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KF #24. Persuades Archives - Page 6 of 9 - How to be Awesome at Your Job

502: How to Make Killer Pitches and Get What You Want with Oren Klaff

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Oren Klaff reveals the secret behind successful pitches—and how to persuade those around you.

You’ll Learn:

  1. What most people get wrong about persuasion
  2. How to communicate your worth
  3. The surefire way to convince anyone

About Oren:

Oren is Director of Capital Markets at investment bank Intersection Capital where he manages its capital raising platform (retail and wholesale distribution), business and product development. Oren co-developed and oversees Intersection Capital’s flagship product, Velocity™. 

From 2003-2008 as he applied his pioneering approaches to raising capital and incorporating neuroscience into the capital markets programs, Oren raised over $400 million of investor capital from high net-worth individuals and financial institutions.

Oren is a member of Geyser Holding’s investment committee where he has been a principal since 2006. During its growth he was responsible for sales, marketing, branding, product development, and business development. Previously, he was a venture analyst and partner at several mid-sized investment funds.

Resources mentioned in the show:

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Oren Klaff Interview Transcript

Pete Mockaitis
Oren, thanks joining us here on the How to be Awesome at Your Job podcast.

Oren Klaff
Well, I appreciate that, Pete. What a great radio voice you have. I’m going to try and equal that with tone, tenor, bass, but I might lose it at some point. I tend to lose it when I get excited.

Pete Mockaitis
Well, I’m excited to be talking and I also hear you’re excited about fountain pens, you’ve got 17. What’s the story here?

Oren Klaff
Oh, I’m way up from that now. I actually have a safe which I have to keep my fountain pens in because I bought a couple that are super expensive and they have to be on lockdown. So, I have a five-year old. And I write him a note every night, so maybe when I die and maybe somebody will take it out and go, “Hey, Oren passed this way.”

So, I love the feeling of ink. It’s analog. Everything is so digital and that’s what I want to talk to you about today a little bit. Everything is so digital. People are losing the way of the sword, they’re losing the way of the pen, they’re losing the way of language, and I know nobody thinks that’s true but it is happening.

Pete Mockaitis
Well, I’m excited to dig into it. So, can you orient us quickly to Pitch Anything and your latest Flip the Script?

Oren Klaff
Yeah, Pitch Anything really started with the realization of this: people, especially in business, but in life in general, they want what they can’t have, they chase that which moves away from them, and they only value that which they pay for.

And so, Pitch Anything was really about this notion of how information gets into the human brain, what the brain does with it and it’s extremely counterintuitive. In fact, it works the opposite of how you might think, right? So, you go you want to get a raise, or you want to impress a client, and you do all these things that should be recognized but maybe it’s like a court of law in a murder trial. No good deed goes unpunished.

And so, Pitch Anything was really about how do we get things done in an upside down world where you go to a client and you say, “Hey, we’re going to try really hard, I’m going to work really hard, I’m going to give you a good price. We’ll be the best supplier that you’ve ever hard. You’ll be our most important customer. The customer is always right here. We’re excited to have you on board.” All things are true, transparent you’re passionate about, but none of that is persuasive.

And so, how do you walk that fine line of wanting something, wanting to perform a task or a job or an assignment, wanting to get paid for it, and wanting to commit to it, and show that you’re good at it, at the same time showing that you don’t want it and you don’t need it? So, ultimately, I think if you had to put a subtext or a subtitle on this, it’s this, “Neediness kills deals.” And that’s what Pitch Anything was all about, how to want something and not want it at the same time.

Pete Mockaitis
Well, that’s really intriguing and it really reminds me of sort of the notion of playing hard to get in the romantic courting world. And so, it sounds like you’re on board that’s a winning strategy.

Oren Klaff
Yeah, so in the romantic world is very narrow range of activities in terms of playing hard to get. When you go into business, playing hard to get is very nuanced, it can backfire, and especially when the stakes get higher.

And so, as the stakes go up and somebody needs to talk to you, then you need to understand what’s happening both inside you and in that situation. So, it’s a lot more complex and nuanced than playing hard to get.

Pete Mockaitis
Okay. And so, before we dig into the particulars of how we walk this fine line and execute that well, I’d love it if you could frame things up a bit in terms of saying why is this skill super important. If you’re that career person who’s like, “You know what, I’m not going to march into a VC’s office and do a pitch, but I’d like to be more persuasive,” why is it so important for us and why are most of us not so great at it?

Oren Klaff
That’s a great question. I think I wrote Pitch Anything some years ago because basically I thought tens of thousands of people in my work just going in and supplicating to buyers, right?

Pete Mockaitis
Supplicating, what a word. It’s like we’re on our knees and, yeah.

Oren Klaff
Yeah. Supplicating is, maybe it rhymes with sucking up, but really if you unpack it, it’s confusion about who’s the prize in a business interaction, right? So, there’s a prize to be won, and we go in as an employee, or executive, or a salesperson, and this is why it’s important. We go in and the current framing in our economy, is that the boss, or the customer, is the prize.

Their signature, they’re giving us a raise, they’re giving us resources, they’re giving us a contract, they’re just giving us money, is the prize to be won so we have to perform at some level – performance. I do believe like we view our pitches as a performance. So, even though I’m against this framing, I still use it, that we have to perform for the prize of the money or the contract, right? Wouldn’t you agree that’s basically the standard framing in business today?

Pete Mockaitis
Oh, sure, I guess. And I’m thinking about all kinds of, you know, Glengarry Glen Ross or sort of big moments like the salesperson needs to wow with exceptional impressive persuasive power, like a rock star.

Oren Klaff
Yeah. So, we come in and even if we’re a rock star, we are trying to win the prize of the contract. So, Pitch Anything really made it important to understand that they’re not the prize. What can they give you? Money, some status, right? These are commodities. You can get status anywhere. You can get money anywhere. Sort of money is the ultimate commodity. You should not do things that are outside your value system, do things that you’re overreaching, you should not overextend yourself, you should not supplicate, which I think we decided was really a euphemism for sucking up, in order to win a commodity for yourself – money.

Pete Mockaitis
Yeah. You know what, that just checks out in my gut, like, “All right. Yeah, right on, you know.”

Oren Klaff
Okay. Sounds good, Oren. But let’s go. So, if they’re not the prize, and the money isn’t the prize, and their signature, and their approval isn’t the prize, and that’s really the key word – approval. Most presentations are based on approval-seeking behavior. When you’re seeking approval from someone else, you’re supplicating to them, you’re needy, neediness kills deals. On their side, people want what they can’t have. You’re letting them know they can have you, and so it’s all wired backwards.

The thing that’s important is to wire it up correctly, which is that you are the prize that they need. And so how do you come in? And everybody has to decide this for themselves. I can give you a couple ways and give you a head start. But how do you come in and say, “Hey, look, I’m going to show you a couple things over the next 12-15 minutes, I’m going to pitch you the big idea. I’ll do that very quickly”?

“And it’s important for you to evaluate it and see if you’re going to get what you want and if our circles overlap, and if it makes sense, and if we’re aligned. But as much as you’re evaluating me, it’s important for you to know I’m also evaluating you. Lots of options. I don’t know if I’m smart or if I’m just busy or lucky this time of year, but there’s lots of things that are pulling at me, and lots of customers who want us to deliver. And so, I’m just in a good place to be choosy about what I work on, who I work with, and why I’m doing things. So, as much as you’re evaluating me, I’m evaluating you.”

Now, probably people listening to this right now, going, “Oh, my God. I would never say that to my boss or the board of directors.” I think when I get that reaction from people, they’re saying, “I would never say it in that tone.” Now the good news is I say it in that tone every day, but I’m experienced at it, right? And it’s within my value system, it’s within my personality, and it’s part of my performance.

Now you might not say that in those words. But you can communicate the same things very nicely, very subtly, in a nuanced way, but say the exact same thing. That is the problem, is coming in and letting the buyer, or the boss, or the peer, or the colleague, or the situation know that they have a higher status and more value than you do, and that you are willing to work exceedingly hard, need the deal, even though you don’t, you’re willing to demonstrate to them that they’re the prize that you’re trying to win.

And that is ultimately what makes deals fall apart, be hard to win, or go sideways. So, that’s really the challenges that are happening every day.

And you say, “Well, how can I be the most valuable person at the table? They have the money, they have the contract, they have the company.” I believe, for most people, again, the buyer just has a contract, the money, the corporation just has the job, the colleagues just have the ability to jump in with you.

What you have is the most important thing and people should be trying to win that. It’s your experience, your integrity, your ideas, your know-how, your relationships, your willingness to invest, your commitment, your thoroughness, your value system, your “I don’t stop when I’m tired” mentality, the joy and ease of working with you, you can’t buy that. There’s no amount of money you can pay for those intangibles. And if you have that, then you’re the most invaluable person in that relationship, in that meeting, on that call, in that deal.

Pete Mockaitis
And I think fundamental to that is that it’s true, like the core fundamental value that you’re bringing to the table is significant, and you really are not sort of a commodity in terms of if it’s either yourself as a professional in terms of your skillset and what you’re offering there, if you kind of don’t have much special sauce, and hopefully everyone does if you’re listening to the show, then I think that the starting point is having it in terms of you’ve got something special and you can feel good and secure and confident in that offer.

Oren Klaff
Yeah. And so how to do that is really, you know, the question that’s not off-putting, that’s not confusing, and that really moves into what Flip the Script was about. So, Pitch Anything showed you that these things were possible, that people were doing these in high-stakes situations. You know what’s funny, I say this word high stakes but I didn’t really have a…because high stakes is different for everybody. Like, Pete, what would be a high-stakes meeting or a high-stakes feel for you?

Pete Mockaitis
Well, I’m thinking more so for the listeners, high stakes might be, “I want the promotion. I want the raise.”

Oren Klaff
Yeah. And so, is it really high stakes? Because you’re going to ask for it, they’re not going to fire you for asking, right? So, it feels high stakes. And when I think about things feeling like we…By the way, what part of the country are you in?

Pete Mockaitis
Chicago.

Oren Klaff
Chicago. Okay, I’m in San Diego. Have you ever been to San Diego?

Pete Mockaitis
Yeah.

Oren Klaff
Yeah. So, I don’t know if you’ve ever been to Coronado but there’s this the Coronado Bridge, and it’s crazy. It’s not like normal bridge. It’s a span that like rises up into the clouds and it goes over the military base, and it goes over battleships. It’s huge. Two weeks ago, I was driving over it with my family in the car, a little boy and my wife, myself.

And I look out and there’s this pretty small retaining wall, concrete retaining wall. At least it looks small to me. I’m driving over this bridge seemingly like miles over the Pacific Ocean, like battleships look small beneath us like Lego toys, and I’m not going to hit the retaining wall, we’re driving 65 miles an hour. If they took that retaining wall away, then all of a sudden…yeah, I was never going to drive off the bridge in the first place or hit the retaining wall, or get anywhere near it. The stakes go way up, right, and I would slow down to three miles an hour or two miles an hour.

And so, when we get into situations and we feel like it’s so important to get this done, and we don’t have a blueprint or the path to follow, we revert to behaviors that are sort of the equivalent of slowing down to three miles an hour, being exceedingly cautious, being exceedingly tentative, being exceedingly careful, that’s what happens when the stakes go up. You don’t know what to do to maintain the language, and the framing, and the conversation, and the confidence, and the skills that you would have if the stakes were $3 and it didn’t matter. So, it’s not necessarily you don’t know how to do these things, it’s that you don’t know how to do these things when it really matters because your intuition is working against you.

I think the classic example is going to a meeting to talk about a raise or a project, and the guy you’re going to meet with is running late, right? This has to be something you’ve encountered. Everybody has encountered it.

Pete Mockaitis
Sure.

Oren Klaff
And so, he’s two minutes late, he’s four minutes late, he’s eight minutes late, you see the secretary comes in, or he texts you, “Hey, sorry, be there in a few.” And now he’s like 15 minutes late. What do you do?

Pete Mockaitis
Well, I mean, I’m not pleased. It’s not fun. I, hopefully, have something else that’s kind of productive and worthwhile I can do. At that point, I’m sort of starting to wonder if it’s going to encroach in the other stuff that I’ve got scheduled. So, I guess you either reschedule or you hang out. What do you do?

Oren Klaff
Yeah. Well, this is kind of a beta trap, right? It’s the equivalent of if you’re a salesman and you drive across town, or fly to another city, you go to a company for a 10:00 a.m. meeting. You’re going up to the counter, and you’re saying, “Hey, is John ready?” “Oh, he’ll be out in a few.” And it’s a beta trap, right, because there’s beta and alpha. Alphas don’t have these problems, right? The president of a company, the president of a bank, maybe they do it at a different level but people come to meetings on time.

So, you’re stuck in the beta position, which is a status position. One thing I can assure you from the low-status position, you can do hardly anything. People don’t listen to you, they don’t take you seriously, they see you with a very superficial way, and, more importantly, they have high risk-taking behaviors when they believe they’re higher status than you, and they’re the alpha and you’re the beta.

So, there’s not a wrong or right that’s eight minutes, 15 minutes, one minute, three minutes. It is that if you accept the beta position and leave them in the alpha position, they’ll have status over you and it is incredibly difficult to get their attention and be persuasive from the low-status position. So, you have to signal, “Hey, I’m a peer, we are colleagues, we’re the same status, and we need to be in alignment.” So, in those cases, I’ll always recommend you say, “Hey, look, I set aside about an hour for this, it looks like we’re chiseling down to 45, 40 minutes. Probably not enough time to accomplish what we want to accomplish. Let’s reset and find another time to do this. I’ve got some key projects that I need to focus on.”

The easiest way to take yourself out of the beta is using the moral authority frame. And moral authority is always about work. If it’s about work, and it’s about delivering, and it’s about taking care of your team, and about taking care of your customers, you’ll always be in the right.

So, for example, I work with a lot of guys that are very high status, very wealthy, running large companies, and they always come late. It’s not that they’re rude, or they’re malevolent, or they’re trying to get their alpha status over me, right? It’s just they’re running a 700-person company. Two weeks ago, I talked to a guy, hopefully be a client of ours, running a $750 million company. He comes to the call at 10:06, it’s a 10:00 o’clock call. First thing I’ll say is, “Hey, John, you’re here for the 10:06 call?” And it’s great.

They always laugh at it. And the first thing out of their mouth is, “Sorry.” Right? Like, they know because you’re calling them out on professional behavior in a fun light way, and they always say sorry. And usually they’ll say something like, “Hey, we had 72 containers stuck in Hong Kong because of the protest. I had to sign off on some extra expenses to get them out otherwise we wouldn’t deliver diapers to the area of the world where it’s really needed and it’s a charitable effort. So, really sorry about it.” “Yeah, no problem.” But at least they’re not saying, starting off, “Hey, Mr. CEO, hey, Mr. Big, no problem. You show up anytime you want. I’ll just sit here and wait. And whatever is good for you is good for me.”

So, I’m very lighthearted and I go, “Hey, you’re here for the 10:06 call?” And then I’ll say, “Hey, why don’t we get caught up? It seems like we still got a couple people joining. We’re recording the call. They can listen to the recording and catch up. Let’s get started. We’re super busy. I carved out like half an hour and we’re eating into it. Here’s what I suggest. We get started. I’ve prepared a presentation. It’s 12, 13 minutes. Let’s go through it.

So, I’ve said that and I’ve taught that to audiences. You can see I say that very naturally and I’ll always get somebody raise their hand, and they go, “I can never say that.” Especially, women raise their hand, like, “Oh, that’s good for you, alpha male. Women can’t talk like that.”

And I will say, “You’re listening to my tone. You’re not listening to the messaging, because you can say that so nicely.” “Oh, hey, John. Glad you can make it. I was almost thinking that we should reset this call. We’ve got maybe like 28 minutes left and a lot to do. If you guys are ready to roll, I think we should start now because I’ve got about a 15-minute presentation, and I want to give you some time to really make your case.

And so, it’s the same messaging in a totally different tonality, and pace, and level of floweriness, but it’s the same messaging. “My time is as important, maybe more important than yours because we’re solving this very-hard-to-solve problem for clients, and we’re busy doing it.” Yeah, I understand, some of your use cases are internal, but you have even more power internal, “Hey, I set about half an hour for this meeting. I want to discuss some of the recent projects. I’m running my team, they count on me, we’re delivering a huge project. Currently, we’re on time but if I’m missing from it, we could slip, and nobody likes to slip. I really want to prioritize the work I’m doing. If we get started now in the meeting, I think there’s enough time for me to cover why I came, and then you can reflect on how you think it ties into the expectations we set six months ago. And if we have five, or 10 minutes left, which I believe we will, I want to talk to you about some career things that are going on with me, and you should be able to give an easy yes, no, or maybe. So, if that sounds good, let’s kick that off.”

But what I wanted to say is, although people are afraid of saying things that direct, the reality is it signals you’re not needy, it signals that you are not a beta, that you have as much status as the buyer, or the other side of the meeting, so those are all critical, right? It signals you’re a professional. And when I start a meeting like that, people put their iPhones down, they close their laptops, and they go, “Aha! Finally, I’m in the hands of a professional that knows how to run a meeting. This thing is not going to go on for two hours. There is a clear agenda and it’s not called the agenda, it’s called ‘This is how I like to have meetings with my peers. Let’s rock and roll.’ I love this.”

Pete Mockaitis
Yeah, I dig that. And you’re right in terms of there’s many ways you can communicate that message to see what style and tone feels right to you but the core message is there that we are peers. And I’ve often recommended to folks I’m prepping for interviews that if the person who’s doing the interview isn’t really sort of paying attention to you, this does happen, like they are on their computer, they’re doing email, they’re on their phone, or they’re elsewhere, I’d say, “I think your best bet as the candidate there is to just pause or say, ‘Just let me know when you’re ready,’ or something to the effect of you convey the message that ‘I’m unwilling to be ignored and made sort of in the background as you do something else,’” you know? And you could say that kindly or in any number of ways.

Oren Klaff
Right. So, I think any number of ways except for a number of ways. So, I get this question a lot, like, “Hey, should I ask somebody to put their phone down or put their laptop down?” I can tell you, in the meetings that I go to and the presentations that I have, nobody is on their phone or on their laptop. What they are doing is engage in the presentation or in the meeting because there are stakes, there are things that are going to happen, and it’s clear, “Either I’m going to go away with my toys, my marbles, and go somewhere else, or they’re going to have the opportunity to use the things I know, the experience I have to solve their problems.” And that, the decision on go forwards or go away is going to be made today. And that decision has stakes and is meaningful. And when there’s high stakes, for the other side, not just for you, then the phones go away and the laptops close, and they pay attention, right?

