that happens all the time. So, it’s not as complex as people who are trying to sell you stuff make it out to be.

Pete Mockaitis
Okay. Well, now can you share with us a favorite quote, something you find inspiring?

David Nihill
You know, I think I heard him on your podcast, Jeffrey Gitomer, and he has a lovely quote called “The end of laughter is followed by the height of listening.” I just thought that sums up the world of public speaking, timing, and delivery in one sentence. Because the most attention you’ll ever have from anyone ever is the moment after you make them laugh because their just brain says, “Give me more of that.” So, the dopamine spike lends itself to grabbing attention from an audience.

So, if you have to say something serious, the best time to say something serious and memorable and impactful, or ask for money, for example, or whatever you’re doing in your pitches, to make people laugh a little bit before that. But, yeah, “The end of laughter is followed by the height of listening.” That one I love and, “Life is either a daring adventure or nothing at all,” but that’s not really…Helen Keller gets attributed to it sometimes but I’m not sure who actually said it.

Pete Mockaitis
Okay. And how about a favorite study?

David Nihill
Favorite study. You know, Stanford did one once where they had people locked in a room staring at babies all day, and that was a good few years ago. I don’t think you could get away with that today, where all these researchers are like, “We’re just going to borrow your babies.” But the study was to show that babies, on average, laugh about 300 times per day, and grownups laugh about 15. So, for anyone who tells you, you don’t need a bit of laughter in your life, you definitely do, and you need more of it.

Pete Mockaitis
Okay. And a favorite book?

David Nihill
Oh, a toss-up. I like The Man Who Tried to Save the World, the Fred Cuny mystery, and The Fish That Ate the Whale. And I like both of those because they’re just stories of these individuals that did things that you didn’t think was possible just because they thought they could do it. Like, the Fred Cuny mystery is a guy who decided to declare himself the world’s expert on humanitarian aid relief. So, if a tsunami hits tomorrow, he’d be the first person who got the call from all the world’s leading agencies. And he had no skills or qualifications to get himself that job, and he got to the point where George Soros was writing him cheques, and saying, “Go fix Chechnya. That’s your job.”

I don’t even think there’s an audiobook version of it. I learned it from a girl who’s a journalist, and she’s like, “This is the best book you’ll ever read that no one’s ever told you about.” So, yeah, it’s The Man Who Tried to Save the World, the Fred Cuny mystery. And The Fish That Ate the Whale is about the guy, Sam, the Banana Man, Zemurray, who basically all the CIA manuals for taking over a company, err, sorry, a country and putting out puppet president in place were based on what this guy did to take control of Honduras just so he could sell more bananas. They’re brilliant stories. You’re like, “Okay.” They’re kind of things like, “I can’t believe I never heard of these stories before.”

Pete Mockaitis
Well, thank you. And how about a favorite tool, something you use to be awesome at your job?

David Nihill
I like HubSpot a lot. I don’t know if it makes me awesome at my job but it definitely improves me a bit, even the free version of HubSpot. I think if you’re selling anything online, I think, just to be able to track emails and know that somebody actually opened your email, forwarded the links in your email, or just activated, or looked at it, or was interested in it, that makes a big difference. But I use Rev.com a lot for transcribing stuff. Probably the easiest way you can improve your public speaking is to watch yourself or listen to yourself back, but nobody ever wants to do that because it’s painful, and they will avoid it at all costs. But if you put it through something like Trint or Rev.com, it does the transcriptions there that turns your work into a script, and it’s really easy to see where you need to improve when you do that.

So, I use that a lot. That and Perfect Timer, which is basically just a countdown timer on your phone that you can’t miss. Because if you do public speaking in meetings and conferences, usually you’re so distracted you’ll lose track of time, or the event organizer tells you, “Oh, we’ll keep track of the time. We’ll have a clock on the stage,” and then everything breaks. So, it’s saved my life a lot. And that app is free. I think it’s called Perfect Timer.

Pete Mockaitis
And a favorite habit?

David Nihill
Favorite habit, kite surfing by miles. I nearly get killed on a weekly basis and I still love it so it must be good for something.

Pete Mockaitis
And is there a particular nugget you share that really seems to connect and resonate with folks; they quote it back to you often?

David Nihill
You know, funny enough, Jeffrey Gitomer’s line is the one that I built into my talks over the years that I love the most, and it’s probably the most quoted. So, I wish it was something that I said but, honestly, I think that sums up the whole argument for using humor the most, that, “The end of laughter is followed by the height of listening.”

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

David Nihill
Towards DavidNihill.com. I think I have everything there. And in the world of public speaking, I put under a course name called Hacking Public Speaking. So, that was my bit of marketing experimentation. I was like, “I wonder if I offered 50% of their money back for a completion within 30 days. Would they actually do it?” You know, you take online courses. I signed up to Master Class and I’m not cooking like Jamie Oliver yet. I’m just blowing up microwaves for survival. I’ve blown up hotdogs in the microwave. So, everything I know I learned the hard way is there, or you can read a lot of it for free. And I think I have a talk on Google, an altar talk with a lot of the content are on public speaking if you just want to improve for free.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

David Nihill
Yeah, I would say to put more of your own personality out there in the world of business and you will get more clients from it. And don’t give them that little bit of amazing new miracle thing that you have in your presentation, and be like, “Oh, that number is going to resonate with them.” The personal story and the something that allows them to see themselves in your shoes and come up to you after a presentation, or just relate to you on a one-on-one level, that’s going to be a story, something for your own life that you normally wouldn’t share. And if you think you have nothing funny, the magical recipe for that one is, if it’s embarrassing for you, it’s funny for me.

Pete Mockaitis
David, this has been a treat. I wish you lots of luck in all of your fun adventures.

David Nihill
Thank you very much.

613: Boosting your Influence with the Principles of PRE-Suasion with Brian Ahearn

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Brian Ahearn says: "Where we are mentally can make a huge difference in that willingness to say yes."

Influence expert Brian Ahearn discusses how to get more yeses using Dr. Cialdini’s principles of PRE-suasion.

You’ll Learn:

  1. How one question dramatically improves your chances of yes 
  2. The two ways to capture people’s attention
  3. Why we’re more persuasive when we talk less

About Brian

Brian Ahearn is the Chief Influence Officer at Influence PEOPLE. A dynamic international keynote speaker, he specializes in applying the science of influence in everyday situations. 

Brian is one of only 20 individuals in the world who currently holds the Cialdini Method Certified Trainer designation. This specialization was earned directly from Robert B. Cialdini, Ph.D. – the most cited living social psychologist on the science of ethical influence. 

Brian’s book, Influence PEOPLE: Powerful Everyday Opportunities to Persuade that are Lasting and Ethical, is an Amazon best-seller and his LinkedIn courses have been viewed by more than 75,000 people.

Resources mentioned in the show:

Brian Ahearn Interview Transcript

Pete Mockaitis
Brian, thanks so much for joining us again on the How to be Awesome at Your Job podcast.

Brian Ahearn
I’m excited to be back with you, Pete.

Pete Mockaitis
Well, I’m excited to dig into your wisdom. And so, I want to hear, so we’re going to talk about some pre-suasive principles from Bob Cialdini’s book, and it’s a funny story. I actually read that book when I was on my honeymoon with my wife in Hawaii, so that shows you how into this stuff I am. That’s a good beach read for me in social psychologist work. But you use some pre-suasive principles when you proposed marriage yourself. What’s the story here?

Brian Ahearn
Yes. So, in my first job, first day on the job, with traveler’s insurance, I’m in the HR training room, and I see Jane, and I think, “Wow, she’s beautiful!” And she said that she looked at me and thought, “What an egghead.” So, I stumbled out of the gate badly but I recovered quickly. And within a few weeks I was no longer going out with this longtime girlfriend, and Jane and I started dating, and we fell in love, and it was awesome. Until the old girlfriend called in the fall, and it really threw me for a loop, Pete, and all of a sudden, I didn’t know who I wanted to be with, and I couldn’t make up my mind for six months.

Pete Mockaitis
Oh, my gosh. What were you doing during that period of time?

Brian Ahearn
I was back and forth, back and forth.

Pete Mockaitis
Do they know about each other? How do you work that?

Brian Ahearn
Yeah.

Pete Mockaitis
Oh, wow. Okay.

Brian Ahearn
Funny. They both felt bad for me because I sincerely…

Pete Mockaitis
Sweet gals.

Brian Ahearn
Yeah. Well, I sincerely cared about both of them and I hated the thought of hurting either one. Anyway, I was in the state of indecision, and Jane and I still worked together, and this was in late April. I saw her in the breakroom one day and I asked how she’s doing, and she said she was doing fine, and that’s when she announced that she would never go out with me again, and nobody could blame her given my indecision. But I had really kind of settled things in my heart by that time, and I was actually thinking I want to marry her, crazy as that sounds. So, I knew I was going to need to do something big if I was going to make this happen. And getting to the pre-suasion, here’s what I did.

Her birthday was in mid-May, and so I sent her a couple dozen roses at work, and then I showed up at her apartment later, she agreed to go to dinner. I showed up at her apartment with another dozen roses and a bottle of wine. Now she’s thinking, “This is a pretty nice birthday.” We get ready to go to dinner. We go downstairs from her apartment, and I had rented a Rolls Royce and chauffeur to drive us to downtown Columbus. And then we went to a restaurant that was, at the time, the tallest building in Columbus. We rode this glass elevator up over 30 stories. It was really romantic and had dinner overlooking the skyline, and took the glass elevator back down. And then in the back of the Rolls, on the way home, I popped the question, and she said yes.