One of the key tenets in Pitch Anything is that the span of human attention is 18 minutes. And that’s why we work really hard to get everything in to a compact period of time. Now I go to meetings where people spend 12 minutes trying to get rapport, talk about family and sports and weather. And this is all stuff that ultimately, you know, the fact that you like hockey and they like hockey is mildly helpful for alignment. But this is not 12 minutes of conversation for 18 minutes of attention, right?

Nobody increases your pay by 40%, nobody assigns you a million-dollar contract, nobody pushes you up to the board of directors for a presentation because you like hockey and they also like hockey. It is relatedness and it’s helpful. But this like old-world of like seeking rapport, it’s not the old boys network anymore where people do business because they like you and they’re affiliated with you through some organization. It is not the determinant. The determinant is what status are you, what value do you provide, are you an expert, have you solved this problem before, can you take pain away, and are the things you’re saying about the future, what’s going to happen in the future, really going to happen. That’s why people decide in your favor, not because you like hockey.

Pete Mockaitis
Well, so understood there. So, you’re coming in with something legit to start with. You got great fundamentals and then you are not apologetic and supplicative as you are entering, and you are conveying the message that, “We’re equal peers. I am a professional. I know how to run this meeting. And here’s how it’s going to go,” and sort of navigating to that 18 minutes. So, let’s talk about within that timeframe, what are the critical things you want to convey? And maybe you could even give us a demo in terms of someone who had a pitch that was floundering and then we turn it around to have 18 minutes of excellence.

Oren Klaff
Yeah, maybe I can. I think my new book Flip the Script is really about solving the next level of questions, once you get clarity that you’re a high status, in the dominance hierarchy of monkeys, you are an equivalent monkey, right? Sort of as simple as that. Then, how does somebody know that you’re an expert in either the project you’re proposing in the next level? Because people want to pay more for your job or give you a raise because you’re able to take on more responsibility and solve different more difficult problems. Are you a car guy, by the way, Pete?

Pete Mockaitis
I’ve not owned a car for 13 years.

Oren Klaff
Oh, my God. So, you are an ex-patriot car guy. Interesting.
So, you have to give people certainty that the things you’re saying will happen, really will happen in the future. And how do most people try and give certainty? They tell, right? They go, “These are the projects I’ve done. This is the commitment I have. This is the area I’m familiar with. I know lots of people with this problem. I’ve worked on it.” So, it’s telling, telling, telling. Before you turned in your car, what kind of car was it?

Pete Mockaitis
It was 1989 Chevrolet Celebrity.

Oren Klaff
Okay. Yes, you are officially the most not-car guy that I have ever talked to. But it’s good. It’s good for this example. So, that was not really a great car, right?

Pete Mockaitis
No, it shook when it went upwards of 70 miles per hour. I got a speeding ticket when I drove my mom’s car, and that excuse didn’t really hold with the police officer. I’m used to the car shaking when I’m going too fast.

Oren Klaff
It’s starting to shake, and you hear a noise, and so you go, “Oh, man, that’s unsafe.” So, you take it down to a local garage. You definitely don’t want to take it to the dealer, that’s something. So, you take it out to a local garage, and the guy looks at it, and he goes, “Yeah, you know, something is wrong here. Tell you what, leave it here, it’s $200. We’ll take a look at it. We’ll call you tomorrow and tell you what we think the problem is, and if you decide to get it repaired here, we’ll credit the $200 to the bill,” that’s the offer.

And you go, “Hmm, to me…” and then you go, “I’m not certain that my problem is going to be solved,” right? So, you go ahead. It sounds good. Nice and easy, and you move on down the road, and you to Eric Schmidt’s Repair Shop, and you go in and you pull in, and he comes out and he’s nicely-branded, and his nametag says Eric, and he’s got correct amount of tattoos up his left arm, and a hipster mustache. He comes out and he says, “Yeah, I don’t know. It’s shaking.” So, he goes press on the accelerator and go, it makes the noise and the squeak.

And he goes, “Listen, here’s the deal. This Chevrolet Celebrity, there was a fire at the GM factory in 1988 when this model was built so they had to move them over to Dearborn where they started manufacturing, which was fine and well, except they didn’t correctly put out the break throw-out bearing. This thing actually needs a 2740c throw-out bearing. You could see a little bit of oil leaking here. That’s a 27c oil leak. It’s not even the right oil in it. That’s going to serve a while but will be a $7,000 problem. But I can hear from the squeak they put the 17109-fan belt on it. The 171095c is the correct fan belt. We see so many of these, we keep about 50 of those fan belts in the back and the throw-out bearings. Leave it here, it’s 500 bucks, come pick up tomorrow morning at 9:00 o’clock. It’ll be ready.”

Pete Mockaitis
Much more compelling, absolutely. You’ve shared that you know what you’re doing.

Oren Klaff
I think it is, yeah, you have shown “I have solved this problem a million times before. This is boring for me. I can do this, no problem.” But, really, showing problem-solving, 501c fan belts, everything, it’s all about certainty. So, Flip the Script shows you those formulas or the scripts, getting away from the old scripts that no longer functioning, which is get rapport with someone, give them the features of the ideas, explain the benefits, suggest the stretch benefits or the pro forma, do a trial close, “So, what do you think? Is there something we can do? Go ahead with…” all the objections come out, try to overcome the objections, “Well, you know, we’re not really doing promotions this time of year. We usually do it in March. September is not a great time,” then trying to close and get stuck in, “Hey, send me a proposal.”

That old system, features, benefits, trial close, stretch benefits, objections, overcome the objections, close, is just no longer functioning. That was designed in the 1950s when buyers really had much fewer options and much less control of the process, or employers had many fewer options in terms of talent acquisition. So, those scripts are no longer credible.
How do you give people certainty that the things you say will happen in the future really will happen, and it’s worth paying me today for something that’s going to happen in the future?

And that is not a naturally-occurring skillset because when humans develop conversation, and not to into cavemen tech, but language was not designed to propose a pay raise in the supply chain management industry, right? Language was designed to communicate danger among humans in fast-moving situations.

And so, that’s very easy. You don’t need to study, or go to a course, or do any training on, “Hey, there’s a fire over there. Move in this way. Run or you’re going to die.” “Don’t eat those berries. The last people that ate them got sick and one of them died.” So, language is very effective. There are prewired pathways to communicate information about danger and risks and conflict. Information about supply chain management software is not prewired in the human mind. You have to think about it, and a lot of it can be counterintuitive.

Pete Mockaitis
And much of that is, you say, getting them to think it’s their own idea. How is that done?

Oren Klaff
Yeah. So, how it’s done is laid out in eight chapters in the book. So, it’s pretty sequential so I don’t want to read the book but I think, more importantly, is can it be done? Right? Can you put ideas in someone’s head, marinate them, percolate them, have them go around without you overtly saying, “So, what do you think?

And I’ll give you an example. This happens to us over and over. We had a client in over the weekend, that shows how high stakes it is, for me to come in on a Sunday, open up the business, we met for an hour and a half, and we sort of wrapped up and we’re packing ourselves up and our briefcases, and I say to the guy, the best close that I have.

Now, remember, I may be the number one sales trainer, and the best close I have is, “Hey, John, so what do we do to get this thing signed up?” because we use inception, we don’t rely on closing or we don’t argue with our clients on why they should do business with us. We put the ideas in their mind and we allow them to come through their own process to the notion that they want to work with us, right?

And so, I say, “What do we got to do to get this signed up or what the…?” I almost sound confused, which I’m not confused at all, but I’m not going to close the guy, trying to get him in a sales headlock. And he says, “Oh, I signed it an hour ago. It’s over there on the edge of…I signed the contract an hour ago. It’s over there on the edge of the conference table.” And so I go, “Oh, thanks.” And they leave.

But I can give you example after example after example of this happening over and over again, and that’s inception. When you correctly show someone that you’re a peer to them, you are not lower than them, you’re not less important, you’re not trying to win them, that what you have is invaluable, that they are fortunate to be able to have an option to convince you to provide your services to them, when you provide them certainty that the things you say will happen really will happen, when you show them that you have values that can’t be changed by their language, or the request for discounts, or their needs, that you stick to your guns, and you have unassailable values, when you show them how to buy from you, and when you authentically create time constraints in which you, well, just doesn’t work for you anymore, and you’re fatigued, then you’ll leave.

And so, when you put all those things together professionally at a high level in a way that’s not overtly visible to them and they just feel like they’re talking to some wonderful people who are very skilled, who are passionate about what they do, have real values, and have solved their kind of problem a million times before, they’re just going to, “Meh, this is awesome. How do we get going?” And that’s inception.

One power tool for regaining calm just before high stakes persuasion is Simple Habit! When I’m using Simple Habit, I feel like a have much greater mental capacity to think through the persuasive elements of my messages without distraction. Simple Habit is a meditation app that has hundreds of meditations available for free and thousands available for premium users.Simple Habit has convenient 5 minute meditations, with over 65,000 5-star reviews in the iOs and Android store. It won Google Play’s award for being a stand-out well-being app. You can get 30% off premium by visiting simplehabit.com/awesome. That’s simplehabit.com/awesome. To snag the 30% off, you’ll visit simplehabit.com/awesome…you can also tap that link in your podcast app by expanding this episode’s “details” and then “episode notes.”}

Pete Mockaitis
Lovely. Thank you. Well, now, could you share a favorite quote, something you find inspiring?

Oren Klaff
There’s a book I really like called Riveted by a guy named Jim Davies. And he’s an academic but is quite accessible so I like that.

Pete Mockaitis
And could you share a favorite study, or experiment, or bit of research?

Oren Klaff
Oh, boy. So, here’s the one that I love, that I think, and maybe everybody knows about it. In New York, they test it over and over again. They dress up a guy in very high-status business clothing, and over and over again, they line him up in a crosswalk. And when it’s red, this tall, handsome, well-manicured, in a beautiful suit that’s well-fitted, terrific shoes and a great smile, and in his 40s guy, starts walking across the road, and everybody else follows him. They do the same thing with the construction worker or somebody looks shabby, or somebody eating a falafel slobbingly, and people don’t as much follow.

It shows that people follow and respect and get behind people of high status in all kinds of situations. So, to me, that’s the number one thing that makes life easy for you in upgrading your work life and making more money for your family is establishing either appearance, or messaging, or positions, or framing, or morality around status and getting people to go your way much more easily than if you had to convince them using logic.

Pete Mockaitis
Okay. And is there a particular nugget you share that really seems to connect and resonate with folks; they quote it back to you a lot?

Oren Klaff
The biggest thing that I have is when I say people only value that which they pay for. Most people have been in business for more than a day understand that lesson. No good deed goes unpunished. People only value that which they pay for. The more you try and give your service away, the less likely you are to close the deal.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Oren Klaff
Oh, that’s great. I’ll guide you to Amazon to buy Flip the Script.

But if you like the sound of what I’m saying, you can hop over to OrenKlaff.com and enter, I’m running a contest now to fly someone out to California, put them up on the beach here in a hotel for two nights, and then I’ll work with them on their business to use these principles to advance their own careers. So, that’s at OrenKlaff.com. And we didn’t really promote it that much, so I think my mom has entered and maybe two other people so your chances of winning are pretty high.

Pete Mockaitis
And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Oren Klaff
A hundred percent, start using this statement, “Oh, so you’re here for the 10:05 meeting.” It’s fun, you’ll get a laugh but will establish you. The first time you’ll be afraid to use it, but when people smile and laugh and giggle, and give you credit, that’s my first challenge to you. Start using that and defend your value in the equation of the business meeting. You’re going to love using that.

Pete Mockaitis
All right. Oren, thanks so much and good luck in all your pitches.

Oren Klaff
Hey, Pete, I really appreciate that. Great questions. It’s been fun.

501: How to Capture Your Audience’s Minds, Guts, and Hearts with Dave Decelle

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Dave Decelle shares insider perspectives on how to turn insights into compelling communication.

You’ll Learn:

  1. Three foundational principles for capturing your audience’s attention
  2. The best disposition for presentations
  3. How to create engaging presentation slides

About Dave:

Dave Decelle was a Director of Consumer Insights at Netflix, focused on delivering insights that drive product innovation. Dave has over 20 years of experience in market, brand, and user experience research and consulting. While he was focused on the technology and media categories at Netflix, his past experience ranges across a variety of industries, including financial, automotive, food & beverage, retail, and general consumer goods and services.

Resources mentioned in the show:

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Dave Decelle Interview Transcript

Pete Mockaitis
Dave, thanks for joining us here on the How to be Awesome at Your Job podcast.

Dave Decelle
Thank you so much for having me.

Pete Mockaitis
Well, I’ve been excited to chat with you for a while, and I thought we would talk a lot about some of your adventures now and at Netflix. But you said your best job was working as a bike messenger in Philadelphia. What’s the story here?

Dave Decelle
Yeah, so I worked my way through college, undergraduate college, as a bike messenger in Philadelphia for three years, and I’ll tell you, it’s the best job I ever had. And if I could make an actual living at it, I would still do it. And the reason is it was just such a stimulating day every single day. So, three big things. I mean, first of all, just being able to eat a mound of spaghetti and drink a six-pack of beer at the end of every day without gaining an ounce was fantastic.

But what was really fascinating was just imagine biking through Philadelphia downtown traffic in the ice and snow and rain, and just having to constantly be making, like, instant always on the edge life-or-death decisions about, “Should I go left? Should I go right? Should I go around this guy? Should I pass him on the left or not?” that sort of thing.

And probably the most fascinating thing, too, which sort of projected into my future was this idea of visiting every level of society throughout my day. I’m street level all day long so I’m seeing the powerless homeless, I’m seeing your everyday blue-collar worker, but then I’m going up into the 56th floor of these high-rises and delivering packages for high-powered lawyers and that sort of thing. So, that was pretty fascinating.

Pete Mockaitis
Oh, yeah. Well, and the fascination continued over the course of your career as the Director of Consumer Insights at Netflix. And I’ve seen you present consumer insights and it was excellent. So, maybe before we get into the particulars of some of that, I want to hear from an insider, so Netflix has kind of a legendary culture. What was your experience there in terms of what was really cool and noteworthy and you wish all organizations did? And what are some of the drawbacks of that because every pro I find often has a shadow side in terms of cultures?

Dave Decelle
Yeah. I can’t say enough about the Netflix culture. It was something that really fit me extremely well. When I first read the culture deck when I was first interviewing for the position there, I was really taken with the culture deck and I was really pleased to hear in my interviews when I ask people, “Is it true?” Everyone said, “Yeah, we walk the walk here.”

And what was amazing about it was the core of the culture is freedom and responsibility, of course. So, what was amazing about it was the freedom, right, embracing that freedom and feeling just unleashed. In my first year there, when people ask me, “What’s it like to work at Netflix?” And I say, “I finally feel like I’ve been unleashed.” People aren’t telling me what I should be doing and how I should be doing it, right? I’m relying on my own wits, on my own intelligence to do what I think is best to do.

Now, the flipside of that is the responsibility part because never have I felt so much responsibility. I have no one to blame but myself if things go wrong. I can’t fall back on the platitude of, “Well, I was just doing what my manager told me to do,” because I had the freedom to do my job the best way I saw fit. Now that takes a lot of risk-taking, right? But Netflix balances that really well with a really high tolerance for failure.

Being an innovative company, they have very high tolerance for failure and, in fact, one of the favorite things I heard in all my years at Netflix was our VP of Innovation, Todd Yellin. He said something to the effect of, I’m paraphrasing here, but something to the effect of, “If every A/B test that a PM runs is a success, he’s not doing his job because he should be taking bigger risks and he should be failing because risk-taking involves failure,” and, of course, you want to learn from your failures and succeed the next time.
I mean, that’s a lot of pressure, right?

Pete Mockaitis
You just feel that each day.

Dave Decelle
Yeah, and the type of people that really thrive there are self-starters, people that really strive for hitting a really high bar, and so they end up putting a lot of pressure on themselves. But that’s weighed by the incredible amount of freedom that you’re given to do your job the best way you see fit.

Pete Mockaitis
Well, I kind of wonder, so I guess there’s sort of like not an official vacation policy as well in terms of, “Hey, take the days you need,” but are like, “How’s that go?”

Dave Decelle
You know, that’s hit or miss and that’s completely dependent on the individual. I’m sure there’s plenty of people for whom that policy meant that they rarely took vacations. For me, personally, three years in a row, I took five weeks all at once, I went to Costa Rica. The very following winter, I took three and a half weeks, I went to Panama. So, I took advantage of it.

Pete Mockaitis
Cool. Well, glad to hear that was an enjoyable experience. And now you’re off doing your own thing. What is your expertise and offerings all about?

Dave Decelle
So, in my 20 plus years of doing consumer insights work, the two things that I’ve become really good at, if I can be immodest for a moment, is being able to tell stories based on consumer insights and being able to craft consumer insights into frameworks, frameworks that become thinking tools for business stakeholders and that they can apply to any problem space, and they work cross-functionally as well.

So, you come up with a really, really good framework and marketers can look at that framework and say, “Now I know how we need to market our product.” Product developers can look at it and say, “Now I know what kind of features I need to build.” Content developers can look at it and say, “Now I know what kind of shows and movies I need to produce.”

Pete Mockaitis
Well, that’s cool. Could you give me an example then in terms of, “All right, so here’s an insight we got,” and then how that turned into a framework, and how that’s useful?

Dave Decelle
Yeah. So, one of the big insights we uncovered in our work as the Consumer Insights Team for Netflix was the idea that it was pretty common knowledge and common sense that consumers really bought into the Netflix brand and what that brand stood for, right? It stood for innovation and consumer control.

We also saw, once we started creating our own original content, that people, of course, got very excited about certain big individual titles, like Stranger Things and Orange Is the New Black got big cult followings, and people just love those individual shows, right? But reading between the lines of many studies we did and many A/B tests that we did, what wasn’t quite so obvious what’s consumer appreciation for the diversity of our overall portfolio, because as we created more and more originals, we expanded them beyond just your typical sort of like binge-able dramas. We started doing reality and all kinds of things, sitcom, etc.