Pete Mockaitis
Hotdog. So, you weren’t even officially dating at the moment but it was a good birthday. You’re clearly romantic.

Brian Ahearn
Yeah. And she was pretty insistent only weeks before that she would never go out with me again. And what I know is this, Pete, if I would’ve just, in that breakroom that day, said, “Hey, Jane, I’m sorry. I love you and I want to marry you,” she would’ve been, like, “Go jump in the lake.”

Pete Mockaitis
“You know what, Brian, I’ve heard it before.”

Brian Ahearn
Yeah. And I think even if I had done it, probably any other way than I did, she still would’ve had reservations but, I don’t know, I pre-suaded her. I kind of made it fairytale-like, and it certainly made the yes come a lot easier. There was no hesitation when I finally popped the question.

Pete Mockaitis
Well, that is beautiful. And maybe, just to clarify, it made it easier to see this when it’s written. When you’re saying the word pre-suasion, as opposed to persuasion, so we’ve inverted the R and the E, implying that there’s some persuasion and something that’s happening before a request. And, in this instance, before you popped the question you were setting the stage with, “Oh, okay, this guy is pretty clearly committed, made up his mind, going big in investing in me.” So, that sets a tone there.

So, maybe, could you zoom out a bit, and give us kind of the full picture in terms of what’s the main idea behind pre-suasion?

Brian Ahearn
So, most people are focused on persuasion, that is, “What do we say or do in the moment? How do we communicate to make it easier for somebody to say yes?” But pre-suasion, and you used the term setting the stage, I like to use that term too, pre-suasion is, “How do we arrange that moments before so that somebody might be in the right frame of mind to make it even easier that when we go and we make that ask?”

I think a really good example that people could relate to is if I had three buckets of water in front me, a red bucket on my right with scalding hot water, a blue bucket on my left with icy cold, and in the middle was just room temperature.

Pete Mockaitis
Is it purple?

Brian Ahearn
We’ll call it purple.

Pete Mockaitis
Thank you. I’m so like a little kid.

Brian Ahearn
If I plunged my hand into that hot bucket and then put it into the lukewarm water, all of a sudden it would feel cold. I mean, people get that. It’s like getting out of a hot tub and getting into the pool. But if I took my other hand and put it into the icy cold, and then put it into the lukewarm, it feels hot. Now, if I do that at the same time, into the hot, into the cold, and then put them both into that middle bucket, one hand feels cold and one feels hot. But the reality is they’re experiencing the exact same temperature water. I’ve changed, though, how I experience that by what I did beforehand. And that’s a picture of pre-suasion, “What can I do beforehand to change how somebody will positively experience what I’m about to do next?”

Pete Mockaitis
Well, that is a nice visual and kinesthetic, I guess, at the same time, that sort of puts that into perspective. And so then, can you share with us some studies, some experiments, some research that reveals just how powerful this effect can be?

Brian Ahearn
Sure. Where we are mentally in the moments before we make a decision or are going to say yes or no to something, where we are mentally can make a huge difference in that willingness to say yes. And I think one study that really encapsulates this, a marketing firm was interacting with people at a grocery store as they would come in. So, imagine, Pete, you walk in, and somebody like me says, “Hi, I work for a marketing firm. We represent ABC Company. They’ve come out with a new type of pop or soda,” depending on where you live, “They’ve come out with a new type of pop, and we’re asking customers if you will give us your email address, we’ll send you an email with coupons for free samples. Would you be willing to share your email?” And in that scenario, 33% of people said, “Sure.”

Pete Mockaitis
All right. So, basically, cold, “Hey, you want some free pop/soda?” One-third said, “Yeah, I’ll give my email.”

Brian Ahearn
So, that’s kind of the control group. And then with another group though, 76% said yes to the exact same question. The difference was when you came in, that person would ask you a question first, and they would say, “Excuse me. Do you consider yourself to be adventurous, the kind of person who likes to try new things?” Well, as you can imagine, virtually everybody can think of a time where they have been adventurous, and we can all think of a time where we’ve tried new things. So, almost everybody said yes to that.

And then when they said, “Well, I work for a marketing firm, represent ABC Company, new type of pop. If you’re willing to give us your email address, we’ll send you a new email with free samples.” That change of mindset, getting you to think about the fact that you are adventurous and like to try new things, then, all of a sudden, it became much easier to say yes to the very same question.

Pete Mockaitis
You know, I love that example. And I don’t remember if it was in Influence, or Pre-suasion where they also had the instance of asking, “Do you consider yourself a helpful person?” and then survey responses went way up. And I actually used that once – hey, listeners – I used that once in an email asking for our survey, “Do you consider yourself a helpful person?” was the subject line. And, hey, many of you are. Thank you, listeners, for filling that out. That’s super helpful. It really does set the stage when you want to live up to…well, I guess there’s a few factors at work. You want to live up to that identity. Lay it on us, what’s going on there internally?

Brian Ahearn
Well, if you go all the way back to Dale Carnegie, How to Win Friends and Influence People, one of the tips that he had was give someone a fine reputation to live up to. Now, he didn’t know about the term pre-suasion, he wasn’t doing research and studies, but he understood that when you give that person a reputation to live up to, most people will want to do that.

And so, for your listeners thinking, “Well, how would I potentially use this?” Let’s say you need to go to a store, and you’re going to return something, and it’s past the 30-day mark. So, technically, they have every right to say, “You’re beyond 30 days, no.”

Pete Mockaitis
This is ringing true.

Brian Ahearn
But I think if you go up and you say to that person, you see their little nametag, and you say, “Alice, you guys have been really helpful in the past, and I hope you can help me now,” and then you begin to talk about what it is that you want to get accomplished. By giving her that helpful label because people at that store had been helpful in the past, she is more likely to try to live up to that just like your readers were.

So, when you give somebody that reputation to live up to, they usually will try to find a way to do that. And if she’s thinking of herself as helpful, she’s probably going to be a little more creative or a little more open to flexing the rules for you.

Pete Mockaitis
Well, I love that a lot. And this brings up, I guess, ethical questions, but our whole first interview, Brian, was about ethical persuasion influence. So, check that out, anybody, if you’re concerned about this stuff. And I think you put it very well in terms of, hey, it’s honest. It’s good for them. It’s good for you. And some of those principles really play out well here.

And that notion of giving someone a reputation to live up to, I’m thinking about my buddy Mohammed, who’s also on the show. And I remember he’s just a really super kind guy, just naturally being him. We started a business together and someone helped us out with some advice and some input, and he emailed her and said, “Thanks for being so generous with your time.” And I wrote him a whole email about how I loved that phrase because, one, we really do appreciate it. And, two, they really were being generous with their time. And so, that’s a message that ought to be conveyed, and, at the same time, in so conveying that, it does give them a fine reputation to live up to in terms of, “You know what, I am just kind of someone who is generous with their time.”

So, should we have a follow-up question, I think I don’t have the studies on this, but I imagine the science is in our favor that our odds of getting some follow-up questions answered, and some even more bits of advice and assistance have been elevated by thanking in that way.

Brian Ahearn
Oh, absolutely. I think any time you give somebody praise for something like that, they feel good. That plays into the principle we call liking when we’re talking about persuasion, and the more they like you, the more likely they are down the road to say yes if you ask them to do something.

Pete Mockaitis
Okay, that’s excellent. And then what I found intriguing was sometimes it’s not even verbal, right? I remember there were some studies associated with if a resume is on a heavy, weighty clipboard that some people can infer, like, “Oh, this is something with some gravitas, such to be taken more seriously,” or if we’re drinking some warm beverage. What’s sort of the stuff that’s there, like non-verbal at work?

Brian Ahearn
So, the beverage is a good example. If you invited somebody to your office, you would be better off offering them something like a cup of coffee because that coffee would be warm, and people who are feeling warm tend to have warmer feelings toward other people. Now, I’m not going to say that you want to give them a hot cup of coffee if you live in Arizona. It’s 115 degrees outside. They’ll still appreciate the kind act of a cold drink. But holding something warm tends to warm people and make them feel more warmth towards other people.

As you said, sometimes if you want somebody to really give a lot of thought to something, having it on heavier stock paper or putting it on a clipboard where it feels heavier, that heaviness psychologically gives people the sense that, “This is a heavier, more weighty issue, or something that really looks to be read.”

I bet a lot of people could relate to this. I see, as we record this, Pete, that you got a lot of books in the background there. We all feel a little different about a really skinny, like very light book versus a book that’s got substance. You just tend to think that book that has a lot more substance probably has a lot more detailed good information. That may not be the case, but I think, psychologically, many of us, when we pick up that heavy hardback book versus the very light, smaller paperback, we feel differently about those books.

Pete Mockaitis
It’s true. And, again, this isn’t a panacea, the most perfectly, elegantly, luxurious paper on the planet won’t make a resume of poor content, I’m sure, capture a hiring manager to say, “This guy, we got to hire them.” But it very well could be like, “Oh, I should take a look at this.”

How much of a difference do these pre-suasive elements make? I’m imagining that it can’t make up for poor content or not fundamentally having the goods. But what sort of an edge does it enable?

Brian Ahearn
Oh, I think if we go back to the example I shared earlier about the grocery store, they went from 33% to 76% just by asking a pre-suasive question beforehand. There’s another study that’s detailed in Cialdini’s book Pre-suasion, and it had to do with people’s willingness to buy French or German wine. When they would go into the wine store, they were either playing French music or German music. When they played French music, they sold more than three times more French wine as compared to the German. But when they played the German music, they sold 275% more German wine than they did the French.

And when people were asked as they exited the store, most didn’t even remember hearing the music. Those that did insisted it had nothing to do with their purchase decision, but it’s undeniable the difference between that, that once that music is playing, it’s impacting people’s thinking, and it impacted their behavior.

Pete Mockaitis
That is powerful. And that kind of drives towards, I guess, the distinction I was getting there. It’s like, if folks are not interested in drinking wine, that doesn’t matter. If they are not locked-in on, “By golly, it’s going to be Bota Box RedVolution,” one of my favorites, and if they’re not sort of already dead-set on a particular item, but they’re like, “Yeah, you know, what would be a good wine tonight?” “I don’t know. Let’s take a look,” and then, boom, they’re put right through that chute.

Brian Ahearn
But I think when somebody who walks into a wine store has an intention of buying wine, so then the question becomes, “What might you do to push certain brands, maybe have a newer brand, and it’s French, and you want people to be a little more enticed to try that?” If something as simple as music can get people into a frame of mind where French wine becomes an easier default choice, then that’s a really good thing. But, you’re right, if somebody doesn’t drink wine, it’s not going to impact them. But, again, they probably wouldn’t wander into the wine store to begin with.

Pete Mockaitis
They said they saw there was a Jimador in the back.

Brian Ahearn
Yes.

Pete Mockaitis
And so then, that just sort of sparks all kinds of interesting possibilities. Like, I don’t know, if you are a maker of German wine, maybe you want to be equipping your distributors with music systems on the condition that they played German music. I don’t know how practical that is, but it does show that there may very well be small investments that make a huge impact.

And I’m also thinking about, I’ve heard, as I go to this event Podcast Movement, full of podcasters and people in the podcast ecosystem, I’ve heard that sometimes there can be wildly compelling results from advertisements. Like, let’s say it’s a product about reducing risks, like insurance or something, in the context of a show that’s really scary, like about a murder, or a true crime thing that they can say, “Uh-oh, that could happen to me.” Like that kind of influences is huge. Can you speak more to that in terms of advertising/marketing realms?

Brian Ahearn
Well, if you are going to pay to be on some type of show, you probably want to consider, “What is that show? And what is going to be the mindset that most people are going to be in as they watch that show?” If people are watching something that really is scary, risk is scary. And so, by advertising something about risks, or maybe it’s insurance at that time, people might be more apt to pay attention to that because they’re in that fearful state.

If we had no fear at all, we wouldn’t probably buy any insurance. I mean, it’s not that you’re selling fear, but we know that bad things can happen and we want to mitigate that if possible. But we’re not thinking about bad things happening when we’re in certain mindsets, but we certainly are when we’re in a fearful mindset. So, strategically thinking about, “What is the show? What would be the mindset that people are going to be in?” is going to make a difference as to where you want to advertise.

Pete Mockaitis
Okay. Cool. And I want to maybe zoom out a little bit to the principle level. Within the book, we’ve got two commanders of attention: attractors and magnetizers. Can you sort of help us understand that distinction and give us some examples of each?

Brian Ahearn
Well, an attractor is going to be something that, as it says, it attracts you, and a magnetizer is going to be something that keeps your attention specifically on something. And when we talk about, as we teach about pre-suasion, one of the things that we talk about is, “Can we extend the time that we’re pre-suading?” The longer that somebody, for example, remains in the mindset that you want, the more opportunity you have if you are trying to persuade them.

So, an example of a magnetizer, keeping something there, if you we go back to the music, that would be a good example of a magnetizer because it’s continually playing while you’re there. It wasn’t as simple as the question that might’ve changed your thinking in the moment. But then, as you go through the store, that might not be impacting you any longer, but the music is continuing to do that. So, that would be, I think, a difference. Magnetizer is going to keep you there. The attractor is going to be something that might grab your attention immediately.

When they talk about something like, “Sex sells.” Sex is something that, quite often, will grab your attention right away. And that’s important because we have limited capacity for our attention. And so, if you can grab that attention, even momentarily, you’ve got a better chance of trying to influence somebody to do the thing that you need them to do. And in the context of what we’re talking about, it’s a purchase.

Pete Mockaitis
And then I suppose you got to have some congruence with the offer or, otherwise, you’re going to kind of lose out on some trust and such, like, “What? What does sex have to do with this?”

Brian Ahearn
Yeah. And I think there are times where celebrities are advertising things, and it’s not even close to being in their wheelhouse. And so, while it may attract your attention in a moment, but you’re not necessarily making a connection with what that product is that he or she is trying to sell, I think that things fall short there.

For example, if Tiger Woods is advertising things that revolve more around golf, that is certainly going to be more congruent for somebody to say, “Well, you know what, if he plays that kind of ball, if he uses those kinds of irons, then maybe I could play a little better if I use the same products.” But when he’s selling something that’s totally out of the realm of that, yes, he’s attracting the attention because we all know who Tiger Woods is, but, beyond that, I don’t know that I’m compelled to drive a Buick because he drives a Buick.

Pete Mockaitis
Yeah, that makes sense in terms of there’s maybe not so much of a logical, rational connection. It’s maybe more just sort of brand good feels, like, “You know, I like Tiger Woods,” or sort of whatever he stands for in your own mind, and that could be good or bad, whatever he stands for, that sort of gets a bit imparted onto the brand and the feels associated with it, which is probably one of the reasons why when folks get themselves into hot water, brands cut bait real quick with them.

Brian Ahearn
Yes. Yes, they do.

Pete Mockaitis
Okay. And then I’m also intrigued by just talking about how long you can sort of have that attention going. And there’s a bit of an approach associated with having some mystery and keeping that tension and mystery going for a bit of time. Can you walk us through that?

Brian Ahearn
Yeah. Human beings, we don’t like it when there’s not kind of some finality to things, when there’s not a bow on the package, so that we can kind of wrap it up and say, “Okay, we’re done with that.” You probably have had somebody who began to tell you a story, and then they got interrupted, maybe it was their phone or something, like, “Oh, I’m sorry. I got to go to this meeting.” You’re left hanging, and you’re like, “Wait a minute. I want to know what’s the end of this.”

And that is something that we can use to our advantage by sharing something that’s interesting and compelling, and then holding back a little bit. And then once that person is like, “Wait a minute. What’s the end of the story?” you have them even more focused on you and what you’re sharing than if you might’ve just gone all the way through and given them the answer.

It’s not unlike this, too, Pete. I’ve taught communications for a long time, and I know that people hate silence in conversation. So, sometimes just saying what you need to say and then being quiet, all of a sudden, they try to fill that space, and they’re the ones now who are engaged with you. Where people make a mistake a lot, is they just think they need to keep talking and basically throw everything except the kitchen sink at somebody, and that’s the exact opposite. Create a little mystery in your communication. Share a little bit and then just be quiet and see how people start responding.

Also, when you ask questions, people feel compelled to answer questions. So, those are a couple of just small things that everybody can do in their day-to-day communication.

Pete Mockaitis
And can you give us an example of how we might go about sort of leaving something out to provide some mystery for a little bit of time?

Brian Ahearn
Well, I write a blog, I could certainly write a blogpost and then leave it open-ended, and say, “Next week, we’re going to take a look at what actually happened.” I mean, that would be a perfect case of I share some detail and then I leave it hanging because you don’t want to write a book when you’re writing a blogpost. You want to keep them relatively short. So, maybe you put something out there with a, “And we’ll conclude on this next week.”

You see this sometimes in other advertising, too, where they’ll put something out, and say, “Go to this website to find out the conclusion of the story,” or something like that. But if it’s compelling enough, and that’s the thing though, it’s got to be somewhat compelling, because if somebody puts out something that’s of no interest to you at all, just like if you don’t drink wine, you’re not going to be in the wine store. If it’s not of interest to you, but if you know your audience and what sort of interest to them, and you leave them hanging a little bit, like, “Come back next week because I’m going to share the answer with you,” that’s going to get more people, I think, coming back the following week and clicking on what you want them to click on.

Pete Mockaitis
Oh, yeah, that’s so good. Well, again, Podcast Movement is coming up. They did exactly this, and I was totally riveted in terms of they said, “You know, hey, with the pandemic, we shifted to a virtual format, and we went through many, many, many options for platforms and providers in order to figure out one that’s just going to be amazing. It’s not just going to be a bunch of Zoom.” And so, I was like, “Oh, what is it?” And they’re like, “We’ll tell you next week.” And I put it on my calendar, it’s like, “Go to the Podcast Movement blog, and figure out what platform they’re using.” It’s Swapcard. I haven’t used it but, apparently, it’s great. I trust those guys to pick a good one. And it did, it did for me because there was some mystery, and I had to wait, and I went ahead and went there to get the word.

Brian Ahearn
Well, the news does this too. How many times have we seen something, “There could be radon in your house. News at 11:00”?

Pete Mockaitis
Oh, yeah.