Pete Mockaitis
The game show Awake I discovered recently. Oh, that’s nuts.

Dave Decelle
There you go, yeah. Always expanding, right? And that started registering for consumers, is, “Hey, they don’t just like great individuals shows, but when I look at the overall portfolio of stuff they’re producing, it’s really diverse.” It’s not just diverse for the different types of consumers we have, but it’s really diverse for the different moments of truth that people have, the different viewing moments that people have. Sometimes I just want to sit down and zone out to a sitcom, sometimes I want to get really deeply involved in a dramatic series, etc.

So, that was something that I felt was being overlooked by the business. The business was paying attention to, “Our brand matters.” They’re paying attention to, “Our individual big titles matter.” But they weren’t quite catching onto the idea of the overall portfolio. We can tell stories about the overall portfolio and just how diverse it is and well it can serve many different types of consumers and many individual consumers’ many needs.

And so, I put together a great story about that and a framework that basically illuminated this notion of, “What if we could sync up all three of those things: our brand equity, the love people have for our individual titles, and the overall feeling people have about our overall portfolio? And what if we could sync those up in both our marketing and our in-app experience? That could be really, really powerful.”

Pete Mockaitis
And what happened?

Dave Decelle
Well, I ended up crafting that particular framework as the idea of three turntables spinning in sync, which was actually inspired by one of Netflix’s own originals, The Get Down, which was a story of the early days of the evolution of hip-hop. And there’s this great scene in the show where Grandmaster Flash is teaching one of his students how you spin two turntables in sync to always keep that groove going and keeping the party participants dancing. So, that’s what really inspired us so it became known as the three turntables framework.

Pete Mockaitis
And so then subsequently folks were looking at, “Okay. Well, hey, how does this perform or what does this do for us with regard to our three turntables?”

Dave Decelle
That’s right. So, marketers can look at that and think about, “Okay, maybe we need to integrate our various campaigns, our brand-focused campaigns, our title campaigns. And maybe we need to start generating some campaigns that speak about the overall portfolio.” Product people, designers, and PMs were able to look at it and say, “How do we elevate the brand within the in-app experience? Because right now it’s a big list of individual titles. How do we elevate the brand within that homepage? How do we maybe recategorize some of our rows or even the entire homepage to give people a sense of the overall portfolio and everything we have to offer?”

Pete Mockaitis
Okay, well, that’s cool. So, thank you. I kind of understand what we’re talking about here with regard to these terms and how that can be really handy for folks especially at scale with a lot of cooks in the kitchen working on stuff and tweaking and finding, and having some cohesiveness there. I’d also love to know, you really had quite a privileged position in terms of, boy, all that data. I bet that would just be so fun, I’m showing my colors here, former strategy consultant. So, can you share with me, maybe for fun and for edification in terms of folks who are trying to delight consumers, what was maybe a counterintuitive insight, or two or three, that can serve us as we’re thinking about how to create hits for those that we’re serving?

Dave Decelle
That’s an interesting question. So, if I really think about that, I don’t think there really are any counterintuitive insights about consumers but there’s plenty of counter-logical insights. So, what I’ve experienced in doing insights work for 20 years with stakeholders is they often approach the assumptions they create about consumer preferences and behavior from a logical mind point of view. And we’ve known for a long time now that consumers are ruled as much, if not more, by their gut and their heart. So, it’s the job of a great insight professional to take the mind, the gut, and the heart all into account when analyzing consumer behavior.

Pete Mockaitis
And can we do maybe a nice contrast, distinctions, like, “When we say mind, we’re talking about these kinds of things, and gut are those sorts of things, and heart are these kinds of things”?

Dave Decelle
Sure. So, as someone who interviews plenty of consumers about how they feel about things, how they see the world, how they feel about products and services, etc. it’s so easy to see when they’re in a rational state of mind. They’re thinking through the answer to their question. But oftentimes you also need to read their body language, you need to read their tone of voice, you need to see when what they’re saying starts to really show up at an emotional level, they start to lean forward, they start to get excited, etc. And you also need to look at their behavior.

It’s well-known for a long time now that you can be in an interview in someone’s home and they’ll say one thing and, two minutes later, you see them do something that’s completely counter to what they just said, right? And that’s kind of their gut. They’re operating at their gut at that point, so you really need to pick up those cues of not just what’s coming out of their mouth because that’s often the most logical thing, but also what they’re doing, which is often driven by intuition, or how they’re either lighting up or not lighting up when they’re talking about something or when they’re doing something and engaged in something, and that’s the heart part.

And so, if you take all three of those together to uncover your insight and explain why consumers behave the way they do, it becomes very intuitive why they behave that way. It may be very counter-logical as to why they would behave that way, but when you take all three into account, you can be like, “Oh, right. That makes total sense why they behave that way.”

Pete Mockaitis
And could you maybe walk us through perhaps an instance of you did an interview and then you’ve got some great perspective on the mind and the gut and the heart to paint a full picture there?

Dave Decelle
So, we were testing out a new concept for a new type of story where the storyline would be randomized from viewing the viewing. And so, they way we did it was we had a group of people watch one version of the story in one room, we had another group of people watch another version of the story in another room, and then we brought those two people together, those two groups of people together, and we asked them to just talk about the show that they watched.

Now they had no idea that they were watching the same show, just different versions of the same show or the same episode, so they started talking about it. And as they were talking about it, on the surface they realized, “Oh, we must’ve been watching the same thing.” But, every now and then, one group of people would reveal a certain detail that wasn’t in the story of the other one, and the other group would light up around that, they’d be like, “Wait a minute. Wait a minute. That wasn’t in my story. What are you talking about? That sounds really interesting. Tell me more about that.”

Well, then afterwards, when we asked them, when we unveiled the concept of, “You guys actually did watch the same show, the same episode of the same show, but there were random variations in exactly how the story was told throughout. What do you think of that?” And their initial reaction was, “Oh, I don’t like that. We should all be watching the same things so when we get together and we talk about it afterwards we’re all talking about the same thing and there’s not confusion.” And yet 10 minutes earlier, we saw so much excitement and intrigue when they realized, “Hold on. We saw the same story but my story didn’t have that particular detail in it. Tell me more about that detail.”

So, there’s an example where if people thought about it logically, they would automatically say, “No, I don’t want to watch a story that’s a little bit different from the story that my friend is watching because when we get together, we want to know what each other saw.” But when we observed the actual behavior of them talking about it and realizing, “Hold on. Your story was a little bit different,” there was so much excitement and so much joy in that.

Pete Mockaitis
Well, boy, that’s intriguing certainly and I guess a whole new concept there. Well, thank you for sharing that. And I guess I’d also like to get your view then in terms of we’re talking about story a lot and you’re looking a lot in sort of what’s resonating and what’s hooking people and what’s not hooking people. Are there some universals or foundational principles in terms of, “This is what makes for some captivating stuff”?

Dave Decelle
So, great storytelling, and I’ll keep it to telling great stories based on insights, which is my forte. So, it’s got three things, three things I’ve already mentioned before, right? It’s got the logical appeal, it’s got the emotional appeal, it’s got the intuitive appeal. So, too many times, professionals, when they put together presentations to try to persuade an audience or inform an audience, they stick to just the logical stuff, and they completely ignore trying to hit people at a gut level that helps them to intuitively really get something and also make them really feel it.

So, the way I think about it is whenever I craft a story and I want to appeal to both the logical mind, the intuitive gut, and the emotional heart, is they each have their role to play. When you present the logical data or insights about your topic, what that evokes in your audience is the “Hmm, mm-hmm” reaction, right? When you give them something like a framework that puts that data or that information or those insights into an intuitive visual model that kind of shows how everything hangs together and the inner relationships among things, that’s when they “Hmm, mm-hmm” turns into “Oh, I get it.”

And then when you layer on the emotional appeal, which is oftentimes in my world, “Here’s how consumers light up when you get this right,” that progresses then from “Hmm, mm-hmm” to “Oh, I get it” to the emotional “Oh, my God. Now I see what I need to do.” So, that’s the kind of story I try to craft. I try to take people on that journey of “Hmm, mm-hmm” to “Oh” to “Oh, my God.”

Pete Mockaitis
All right. Well, that certainly sounds like a smashing performance when you can pull that off. And I guess in some ways that might be an hour-long presentation or it might be much shorter. Could you perhaps walk us through an arc in which we can experience these?

Dave Decelle
Oh, boy. Well, I’ll tell you, one of the things, one of the most powerful techniques that I learned from my longtime friend and colleague Ted Frank.

Pete Mockaitis
A fellow guest.

Dave Decelle
Yeah, pretty much everything I’ve learned about storytelling I’ve learned from Ted Frank. The thing that can tie all of that together and can really progress you from “Mm-hmm” to “Oh, I get it” to “Oh, my God” is tension, so when you can build tension. And oftentimes how do you build tension? When you think about Hollywood movies, how do they build tension? They often do it through foreshadowing, through suspense, through increasing action and conflict, right?

So, with the logical stuff, oftentimes with the logical stuff, you’re sort of setting the, “Here’s the current state of our hero and their world.” And then you start to add more and more insight that sort of ratchets it up and starts to unveil the kind of life they could be living, right? And then you ratchet that up even further and you really make them feel, “Oh, if only they were living that life. This is what the ideal would be like. This is their new bliss.” And I’ll have to give credit of the new bliss to Nancy Duarte right there.

So, building tension throughout your story is one of the most effective ways to progress people from just logical understanding to intuitive “I get it” to heartfelt “Oh, my God. I need to do something about this.”

Pete Mockaitis
And was there a particular application of that with regard to a product or service and then going through those three stages with great effect?

Dave Decelle
Yeah. There was a study I did at Netflix looking at many, many years ago when we first started creating our originals. We thought about, “Okay, as we create more and more of these originals and we start to kind of promote them within the app, always at a very personalized way, how do we make sure that we don’t tip over into this perceived negative advertising, this feeling that we’re just pushing stuff on people that we want them to watch as opposed to what they want to watch?”

And so, we did a lot of research around that, and we ended up coming up with seven factors that play into how you need to conceive of an in-app product promotion. And the story I told laid the groundwork of, “Here’s how people perceive ads today. There are good ads, there are negative ads. Here’s how people describe good ads. Here’s how people describe negative ads. Here are some examples of good ads. Here are some examples of bad ads.” And that was all like very logical stuff.

And then, as a I presented that, I surfaced, “Okay, at a conceptual level then, there are these seven factors that play into whether an ad is received as positive or negative. And here’s those seven factors. And there’s a subset of these that you want to lean into because they tend to have people perceive the ad as being a positive thing for them. And there is the other subset of factors that you want to lean back from because they’re the ones that put your ad into negative territory in people’s minds.”

But then the power of the framework became, “Look, you don’t have to always lean back from the bad attributes.” If you want to dial up one of those, so, for instance, one of those was frequency, you show somebody the same thing too often and it starts to become very tiresome in a negative ad, right? “Well, if you want to dial up frequency, that’s fine. But you also need to dial up one of the positive attributes.”

So, I’ll give you an example. One of the positive attributes was relevance. Is it relevant to their taste? So, if you’re going to go high on frequency, you better make sure it’s extremely relevant to them. So, the framework was, “Look, you can be setting these dials in combination with each other to create a really powerful promotion that not only helps promote the great original content that we’re creating but also pleases and delights the customer at the same time.”

So, creating that framework was the “Oh, I get it.” And then the emotional part was then being able to show stories of consumers reacting negatively when Netflix or other services got it wrong, and when they really lit up and reacted really positively when either Netflix or a service got it right.

Pete Mockaitis
Okay, cool. Thank you. And then I guess, maybe      to sort of back up in the chronological sequence of things here, do you have any favorite questions that you’re asking consumers in surveys or interviews that often seem to yield great stuff that’s super useful?

Dave Decelle
Yeah. So, I’m a qualitative researcher by nature. I know enough about quanti to be dangerous but I grew up as a qualitative researcher. So, that’s a lot of face-to-face interviews in people’s homes, in facilities, focused group sets sort of thing. And I’ll tell you, the most effective question that I ask is actually not a question. It’s a statement. It’s simply, “Tell me more about that.” And people just, they start to expound on their initial logical answer and you just get them talking about that, “Tell me more about that. Tell me more about that.” And it starts to unveil so many underlying psychological drivers and motivations and feelings. It’s the most powerful statement in consumer insights as far as I’m concerned.

Pete Mockaitis
Excellent. Certainly, as opposed to, “All right. And the next thing in my script I will execute.” It’s like, “No, no, you’re going to hang there for a while.”

Dave Decelle
Well, no, worse is they give you their initial answer, and you say, “Why?” because what are you doing? You’re only engaging their logic then because then they’re like, “Oh.” “Well, why is that?” And they go back into their heads and they to figure out why as opposed to just simply, “Tell me more.”

Pete Mockaitis
That totally makes sense because, “Why?” they’d go, “Because that is what I’m looking to accomplish,” versus, “Tell me more about that.” It’s like, “I get such a rush out of…” you know, whatever.

Dave Decelle
Exactly.

Pete Mockaitis
A totally different pathway. Cool. And then so I want to talk a little bit about sort of like the presence part in terms of what you’re bringing to your delivery of the story if you’re presenting in sort of a group or a meeting. Any pro tips there?

Dave Decelle
Yeah, definitely. So, when I think about presence, the best piece of advice I can give to someone is be bold yet humble. So, when you know what you know, be bold, have conviction, have a strong point of view. When you’re not sure or when you don’t know what you don’t know, be humble enough to admit that.

So, I’ll give you an example. I was in one of the product-strat meetings at Netflix a few months ago while I was still there, and the topic at the time was an extremely technical data science topic.

And I was listening to the whole thing, and we were debating whether this was a good direction to go or not in terms of data science analysis and ways of evaluating our A/B tests. And I raised my hand and I was very nervous when I did so, but I started with, “Look, I am way over my head when it comes to the technical aspects of this, I’m barely keeping up with this conversation. But if I understand the underlying concept of what you’re trying to do here, what I like about it is that this is a much more forward-looking analysis as opposed to simply relying on how we may have changed behaviors currently in the short term. And this is much more looking at how do we think we’re going to be changing behaviors in the long term. And we’ve always sort of wished we could do that, and so I’m glad that you guys are taking this step to really go out on a limb and try to predict the future, so to speak.”

So, I was humble in saying, “Look, I barely understand what you guys are saying, but I had the strong conviction that I think the concept of what you’re trying to do is a bold concept, and I’m a 100% behind it.”

Pete Mockaitis
And I think that also will do wonders for your credibility in terms of when you know something you know it, and when you don’t, you don’t, so they just don’t suspect you of yes-ing ever.

Dave Decelle
That’s right, yeah. And, in fact, that was one of the big a-ha’s for me, is that people find you more credible when you do exhibit that humbleness because they see you as more human, right? And when they see you as more human, they see you as more like themselves. There’s plenty of times that people are sitting in meetings feeling like, “I’m in over my head here. I’m barely understanding what’s going on.” But if someone else has the courage to admit that, they’re like, “Oh, okay. Yeah, that guy is like me,” and that just makes you that much more credible in their minds just simply because you’re perceived as more human.

Pete Mockaitis
I dig it. I also want to get your take in terms of, just super tactically, what your top do’s and don’ts when it comes to slides. You got a lot of rich information, you’re presenting it, what should we do and what should we not do?

Dave Decelle
Oh, my God. Do not put more than one thought on a slide. The most powerful thing you can do with slides is build. So, oftentimes I’ll create a slide that does have a lot of information on it or has a big concept on it with a lot of elements to it and a lot of moving pieces and a lot of interrelationships. And I create that slide, that one single slide, but then I copy it, however many times I need to, five times, ten times, whatever, and I build it up.

So, I create the ending slide where all the information is on there or the full-blown concept is presented, but then I create five or ten copies of it, and I delete what’s not needed until I get to that point. And so, I introduce the first point, and then I show how that point leads to the next point, and how that point leads to the next point, and how things hang together. So, by the time they do see the big slide that has it all, you’ve taken them on a journey and they understand it all.

The worst thing you can do is just put a slide up with a lot of words, or one big, like even if you come up with like this amazing visual model, putting that visual model up on the slide all at once. Because as you’re talking people through it, it’s human nature, they’re already trying to decipher the slide on their own and they’re not listening to what you’re saying. They’re looking at the slide and they’re trying to piece together everything that’s on the slide and trying to draw their own conclusions or interpret it themselves.

But if you can break it down into bite-sized chunks and introduce one piece at a time, and you show how that piece leads to this piece leads to this piece, they’re understanding and they’re grasping of it increases tenfold.

Pete Mockaitis
That’s excellent. Well, I had a feeling that you had a lot to say about slides. So, anything else leaping to mind in the do’s and don’ts?

Dave Decelle
Let’s see. Do’s, yeah. Use a lot of light space, and in presenting, so this comes more to the verbal part, in presenting you need to use body language and you also need to be comfortable with and know how to use silences. Silence can be a very powerful tool, especially a powerful tool for building that tension I was talking about earlier.

Pete Mockaitis
Absolutely.

Dave Decelle
So, for instance, in my presentations sometimes, oftentimes I use the tactic of throwing a hypothetical question out to the audience with a nice long pause and I let them think about it in their own heads how they want to answer that question. And then I show them how the insights we gathered answer that question, and then they get to see in their own heads, “Whoa, I was way off, or where they were off, or where they were relying with what consumers were thinking, for instance.”

Pete Mockaitis
Certainly. And much more engaging in terms of you are way less passive in terms of your brain is getting the wheels turning there.

Dave Decelle
Yeah. And with slides, the only thing you want to do is just keep it moving, and that’s why a build is so powerful. I’ll give you a truly counter-logical counterintuitive ratio. The fewer slides you have, the longer your talk is going to be. So, I presented a 20-minute presentation with 122 slides. When you do the math there, I only spent about 10 seconds on each slide, and so I kept it moving. There was always this feeling of forward progression, and there was always this sense of, “You can’t look down at your phone. You can’t look at your laptop because you’re going to miss the next thing. And if you miss that thing, you’re not going to understand the three things that follow that.”

And people cannot help but like lean forward, sit on the edge of their seats to see what happens next if the slide is changing like every 10 seconds, and you’re giving them something new every 10 seconds, as opposed to splashing one big busy slide up there and then talking about it for seven minutes straight, right? They’re going to zone out after the first one minute.