Brian Ahearn
Now you’re like, “I got to tune in at 11:00 o’clock to find out radon levels in homes in my area,” something like that, so it happens. But what we want people to do, as we teach about this, is to be more thoughtful about their communication, “How can I start taking this in without being a television advertiser or the news? How can I start using these simple and easy-to-implement ideas to have more people paying attention and, ultimately, doing the things that we need to do?” In a corporate environment, that’s a big deal.

Pete Mockaitis
And maybe to wrap it up, before we hear some of your favorite things, could you share what is post-suasion, and why is it necessary, and how do we do it?

Brian Ahearn
Post-suasion, like when I think about sales, and I usually work with salespeople, when you’ve made the sale, you would like to get referrals, and so I teach insurance agents this a lot. What I would never ever do with you, Pete, if I was an insurance agent, I would never ever say, “Hey, Pete, now that you’re moving your insurance to my agency, you must be happy. Who else do you know who would like to make the switch?” because mentally you’re not there. You’re just wondering, “If I’ve made the right choice,” you’re making the switch. It’s probably somewhat expensive if you’re insuring your home and auto, and all these other things. You are not thinking about, “How can I help Brian Ahearn?”

So, what I’ve always instructed agents to do is I would say to you, I’d say, “Pete, you’ve just made a big decision here, severing ties with your current agent, and moving your business here. I know that you’ve probably had people ask you for referrals at the end of the sale, and I’m not going to do that. But what I would like to ask you is this. If nine months from now you’re happy that you made the switch, that we have lived to everything that we said we would do, and you’re happy, would you be open to talking about referrals?” And most people are willing to put off into the future what they don’t want to do right now. You’re probably thinking, “Well, yeah. If I’m happy, why wouldn’t I be at least open to that?” I’ve not even fully asked for a commitment. I just said, “Would you be open to it?” And you’re going to probably come back and say, “Sure. That’s reasonable.”

Now, it’s on me in nine months to follow up with you, and I would do that. I’d call up, “Hey, Pete, how are you doing?” And we’d talk a little bit, and I’d say, “Do you remember when we wrote your insurance, and I asked if you were happy, would you be open to talking about referrals? It sounds like you’re happy. Would you be okay setting a time next week to talk about those referrals?” Now, I’m kind of into the pre-suasion again because I don’t want to just ask you right during that conversation because, again, you weren’t thinking about me and referrals. I just called you up. But once we set that time, you start thinking about, “Who can I refer to Brian?” And I’ll do little things to ensure that. I will send you a quick email with a meeting reminder and a thank you. In the day of, I will shoot you a text and say, “Pete, are we still good to talk about referrals this afternoon?” But the whole time now you’re starting to think about that.

So, the post-suasion started right after the sale, and now I’m pre-suading again, getting you into the mindset so that when I call and ask about referrals, you’re ready to give me good-quality referrals.

Pete Mockaitis
Yeah, that’s intriguing how it’s bit by bit, you’re doing it at the right times, and, you know, it’s funny, maybe I’m just selfish, but I have a hard time imagining how I would ever make the time to provide some with insurance referrals, unless like you really hooked me up in terms of like, “Straight up, my house burned down, and you swooped into action and saved the day. Wow.” Or, you keep giving me other cool tips associated with saving money, reducing risks. Like if it’s a home, maybe it’s just sort of like, “Hey, do you know about HomeAdvisor? Now you can find out how much renovation should cost before you do it.” Like, “No, I didn’t. Thank you, Brian’s Insurance. That’s really cool of you.” So, I guess I also need a little bit of wow to do that personally.

Brian Ahearn
Well, that’s why I said that, “If we live up to what we said we’d do.” So, that was part of the buying process. You switched because maybe you were saving money, but maybe there were other things that I was saying we will do, and you’re thinking, “My current agent doesn’t do any of that.” So, that’s implied by me that that’s part of the sale. And in nine months, when we talk about it, you’re like, “Hey, the insurance advisor, and all the things you said you would do, which helped me make the switch, you’ve done, and I’m happy.” And that’s where I’ve got that opportunity then because you’ve said, “I’d be open to talking about referrals.” So, you’re right, there’s got to be part of that package of why you made the decision to move.

Pete Mockaitis
Yeah. Well, this will be a whole another podcast as how to differentiate yourself in a crowded market, it’s like, “What would that be?” Maybe for home insurance once a year, you send a person over and spend half an hour looking at some stuff, and say, “Hey, man, you want to get some tuck point right there or you’re going to see some water damage within a couple of years.” It’s like, “Oh. Well, thanks for letting me know.” That would really be distinctive and make me really want to, I guess, the reciprocity, say, “Wow, that was so cool of you. I want to be cool to you right back, so, yeah, let’s see those referrals.”

Brian Ahearn
Yeah. And that’s, you’re right though, how do you stand out? Insurance is a somewhat generic product. The real differentiator becomes who that insurance agent is, and it’s all about what you value in a relationship with an insurance agent. Sometimes agents will say, “Well, because we’re local,” and I’ll challenge them, and I’ll say, “You know what, some people don’t care if you’re local because they can see you online anywhere in the world, so you need to understand if that’s part of the buying process for you.”

Pete Mockaitis
Right. Right. Well, Brian, tell me, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Brian Ahearn
I would just encourage people to pick up a copy of Cialdini’s book, one, it’s a fascinating read. I think they will be amazed at how things that they might not even consider can impact them at the conscious, but quite often, at the subconscious level, and really cause substantial change in behavior. It’s good because you want to understand what might be impacting you so you can make the most informed decisions possible. But if a large part of your success is getting people to say yes and do things, then really starting to think about, “How can I set the stage so that when I go and make my ask, it’s easier?” that will be extremely beneficial for you.

Pete Mockaitis
Okay. Thank you. Now, can you share a favorite quote, something you find inspiring?

Brian Ahearn
I think one of my favorite quotes, and I’m not going to get it word-for-word right, but one of the most impacting books I’ve ever read was Viktor Frankl’s Man’s Search for Meaning. And towards the end he said, “In the end, they can take away all of our human freedoms except for the last freedom, which is where we will place our thoughts.” He really said that the man or the woman who knew that nobody could make them think what they didn’t want to think was actually the freest person. And he said, “We were freer than some of the guards who maintained our captivity because we understood that.” And I think I read that such a long time ago, but I always go back to that, that the freedom of thought, nobody can take that away from me.

Pete Mockaitis
And how about a favorite study or experiment or bit of research?

Brian Ahearn
I would say probably research around highlighting loss, loss aversion with Daniel Kahneman and Amos Tversky, because when I share any of that, and the research that I’m thinking specifically is University of California when they did energy audits and went back to people and gave them ideas to make their homes more energy-efficient. They either said, “If you do this, you will save $180 next year if you’re like the typical homeowner. Or if you don’t do this, you will lose $180 next year because you’re going to overpay.” It’s the same $180. But how it’s talked about makes a world of difference.

And in that particular case study, 150% more people who were told they would lose tended to implement the energy-saving ideas. That goes back to their work on loss aversion, that humans are anywhere from two to two and a half times more likely to say yes to the very same thing when they think they’ll lose as opposed to where they may gain. And there are so many opportunities for people to move something from a gain view into a loss frame. And not being a negative or a threatening or anything like that, but just by conversationally talking about what somebody might lose, and so there’s just a tremendous amount of opportunity for people to do that.

Pete Mockaitis
And a favorite book?

Brian Ahearn
Well, other than Influence: Science and Practice, my book, Influence PEOPLE. No, actually, I’ll give you two books because they really radically impacted how I make my presentations. One was Carmine Gallo’s The Presentation Secrets of Steve Jobs, and the other was Presentation Zen. Between the two of those books and changing how I format and the visuals that I use with audiences, and then thinking about Steve Jobs and how he interacted with people, it completely changed my stage presence, and it gets a tremendous feedback. So, those are two books that have had a big impact on me.

Pete Mockaitis
Oh, Brian, maybe we have to have a third of this. We had Carmine on the show. But could you give us sort of one tidbit in terms of, “Before, I always did this. And now, I never do this,” or vice versa?

Brian Ahearn
Well, before, I did a lot of words and I would just do some bullet points as I go through things. And what I do now is almost entirely visual. I will usually have a keyword. Like, if I’m going to talk about a principle, you might see the word authority, and then I talk about it. And then maybe I click and it says research at the bottom or application. It was a little scary at first because you can’t look over your shoulder and hit a bullet point, but then there’s a freedom with it because nobody says, “Hey, you didn’t talk about the third bullet point.”

And what I started to sense was I could go in any direction I wanted with an audience. And when people would say, “Can I have your PowerPoint?” I’m like, “Why? It’s 24 pictures. You need me to interpret that for you.” So, that was a big change. The more comfortable I got with it, the more fun I would have when I was with audiences.

Pete Mockaitis
Yeah. I’ve been down that road as well because I used to make slides, well, sometimes I do, based on the audience, like, as a strategy consultant, I mean, that was kind of the idea. And Nancy Duarte would call it a slide dock, it’s like, “This is not just a supplement while keynoting. It is going to be distributed amongst decision-makers and follow-up meetings as a piece of research tool to get work done.” So, that’s very different than, “I want to draw you into a good energy space, and augment my message when I’m keynoting on stage,” versus, “I need to persuade you that this is going to make you 16 million incremental dollars next year.”