Pete Mockaitis
Well, that’s cool. Thank you. Well, Dave, tell me, anything else you want to make sure to mention before we talk about some of your favorite things?

Dave Decelle
No, I think I’ve covered it.

Pete Mockaitis
Okay. Well, now, could you tell us a favorite quote, something you find inspiring?

Dave Decelle
Yeah. So, my favorite quote is actually the poem “Our Deepest Fear” by Marianne Williamson.

Pete Mockaitis
Thank you. And how about a favorite study?

Dave Decelle
One of the most intriguing ones to me is there’s a famous study, multiple studies that actually show this, where charity donations are increased if you tell individual stories. So, if you present sort of mass statistics about one in four people suffer from such and such, you’ll get a certain level of donation out of that. But if you can then tell the story of one or two people who are suffering from that thing, individuals, and you show their photos and you tell their actual life circumstances, donation rates increase. So, that’s the power of storytelling as opposed to just presenting mass statistics.

Pete Mockaitis
Thank you. And how about a favorite book?

Dave Decelle
Any book by Peter F. Hamilton, my favorite science fiction writer of all time. He’s amazing. In each of his books, he takes some kind of central technological breakthrough in the future and illustrates how that technological breakthrough changes so many things about society and culture when people take that breakthrough and they apply it in multiple different ways.

So, his latest book, for instance, is Salvation, and the underlying technology there is this idea of twinned wormhole portals and that just changed the world in innumerable ways.

Pete Mockaitis
Oh, thank you. And how about a favorite tool, something that helps you be awesome at your job?

Dave Decelle
My favorite tool is other people’s perspectives and ways of seeing things. So, using other people as sounding boards, especially when you’re creating frameworks and stories. Bounce those off as many people as you can and learn from that, “What are they not getting? What are they misunderstanding? How are they interpreting it? Are they interpreting it differently than I wanted them to?”

Pete Mockaitis
And a favorite habit?

Dave Decelle
My favorite habit is my daily visits with humility. So, what I think anybody can do is, on a daily basis, or at the very least a weekly basis, go and visit something that is so vast and so much greater than yourself or even than humanity, to give you that sense of humble perspective. So, for me, that’s the ocean. I happen to be lucky enough to live on the coast of the Monterey Bay in California so just about every morning I ride my bike down to the ocean, and I’d walk along the ocean for half an hour to an hour, and I just look at the ocean and I just ponder how vast the ocean is, how deep it is, how dynamic it is, and how old it is, right? So much more vast. And it’s a power that’s so much greater than myself. You have to be humble in the face of something like that.

Pete Mockaitis
And is there a particular nugget you share that really seems to connect and resonate with folks and they quote it back to you often?

Dave Decelle
Well, I haven’t had the fortune of people quoting it back to me, but I like to think that one of my favorite nuggets that I try to pass on to other people is this notion of, “Celebrate your strengths and let go of your weaknesses,” because too many people try to fix what they perceive to be wrong with themselves at the great expense of not building upon what is right about themselves.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Dave Decelle
Well, as pedestrian as it sounds, LinkedIn is probably the best way to reach out to me, at least initially.

Pete Mockaitis
Oh, I love LinkedIn. And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Dave Decelle
Yeah, I would say this is relevant to anybody who’s in a role that wants to persuade other or that needs to persuade other people. Make sure that in your message and in your point of view, you target people’s heads, guts, and hearts, all three.

Pete Mockaitis
Perfect. Well, Dave, this has been a treat. Thanks so much for sharing the good word and good luck in your adventures.

Dave Decelle
Thank you, Pete. I appreciate it.

499: Key Psychological Principles for Ethical Persuasion with Brian Ahearn

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Brian Ahearn says: "Stop telling and start asking."

Brian Ahearn breaks down the ethical way to getting people to say “yes.”

You’ll Learn:

  1. How to quickly attract people’s attention
  2. The simple secret to winning people over
  3. How to get others to follow through with their tasks

About Brian:

Brian Ahearn is the Chief Influence Officer at Influence PEOPLE. A dynamic international keynote speaker, he specializes in applying the science of influence in everyday situations. 

Brian is one of only 20 individuals in the world who currently holds the Cialdini Method Certified Trainer designation. This specialization was earned directly from Robert B. Cialdini, Ph.D. – the most cited living social psychologist on the science of ethical influence.

Brian’s book, Influence PEOPLE: Powerful Everyday Opportunities to Persuade that are Lasting and Ethical, is an Amazon best-seller and his LinkedIn courses have been viewed by more than 75,000 people.

Resources mentioned in the show:

Thank you Sponsors!

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Brian Ahearn Interview Transcript

Pete Mockaitis
Brian, thanks so much for joining us here on the How to be Awesome at Your Job podcast.

Brian Ahearn
It is my pleasure, Pete.

Pete Mockaitis
Well, one thing I learned about you is that you were born on April Fools’ Day. What has been the impact of this over the course of your life?

Brian Ahearn
I tell people I may be a fool but I’m not stupid. It was always nice to grow up and have your birthday be memorable.

Pete Mockaitis
That’s right, certainly because they just won’t forget, “Hey, when is your birthday?” It’s sort of locked in. Now, were there extra jokes, like, “You’re going to have a party. Nah, I’m just kidding”?

Brian Ahearn
No, I was usually the one who made the jokes because my mother told me I was supposed to be born on St. Patrick’s Day, so I did fool everybody by staying in the oven for an extra two weeks. And I always said it was good that I wasn’t born on St. Patrick’s Day because I’d probably be a drunk if I was.

Pete Mockaitis
And I don’t know if there’s any real research on this, but I’ve just kind of imagined that having extra time in the womb is probably handy with all the development that’s going on there.

Brian Ahearn
I don’t know. I never really thought that much about it but I was always revolving around, “You were supposed to be born on this day but you were born on this other day.” So, I’ll ask my mom. I’m sure she’ll take a lot of credit for my development.

Pete Mockaitis
Well, I’m so excited to dig into your wisdom here with regard to influence and persuasion. And so, I think we’re going to get into a lot of great stuff. But maybe, as a starting point, how might you suggest we kind of gauge where we are today with someone’s influence skills in terms of like, “How do I know if I’m amazing in influencing or terrible at influencing or in the middle?” Because I think all of us just in real life, no matter how amazing you are, sometimes people are going to say no. So, how do you interpret like does a given person have a lot of room for improvement or not so much? And what are the telltale indicators?

Brian Ahearn
Tremendous amount of room for improvement. I’ve been teaching this for more than 15 years, I wrote a book on it, and I still am growing, or I still sometimes have somebody point out something, and I’m like, “Oh, that’s a great point. I didn’t actually see that.” So, I think if I can be deeply immersed in it like this and still say I’m growing and getting better all the time, well, then people who haven’t immersed themselves, they’ve got even more room to grow.

Pete Mockaitis
Oh, that’s cool. Well, maybe could you sort of establish our appetites a little bit by sharing maybe a dramatic transformation, or a before or after story, like what can be possible if you dig your teeth in and learn this stuff?

Brian Ahearn
Well, there’s a lot of things that we do, Pete, every single day that may not seem monumental but they are very important to move the ball ahead in our job, and I will give you an example. In my former corporate life, part of my responsibility was to help with the recruiting of insurance agents to come to the company that I work for. When we learned about…

Pete Mockaitis
That’s not always easy. Selling insurance doesn’t sound like a great gig for many people that you might be reaching out to.

Brian Ahearn
I’ve not yet met somebody who grew up and said, “I want to be an insurance agent.” Everybody’s got a story about how they fell into insurance. But it’s actually a wonderful industry, and if you do it well as an insurance agent, it can be very lucrative, so they are usually looking for good companies to represent. And part of our job was to help recruit them.

And when we learned about the principles of scarcity, which alerts us to the fact that people want more of what they can have less of, that we value things more when we think they’re rare or diminishing in some respect, well, we had been prospecting to these agents for many, many years and never thought to incorporate this principle.

And so, here’s what we did, Pete. We always had a limited number of agents that we would bring on any given year, let’s say it was 50. And we never thought to really promote that number. Fifty is not a lot when you’re only in 30 states. And so at the end of the third quarter, we sent a mailing, or an email message out to prospective agents, and the last paragraph would say, “Pete, part of the reason I’m contacting you today is to let you know we’re only looking to appoint 50 agents in our 30 operating states. As of today, we’ve appointed 40. We hope you’re one of the remaining few we appoint by year end.”

As soon as we sent that email, within the hour, my boss came over to me and he said, “I can’t believe it. I’ve already had eight agents call or email in response to that communication.” He said, “I have never had any respond within the hour.” And we knew the only thing that was different was that last paragraph, alerting them to the fact that there were going to be very few slots left by year end, and those agents who were considering it, all of a sudden had moved the needle. That was a big win for us. Not monumental in the scheme of the world but for what we were doing, that was darn important for our goals.

Pete Mockaitis
Yeah, well, that is exciting when you can pinpoint a result to a little change, and so that’s leverage. I mean, that’s exciting, that’s powerful, and I guess it makes sense if some folks were thinking, “You know what, maybe I’m looking to change industries or careers, get to another company,” as opposed to, “Oh, shoot. I actually better get on this right away or I guess this opportunity will disappear for me.”

Brian Ahearn
Exactly. And we all respond to it. I know sometimes people say, “Oh, that stuff doesn’t work on me.” But we’ve all had those times where we got off the couch on a Sunday, and we went to the store because we heard “Sale on Sunday,” or maybe we got there on Friday because we heard “While supplies last.” And the reality is we probably never would’ve gone to the store were it not for being alerted to the fact that something was going to be limited.

Pete Mockaitis
Certainly. Well, so that’s one principle. Let’s zoom out a little bit. So, you unpack a lot of this in your work, in one of your books Influence People: Powerful Everyday Opportunities to Persuade that are Lasting and Ethical. So, how would you maybe organize or share kind of the main message as we dig into this?

Brian Ahearn
Well, the subtitle, as you said, “Powerful Everyday Opportunities to Persuade that are Lasting and Ethical,” that’s really foundational to what I talk about because I tell people it’s powerful because it’s research-based. This isn’t somebody’s good advice. This is backed by empirical data. It’s an everyday skill. I mean, most people realize, if they want to be successful at work, they need to get people to say yes to them. But when they go home, life is more peaceful and happy when they can get those people around them to say yes. So, it’s an everyday skill.

The real opportunities are the fact that, going back to what you asked at the beginning, “Do people have room for improvement?” most people don’t know the language of influence. And until you can label something, you usually don’t start seeing it with any consistency. But once you learn the language and you can label things, you would be amazed at how often you understand how the salesperson is trying to get you to buy, marketers trying to get you to store, politicians trying to get you to vote for him or her, so you begin to see these opportunities.

And then even when it comes to persuasion, most people don’t really have a handle on what that is. If I ask people, “What is your definition of persuasion?” What I hear most often is to convince somebody or change somebody’s thinking, and that sounds good, Pete, until you ask this follow-up question, “If you tell your son or daughter, ‘Clean your room,’ do you want them to say, A, ‘Mom or Dad, that’s a good idea,’ or, B, get in there and clean the room”? And everybody gets it. They want them to change their behavior.

And when I talk about persuasion, it’s about changing behavior, getting people to do something that they wouldn’t do if you had not asked. So, it really comes down to the ask. And if we do it well, it can have a lasting impact on people, and certainly we want to be ethical when we do it.

Pete Mockaitis
Now when it comes to ethics, why don’t we hit this right now in case there’s any resistance in the listener? So, ethics, I mean, I think we all like ethics. Can you share what are some kind of maybe golden rules that you keep in mind when it comes to using influence and persuasion ethically?

Brian Ahearn
Sure. First one is good for me, good for you. I can’t ask you to do something that’s not also in your best interest, otherwise I am only out for me. And I think any person listening to this, if they said, “That person is only out for themselves,” they wouldn’t want to do business with them. So, whatever I’m proposing has to be good for you, has to be good for me. If we use Stephen Covey’s term a win-win.

Second, we need to be honest. And not just honest in what we say, but also honest in what we know because it’s not enough to look you in the eye and say, “Well, Pete, I answered all your questions.” And you look at me and said, “Yeah, Brian, but you didn’t tell me when you sold me the house there was a crack in the foundation.” Me saying, “Pete, you didn’t ask that question,” wouldn’t cut the mustard. You’d say, “Hey, if I’d known that, I would’ve made a different decision.”

So, we’re honest about what it is that we’re talking about, what it is that we’re offering, but we’re also confident because even when there’s a shortcoming in something, if we are honest and we bring that forth relatively early in the conversation and deal with it, we gain credibility as a trustworthy person, and then we can segue into more of the strengths of our product or service.

So, we create win-wins, we are honest, and then the third thing that we talk about is we only use the psychological principles that are natural to the situation that we find ourselves in. And I think a good example of this is anybody who’s listening to this who’s a homeowner has probably had people who tried to sell them roofing, gutters, siding, painting, whatever, those things we all need for our homes. And they probably had people say something like, “Pete, if you sign today, you can save 15%. But if I have to come back at a later date, I can’t offer you that same deal.” They’re trying to invoke a sense of scarcity, like, “Oh, if I don’t act right now, I’m going to lose this great deal that he or she is proposing.”

And most of the time that’s garbage because whatever they’re offering is probably not in short supply. They’re only doing it to manipulate you into making a decision right then and there so they don’t have to come back or you don’t rethink it, so that’s not being genuine in terms of how you’re using the principle. There’s no scarcity there, but they’re trying to squeeze it in to change your behavior. Does that make sense?

Pete Mockaitis
You know, I like that. That’s a nice piece there in terms of like it’s natural and it makes sense. And so, not to trash talk but let’s trash talk, shall we, Brian? I think that there’s a lot of sort of online sales stuff with the funnel and a launch and a deadline, and it doesn’t feel so good. And I guess I’ve done it too, although there was a real reason associated with the deadline, it’s like, “Hey, everybody is starting the class at this time. We need to gather a sort of critical mass to have a community, and there’s going to be some live sessions, and you would miss them if you didn’t sign up by this deadline.” So, that was real.

But a lot of other times when it’s sort of like there’s a digital training course, and it is available for, I don’t know, 24 or 72 hours, I’m just like, “’Why?” And it just seems like the only reason that that deadline is there is to make me do this thing now, and I don’t like it. Now, at the same time, I guess it could very well be win-win. It’s like, “I know this is what you need to do in order to get off your butt and make something happen because I need to have a little bit of pressure here, but it doesn’t feel so good on the receiving end.” I just want to get your take on this.

Brian Ahearn
Well, I think that’s a good example that there’s probably not something in short supply because you can access it 24/7, 365. It’s not like they ran out of something. Or your example of holding a class. You might say, “Early registrants are going to pay this price. If you register by this certain date, it goes up. And by this last date, it’s higher.” And somebody might say, “Well, a seat is a seat. Is that fair?” Yes, I think it can be because you’re having to plan, you’re having to ship materials, you’re having to secure a room with certain seats, so, yes, there can be additional costs for you.”

Pete Mockaitis
I buy that, absolutely, yeah.

Brian Ahearn
And so, you’re passing that on. It makes your life easier so you’re going to make their life easier by putting a deadline like that. I think deadlines are legitimate when you know that those deadlines will also help people. So, there were some work I read from Dan Ariely where they looked at students who were either given no deadline, “You have six papers all due at the end of the semester. You’re adults. Do them at your leisure.” There was a group that could choose their own deadlines, and then there was a group that was given deadlines.

And, contrary to what people might want to think, those who were given the deadlines actually performed best because we all, I mean, probably every person listening to this, had times where they delayed all their studying and crammed. And they had all kinds of times and it is such a common human phenomenon to do that. So, I think imposing deadlines there, you can say, “Yeah, you might’ve had to the end of the semester but it will be beneficial for most students if we set these deadlines and adhere to them.”

Pete Mockaitis
That is helpful. Thank you. I dig that. And then when it comes to products, let’s talk about digital products in terms of like, “Hey, I got this thing. I can flip the on/off switch whenever I care to, and I care to flip it on for three days once a year, and then flip it off to keep everyone in a ladder.” It doesn’t feel great to me. What’s your take?

Brian Ahearn
I would want to know more about the details of what they’re doing and why they’re doing it before just making a blanket statement to say, “You could create something and put it out there.” People could argue that there are a lot of things that are not truly scarce. You know, time. Somebody might say, “Hey, if you’re not doing something on this day, isn’t it better to come and speak for this and throw out some low fee than to get nothing?” They might say that’s fair.

Somebody else who’s a speaker might say, “Well, no, I’ve already charged other people a particular amount. I’m not going to go ahead and lower that just for you. That’s not fair to those people.” So, there’s always a tension there that you have to understand what’s behind it. So, I would want to know why are they only making it available for three days. Is it tied to something else that’s part of their offering or their services?

Now, if they’re laughing in the backroom going, “Oh, yeah, we just make it available three days every year, and people go crazy, and then we pull it from…” I don’t know that that’s really a very ethical way to go about doing things. It’s like you remember the Disney Vault? That’s all that was. It’s out for limited time, then it goes back into the vault. And the imagery was great because the vault is closed and the only people who know the combination worked at Disney. But the reason they did it is it worked. People would flock to buy those videos or DVDs, and they would always change them every so slightly. Blu-Ray Digitally Remastered with two scenes never seen before, then you’re like, “Oh, gosh, I got to have it. And if I don’t get it now, it goes into the vault and who knows when they’ll open the vault again.”
Pete Mockaitis
Right. And I think about DeBeers, that’s sort of their whole game with diamonds is that they acquire much of the supply, and then they trickle it out as they so choose.

Brian Ahearn
Well, we see it with tickets to concerts, right, where people go online, and they’re like, “I can never buy anything because these major corporations go in and buy them all up and then they jack the price.” Yes, so they buy them, they have the purchasing power, and then they leverage scarcity after that.

Pete Mockaitis
Okay. Well, so that’s good rules of thumb for the ethics, and so even if there’s an on/off switch being flipped for additional good or the sales of a service, there very may be a nice valid reason in terms of the life of the provider and sort of the conveniences they get to enjoy or not, or it could be some folks cackling all the way to the bank as they’re utilizing this.