Brian Ahearn
Yeah, you always have to think about who your audience is and what you want that takeaway to be. When I reference what I do, I’m thinking really of keynote presentations. And I’ve got Duarte’s book right down below, near my feet here, slide:ology, and I would say that’s a great book too. I just happened to read “Presentation Zen” many years ago before her book came out, and so that’s what started to impact me.

Pete Mockaitis
And how about a favorite tool, something you use to be awesome at your job?

Brian Ahearn
A favorite tool right now is an app called Voice Dream.

Pete Mockaitis
I have that one.

Brian Ahearn
Do you use it?

Pete Mockaitis
I’ve used it a couple times when I needed something read to me, and I couldn’t find a way to do it. Voice Dream was the way to do it. How do you use it?

Brian Ahearn
So, I use it for a lot of stuff. I have a personal mission statement, I download to it, and it takes about three minutes, but usually when I’m doing my coffee in the morning, I press it, and I hear the words of the mission statement, so every day I’m hearing that. I’m in the middle of writing my second book, and so I download it, and then I start listening to it to see, to find out how it sounds because my eyes can deceive me, I know what I want to see. But once I hear it, I’m like, “Oh, it should be the not they,” and you catch the little things like that.

Pete Mockaitis
Oh, fascinating.

Brian Ahearn
I’ll bring a blogpost in, and I’ll quickly write the blogpost, clean it up. But then I’ll listen to it, I’ll go back and refine it. So, what I would say, Pete, is try and use it for some things you’re not right now, and I think you’re going to start going, “Wow, this is so beneficial,” that you’ll start pulling more things into it. You’ll just realize how important it is to hear what it is that you’re writing before you actually publish.

Pete Mockaitis
Well, that’s good. And you’re hearing it a bit differently than if you read it yourself out loud, and you’re saving the time of making a recording. So, that’s clever to surface errors and better ways to rephrase things in a different way. I like it. Thank you.

Brian Ahearn
You’re welcome.

Pete Mockaitis
And a favorite habit?

Brian Ahearn
My favorite remains working out. I’m up every day at 5:00 a.m., and by 5:30, I’m downstairs. I’ve got a really nice gym in my basement. I usually run in the morning, do three to five miles. A lot of times I’m on the treadmill because I like watching things on Netflix, and then I’ll spend time stretching. And then I’ll go back down in the afternoon and spend 30 to 45 minutes lifting weights. This became the routine during COVID because you couldn’t go anywhere. But then I started to realize I really like the routine, I like the aerobic activity to start the day, I like going down and working my muscles after I’ve been sitting for a while, and just the break from thinking to be able to do that. And then it’s usually dinnertime, and my wife and I are interacting after that, so that’s a daily seven-day a week routine.

Pete Mockaitis
And is there a particular nugget you share that really seems to connect and resonate with folks; they quote it back to you frequently?

Brian Ahearn
I think around the principle of liking. As I have really come to emphasize, it’s not about me getting you, Pete, to like me. It’s about me coming to like you. And that seems like it’s been revolutionary for a lot of people. They all know that if somebody likes them it’s easier for the people to say yes, but they’ve never really thought about, “Maybe if I spend more time coming to like other people, that would be the difference-maker.” Smart people, over the course of history, have known this. Abraham Lincoln said, “I don’t like that man very much. I need to get to know him better.” And I think if we all took that tact, that we would probably have much, much better relationships.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Brian Ahearn
I’d say my website, InfluecePeople.biz. From there, if you want to buy my book, you can buy the book. I’ve been blogging for a dozen years now. I’ve been on almost 80 podcasts. All of that stuff is there. It’s all free. The book is not free. You do have to buy that, but the podcasts, and I’ve got some videos, I’ve got the blog, all of that stuff. So, there’s a tremendous amount of information that’s out there. And the other thing I would say if you want to connect with me on LinkedIn, I’m always open to connecting with people.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Brian Ahearn
I would say really start giving some thought to persuasion and pre-suasion. That’s one of those things that we do throughout the course of our lifetime, and so we can almost take it for granted. But if we really pause and start thinking strategically about these principles of human behavior and how can we bring them into our communication, whether it’s oral or written, you will have more people saying yes to you. You’ll enjoy a lot more success at the office as a result of it.

Pete Mockaitis
Brian, this has been a treat. I wish you lots of luck in all the ways you’re being pre-suasive.

Brian Ahearn
Thank you. I appreciate it, Pete.

597: How to Turn No Into Yes: Powerful Negotiation Questions with Alex Carter

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Alex Carter says: "Silence is not an imposition. It's actually a gift to the other person. It gives them time to think and it prevents you from selling yourself short."

Columbia law professor Alex Carter shares why it pays to ask for more, both at work and in life.

You’ll Learn:

  1. The 4 questions that will help you negotiate better 
  2. How to boost your confidence going into a negotiation 
  3. How to increase your chances of getting a yes from your boss 

About Alex

Alex Carter is Director of the Mediation Clinic at Columbia Law School, where she is also an award-winning professor, and a world-renowned negotiation trainer for the United Nations. She also serves as Executive Director of Stand Up Girls, helping tween girls develop relationships for greater self-esteem and resilience. She has appeared on CBS This Morning, MSNBC’s LIVE Weekend and Hardball, Marketplace, and in The New York Times and Wall Street Journal. She lives in Maplewood, New Jersey, with her husband and daughter.

Resources mentioned in the show:

Thank you Sponsors!

Alex Carter Interview Transcript

Pete Mockaitis
Alex, thanks so much for joining us here on the How to be Awesome at Your Job podcast.

Alex Carter
Pete, thanks so much. I’m thrilled to be here.

Pete Mockaitis
Well, I’m excited to talk negotiation. And I’d love it if you could kick us off by sharing one of your coolest negotiating stories.

Alex Carter
Sure. Coolest negotiating stories. How about the first time I ever negotiated my own salary?

Pete Mockaitis
That sounds like a good one. Let’s go.

Alex Carter
So, yes. I’m one of these people who, and some of your listeners may relate, early on in my career, I worked at places that were all lock-step so I never had much to negotiate. Well, fast forward to the first moment in my 30s that I ever negotiated my salary. Went in, power suit on, ready for battle, and to my surprise, they came in slightly above what I was expecting. So, had just enough on the ball to keep my face neutral, said, “Thank you so much. I’ll get back to you.”

Went out and called a senior woman in my field, and I said, “I’m not sure what to do. They came in above.” And she said, “I’m going to tell you what to do, Alex. You’re going to go in there and you’re going to ask for more.” And I said, “I’m going to ask for more?” And she said, “Yes, because when you teach someone how to value you, you teach him how to value all of us, meaning women. And so, if you’re not going to do it for yourself, I want you to go in and do it for the woman who’s coming after you. Do it for the sisterhood.”

Pete Mockaitis
Okay.

Alex Carter
And so, that was the moment when I realized that asking for more and negotiating and claiming my value actually was not a selfish act, that in doing that, I could create more seats, not fewer, around the table for people to join me.

Pete Mockaitis
Well, that’s a beautiful reframe right there in terms of it’s not a zero-sum game. It is benefitting more persons than just you. It’s funny, I think sometimes when we hear about negotiation, we think about the tactics and the power phrases. I’m thinking about Michael Scott in “The Office.”

Alex Carter
Oh, God.

Pete Mockaitis
Trick number 31 or whatever, and it would sound like, “Okay, you did your research, you said you’re going to think about it, and then you just suggested a higher number,” and it sounds like, unless you skipped any juicy details, that there weren’t a lot of secret weapons you’re employing there.

Alex Carter
Well, it’s interesting, Pete, and I’m so glad you brought that up about people thinking it’s all about the secret weapon, the decision tree, or some complicated algorithm that’s going to get you the best result. The truth is, that Ask for More, is in part, it’s my book, it’s in part the story of a woman who learned how to ask for more, but it’s also about the power of questions.

Questions are actually the number one under-utilized weapon in negotiation. When you go into a negotiation and front load your questions, you’re not only going to get more information, you’re going to end up with better deals.

Pete Mockaitis
Okay. Well, that’s very tempting to dive right in. But, first, I want to touch base on in terms of maybe the why or what’s at stake with negotiating skills. So, I think naturally, if you think, “Hey, yeah, you can have some more money if you negotiate.” But what are maybe some of the other opportunities that we don’t even think about negotiating?

Alex Carter
Yeah, negotiation is about a lot more than money. You know, Pete, in fact, let’s zoom out a bit because a lot of times when people hear the word negotiation, they think of kind of what we started talking about at the beginning of this podcast where it’s a back and forth between two or more people over money. That’s actually not what I teach. I teach that negotiation is steering. It’s any conversation, not just the money conversations, not just the conversations where you’re battling over resources, but any conversation where you’re steering a relationship.

And so, it’s not just about money. It’s often about teaching people how to value you. It’s often about achieving the intangibles in life, those things that make our lives worth living – freedom, advancement, a sense of accomplishment, recognition. Negotiation is all of those. It’s how we create our own story.

Pete Mockaitis
Okay. That sounds great. So, let’s see about these questions.

Alex Carter
You’re right. All right, let’s get back. So, in fact, the first question that people should be asking in negotiation is actually not when they sit down with somebody else. So, Pete, by the time you and I sit down to negotiate, half of the process is already done, and that’s the part of the process that starts at home with me. So, before I even sit down with somebody, I need to be asking myself questions. And the first question I tell people to ask in every scenario is this, “What’s the problem I want to solve?”