Anyway, so we talked about scarcity. Can you share what are some of the other most powerful principles, when you said once you see have a label for something, you can use it and identify it? Can we hear some more useful labels?

Brian Ahearn
Okay. Well, one of the principles that we talk about is called the principle of liking which tells us that we prefer to say yes to people that we know and like. Now, listeners might be saying, “Well, duh, we all know that.” What a lot of people don’t think about though is how to make that a reality. And most people will go into situations and work really hard to get people to like them, and that’s better than doing nothing.

But the most powerful thing you can do is to go into a situation to say, “How can I come to like this other person? And I’m going to, therefore, connect in what we have in common. I’m going to listen. I’m going to try to take it in. And when I hear something we have in common, like we grew up in the same town or cheer for the same team, I’m going to start talking about that because I want to like the people that I’m networking with, working with, supporting, etc. Or I’m going to look for things that I can genuinely compliment them about because I know that if I find those things, I’ll start thinking more highly.”

And here’s why this is so key. When that other person believes you truly like them, and you really are coming to like them, it opens them up because we all believe deep down inside that friends do right by friends. And the good news is we do right by friends. If you’re truly a friend, you’ll never want to manipulate your friends. And this is a powerful way to remove that whole question about manipulation because when I look to the people that I know and like, I want to help them. They know I want to help them. And it creates this really good virtuous cycle, so I think it’s a very, very powerful principle. But that key is don’t try to get people to like you. Try to come to like other people.

Pete Mockaitis
Yeah, that’s great. And so, then so part of that is just doing the research and zeroing in on commonalities. And how else can we get to like them?

Brian Ahearn
Well, there’s things like, I mean, certainly if you mirror and match. When you are with somebody, and you consciously mirror their body language, you kind of get into sync, when you make a conscious choice to pace your speaking along the lines of theirs, not to manipulate them or anything, but to say, “I want to make this person comfortable with me and I want to be comfortable with them,” because the more we see ourselves as similar, how we stand, how we talk, the things that we have in common, etc., all of those start to create this sense of rapport, like, “Hey, that person is like me and, therefore, I kind of like them.” It’s much easier to like people who are similar to you in multiple ways.

And then, of course, I mentioned paying somebody genuine compliments. Another thing that we talk about at times is when you work together in cooperative ways, and you have success, you tend to high-five and really look more positively upon each other, especially for people who are leaders who are listening to this. If you have employees who might not get along so great, put them into situations where they have to work together. Don’t put them into situations that would be hard to be successful in. You want them to kind of take baby steps. But as they work together and they have success, people pretty naturally start looking at the other person and say, “That was great. You did a good job,” and they start passing compliments. So, those are natural ways to make liking come about.

Pete Mockaitis
Okay. Excellent. Thank you. And how about some more?

Brian Ahearn
One of the really interesting principles, for salespeople especially, is the principle of consistency. People always ask, “What is the most powerful principle of influence?” And I always say it depends because it depends on the situation you’re in, and these principles aren’t always available, or at least every one of them are not always available. But if you’re a salesperson, the principle of consistency is paramount because the principle of consistency is predicated on asking good questions.

And we define the principle this way. We feel an internal psychological pressure but also an external social pressure to be consistent in what we say and what we do. So, to drive this home. Pete, have you ever given your word to somebody, friend, family member, someone, that you would be somewhere or do something with them but had to back out?

Pete Mockaitis
I’m certain that’s happened and I’m trying to recall a specific instance but I’m with you.

Brian Ahearn
Okay. You know, when I ask an audience on this, almost we can all recall a time where, “Oh, gosh,” we forgot it’s our kid’s recital, or, “Somebody got sick and I need to stay home.” Legitimate reasons that I’m sure when somebody says, “Hey, I can’t make it, and here’s why.” But friends say, “Don’t worry about it.” But the reality is how do we feel? Most people I ask that question, they say, “I felt terrible having to tell them I couldn’t be there. I felt bad or guilty.” And what do we do? We don’t like to feel those feelings. We work really, really hard to try to keep our word.

And when you understand that, then rather than telling people what to do, you start asking, because when you ask and they commit to you, it triggers that internal sense of, “I want to be consistent with what I say and do because, first and foremost, I will feel better about myself. And, oh, by the way, I’ll look better in your eyes.” So, it’s a powerful motivator of human behavior.

Pete Mockaitis
Certainly. So, then when you are attempting to be influential and persuade, knowing that this is a powerful force within us, what are some key ways that this can be utilized?

Brian Ahearn
Okay. So, it’s very common for people in a business setting to tell somebody what they need. I may walk by you and say, “Pete, I need the sales numbers by Friday.” Now maybe you’ll get them to me, maybe you won’t, but I know this from the research, I will be more effective if I were to say, “Pete, would you be able to give me the sales numbers by Friday?” because if you say yes, the odds that you’ll do it are significantly higher than if you don’t say anything at all.

But a smarter way to go about doing this would be, “Pete, would you be able to get me the sales numbers by Tuesday?” Now, if you tell me you can’t, then I have fallback positions. I might say, “Pete, I realized it’s really busy around here. Any chance you could get them to me by the end of the day Wednesday?” Now this is tapping into another principle that we call reciprocity. And, people, when you come in with another request immediately after somebody says no, there’s lots of research that shows people will be more likely to say yes.

So, by starting to think about what it is that you need, how can I ask, how can I set fallback positions so that if that person says, “No, I’m too busy,” well, I can retreat to Wednesday, I can retreat to Thursday, I still can even retreat to Friday. And so, the manager who gets into that habit of asking instead of telling and setting themselves up with fallback positions will get what they need far more often than somebody who just tells people what they need on the due date.

Pete Mockaitis
And I also wonder, and I guess this could be risky, but if you were to say, “When can you commit to completing this by?” And then they generate their own due date, does that have even more power because it came from them?

Brian Ahearn
Yes, anytime somebody self-generates their own reasons, goals, they will be more committed to those. You may look at me and say, “Well, Brian is an expert in influence.” And if I tell you what you should probably do, you’d give that some weight because you’re like, “Hey, Brian knows what he’s doing, he wrote a book.” But if I asked you to write questions and you come up with the very same idea, you own it because you feel like, “That’s my idea.” And we all think our ideas are pretty good.

And so, that becomes another skill too, which taps into this principle, but asking those right questions to get people to come up with the answers themselves, it’s a huge part of the coaching process because coaching is about teaching people to think for themselves. And when they start coming up with their own ideas, then they feel more confident at generating their own ideas down the road, and they don’t need as much attention through coaching.

Pete Mockaitis
Okay. Excellent. Well, so we’re really kind of taking down the six greatest hits here, we got the scarcity, liking, consistency, reciprocity. I guess we also got to hit the authority and social proof to round that out.

Brian Ahearn
Okay. Authority tells us that we defer to people that we view as more wise or experts when we’re making decisions. I mean, if we’re standing around at a cocktail party and we’re all complaining about taxes, and then somebody says, “Well, I’m a CPA,” and they start talking, we give that more weight because we know that person knows far more about taxes than we probably do.

Funny story that happened quite a number of years ago, my wife is a really, really good golfer, and when I say really good, she’s a single-digit handicap, usually she’d shoot in the upper 70s. She’s very, very good. I came home from a sales training event and I told her about a golf example that I had used during the training. A few weeks later, she’s reading a book, and she says, “Listen to what Corey Pavin says.” For those of you who are listening, Corey Pavin won the US Open in the early ‘90s, and he finished in the top five in all of the major golf championships.

She reads this paragraph, Pete, and it’s almost verbatim what I said. So, of course, I had to let her know that, and I said, “Jane, I told you that.” She said, “No, you didn’t.” I say, “Yeah, a couple of weeks ago. Remember I came home from the training event?” “No.” I go, “Come on, we were sitting right here having dinner. You don’t…?” And she had no recollection that I had told her that. So, finally, I threw my hands up and I go, “Oh, I guess if Corey Pavin says it, it’s true but when I say it it’s not?”

But here’s the reality. Because he was a golf pro and won the US Open, who would you believe? Corey Pavin or Brian Ahearn, a trainer? It’s a funny story but it really drives home the point. Two people can say exactly the same thing, the person who’s viewed as an expert, believed far more than the person who has no credibility at all in that area, and yet it can be every bit as true the statements that’s made from both people. So, it’s really, really important that people do what they can to get their expertise in front of other people.

Pete Mockaitis
And now I’m intrigued, do we think that this is the explanation for the mysterious phenomenon in a meeting, one person says something and it gets no response, and another person says just about the same thing, and other are, “Yes, yes,” and it’s are sort of all behind there? Do we think this is primarily driven by authority or there are some other elements that explain this situation?

Brian Ahearn
There could certainly be some liking that people might say, “Oh, yeah, you know, we love Joe.” And when Joe says something, everybody likes that. But it probably leans more on the authority thing. And in my corporate job, when I was reporting at one point to the vice president of sales, there were times when he would come to me and he’d say, “I’d like you to draft this and then send it to these people,” and I’d say, “I will draft it, but I would like you to send it,” because coming from the vice president of sales it will mean a lot more than coming from me. And he knew this stuff well too, and he’s like, “You’re right.”

And so, I had the satisfaction of knowing that the messaging was coming from me, I was building my skill, it helped me write the book and do other things, but I was humble enough to say, “The goal here is to move the ball forward, move the agenda forward for the company, and my saying the very same thing won’t help it as much as you, so I will save you time, craft the message, and together we will make this thing happen.”

Pete Mockaitis
Yes, that’s so dead-on. And, yeah, this reminds me of just recently I started up a new training program with a group, you know, run it through The Enhanced Thinking and Collaboration Program, and so there’s some pre-work to be done and the majority of folks had not yet done it. And so, I have all the participants’ email addresses but they haven’t met me yet. So, I proposed that exact same thing, it’s like, “Hey, here’s the rundown of who has and has not yet finished the pre-work. I’d love to have them prompted, which I could do, but I think it would be much better coming from you.” And, sure enough, she prompted and the pre-work came rolling in, and mission accomplished.

Brian Ahearn
Yep. Hey, I think it’s just a matter of some people being humble enough to say, “It’s okay if the message doesn’t come from me. I’ll have my time, right? If I do things right and I help the corporation move the agenda forward, I’ll get my praise, I’ll be that one who’s looked on for the promotion. I will eventually probably be in that position where I’m the one doing the messaging.” But develop your skill at creating the message but allow the right person to bring that message forward.

Pete Mockaitis
And how about social proof?

Brian Ahearn
So, social proof tells us that we look to other people to see how we should behave in particular situations. We are heavily impacted by what other people are thinking, how they’re feeling, what they’re doing. And I always tell people the word to remember here is crowds. Large and small, crowds of people impact how we think, how we feel, and how we behave.

Now, it’s interesting, Pete, that in America, because we are more of an individualistic society, sometimes when we talk about this, people push back. And I’ve heard people say things like, “Nothing great ever came from following the crowd.” And I don’t disagree with that. Medical breakthroughs, great leaders, great things happen when people break from the crowd. But I would challenge people who are listening, how often in the day are you trying to accomplish greatness? And how often are you just trying to get your day moving along?

And in most of the time, if you’re driving home from work, and you see that the traffic is backing up and people start getting off on an exit, without even looking at a map, a phone app, you might just decide, “I better get off the exit too.” Why? “Everybody else is, it’s probably the right thing to do. It has nothing to do with greatness. I just want to get home quickly.” And we are confronted with those choices every day all day long. And humans have evolved to know, “Hey, if other people are doing something, yeah, it’s probably the right thing to do the vast majority of the time.”

Pete Mockaitis
All right. Well, so that’s a nice lineup there. And I’d also love to get your perspective in terms of when you’re crafting the message, when you’re delivering the message, sort of what gets in there to see if you could sort of appeal to these dimensions? I’d also love to get your view on how can we sort of just grab people’s attention in the first place and sort of get them listening to our persuasive appeal?

Brian Ahearn
Well, a couple of things come right to mind. First is uniqueness. People are drawn to things that are unique. If I’ve got seven red balls and one white ball, people are going to notice the white ball, that’s the one that’s going to stand out. It’s unique among that. So, putting forth what is unique is going to help you in that regard. But this is where understanding the psychology of persuasion becomes really handy because it’s not always about touting, “Look at this unique thing here.” Sometimes it’s saying, “Nobody else has this.”

It’s the same thing kind of in reverse. It’s utilizing that loss frame, it’s part of scarcity, but by talking about what somebody is going to miss out on if they don’t come to your training, read your article, buy your product or service, is far more powerful than saying, “Buy our product or service because of this one unique feature.” The uniqueness, when it’s framed as, “And nobody else has it,” far more powerful. So, that’s one way.

Another way to grab people’s attention goes back to that principle of consistency by asking questions. So, here’s an example, Pete. Many, many years ago I was in a training session, and the trainer came in after lunch, about 40 people in this room, and he says, “Hey, before we get started, anybody know a good place to go for dinner here in Columbus?” And people start shouting out answers, and some people had their hands or waving their hands in the air.

He lets it go on for just a few seconds, and then he says, “Okay, time out. I come to Columbus all the time, and I know exactly where I’m going to dinner. I asked a question to prove a point. When you ask a question, people feel compelled to answer.” And he said, “Notice how many people shouted out answers and look at how many of you raised your hands.” And then he said, “For those who didn’t say something or raised your hands, were you thinking of a place?” And they started smiling and nodding. And he knew every person had answered that question either in their head or out loud.

So, the point here is if you ask a good question, it’s going to stimulate people to start thinking about what that answer is, and if it’s creative enough, it might have them really wanting that answer, in other words, open up your email, take a look at your brochure, something, whatever it is that you’re trying to promote.

Pete Mockaitis
And in the book Pre-Suasion it’s got all kinds of fun questions with regard to, “Do you consider yourself a helpful person? Or do you consider yourself an adventurous person?” So, then there’s some identifying of self in that, and then they’re kind of primed to if you happen to have something new that can appeal to adventure, and if you are asking for some help, if they’ve said, “Yes, I’m helpful,” yeah, that can line up there. I’m curious, what makes a great question? Because I think I see this a lot, and maybe it’s effective or maybe it’s not.

But when I say, “Are you looking for a way that you can improve the tidiness of your home without spending a fortune?” I don’t know. And when I hear those questions, I mean, maybe they’re very effective but I’m just like, “No, I’m not.” And then maybe it’s mission accomplished, they’ve sort of excluded me and they’ve pre-qualified the others who are. But I don’t know, what’s your take? Is a yes-no question like that fine or what makes an optimal question?

Brian Ahearn
It depends on the context. So, I think asking a question in marketing and the way that you just described is very different than asking somebody at work so that you can get something accomplished. When I talk about like leaders, and stop telling and start asking, some of the elements of a good interaction with somebody is to change a statement into a question, to give yourself the fallback, to use the word because.

There are studies that show when you use the word because, significantly more people will say yes because we’re conditioned from childhood, right? Parents say, when you dared to say, “Mom, why do I have to do this?” “Because I said so.” It’s not a valid reason but we started to learn, “Once I hear ‘Because I said so’ I better get going.” So, instead of making a statement, ask a question, have a fallback position, use the word because, tag it with a reason, that is a great way, in a corporate context, to get people on board and do what they need to do as opposed to, “Give me the sales numbers by Friday.”

When it comes to marketing, I’m with you. I don’t like some of those things that are just so overt that I think most people just probably start to shy away from it. One terrible example is “Ninety-seven percent of my friends won’t have the guts to repost this. Will you?” Nope, I will not because I feel like that’s manipulative, it’s probably a completely false statistic, and it actually works against people because if 97% of the people aren’t doing something, then why should I? It’s a terrible, terrible way to try to get people to take action.

Pete Mockaitis
And I’d also be curious then, so we talked about being ethical. Is there anything else that you think is just a mistake that folks are making all the time with regard to, “Hey, this is an easy lost opportunity, so stop doing this or start doing that because most people are doing it wrong, and this is a quick fix”?

Brian Ahearn
Yes. Another example would be when we go back to that principle of scarcity. I will talk about this, we’ll talk about loss framing, they’ll all understand, like, “Yeah, I’m more motivated by what I might lose versus what I might gain.” But then they go back out and they do things completely wrong. So, here would be an example.

Sometimes I work with financial investors and wealth advisors. If I were to say to you, “Pete, given your age, your current income and how much longer you say you’re going to work, if we can find a way for you to save just 1% more, by the time you retire, my calculation show you’ll have an extra hundred thousand in your retirement account.” That’s pretty motivating, right? One percent of your salary to get an extra hundred grand.

But the smart wealth advisor would say this, “Pete, given your age, your current income and how many years you say you’ll continue to work, if we don’t find a way for you to save just 1% more, by the time you’re retired, you will have given up $100,000 of your retirement savings.” It’s the same a hundred thousand, right? But talking about it as loss frame, like it’s right there, it’s waiting for you, but if you don’t take this action of saving 1%, you’re giving it up. That will be far more motivating to get people to invest the 1%, and yet people go back and they always say, “Rah, rah, rah, look at all the positive things. Do this and you’ll have this wonderful life.” Sometimes they need to honestly say, “If you don’t do this, here’s what you’re going to be giving up in five years or 10 years,” and that will stimulate more people to get on board.

Pete Mockaitis
Oh, thank you. Well, Brian, tell me, anything else you want to make sure to mention before we shift gears and hear about some of your favorite things?

Brian Ahearn
I will just say I appreciate the emphasis that you have on the ethics. If it weren’t for ethics, I wouldn’t be doing this. And my story on that is simply this, when I came in contact with Cialdini’s material, when I was enthralled by it, it was a Stanford video. And when Stanford sent a marketing piece several months after I’d seen that first video, they used the word manipulation in the advertising for his video despite the fact that he was very clear about non-manipulative ways to move people to act. And I felt so strongly about that that I emailed Stanford to basically say this, “I don’t know anybody who wants to be manipulated, and I don’t know anybody who wants to be known as a good manipulator. That word cannot be helping your sales but it really could be hurting.”

I never heard from Stanford but several months later, my phone rang, and it was Robert Cialdini’s office. And one of his assistants called to personally thank me on his behalf for having sent that email to Stanford. She said, “They’re changing the marketing of our material because of you.” And I was like, “Wow! That is really cool.” And as fate would have it, he ended up coming to my company a few years later, and speaking to insurance agents that represented us.