You know, Pete, I found that, whether you’re talking about it in corporate context or in a more entrepreneurial scenario, people want to jump immediately to solutions, “There’s budget allocation, and I’m the leader of my department, and I want to go in immediately and say, ‘This is where my department’s number should be.’ But wait a second, what’s the problem I want to solve?”

“Am I merely looking for X number of dollars here because I’m allocating it to certain projects? Or, in the process of this, am I also trying to raise awareness about what my team did last quarter? Am I also trying to communicate the importance of my department to the company’s overall mission?” Thinking about the problem you want to solve, not only shapes what you ask for but how you ask for it. It is the first stop in any negotiation.

Pete Mockaitis
Okay. So, we’re thinking clearly about the problem that you want to solve and, in so doing, I think that probably reframes any number of things and opens up a lot of possibilities that maybe just weren’t even on top of mind before you went there, so that’s awesome. What’s next?

Alex Carter
Sure. Well, how many questions would you like to do?

Pete Mockaitis
Well, I understand you’ve got ten, so maybe let’s get the rundown preview listing and then dive deeper into a couple.

Alex Carter
Okay. All right. So, let’s talk next. So, you’ve thought about the problem you want to solve, I think the next stop is really thinking about what you need from this negotiation. And when I’m asking people to consider their needs, I ask them to put them into two buckets. So, the first bucket is kind of the low-hanging fruit in most negotiations. It’s what I call the tangibles, right? The things that you can touch, see or count, “So, I need this amount of money. I need this many people for headcount to grow my division.”

The intangibles, though, often complete the picture. Those are the values that we stand for and that really drive our negotiation. So, for example, if I’m the head of the department going in for resources, in addition to saying, “I need X, Y, and Z tangibles,” I might be thinking, “I need acknowledgement from my CEO for what we did for the bottom line last year.” And then that intangible can very often shape how I negotiate. The trick is, Pete, that when you have these intangibles, like, “I need some recognition,” you’ve got to look inward and ask yourself, “What would recognition look like for me here?” In other words, you’ve got to take that and make it concrete so that, then, it’s a basis for you to negotiate from.

Pete Mockaitis
Yeah, excellent. And so, in terms of we start with a problem, and then, “What it is that I need?” and have that be clear in terms of, you’re right, acknowledgement can take many flavors and formats in terms of, “Is it public? Is it private? Is it just like, ‘Hey, great job,’ one-sentence email that’s good enough? But what do you need?”

Alex Carter
Pete, you joke but I swear to you. So, part of what I do at Columbia Law School is I help people negotiate their way out of large conflicts. So, recognition for one person looks like a seven-figure number. Recognition for somebody else looked like a certificate that he put on his wall, a certificate of appreciation. It truly looks different for every person, and you have to honor what that looks like for you. “Ask for More” is all about tuning out the noise of what other people think you should need, and tuning in to what things like recognition and freedom and respect look like for you.

Pete Mockaitis
You’re right. And I like that when you talk about freedom, I mean, if we think about sort of a salary compensation picture, it may very well be, it’s like, “Okay, we don’t have that in the budget. Fair enough. I would like some additional vacation days.” And so then, on a dollars per hour or day basis, you might still feel whole with regard to achieving what you wanted to achieve.

Alex Carter
A hundred percent. And you pointed out something really important, which is there’s almost never just one driver in a negotiation. Money is something you can negotiate for. It’s not the only thing you should negotiate for. And if you’ve gone in with a complete list of what you need, “I need freedom, I need appropriate compensation for what I’m doing,” then that gives you the basis to be able to say, “Okay. So, what can we do on the salary? What can we do on the work schedule? What can we do on vacation? And how about mentorship or training possibilities?” In this way, you’re not just myopically zoning in on the money. I want for you to get that and everything else that’s going to satisfy your needs.

Pete Mockaitis
Let’s talk a little bit about those emotions here. As I’m imagining, as I’m putting myself in the shoes of a listener that says, “Boy, there’s a context in which I’m starting to ask, I’m asking for more, I’m asking for a lot, for the money, for the work schedule I want, for the vacation I want.” I think this can give rise to some fear in terms of like, “Oh, am I being whiny, or needy, or hard to work with, or asking for too much too soon? Is this even appropriate?” How do we deal with that issue?

Alex Carter
Huge, huge issue. And can I say, Pete, I think this is even more of an issue right now than usual? All the time, people are having this conversation in our heads. It’s not just, “Am I whiny or am I needy?” For a lot of people, it’s “Am I worth it? Do I really believe that I am worth what I am asking for?” That is where negotiation starts. And I have to tell you that fear you were describing is so much more present now. Every day, I get a note from somebody I don’t know asking me, “Can I really negotiate even right now, even when I’m desperate for a job, even when I really need some money coming in the door?”  And the answer is that not only can you, you should.

I want to reframe that conversation in people’s heads. Yes, times are tough right now. On the other hand, isn’t now the time when every dollar of your company’s money should be spent on somebody who’s going to be able to achieve results, and shouldn’t that person be you? Why not you? Managing that internal emotional conversation is key to negotiation success.

And so, for that reason, I ask people to write down their feelings, what I call the F word, before they go in and they negotiate, because it’s in the process of airing those things out, recognizing that you’re feeling them, and persevering through anyway, that you’re going to get to the other side of that mountain.

Pete Mockaitis
Yeah, I really like it. And I guess the what you’re worth piece, I think there’s a lot of bad places you can look for that, or suboptimal, shall I say, like, “Hey, what you were paid at the last place, or last year, may or may not be a reflective sensible answer to what you’re worth.” I imagine your market research in terms of, “Hey, supply and demand for this position and what they tend to get paid is worth it.” And then I think, for listeners of this show, it’s helpful to just think about, “How committed, motivated, ambitious, dedicated, skillful you are at your job relative to the other people in your office?”

And maybe you’re surrounded by higher performers but it’s often the case, people say, “Wow, a lot of people just aren’t really doing their job that many hours out of the day here. So, hotdog, I’m pretty diligent, so I might be worth two or three times what my peers are getting paid.”

Alex Carter
You know, I’ve counseled thousands of people, most people are underestimating themselves and not overestimating. Research tells people that when you ask for more, your ask should be optimistic, specific, and justifiable. A lot of times we remember that we need to justify our ask but we don’t remember the optimistic part. Take the best-case justifiable scenario and start from there, because, remember, it’s very rare that you’re going to get more than what you ask for.

Pete Mockaitis
Right.

Alex Carter
So, your ask sets the ceiling.

Pete Mockaitis
That’s excellent. So, it’s sort of like the most that’s not absurd, like, “Come on,” so just a bit below that, it’s like, “Well, hey, this is the 98th percentile for this role but, hey, I think I’m a top 10% performer so it just seems sensible that that’s what I want.”

Alex Carter
A 100%, that’s right.

Pete Mockaitis
Oh, I like that a lot. And also, when they say, “Hey, can I ask now even amidst economic uncertainties and COVID and such?” I recall we had the folks from the Paychecks & Balances podcast, great guys, Rich and Marcus, who, on the show, and one of them said, “You know what? I have blanket approval to give a 10% raise to anybody who asks, and almost nobody asks.” It’s like, “Wow!” that was eye-opening. A lot of people making these decisions do have that leeway just built in, no higher authority approval even necessary. Has that been your observation?

Alex Carter
It has. In fact, just in the last two weeks, I’ve negotiated with two separate organizations that initially said, “We have no room to negotiate,” and I asked, and almost immediately got the 10%. Almost immediately. And so, it’s as though the form letter goes out saying, “This is the rate.” But it’s true, people, in fact, here’s the secret, people expect you to negotiate. That’s the truth. People expect you to negotiate even in a pandemic. And you know what’s great when you negotiate during a pandemic? In the process of advocating for yourself, you are showing the company how you will advocate for them. Always, always negotiate.

Pete Mockaitis
Yeah, I like that a lot. Okay, so we talked about the fear piece. That’s great. So, being convinced that you’re worth it. And we talked about the first two questions. What’s after that?

Alex Carter
Actually, Pete, we talked about the first three because the third one is about emotions and we kind of got there. After we talk about feelings, the next thing I like for people to do, this is a really, really powerful question, I like people to ask themselves this, “How have I achieved this successfully in the past?”

And here’s the reason, because oftentimes we’re facing a scenario and we’re feeling a bit anxious about negotiating, we forget that we have handled things successfully before. If you’re about to negotiate for yourself, or raise your prices, or ask for a higher salary, remember the last time you advocated for yourself. Write down the strategies you used and see what might be utilized here to make you more successful.

The thing about this question, Pete, is “How have I handled this successfully in the past?” it has two powerful functions in negotiation. Number one, the mere fact of asking yourself this question, there is research to show that if you go in to negotiate, having thought about a prior success, you’re more likely to do better simply by having thought about it. But the second reason to think about a prior success is it’s a data generator. Very often the strategies we’ve used in the past to make ourselves successful will work again in the future.

Now, I want to answer, Pete, a question that I think your listeners may be thinking. Some of them are thinking, “This is great, Alex, if I have a prior success that’s right on point. But what if I’m trying to do something I’ve never done before?” Fine. I’ve never, for example, published a book and promoted a book during a pandemic. First time, okay? But I looked back and I thought, “Okay, what are the elements of this? What do I need to do? How can I boil this down?”