So, the point here, Pete, is if it hadn’t been for that ethical part, I would’ve never sent that email, I wouldn’t be doing what I’m doing today, and you’d be talking to a different guest right now.

Pete Mockaitis
That’s powerful. Thank you.

Brian Ahearn
You’re welcome.

Pete Mockaitis
Now, could you share a favorite quote, something you find inspiring?

Brian Ahearn
When I read Viktor Frankl’s book Man’s Search for Meaning, one of the quotes that stood out to me was, he said, “In the end, they can take away every freedom except for the last human freedom, which is the ability to choose to where to place your thoughts.” And that just really resonated with me, that nothing happens in life where we can’t shake our head and say, “Wait a minute. I can choose what I’m going to think here. They can break my body, they can do anything they want to me, but I can always choose where I will place my thoughts.” And that’s a pretty lifechanging concept when you really meditate on it.

Pete Mockaitis
And how about a favorite book?

Brian Ahearn
Viktor Frankl’s book is one of the top five books that I think that influenced my life and, primarily, it was that quote and several other things that I read there. But his overcoming and his ability to believe that there was a future beyond living in the concentration camps, and the fact that he made it, and there were certainly some luck involved, pointing one line or the other kind of thing, but he really was a huge influence on the world because of what he went through and how he kind of dissected it and what he had to share.

Pete Mockaitis
How about a favorite tool, something you use to be awesome at your job?

Brian Ahearn
Every day I get up and I work out. I run and lift every single day, seven days a week, and I’ve done this since I was very, very young. I feel like it gives me a huge edge when I’m up very, very early in the morning, and I get done running, and I get done working out. And that’s usually an hour and a half or so of my morning to get things going. It’s a habit. I mean, I’ve done it every single day for 25, 30 plus years, but it is also a tool that I use because when I’m done, I feel like I am way ahead of the game, and I’m ready to roll for the rest of the day.

Pete Mockaitis
And is there a particular nugget you share that really seems to connect and resonate and gets quoted back to you often?

Brian Ahearn
I think the biggest a-ha that I share that people come back and mention is the subtlety of not trying to get people to like you, but really trying hard to come to like people. And I see that play out for my life because people talk about what a good networker I am. And I don’t consider myself a happy go-lucky backslapping meet people all over the place, but I’ve learned to be social and I’ve learned to really focus on the other people, try to get to know them, allow them to tell their stories because it also helps me come to like them. And so, people just seem to naturally respond to me because of that, and that would be the nugget.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Brian Ahearn
Well, anybody who’s listening, feel free to connect with me on LinkedIn. If you don’t put a message in there, like, “Hey, I heard you on the podcast,” expect that you’ll see a message coming back saying, “Thanks for connecting. How did you find me?” I just like to understand why people are connecting with me. Certainly, my website which is InfluencePeople.biz, and out there you’ll find all kinds of resources, you’ll find my book, blog, videos, all kinds of information, podcasts that I’ve been on. There’s a wealth of information to continue learning about this.

Pete Mockaitis
Brian, thanks so much for taking this time. This has been a treat. I wish you excellent results in all the ethical ways you are trying to get people to say yes.

Brian Ahearn
Thank you, Pete. I appreciate it, and you were a very fun host to speak with.

463: Insights on Persuasion from the Land of Copywriting with Brian Kurtz

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Brian Kurtz says: "If you're the smartest person in the room, you're in the wrong room."

Brian Kurtz shares his insider perspectives on persuasion and overdelivering from his legendary career at Boardroom and beyond.

You’ll Learn:

  1. Why knowing your audience is the biggest key to persuasion
  2. The 4 pillars of being extraordinary
  3. How to overdeliver at work without burning out

About Brian 

Brian Kurtz has been a serial direct marketer for almost 40 years and never met a medium he didn’t like. 

Brian left his beloved Boardroom in January of 2015. Over 34 years he was responsible for the mailing of close to 2 billion pieces of direct mail in his career. He worked with many of the most legendary copywriters and consultants who have ever lived. Under Brian’s marketing leadership and during his tenure, Boardroom’s revenues went from approximately $5 million (in 1981) to a high of over $150 million (in 2006).

Brian writes and speaks regularly; recent content can be found at www.briankurtz.net and www.briankurtz.net/blog. His first book, The Advertising Solution, was released in October of 2017. His second book, Overdeliver: Build a Business for a Lifetime Playing the Long Game in Direct Response Marketing was released in April of 2019. Brian also loves being a Little League Baseball Umpire.

Resources mentioned in the show:

Thank you, Sponsor!

Brian Kurtz Interview Transcript

Pete Mockaitis
Brian, thanks for joining us here on the How to be Awesome at Your Job podcast.

Brian Kurtz
Great to be here. I’m trying to figure out how I’m going to be awesome at my job after this but it’s a pleasure to be here.

Pete Mockaitis
Well, you have a heck of a track record for being awesome at your job. And I’d love it if maybe we could start by you orienting us a little bit to your story. What’s Boardroom? What’s direct response copywriting? And where does Brian fit into all this?

Brian Kurtz
Well, I had a pretty standard trajectory or career because I worked for 34 years for a company called Boardroom which was a newsletter publisher, book publisher, direct response marketing, meaning when I say direct response, I mean measurable marketing, making sure the media you buy pays out and everything is measurable.

And it was a very kind of a gradual trajectory and I ended up, by the time I left, I was running the marketing department and I was an equity partner. You know, I’m not a bootstrap entrepreneur by any means but it’s been a great ride because I was able to learn direct response marketing from the most amazing copywriters and consultants and everybody that Boardroom worked with, because Boardroom was kind of an iconic brand in the marketing world.

And so, when I left five years ago, I went out and launched my own thing and, I guess, it’s a classic case of those who did it have a responsibility to teach it. And that’s been my second career, which is as a direct marketing educator and teacher. So, I went from, in business to consumer marketing, mailing 2 billion pieces of mail and different kinds of messages to consumers to then going out in a business-to-business environment, and training, and creating mastermind groups, and working with some of the top direct marketers, and teaching what I had learned and also realizing that there was also still so much to learn.

And so, bringing in great speakers to my mastermind groups so that I can learn as well about all the new media. Because when I was growing up in this world, there were only so many media choices. You had direct mail, you had space advertising, you had TV, radio, but, now, advertising opportunities are infinite. and so, the ability to know what’s going on and choose properly is mindboggling but it’s also exciting. And that’s been the premise of my new work as an entrepreneur and an educator.

So, that’s kind of the career in a nutshell, and you can pick apart that or ask me any questions on that if you think it’s applicable.

Pete Mockaitis
Well, I think that my favorite thing you said there, for those who are not as familiar with Boardroom and its sort of legendary status, is 2 billion pieces of mail, so, one, because I love numbers and, two, that just kind of really paints a picture of what we’re talking about here, is that this is a big scope of operations. And what I find so exciting and intriguing about it is that this is really kind of live or die by how persuasive and effective your words are in the pieces of mail that you’re sending out and you’re measuring the results on that.

Like, if your words are converting at a high percentage such that many people are buying then, hey, you’re profitable and you’re growing. And if they’re not, well, then, you’ve just burned a whole lot of cash on stamps and envelopes and pieces of paper.

Brian Kurtz
I will say this, though, and you did ask me about copywriting, and I’m not a copywriter but I have a good sense of copy and I’ve worked with the best copywriters in the world. And what’s interesting is that you could have the best copy but you have to make sure that you have the right list and the right offers to make that copy sing.

And so, I always talk in my book Overdeliver, I talk about the 40-40-20 Rule, which was a rule of direct response marketing, and it’s not exact, but it’s basically that the success of a campaign is 40% the list, 40% offer, and 20% the creative or the copy. Now, that makes it sound like the copy is half as important as the offer or the list, but it’s not. What it’s saying is that you could have the best copy but without your list and offer dialed in, you’re probably not going to get any response.

Whereas, if you have your list and offer dialed in, and you have mediocre copy, you actually are going to make some money because the list is, I think the list to me I call the 41-39-20 Rule because the list is the most important. And the proof is in people who do affiliate programs today. They get somebody who has a list of people who might like their product or service, they endorse it, they tell you how great it is. And you could have any kind of copy in that but that list is so perfect that it’s going to get some response.

Now, the trick in direct response marketing and why creative and copywriting and persuasiveness and all of that is critically important is that if you get copy that’s world class, and you have your list and offer dialed in, then you’ve got direct marketing nirvana. There you’ve got the ability to persuade, the ability to move people to action. And the best copywriters, it’s funny, my first book The Advertising Solution where I profiled six of the great advertising men of all time.

And the interesting thing is that they’re all copywriters and they all always talk about the audience and the list more than they talk about their amazing copy because they knew that if the list was right, it made their job easier and then they knew who they were writing for.

So, I just wanted to make that distinction of, not that copy is the least important, it’s actually, in some cases, the most important for big breakthroughs but you have to have your list and your offer dialed in to make it as impactful as possible.

Pete Mockaitis
Understood, and I find that encouraging. So, you have had a front-row seat there at a big player in this game, and you’ve seen their revenues go up 30 times during your career there, which is pretty cool, 5 million to 150 million. Kudos. And so then, I think there’s, what’s that expression, like, “Oh, boy, he could sell snow to an Eskimo.” It’s like, “No, actually no way he can really do that. The Eskimo, that audience member, that person on the list, is in no need of snow and so it doesn’t matter how persuasively brilliant the words are, it’s not going to happen.”

Brian Kurtz
Yeah, like I’ve had many, many failures and many terrible direct mail programs and marketing programs. But the beauty is that everything is testable, everything is measurable, and that’s what makes being good at my job and being, “I like my job” so wonderful: that direct marketing is, the numbers don’t lie. You’re judged on how the customer responds and you also can get out. You can have a program that’s a disaster and you can walk away from it. You don’t have to throw good money after bad. You don’t have to be in a terrible position because you’re testing in small increments and then pyramiding and moving slowly through that process.

And if anybody who thinks it’s easy, it’s not. But it’s a methodical way of thinking about marketing that I’ve always thought as just a wonderful place to be. And so, no, I’m not selling snow to Eskimos, but I can sell a lot of things to Eskimos if I know what the Eskimo needs or wants, and it may be snow but probably not. You’ve got to figure that out and that’s through testing.

Pete Mockaitis
And it’s so funny, my creative brand, we’re sort of working on it in terms of thinking, boy, there’s probably a certain way you can make that offer with the snow actually appealing in terms of, “This is the perfect kind of snow for making igloos. And we’re going to bring a specific quantity right to where you need it, right when you need it. It’ll be so much more convenient in having to find the best snow for your igloo-making.” I guess that’s mixing the offer side alongside the copy.

Brian Kurtz
Yeah, one of the copywriters in The Advertising Solution that I wrote about, I think it was John Caples. He said something like there’s very little difference between a $50 cigar and a 50-cent cigar, and it’s how you position it and how you make it worthwhile, and make it fit the needs of the customer. And I believe that.

Pete Mockaitis
Well, so I’d love to hear, so you’ve had the privilege of working with, as you mentioned, some of the greatest copywriters who’ve ever lived. And so, I’d love to hear then, what’s going on inside their brains in terms of what makes them more persuasive than the rest of us and how can professionals get some of that magic?

Brian Kurtz
You know, It’s really hard work. When I say I’m not a copywriter, I say that because I don’t have the discipline that most copywriters have. Their brains work differently at the highest level. I mean, there are copywriters and there are copywriters, but their brains just work differently. And what I find, and the one characteristic, and there are a lot of them. I have a blogpost, and I think it’s in my book, in Overdeliver, it’s the seven characteristics of every copywriter, every great copywriter, that I ever worked with.

And the one that sticks out is insatiable curiosity, that you have to have this need to go deeper, you know, you get the answer but it’s not the answer, and you’re always looking for that next tidbit, that next level of knowledge that’s going to enable you to write copy that’s going to sing. In fact, Gene Schwartz, who’s one of the greatest copywriters who ever lived, used to say, “I don’t write copy. I assemble copy.”

Pete Mockaitis
And let’s talk a bit more about this point of, “I don’t write copy. I assemble copy,” and “what’s not in this book.” I think that’s an interesting perspective. So, the distinction between writing and assembling, what is it?

Brian Kurtz
So, I’ll give you a story. I had a copywriter, I wanted him to write for a newsletter of mine. It was a newsletter that was written by a naturopathic physician, and I gave him back issues, I showed him packages that have been written before, the usual start package that I give a copywriter. And he looked at it, and he said, “There’s nothing new here. There’s nothing exciting. And I don’t think I’d be able to write an exciting package for this because most of the stuff is kind of duds, like it’s basic. It’s important but it’s not cutting edge.”

And so, I said, “I have a feeling that there’s more here. Why don’t you talk to the guru, the doctor who’s behind the newsletter, and just talk to him and see what you can find out. Maybe there’s more here, again, what’s not in the newsletter.” And, lo and behold, he had a long call with him, and he came back to me, and he goes, “Do you know that your editors are rejecting a lot of the things that he wants to put in the newsletter that’s exciting, not because they’re irresponsible but because they want to be careful that it’s not information that they feel they can back up, and they don’t want to put it in because they feel like, you know, for legal reasons.”

And so, he just took it on himself. And this is, again, the beauty of having a copywriter who’s going to go after the information. And he basically took all the things that were on the cutting room floor and was able to resurrect some of them with additional research. He couldn’t resurrect everything because some of it was controversial, but he was able to resurrect a lot of it.

So, that’s an example of assembling copy and being able to find content that you wouldn’t normally get without an extra inquiry. I also think this idea of assembling copy is what Gene Schwartz would do. He would go through the book, like if I gave him a book to do a direct mail piece for, he would go through the book and he would start writing what he calls “fascinations” from the copy. And that would give him the best nuggets for the direct mail piece, and that enabled him to figure out what’s not in the book.

So, while we might know some things that might not be in the book, he would figure it out because he’d get so far with a certain fascination or a certain bullet point, and he said, “Oh, there’s this next level, and I can get to that but I need more information.” So, he would go back to the editors to get more information as well.

So, that’s kind of the concept of assembling copy. It is what’s there because you’re going to assemble copy from the content, but it’s then what’s not there. I have other examples in my book about copywriters who just never were satisfied with what was there, and they knew that there was more. And that’s what made the package sing and what made the promotion sing.

Pete Mockaitis
And when you say sing, I’d love to get a little bit of a perspective here in terms of what would you say are the kinds of improvements that you’d see like with the same product just different words trying to sell it? Do you get double, triple the response rate when it’s kind of revamped effectively?

Brian Kurtz
Yeah, I’ve seen it. I’ve also seen 5% lifts or 5% here or there, it doesn’t matter. But you do get the 30%, 40%, 50% lifts in response when you do something outrageously different. And I think this is in my book, but I know I wrote a blogpost about it. We had a book in our stable. Marty Edelston, who’s the founder of Boardroom, was a genius and had a real good sense about what our audience was like because he was the audience.

And so, he created a book called The Book of Checklists with the intuition that people loved checklists, they love crossing things off checklists, and he thought it was going to be a winner, he had a package written by not one of the best copywriters but an okay copywriter, and it was a disaster. It was just terrible.

And we thought about it. Now, sometimes you can give up and sometimes you want to stay with it. And we thought about it and we said, “You know, this book is too good but maybe checklist isn’t it.” So, then he made it, we changed the title, same book, and we changed the title to something like The Great Book of Inside Knowledge, or something like that, and we made it like this encyclopedia of knowledge but we didn’t drastically change the promotion but we just revamped it a little bit, like tweaks and whatever, but we changed the premise of checklists to inside knowledge.

And not only did it not do as well, it did worse. So, then again, we said, “You know, the content of this is really good and we think there’s something here.” And we took it to, at that point, our secret weapon copywriter, Mel Martin, who was kind of the master of fascinations, the idea of taking a book, going in it, what Gene Schwartz did too, which was pull the bullet points out of this book. And he revamped the whole thing, and the new title was The Book of Secrets as opposed to “Inside Knowledge.” Secrets is a better word clearly. But then he redid the mailing piece.

And I remember that there were four fascinations on the outer envelope, and he chose them because this was his intuition of what the things that would make people vibrate the most. It was things like, I’m trying to think if I can remember all of them, I don’t think I can, but there was one that was, “How to outwit a mugger in a self-service elevator.” And there was another one that was, “How to know when a slot machine is going to pay off.” Another one was, “What food never to buy in a health food store.”

And he didn’t test them because he just had to go out with something, but he had hundreds of these fascinations, and he picked the four that he wanted to put on the outer envelope. And that mailing piece for that same book, the content of the book was The Book of Checklists. In fact, the book was like a vertical book because it was shaped like a checklist, but it was The Book of Secrets. I just bought one on eBay. I didn’t have a copy of it, and I found one on eBay which was neat.

And that book ended up mailing 25 million pieces. We did the single biggest mailing in our history for that book which was nine million pieces. I’m giving you the most severe success that we had but just to show you that revamping a concept and a package and then we also, once we had a winner, he would then test different fascinations on the outer envelope, he would test different headlines. And then you get the incremental lift. You get the 5% better or 10% better.

Now, I think that Book of Secrets from Great Book of Inside Knowledge from Book of Secrets was probably 200% lift from the original, so that was…

Pete Mockaitis
Three times as effective.

Brian Kurtz
Yeah.

Pete Mockaitis
Hotdog. With the same stuff. Well, that is illustrative. Thank you. Well, let’s see, we also talk about this in the context of writing and mailing. So, let’s take this into the context of a professional at work, maybe they’re writing an email so they’re being persuasive via writing, or maybe they’re just kind of conversing verbally. What are some of the influence or persuasion universals that they can draw from this and use effectively to get yes more often from colleagues or customers?

Brian Kurtz
Yeah, that’s a good question. I think I’ll put it in the context of something from my book which was that Marty himself was, I remember the day of his funeral I was going to give the eulogy and I was up at 2:00 in the morning at my kitchen table. And, again, just like I looked at the seven characteristics that made every copywriter great, I wanted to figure out what the things that made Marty great. And I figured out it was there were four things. I guess these are four, I’ll call them four things, I think I called four things to being an extraordinary human being. And there is overlap with what I talk about with the copywriters.