And I thought, “Okay, I need to get a lot of people on board. I need to communicate clearly and powerfully around the message, and create a massive team to support me. When have I done that before? Oh, I ran my husband’s campaign for local office five years ago.” Went back, looked at the strategies I used as his campaign manager, and applied them to my book-promotion campaign. It was incredibly successful.

Sometimes, even a seemingly unrelated prior success is going to be just the thing to give you some strategies to use in your negotiation.

Pete Mockaitis
That’s excellent in terms of there are all sorts of carryover in terms of it’s not the bullseye, okay, a book in a pandemic. Sure, that’s one of a kind. But, certainly, skills, experiences that have some relevance and some carryover, zero in on those. And that is great in terms of double barrel. You can bring that up if it comes up, and you feel all the more resolute and convicted about you being worth it for having gone there. So, that’s excellent.

Alex Carter
Yes. And if I can speak to that point, Pete, remember we talked about sort of psyching yourself out, almost giving yourself the no before anybody else can. If you are somebody who has difficulty advocating for yourself, my guess is, if you’re listening to this podcast, that you are great at negotiating on behalf of other people, your department, your friends, your kids. I want you to write down what makes you so successful when you negotiate for other people, and then use it for yourself. Over and over again, I have worked on this exercise with corporate leaders, and they tell me they find it unbelievably helpful in channeling those strengths to go in and ask for more.

Pete Mockaitis
Oh, I love it because that just sort of cuts through all of the self-doubt stuff in terms of, “If I am negotiating for Pete Inc. as opposed to me,” then you’re operating a bit differently, so that’s great. I want to get your take on, this might be advanced, but I think it comes up. It’s come up for me and I don’t do a ton of negotiating. When is the right time to think about bringing in an agent or a lawyer? When should you do that versus not do that?

I remember when I was closing on my house, it seems like the lawyers kind of made things more intense and a little kind of harder to get into a win-win. I remember at one point they’re like, “Did they say it was a shakedown? For them to impugn our integrity that way…” it’s like, “Oh, no, that was just me summarizing.” We got some misunderstandings and some intensity, but, at the same time, lawyers and agents are professionals with the skill set that have their use. How do you think about that game?

Alex Carter
So interesting. You know, Pete, I’m a lawyer and yet I think we often get in the way, right? We have a way. And it goes down to how a lot of lawyers are trained. So, again, I have a J.D., I’m a practicing lawyer, but for my first two years of law school before I took the class that I’m now teaching, I basically was a hammer and all I saw were nails, and I was looking for how I could escalate a conflict at any turn.

The truth is, Pete, I do make, now, I do make use sometimes of lawyers and agents. I have literary agents, I have speaking agents, all sorts of people who work with me. The truth is that nobody is going to be a better messenger than you even if you have an agent. I work really hard to steer that relationship and to help use them for the things that they are great at. Some of the industry-specific knowledge, that might be an occasion when I would hire. This is very industry-specific, they’re going to be able to help me fill in all the things that we could negotiate for.

But how we prioritize, and that strategy, that has to come from you. That has to come from the client. And there is no substitute for that.

Pete Mockaitis
Okay. Understood. And it makes a lot of great sense in terms of if they’ve done many book deals or speaking gigs, it’s like, “Well, they kind of know what people are paying because it can vary wildly. A keynote might sell for 3,000 or might sell for 30,000. And what are the nuances that determine where you go within that massive range?”

Alex Carter
Absolutely. And I have the best in the business both on the literary and the speaking front, and still when I choose an agent, I choose somebody who wants me to partner with them, somebody who can come to the table with their expertise, and I can come to the table and say, “Might we prioritize it this way? Could we say it this way?” And this way, we are working together as partners on the ultimate result.

Pete Mockaitis
Okay. Well, I’d love to zoom in now in terms of, let’s say, there’s not a big high-stakes negotiation per se coming up for a professional, but this is sparking some things for people, like, “You know what? I would like to have more in my job maybe in terms of flexibility, or learning and development, or any number of things that’s kind of outside the big, I don’t know, promotion, raise, cycle, or new job opportunity.” You’re sort of, hey, you’ve been in a job for a while and there are some things you like, any pro tips on broaching that topic with your boss and leadership to maximize the odds they’ll say yes?

Alex Carter
Absolutely. So, this is advice I give normally but I think is especially apt during a pandemic. I would choose your timing carefully. And I mean that from two angles. First, I would consider what’s going on for the other person. What do they have coming down this week? Right now is a time, I think about myself, here it is we’re recording this mid-August, and I’m staring down the barrel at a fall semester. I’m not sure what’s happening with my teaching at Columbia. I think I’m virtual. Not sure what’s happening with my fourth grader.

If somebody came to me the moment that my school released its plan, and ask me for something, I’m not going to have the bandwidth to consider it properly. So, think about what’s going on for them, earnings, whatever it might be, time it from that perspective. I would also think about timing from your perspective. What’s going to be the best timing to increase your leverage? Did you just deliver on something early? Did you just achieve a great result? Your boss says, “Pete, this was an unbelievable job.” That could be a great moment to say, “Thanks so much. I enjoyed working on this. And while I have you, I’d love to get some time on your calendar to talk about my future at the company and where I would love to be in a few years.” So, taking that opportunity at the most propitious timing to setup the conversation.

I would also try to do something where you can see each other’s faces. We’re virtual, and so the temptation is “Do I do it email? Do I do it by phone?” If you’re having an important conversation, body language is data, and I want you to have as much data as possible about what the other person is thinking, so I would do that.

My last tip for asking, especially right now, is to frame it in a particular way. So, when I’m helping people to make their ask for the greatest success, I tell them to execute what I call an I-we. In other words, “Here’s what I’m requesting, and here’s how we all benefit.” In other words, when you have started your negotiation and steered your relationship with your manager, by asking questions, by getting to know them, you have now figured out how to frame what you need in a way that it’s also going to meet their needs, right? “So, if you put me on this project that I’ve been asking for, here’s how I’m going to be able to contribute toward your success,” that type of thing.

Pete Mockaitis
Yeah, that’s excellent. You know, I’m reminded of Robert Cialdini’s book Pre-suasion there in terms of like the moment, like what happens just before the conversation starts can make a world of difference.

Alex Carter
Huge.

Pete Mockaitis
Absolutely. So, I know they’re not secret weapons. It’s not where the action is. Nonetheless, I would love it if you could share with us, what are a few maybe bits of verbiage or scripts, some do’s or don’ts in terms of, “Hey, I hear people say this. Don’t say that,” or, “I don’t hear people say this, and you should say that.”

Alex Carter
Okay. And that’s okay, Pete, I use my weapons for good. I do have a secret weapon, and it’s actually not about saying this or saying that. It’s about the opposite. It’s about shutting up.

Pete Mockaitis
All right.

Alex Carter
The importance of silence in negotiation. In my book, I teach people three words that I want them to commit to memory and use in every negotiation as a guiding principle. And the three words are “land the plane.” When you make your point, when you ask a question, when you deliver a proposal, deliver it and then land the plane, close your mouth.

Too often, I see people get nervous about the silence, and so they rush in to fill it with a bunch of words that leaves them bidding against themselves or assuming what the other person might say. So, in other words, Pete, what do you need to get this done here today? Would $10,000 do it? No, you don’t know what Pete needed, right? Maybe he needed five, and you overpaid. Maybe he needed mentorship or a path to advancement. In other words, say what you’re going to say and land the plane.

Silence is not an imposition. It’s actually a gift to the other person. It gives them time to think and it prevents you from selling yourself short. Sometimes the less you say the better.

Pete Mockaitis
Right. I imagine in terms of I’ve seen it both ways in terms of me saying more than I should, and others that I’m talking to like they share numbers, like, “You know, if that’s manageable…” they’re just sort of like weakens it after the fact. I mean, I know things are hard right now with the COVID, but as opposed to saying, “$200,000 sounds…” and then they can weigh in on that in terms of like, “Boy, that is just really way more than we have in mind. That’s going to be challenging for us to pull off,” versus, “Okay, I understand what’s at stakes and I’ll see what we can do.”

Alex Carter
And may I say, if they answered you and say, “That’s going to be challenging for us to pull off,” great job. That is great information for you to have. First of all, it means you didn’t sell yourself short. And, second, let’s say you get that, because I think, Pete, sometimes people talk and talk and talk because they’re afraid of getting the no, and so they’re trying to eat the silence up with their words at the negotiation table.

Don’t ever fear the no again because I’m going to give you four words that you can use when you get a no. Are you ready? Here are the words: “What are your concerns?” That’s it. When somebody says, “You know, I think this is going to be hard for us to pull off,” say, “Okay, thanks for letting me know. What are your concerns?” Because, frequently, if you hear somebody’s concerns, you’re going to find a way to address those.

So, have the courage to allow the silence, and know that on the other end of that, if somebody expresses a hesitation, you have a tool you can use in the moment, simply ask their concerns, play their concerns back, summarize them, and then, more often than not, you’re going to know where the target is that you need to hit, and turn that no into a yes.

Pete Mockaitis
Yeah, you’re right, because concerns can be any number of things. Like, “That can be challenging,” might mean, “Well, hey, we’re paying someone else for doing almost the same thing 170K, so it seems a little disruptive or more about fairness to pay a new person significantly more to do the same thing.” And I don’t know if this is good or bad, but maybe a solution that could be, “Oh. Well, if it’d make you more comfortable, I’m happy to sign something indicating that I will not disclose my compensation to anybody.” Of course, that’s a whole another controversial issue in terms of information flows and how that impacts different populations. But that’s an example of a solution that might be way easier than you thought. Like, “Oh, it’s not so much that they’re broke, but it’s something completely different.”