And so, number one, is that Marty outworked everybody. And not outwork like, “I’m going to step on your toes, and I’m going to run rough shot over you, and I’m going to beat you at your game,” and all that. There is some of that but it’s really outworking everyone, to me, is a form of generosity that if you can show by example what you do at a high level, I think you set yourself up by example. And Marty was not a great teacher of what made him great, but he was a great shower of what was making him great. And that was something that I thought was a way that he outworked, and outworking everybody was generosity.

The second pillar of being extraordinary and related to copy, it’s actually one of the same premises, which was possess insatiable curiosity. Marty created publications and books that helped consumers in a variety of areas in their life, whether it was health or finance, and he just never stopped. He was not an expert himself but he was the bloodhound. He was the watchdog. He was the person that was going to possess that insatiable curiosity just like the copywriters did when they went and found the best information for their promotions on the cutting room floor.

The third thing, similar to copywriters when they would go to their peers to get feedback, Marty would surround himself with smart people. I always say, if you’re the smartest person in the room, you’re in the wrong room. And, therefore, like I’m in a stage of my career where I see myself as a teacher but I’m also a student. And so, I run to mastermind groups but I’m in three others that I spend a lot of money on and that I go to find new knowledge and new things because you’re never done with learning.

And so, I just thought this two months ago I had a stroke, survived, and I feel fortunate about that. But I feel even more of a need to be a student. Like, I’m not done. And so, you’re never done. And so, that is another transferable characteristic that takes the copywriting, that you’re always learning, and you take it to a bigger thing in your job.

And the fourth pillar was that, and with Marty, it was help other people first. For me, it’s always, contribute first. So, people look at me as a networker and I know a lot of people in the industry and I’m well-connected, but I hate the word networking. I like the word “contribution” to connect. And so, that is a characteristic that if you are always contributing to people around you, and I’ve done it for 40 years, so it’s paid off, not always, but sometimes you contribute too much with nothing in return. But you don’t look for anything in return. And I’ll tell you, what comes back is unbelievable.

So, Marty, the publications that we had and the books we had were to help people live a better life, and help more consumers than he would ever have thought he’d be able to do in his lifetime. But it was always about helping first, contributing first, and then what came back was a flood of satisfaction and things that he never could’ve predicted and I never could’ve predicted by living my life this way because I followed his premise.

Pete Mockaitis
Well, those are some great principles. And I’m intrigued by a few of those things. You mentioned a stroke and, one, hey, we’re so glad you’re doing better.

Brian Kurtz
Oh, thank you.

Pete Mockaitis
And, two, that gets me thinking about sort of health and sustainability because doing those things, that’s some extra effort that’s required. So, any pro tips for handling that stuff without burning out or getting into some health trouble?

Brian Kurtz
Yeah, that’s a good question because I got into health trouble and I don’t think it was stress. It was more like just burning the candle at both ends and travel. And I think that you have to listen to your body. I don’t think I have any pro tips, so to speak, because I don’t do as I say, not as I do. But I think that you want to control what you can control. You want to obviously eat well and exercise and all of that, but you want to control the stress in some way. So, whatever it is.

It’s funny, I just started meditating but I know meditation is a great way or yoga or whatever, running, bicycling, whatever. But one of the things that I do to alleviate stress is umpiring baseball. And you’d say, “Well, how is that relaxing? You miss a call and there’s somebody coming at you with a baseball bat.” And I think, for me, and it’s not that I want everybody to become an umpire, but I want people to understand that, for me, umpiring is a place where I go where I focus on something other than my work where I have to be focused, otherwise, I’m going to get yelled at if I miss a call or I miss something.

And I think you can draw an analogy in whatever you do. If you take it seriously, that if you have something where you’re a serious marathon runner and you’re always trying to beat your time, or you’re a serious meditation person that you always want to increase your meditation practice and you sort of compete with yourself to always get better, but it’s not related to the thing that you spend the most time with.

Now, of course, family is another place where you can go and do that too. So, there’s a lot of places in your life, but I think you need things that are an outlet so, if we talk about work here because this is what kind of the underpinning of this podcast, that to be great at work means you have to be great at other things not related to work, and to find things that you can get out of, thinking about work, for some period of time, is really healthy. So, that would be one. But, again, it’s the normal take care of yourself and do that.

I think in terms of the premise of my book Overdeliver there’s a lot of traps in overdelivering. I titled the book this because, first of all, overdeliver is not a word, so I own the word basically. But it’s two words or hyphenated. But as one word it’s powerful for me because I think you can overdeliver in every part of your life. You can overdeliver just as a marketer. You give away more than a customer would’ve ever expected, that’s an obvious way to overdeliver. You can overdeliver in your relationships by playing a hundred zeroes as opposed to 50/50, and you always contribute without a need to get something in return. You can overdeliver in your relationships so that you are giving more than you ever would’ve wanted, or people ever would’ve expected.

But the dangers, and where stress can come, is when you do it and you’re not – and, again, I’m not perfect at this, believe me – but you overdeliver too much, and then the expectation is too high. And then the next time you come out, and you’re not overdelivering and you’re only delivering well, it’s, all of a sudden, “What are you doing for me lately?” And then if you are, like me, you say, “Oh, no, I screwed up and I put myself in a bad situation,” and that could cause stress and lead to an unhealthy environment.

And then the last thing about your health and all the things that you do in your life, I think that the one thing that can really screw people up, and it screwed me up, and I think people will relate to this, is envy. I think envy, I’ll say envy kills. Envy makes you sick. And the way that I’ve been able to deal with envy, when you see somebody doing something better than you, when you see somebody doing a launch that did well and you never could get there, or you see somebody achieving in some way that you wanted to achieve and you’re not able to get there, that is sometimes your envy is in.

What you have to do is go from envy to gratefulness. And so, the example I can give is if you are at an event, and someone is speaking, and they’re amazing, and you were speaking and you didn’t think you were as amazing, rather than being envious, being able to go to that person and, hopefully, you can talk to them about what they did to do such a great job, and to get that input and to get that information is a way to take envy and turn it into gratefulness to that person for sharing it.

And so, I’m not envious in my life for the most part, but when I am envious and I feel like I’m getting ill of some sort, I go to gratefulness. There’s a book by a guy by the name of Norberto Keppe called, The Origin of Illness, and it kind of speaks to this that envy is the root of all evil, and I really believe that.

Pete Mockaitis
Well, thank you. Any other kind of mistakes you think people tend to make when they’re going after over-delivery or they’re going after persuasion?

Brian Kurtz
Yeah, I think you can give away too much. And I don’t know what that line is because I tend to give away too much. But I kind of have figured out, I know it when I see it because, like, I blog every Sunday, and I always invite my readers to give me input, and I give them a lot of free stuff. And so, I’ve overdelivered too much in some cases when I start getting a flood of emails and requests. I have a list of, I don’t know, 11,000 people or 12,000 people, and it’s one thing to send me an email with a “Thanks for that input. My experience has been this,” and just a little share, to a whole list of asking me for advice and opinions.

I don’t want to be not gracious because I’m trying to be as generous as possible, but I charge a lot of money for my time, and I can’t get annoyed by it because that would be disingenuous. Like, in that example, if someone is asking me for my opinion, which would be a consulting call, I kind of lay it out that I charge for consulting. I give them a little piece that I can give them but not much because I don’t have the time. And I feel bad but that’s where I have to dial it back a little bit.

So, I don’t know if that answered the question, but I think when you find your…. I get myself in trouble as opposed to ignoring everybody. I’d rather be on this side of it than on the side of just “I’m too good for you and I’m going to ignore you. If you want to pay me, I’ll give you advice.” I try to create a middle ground and sometimes I get myself in trouble because of that. But, again, I’d rather err on the side of that than on the side of “I’m going to protect myself completely.”

Pete Mockaitis
Well, now, could you share with us a favorite quote, something you find inspiring?

Brian Kurtz
One is, “In marketing and in life, everything is not a revenue event, but everything is a relationship event.”

Pete Mockaitis
And how about a favorite study, or experiment, or a bit of research?

Brian Kurtz
A favorite study or experience. I think learning how to survey and learning how to get the opinions of your customers to find out what they need as opposed to what you think they need is a basic premise of marketing, and it’s one that a lot of people don’t use enough. So, I would say it’s that.

Pete Mockaitis
And a favorite book?

Brian Kurtz
I have at least two. One of my favorite books is Breakthrough Advertising by Eugene Schwartz, the best book on copywriting, marketing, but it’s bigger than that because it’s about human behavior. Another one is Paulo Coelho’s The Alchemist which is kind of one that I read every year to just remind me of my personal legend and what I’m up to and that I’m still on that path.

And then the third would be Adam Grant’s Give and Take which is an amazing book on giving and taking, but the beauty of that book is that he says early on that there are givers, takers, and matchers in the world, people who give, people who take, and people who match 50/50. And he said the most unsuccessful people in the world, what would you think they are, and you assume it’s takers, and it’s actually givers. But giving, and this goes back to too much over-delivery, that if you give too much, then you’re going to be a loser because you’re never going to take care of yourself.

Then he says, “Who are the most successful people in the world?” And he says they’re also givers because “but you have to give strategically and you have to give.” And that’s the trick, giving strategically, overdelivering strategically. I’m still learning it but I’m always experimenting.

Pete Mockaitis
And how about a favorite tool, something you use that helps you be awesome at your job?

Brian Kurtz
I would say that looking for groups of people that have information that I don’t have. So, I mean, that’s broad and I do it in small groups and I do it in big groups, in masterminds, but I do it in small groups too. Like, going out and always finding that next piece of knowledge, that next person.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Brian Kurtz
So, I would definitely point them to the site for my book which is www.overdeliverbook.com. And on that site is an opportunity to buy my book, but there’s also, you’d come back to the site after you buy the book, and you put in your order number, and there are 11 bonuses on that page. And it’s stuff like a swipe file of going back to 1900, going back to original source, going back, getting a file of things that you can use to help you with your marketing.

So, there’s 11 different things on this site that are just, I guess I have a book called “Overdeliver” so I guess I have overdelivered. So, it’s overdeliverbook.com.

Pete Mockaitis
Okay. And all those bonuses are listed right there.

Brian Kurtz
Yeah, they’re all listed on the site, and then you opt in to my list. I don’t do affiliate programs. I blog every Sunday and you’ll get, hopefully, some wisdom once in a while from me. So, there’s just a lot of information there, and I think that’s the best way to connect with me and learn a lot of the things that I spoke about today if your audience is interested.

Pete Mockaitis
And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Brian Kurtz
I always say go forth and multiply, and I think the best way to do that is to contribute to connect, that always contribute first before you ask for anything. Like, tell people what you have to offer them before you ask them for something. And don’t make ask of people out of nowhere. Like, someone who you only know for a short time, don’t make an ask if it’s not appropriate. Because I think if you work on your relationship capital and develop it over a long period of time, that is a great way to live your life. And so, I would say contribute to connect as oppose to networking.

Pete Mockaitis
Well, Brian, this has been a treat. I wish you lots of luck with your books and adventures and all you’re up to.

Brian Kurtz
Thank you very much, Pete.

457: How to Persuade through Compelling Stories with DonorSee’s Gret Glyer

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Gret Glyer says: "These people don't emotionally connect with facts but they will connect with another person and another story."

Gret Glyer discusses how you can increase your persuasion power by telling compelling stories.

You’ll Learn:

  1. Why stories succeed where statistics fail
  2. What makes a story compelling
  3. How storytelling can earn you a promotion

About Gret 

Gret Glyer has helped raise over a million dollars through storytelling. He is the CEO of DonorSee, the platform that shows you that your money is helping real people in need with personalized video updates. From 2013 to 2016, Glyer lived with the world’s poorest people in Malawi, Africa where he built more than 150 houses for the homeless and crowdfunded $100,000 to build a girls’ school in rural Malawi. Glyer has been featured in USA Today, National Review, HuffPo, Acton Institute and is a TEDx Speaker. He is currently fundraising for his first ever book on Kickstarter called, If The Poor Were Next Door.

Items Mentioned in this Show:

Gret Glyer Interview Transcript

Pete Mockaitis
Gret, thanks for joining us here on the How to be Awesome at Your Job podcast.

Gret Glyer
Thanks for having me, Pete. It’s a pleasure.

Pete Mockaitis
Oh, I’m excited to dig into this chat but, first, I want to hear a tale from you. I understand you’ve had some encounters with the wildlife of Africa. Tell us about them.

Gret Glyer
That’s right. So, I spent several years living in a part of rural Africa, it’s a country called Malawi. And while I was there, there was a place where you could rent a sailboat and sail around this reservoir. You had to drive like 30, 40 minutes through these villages and on a dirt road and so forth, and eventually you got to this like oasis, like green trees and this really beautiful lake/reservoir and you could rent 10 or 15 boats just like in the middle of nowhere.

So, I went with some friends out to this reservoir, we rented a boat, and I had never sailed a boat myself, but I’d been on other sailboats so I thought I could manage it, and it wasn’t too big of a boat. And there wasn’t much time before a big gust of wind came over and almost knocked us over. That was kind of scary and so we thought, “You know what, maybe we should turn around.”

But before we had the chance to do that, a second gust of wind, I can’t even explain physically how this happened, but a second gust of wind, like 10 times stronger than the one that we had just gotten, again blew us over, flipped our boat completely upside down so our sail was pointing downward, like down into the water, and it was like a violent flip so we were all scattered about.

So, I was the first one to crawl on top of the boat and I was sitting criss-cross applesauce on top of an upside-down boat while I was like bringing my friends on the shore. And the guys on shore, they kind of saw what had happened and they sent a canoe out to rescue us and bring us in. And as we were being brought in, there were a bunch of kids on shore who were just shouting and pointing at the water, and they just seemed really excited.

So, we’re being pulled in by this boat, and we turned around and, right where our boat had flipped over, there was a hippo who had surfaced, and I thought, “Oh, my goodness.” So, I was a little bit like just in shock, but that’s actually not where it ends. So, we get pulled into shore, and I’m kind of shaking from what could have just happened. So, I go up to the guy who is on shore kind of running the whole operation, and I asked him, like, “Wow, I see the hippo out there. Is that like a dangerous hippo? Is it deadly?” And the guy said, “No, it’s not that dangerous. It’s only killed like one person before.” And I thought, “Wow, we have different definitions of what is and isn’t dangerous.”

So, yeah, that was one of the first times I ever saw a hippo in real life and very scary, very dangerous experience.

Pete Mockaitis
And just how big is a hippo when you are right there and this one in particular?

Gret Glyer
Oh, they’re gigantic. In fact, I think one of the things that people don’t realize, people think of lions as the deadliest animal, maybe crocodiles, but it’s actually hippos are the deadliest animal in all of Africa, and it’s just because they have these massive jaws. And whenever they collapsed their jaws onto their prey, it’s several tons of force that’s coming down and just completely crushing it, so they’re very big.

Pete Mockaitis
Mercy. Well, thank you for sharing that story. And storytelling is the topic du jour, and I want to get your take on you’ve got a real skill for this and have seen some cool results in terms of your non-profit activities. And so maybe we could start with your story in Malawi and how you came to learn about just how powerful storytelling is.

Gret Glyer
Sure. So, I actually moved to Malawi right after college, or a year after college, but before that I was a private school kid, I went to a private college, and I worked at a corporate job, and I lived in northern Virginia right outside Washington, D.C., I lived in a very wealthy zip code, and that was all I knew. I was a wealthy person, I was around other wealthy people, and the people around me were like a little wealthier than I was so I kind of thought I was poor just because that was the people who were surrounding me.

And then when I moved to Malawi, at the time Malawi was ranked as the absolute poorest country on the entire planet, and I saw people who were living on a dollar a day, and I was dumbstruck, like that’s the best way I can put it. I didn’t know. I knew that, intellectually, I knew that type of poverty existed, but for someone with my background and my upbringing, it was like emotionally I had never truly connected with that.

And so, I moved to this place where some of my next-door neighbors are living on a dollar a day and I’m just astounded at this level of poverty, and that’s when I realized that I wanted to do something about it. And so, I started writing blogposts and I started making videos and, eventually, I started crowdfunding. And you could tell statistics all day long, and the statistics are shocking but they don’t resonate with people on a deep level.

And it was when I started learning about storytelling that I realized that storytelling is the vehicle by which I could get my message across. And the message I wanted to get across was we have our problems here in the developed world and those things are totally worth exploring and doing something about, but I also think that the message I have is I want to have a little bit more urgency about what’s going on in these parts of the world where people are suffering from extreme poverty, people living on a dollar a day. So, that was the catalyst for when I first got really interested in storytelling.

Pete Mockaitis
And so, I’m curious then, like did you have some experiences then in which you shared some statistics and numbers and data things versus you shared a story and you saw differing responses and reactions?

Gret Glyer
Yeah. Actually, the very first time I ever did a crowdfunding campaign I had this exact thing happen. So, at first, what I did was, and this is actually one of the first times I was exposed to true extreme poverty face to face, because when I moved to Malawi I was living on a compound, and the compound I was living on we had a lot more people like me, like a lot of people who were visiting from America and they were teachers so they were living there for the year.

But then this guy named Blessings had met me and he wanted to show me some stuff, so he brought me out to this village. And we went deep into this village and that was kind of my first exposure to like when you think of like an African village with grass thatched huts, that was my first exposure to that type of setting. And he introduced me to this lady named Rosina, and the phrase skin and bones, that’s used a lot, but that was like the true representation of what Rosina looked like at this time. She really looked like she hadn’t eaten in a long time. And, in fact, she hadn’t eaten in seven days when I met her. She was on the brink of starvation. It was a really sad situation.

And so, Blessings told me that this lady not only didn’t have enough food but she also didn’t have a house and she needed to build a house because the rainy season was coming in a month, and if you don’t have a house during the rainy season, you’re in big trouble. So, I asked him how much a house would cost, and he said it would be $800, which blew my mind coming from where I came from.

And so, what I did was I put together some statistics and some facts about people who need houses, and I sent it to my friends back at home, and I told them, “Listen, there are people who need houses here, and houses cost this much, and this is the building materials we’ll use.” And, lo and behold, I needed $800 and only $100 came in. For whatever reason, the facts and figures didn’t quite resonate with people.

So, then I took a different approach and I told Rosina’s story, I told the story about this lady who had a really tough life, and she’s now a widow and she’s in this tough situation through no fault of her own. And if it’s not for the participation of my friends and the donors back at home, she’s going to be in big trouble. And that was that one moment where it clicked, where I realized, “Okay, storytelling, this is the key. These people don’t emotionally connect with facts but they will connect with another person and another story.”