Alex Carter
I got to tell you, Pete, marketing my book during a pandemic, I’ve become a specialist in turning no into a yes. When you think about it, one of the things that I lined up was dozens and dozens of in-person speaking engagements, and that was going to be a way for me to get the word out there and for people to buy the book. All of those canceled obviously. And over and over again, I heard people say, “Yeah, we’re canceling this event, and we’re not doing something virtual.”

Every single time I’ve called up and said, “What are your concerns?” And over and over again, people said things like, “Well, we’ve never done it before. We’re not sure how to do something that’s going to be productive over Zoom.” “Great. Would it be helpful if we jumped on and I showed you what I have in mind?” Or, “We’re not sure our employees are going to want it.” “Okay, how might you find that out?” They’re like, “All right, we can do a survey.” It turns out, they really want it.

Over and over again there are concerns that, when we met them, it wasn’t like me getting over on them, Pete. In every case, we produced something that was of mutual value and people actually thanked me afterward. The truth is that even with a no, you can ask people about their concerns, you can preserve the relationship, you can strengthen the relationship, and you can still get what you need out of the deal.

Pete Mockaitis
And the thing I love about that particular phraseology of the question “What are your concerns?” is it’s just very helpful. Like, you’re being of service as opposed to “What’s your problem? What’s the issue, man?” Like, those get after the same information but it doesn’t land nearly as productive as “What are your concerns? I’m trying to help.”

Alex Carter
Yeah, “What’s your problem?” has not gotten me the best results. Yeah, I mostly use that one at home, to be honest.

Pete Mockaitis
All right. Well, tell me, Alex, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Alex Carter
Yes, I would like people to know, if there’s anybody out there listening who thinks “Negotiation is not for me because I’m not the most aggressive person in the room,” or, “Maybe I’m an introvert,” or, “I’m somebody who prioritizes my relationships,” I want you to know that all of those things can make you a great negotiator. That, really, if you’re somebody who is a good listener, you’re somebody who gains people’s trust, and you’re somebody who prioritizes relationships, all you need are the right questions, and you’re going to be absolutely fantastic, I promise you.

Pete Mockaitis
All right. Well, now let’s some favorite things. Can you share a favorite quote, something you find inspiring?

Alex Carter
Yes. So, a few years ago I had a student who changed my life. He was a mid-career lawyer, my age, in his early 40s, who came over from India for a year of study at Columbia, and he told me that his life’s motto is “Only do what only you can do.” And I took that onboard. And at that time, Pete, I was supposed to write a textbook. I had gotten an offer from a really prestigious legal corporation to write a textbook, and I thought, “This is what I should do. I’m a law professor.”

But then I thought about that, “Is this what only I can do?” And I thought, “No, it’s not. There are lots of people who can write textbooks. What I think only I can do, what I think I’m called to do, and what I love doing, is taking negotiation concepts from law school and making them accessible to everyday people in their lives.” That is what only I can do. And when I leaned into that, that’s when I started writing what would become “Ask for More.”

Pete Mockaitis
Well, that quote also just sparks so many things, like “I should be outsourcing.”

Alex Carter
It is. It’s a way to think about managing your time. When I think about the range of tasks I could embark on in a day, is this what only I can do? And if it’s not, somebody else is better served to do it.

Pete Mockaitis
Yeah, I’m thinking about how my email inbox has gotten out of control, and I think 90% of those messages can be handled by others. I’ve just been a little slow to let go. What about privacy? What about honesty and respect and integrity? But these are navigable issues. And if that’s your mantra, I would have solved this long ago.

Okay. And how about a favorite study or experiment or bit of research?

Alex Carter
Gosh. Well, I think my favorite bit of research is the study done by Professor Leigh Thompson out of the Kellogg School at Northwestern that found 93% of people are not asking the questions they need to get the most out of negotiations. I remember the day I read that study, it hit me and it accorded perfectly with what I see as a mediator and a negotiation trainer. And that was part of what gave me the impetus to go on and teach about the incredible power of open questions.

Pete Mockaitis
And how about a favorite book?

Alex Carter
I wouldn’t be an author if I weren’t totally in love with my own book, Ask for More: 10 Questions to Negotiate Anything. I would say, other than that, a book that I’ve been reading recently is The Memo: What Women of Color Need to Know to Claim Their Seat at the Table by Minda Harts. Minda is an incredibly powerful woman who speaks directly to women of color in the workplace. And I remember the day I heard her speak, I picked up the book, and it’s had incredible learnings for me even as a white person in the workplace, how I can work together with my sisters of color to create the kind of workplace that we all want to exist.

Pete Mockaitis
And how about a favorite tool, something you use to be awesome at your job?

Alex Carter
My favorite tool. My husband would probably say my iPhone. But my number one tool that I use, to be honest, is my eyes. I think you would think that negotiation is all about listening to the words. I find that most of the negotiation is me looking at people and taking in what their faces and their bodies are saying. Most of negotiation is what’s between the words in the things that people are holding back or are not giving themselves permission to say. And so, the more that I can see people, and really see them for who they are, the more effectively I can do my job and help get them to where they want to be.

Pete Mockaitis
Boy, there’s a whole another podcast episode in here, and we’ve done it once with agent Joe Navarro from the FBI on body language. But are there one or two indicators that you found are reliable and show up a lot, “Like, when they do this with their eyes, or their mouth, or their hands, that tends to mean this, and thus, it’s very informative”?

Alex Carter
So, Pete, the biggest tip I can give people is to get to know the person you’re negotiating with and observe what’s called their baseline. So, in other words, Pete, if your default is to kind of sit back in your chair, and then I say something, and, all of a sudden, you lean forward, I know that I’ve just had an impact on you. So, any kind of changes from the baseline are things that I notice.

The other big thing I see is people censor their emotions but it comes out in their body language. Most frequently, I see people telling me yes while they are shaking their head no.

Pete Mockaitis
We can do that for you, Alex.

Alex Carter
Right. People are like, “Yeah, that sounds great,” and you can’t see me, everyone, but I’m shaking my head vigorously back and forth. I see it a shocking number of times. And when I do, I simply say, “You know, Pete, your words are telling me yes, but your face is telling me no. So, let’s talk. What are your concerns?” And, usually, that…I treat everything, Pete, a shake of the head, people repeatedly touching a necklace or a piece of clothing, a tremor, I treat…What’s that?

Pete Mockaitis
The suprasternal notch below the neck.

Alex Carter
The suprasternal notch. The necklace is very often important. I’ve broken through negotiations just based on the necklace. All of that stuff tells you a story and I treat it like communication, and I raise it with people.

Pete Mockaitis
Okay. And a favorite habit, something you do to be awesome at your job?

Alex Carter
I practice yoga for the sanity of myself and the sanity of those people around me. When I practice yoga, it’s a chance for me to be completely present in the moment, and I find that that presence, being there every moment and nowhere else is key to being successful at helping people in negotiation.

Pete Mockaitis
Okay. And is there a particular nugget you share that really seems to connect and resonate with folks; they quote it back to you often?

Alex Carter
Yeah. So, a lot of times people will tell me they’re nervous to hold themselves out as an expert or to ask for more because they’re concerned about if they stand up as an expert, does that leave less for other people? And I want you to know that when you ask for more, you benefit other people. When you ask for more in your job, you make sure that your manager gets your best, most fired-up version every day at work. When you ask for more at home, and ask for what you need, your partner, your kids, your loved ones get the most present and fulfilled person possible. Ignoring who you are and ignoring your needs helps no one. And everybody benefits when you ask for more.

Pete Mockaitis
You know, I love that so much, and I just watched this movie, it’s been around for a while, but we got Paul Rudd and Reese Witherspoon in “How Do You Know?”

Alex Carter
I love Paul Rudd.

Pete Mockaitis
Everything he does is good. And she drops into, Tony Shalhoub plays a psychiatrist, and she’s like, “So, is there like generally anything that you generally tell people that generally works for everyone?” And he said, this is so wise from a movie, from a comedy, he said, “Figure out what you really want and learn how to ask for it.” It’s like, “Huh, that’s some real wisdom from this comedy. Right on.”

Alex Carter
It’s true. And that, in a nutshell, is what I teach. The first part of that is really figuring out what you want, not what somebody else wants for you, what you want, what’s going to make your life worthwhile, and then figuring out how to ask for that thing.

Pete Mockaitis
All right. And, Alex, if folks want to learn more or get in touch, where would you point them?

Alex Carter
Sure. So, I’d love for people to get in touch on my website which is AlexCarterAsks.com. You can also find me on Instagram @alexandrabcarter, on LinkedIn, and, very reluctantly, on Twitter.

Pete Mockaitis
And do you have a final challenge or call to action for folks looking to be awesome at their jobs?

Alex Carter
Yes. I want you to try to go out and get a no. I want you to strive for the no before the end of the year because, in doing so, I know you’re going to come back to me and tell me that you got more yeses than you could ever think possible.

Pete Mockaitis
All right. Alex, this has been a treat. I wish you all the best in all the ways you’re asking for more.

Alex Carter
Pete, it’s been a pleasure. Thanks so much.