Pete Mockaitis
Yeah. And so, we’re talking about data versus storytelling, and you’re telling a story about telling a story, and you’re sharing numbers about it, so I’m loving this. Okay, so the first time you made your case with numbers, you got a hundred bucks. The second time, you made the case with a story, and what happened financially?

Gret Glyer
Oh, the money came in, I think, it was within hours. It was definitely within a day but, if I remember correctly, it was a few hours after I sent that email out to my friends and the money came in easily. I’ll kind of go a little bit further. Not only did the money come in, and not only did people like send it over excitedly, but we built a house, Rosina got her house, and actually we put the roof on the house a day before rainy season. So, time was of the essence and we barely got it, and Rosina was able to move in.

And I actually just went to Malawi a couple months ago, and I got to go visit Rosina and she’s still living in the same house that we built her, so that was a cool experience. But what was interesting was after the house was built, people started to continue to send me $800 to build more houses for people even though I wasn’t asking for it. They were just sending me money because that story had resonated with them so deeply.

Pete Mockaitis
And so, maybe you don’t recall it precisely here, but how many $800 bundles and houses were you able to construct as a result?

Gret Glyer
Well, so it started off there’d be a few people who sent over the money and then I would make a video. And then I went home over the summer and I actually met up with Scott Harrison who’s the CEO of Charity: Water, and he helped me get a 501(c)(3) setup and he kind of gave me some advice and so when I went back the next year, we started building more houses. I’ve never wanted to grow this particular operation beyond what it is but we continue to build houses every month even to this day. And we’ve done over 150 houses in all of Malawi at this point.

Pete Mockaitis
That’s striking. So, wow, from 100 bucks to 150 times 80 bucks. And in the early days it was even from the same people in terms of being able to do multiple houses whereas you couldn’t even do an eight beforehand. So, that is compelling stuff. And sometimes I get stuck in the numbers because I’m fascinated. I’m a former strategy consultant and I love a good spreadsheet and pivot table and so it’s natural for me to just go there without stopping and think, “Okay, what’s really the story here?” Tell me, what makes a story good, compelling, interesting, motivating versus just like, “Okay, whatever”?

Gret Glyer
Yeah, I think what it is about a story, especially if you’re trying to persuade another person or you’re trying to get someone to see your side of things, I think what’s compelling about a story is the person you’re talking to, they can see themselves within the story, whereas they can’t necessarily see themselves within a set of data.

So, you can look at a spreadsheet all day long and you can see these facts and figures, and that’s very persuasive to a small subset of people, and probably a lot of your audience really likes the data and the figures, and that’s really good. But for most people, for a general audience, they’re going to resonate deeply when they can see themselves as part of a story.

Pete Mockaitis
And we had Matthew Luhn on a previous episode, and he was a story supervisor for PIXAR, and that was one of the main things he said in terms of a lot of stories that they need to kind of fix or clean up or consult, tweak at it, have that challenge. It’s like, “Yeah, the audience can’t really see themselves in the shoes of the protagonist or hero and, therefore, we’re going to have to somehow make that individual more relatable in order for that to really compel the viewers.”

So, okay, cool. So, that’s one piece is that you can relate to it, like, “Whoa, I’ve had a hard time with regard to losing something and having some urgency with regard to needing some help or else we’re going to be in a tight spot.” And, boy, here we have it in a really big way in the case of her home and with urgency as well. I’m thinking I’m stealing your thunder, but one element is relatability to you and that person? Are there any other key components?

Gret Glyer
Yeah, when it comes to storytelling there’s a lot of different tips that I would love to share. I almost don’t want to share the tips because then people would be trying to do the tips instead of just doing like what they really need to do which is practicing. Like, if you just practice storytelling and you talk to other people and you see how much it resonates with them, eventually you’ll begin to learn. But there are a few things you can try.

So, one of the main things is you want to make sure that your opener is a hook. You say something where tension is created. Like, I could tell you a story right now. I woke up this morning, and I woke up, I reached across my bed, and my wife wasn’t there. And then I got out of bed, I started looking through my apartment and my wife was nowhere to be found, which has never happened before. And then I could stop right there and there’s some tension, it’s like, “Okay, well, what happened to your wife?”

Now, this is a made-up story, like it’s not true, my wife was there this morning. But you get the principle that you want to start up the story with some kind of tension that needs to be resolved. And then when it comes to persuasive storytelling, what you’re doing is you’re putting the person in the situation where they’re the ones that have to resolve the tension.

So, for crowdfunding, for example, you say, “This person needs a house and they’re not going to get their house unless you step in and do something about it.” And so that person gets to see themselves within the framework of that story. But I would say creating tension and then creating a satisfying resolution, that is the key to storytelling.

Pete Mockaitis
Okay. I’m with you. You’re right. So, I guess the tension kind of shows up in the form of a question, maybe you directly ask the question or maybe you just let it pop up themselves. And I think what’s so powerful about storytelling sometimes is I find folks, they’ll start a story just as a means of exemplifying a principle or concept, and then they think, “Okay, well, I’m exemplifying the concept,” but then everyone is just left hanging, like, “But what happened?”

Gret Glyer
Yeah, they want it. Everyone wants that. They love having that resolution. And, in fact, one of the biggest mistakes people will make when they first start storytelling is that they won’t resolve it. They won’t put as much time into the resolution. Because you can engage your audience just by creating tension, and you can create more and more tension. This is what a lot of these series on TV have done, like Lost and most recently Game of Thrones.

Like, I’m sure everyone has heard about how upset people were with the ending of Game of Thrones. And it’s a total rookie mistake to build up all this tension and have all of this tension that needs resolution, and then at the end kind of give a cheap ending. It’s a very tempting thing because you’ve still gotten the tension and the attention from your audience but you haven’t delivered. And learning how to deliver is the ultimate, the pinnacle of storytelling.

Pete Mockaitis
Yeah. Boy, you bring me back to my favorite TV series ever is Breaking Bad and I’m not going to give any spoilers for those who have not yet seen it. I’ll just give you as a gift that Breaking Bad is extraordinary. But I remember, toward the end, boy, those final eight episodes, oh, my goodness, there was so much tension. I remember like the third to the last episode, in particular, entitled “Ozymandias,” was kind of an episode where a lot of stuff hit the fan, and we all knew it had to. It’s like there is no way that everyone is just going to be hunky-dory. Something is going to go down.

And then I remember I couldn’t wait, I was just amped, looking forward to it all week, and then I saw it, and then I was kind of sad by some of the things that happened. And I was sort of surprised at myself, it’s like, “Pete, did you think you would enjoy this? You care about these characters and you know some bad stuff is going to happen to some segment of them.” It was weird, and I thought that, “This is going to be so amazing. I can’t wait for this experience.” And then when I saw it, it was artistically masterfully done, but it made me sad, it’s like, “Oh, man, that’s a bummer for those guys and gals.”

Gret Glyer
Yeah, I’ll share one of my favorite examples to go along with that because it’s so simple. I was watching A Quiet Place which was the John Krasinski kind of horror movie, and there was one thing that they did at the very beginning of the movie, because they’re in this world where monsters might attack them at any moment. And there’s a staircase that goes from the first floor of their house to the basement. At the very beginning of the movie, what they did was they had a nail come loose, and the nail was sticking straight up so that you knew at some point, someone is going to step on that.

And what they kept doing was they kept having people walk past the nail, and they would show their barefoot like right next to the nail. And that’s there throughout the entire movie, and that’s just one way that they masterfully interwove tension into that story.

Pete Mockaitis
That’s great. Well, so I want to get a take here. Let’s talk about, first, your world, how you’re seeing this all the time. So, you have founded DonorSee, and what’s it about and how do you use storytelling there?

Gret Glyer
Yes, so DonorSee is like the storytelling platform so I’m really proud of what we’ve accomplished. So, the way that DonorSee works is whenever you give any amount of money, you get a video update on exactly how your money was used to help real people in real need, and these are mostly people living in extreme poverty like I mentioned earlier, people like Rosina, the person who needed a house.

And so, what you do is like, let’s say, there’s a girl in India, and she is deaf, you can donate money to her, you’ll know her name, you’ll know her story, and you’ll know her hopes and dreams. And a few days after you give your donation, you’ll get a video update of her hearing for the first time. And she might even say, “Hey, Pete, thank you for giving me these hearing aids.” So, it’s a very personalized video update and it’s a one-to-one transaction that gets to happen. So, that’s the concept behind DonorSee.

Pete Mockaitis
Yeah, and it’s powerful. Well, we got connected because, a fun backstory for the listeners, my sweet wife saw a video about DonorSee and the good work you’re doing, and she made a donation, and she just thought it was the coolest thing. And that you, with your wise, best practice following organization reached out to her to learn more about where she’s coming from and sort of her behavior and thoughts and needs and priorities and values and whatnot to kind of optimize her stuff. And then your colleague listened to the podcast.

Gret Glyer
Yeah, my COO.

Pete Mockaitis
And here we are, you know, fun world.

Gret Glyer
Yeah, shout out to Patrick Weeks because I know he’s listening right now.

Pete Mockaitis
Hey, hey, hey. And so, I’m intrigued then. So, then you’re doing the storytelling on the frontend as well with regard to as you’re having videos on Instagram and Facebook and places with the goal of kind of getting folks to say, “Oh, wow, I’d like to be a part of that and make a donation.” So, I’m curious, in that kind of context of, hey, short attention span, social media, etc., how do you do it effectively?

Gret Glyer
Well, storytelling doesn’t change. There’s always the same kind of build tension and then provide resolution, and so you just have to find ways, you just have to find whatever is the hot medium, whatever it is that people are using, that’s where you want to be. So, right now, we test a million different things, we’re on every platform, Twitter, Instagram, Facebook, and we do a lot, we work with influencers and so forth. We’re constantly trying to get in front of whatever audience might be most receptive to us.

And so, what we do is we just test everything. We just see, “Where is it that people are responding to this the most?” And so far, what we found is that Facebook is where people are spending time and they’re open. Facebook is a platform where you’re looking at stories of other people’s lives on a regular basis so it’s very natural to be in your News Feed, and then this advertisement or sponsorship from DonorSee pops up, and it’s another story about another person’s life, and it kind of draws you in. And I think that’s been why that has been successful. And Instagram, of course, too also lends itself to that pretty well.

Pete Mockaitis
And so then, I guess you’re doing that same sort of stuff, like you got video and you create tension the first few seconds, and then away you go. Are there any particular do’s and don’ts? I mean, this isn’t a digital marketing podcast, but, hey, there’s plenty of those so you’d be hit there too. But any kind of do’s and don’ts with the particulars of if you’re putting up a post, “We found that these kinds of things work well and these kinds of things don’t”?

Gret Glyer
So, to go along with your tips about storytelling and another thing, that is a crucial consideration whenever you’re storytelling and, specifically, when you’re trying to tell a story within an advertisement, is to really consider who your audience is and who you’re trying to speak to directly. And so, for example, I think this is a really helpful way of thinking about. Here’s a failure that we had and the success that we had.

So, there was a time when we would put up stories of people in need, stories like the one I told earlier of the lady who’s starving and needed a house. And we put up those stories and those resonate with a certain type of audience. But then, what we realized was that people were having a hard time seeing themselves in that story. I mean, seeing someone in destitute poverty is just so outside of your frame of reference. It’s hard to really to grasp it.

And so, what we started doing was we started using testimonial ads.  In fact, there’s this couple from Harvard that they’re big fans of DonorSee, and I’ve had the opportunity to talk to them several times. And the wife is getting her MBA at Harvard and the husband is getting his JD, and they have this really nice picture of them, but they use DonorSee every month and they’re really big fans of it, and so, they sent in a testimonial.

And so we’ve been running their picture with their testimonial underneath, and that seems to resonate with a certain type of audience where maybe they wouldn’t necessarily see themselves in another country on the other side of the world, but they do see themselves in the transformation that the donor themselves is going through. They were able to grasp it because they look at the ad and they saw someone who’s more similar to them, and that was why they decided to get involved.

Pete Mockaitis
And maybe even, I don’t how much this plays into it, but it could aspirational, like, “Dang, Harvard power couple.” It’s really cool.

Gret Glyer
Yeah, absolutely.

Pete Mockaitis
And, “Oh, this is something that, I don’t know, successful, smart, high-achieving people do, it is that they give.” And so, that could be a lever in there as well.

Gret Glyer
Yeah. I’ll give one more example. We have a few ads that we run for parents, and there are parents in the picture, they’ve got their kids, and maybe they’re looking at a phone or they’re smiling at a camera. And the testimonial is from these people who are saying, “I’ve used DonorSee to educate my kids about global poverty, and it’s created these wonderful conversations between me and my kids.”

And so, obviously, that’s not going to speak to the 18-year old kid who’s about to go to college, but for the parent who has young kids, or kids who are maybe even up to teenage years, that works really, really well because they seem themselves in that. So, yeah, you always just think about who your audience is and then you tell stories where they can see themselves inside of it.

Pete Mockaitis
Very good. And so, I know we do have a number of non-profiteers amongst the listenership just because they’re probably curious so I want to go here. So, okay, so you’re putting money into ads, and you’re seeing donations flow, how’s that work from like a fundraising expenditure kind of a thing?

Gret Glyer
Oh, totally. Yeah, absolutely. So, totally fair question. So, the way it works is we have overhead just like any other non-profit organization would have overhead, and so whenever you give there’s a small percentage that gets taken out. Our percentage is 13% and that money goes to keeping the lights on and we have a lot of video hosting costs and so forth. But the vast majority of it is actually going to the people in need. And then the last thing I’ll say, because people are always curious about this, I, as the CEO, make zero dollars a year from my organization.

So, if there’s any doubt, or if there’s any consideration that maybe I’m doing this kind of for my own pocket, there you go. I fundraise separately on Patreon and people support me through that, and I’m very grateful to be able to have the opportunity to do things that way. But, yeah, you can’t run these organizations for free, as much as we would all like that, and so that’s what we do.

Pete Mockaitis
Well, that’s cool. And so then, so the 13% also covers the advertising costs?

Gret Glyer
Oh, yeah. We use that. That covers everything. It covers the video hosting, the advertising, the development, all that stuff.

Pete Mockaitis
That’s really cool. And so, you’re seeing like a positive, I guess, I don’t know if ROI is the right term in this context, but in terms of, “Hey, we spent a hundred bucks on Facebook ads, and we’re seeing donations of substantially more than a hundred bucks flowing through.”

Gret Glyer
Yeah, the term that we use, which is similar to ROI, is we use return on ads spend, ROAS. And our return on ads spend is positive. And it’s really cool because once we get people in the door, we have lots of ways of keeping them engaged with our platform. What’s cool about our platform, not to pat myself on the shoulder too much, but what’s really great about DonorSee is that it keeps you engaged. Like, you give a donation, you get a video update, and then you’re back on our platform with lots of more opportunities to give, and you keep getting video updates every time you do that. So, we have a really strong recurring donation base.

Pete Mockaitis
Yeah, that’s cool. That’s cool. Well, so let’s zoom in on the typical professional, you know, I’m in the workplace, and I got all kinds of situations where I got to be persuasive and influential. Maybe I need to have a project manager. I don’t have the authority to hire, or fire, or give bonuses, give raises, but I need colleagues to do stuff for me so my project gets done, or I just need to get some help and buy-in from other departments, etc. So, how would you recommend we apply some of these principles in a workplace setting, trying to get collaboration from others?

Gret Glyer
Yeah, that’s a great question. I’ve been thinking about it a lot because I knew I would be on the How to be Awesome at Your Job podcast and this would be a main point that we would talk about. So, I’ve been thinking about this for your audience specifically, and the way that I thought it would be best to think about is in terms of getting a promotion. I think that that’s something that’s on a lot of people’s minds and something that will happen several times throughout the course of their career.

And I think what I want to petition is that storytelling can actually help you get more promotions faster than any other skill that you have.

Pete Mockaitis
Bold claim.

Gret Glyer
Yeah, so your audience can test it out and we can get feedback at some point, but here’s how you use storytelling to get a promotion. So, let’s say that you have a boss, and your boss has some kind of problem and doesn’t have a solution for that problem. What you want to say is, you look for these kinds of opportunities, they’re not always lying around. But when you see the opportunity, then you jump on it, and you go to your boss, and you say, “Listen, I would love to help you with the problem that you’re dealing with. I’ve thought a lot about it, I thought about how I could be the solution to the issue that you’re facing. The problem is I don’t have enough responsibility. I haven’t been given enough responsibility to help you with your problem but I know I can do it if I’m allowed to be given this responsibility.”

And so, what you’re doing is you’re putting yourself into the situation, you’ve created tension with this problem, and the promotion is how you resolve the tension. So, you create tension in your boss’ mind, and then the way that the tension is resolved is by your promotion.

Pete Mockaitis
Yeah, and what’s interesting about that is the promotion might not happen right then and there on the spot, like, “Gret, you’re right. Now, you’re a director.” But it’s probably like, “Yeah, okay. Yeah, sure, Gret, that’d be great for you to take on director’s responsibility and take care of this, this, and this.” And then some months later, it’s like, “Well, crap, he’s doing the job of a director. I guess we should probably give him the title and the compensation so we’re not flagrantly unjust/at risk of losing him to another employer.”

Gret Glyer
Yeah, and I think that’s another way that you can create tension, is you can kind of say, “Listen, I’m really excited about my job right now. I love what I’m doing but, unfortunately, there’s another company that is offering to pay me this amount, but I really want to keep helping you with this. And the way that that can happen is if you can kind of match what this other company is offering me.”

And so, again, you’re creating tension, “I’m going to leave the company unless the tension is resolved, which is that I get a raise or a promotion,” or something like that. And none of this is like… Make sure you are not like blackmailing your boss, or putting yourself in like an unhealthy relationship with other people. But just the concept of creating tension where you can be the solution and you can help people, I think that that is going to be a very, very powerful tool for your audience.

Pete Mockaitis
And I think that’s a really good frame or context there in terms of just like, “Hey, look what I got. What are you going to do about it?”

Gret Glyer
Yeah, exactly.

Pete Mockaitis
“I’m really enjoying this and I’d love to continue helping but, just to be honest and level with you a little here, I’ve got this tempting offer over here, and my wife would sure love it if I had some extra money. It’d be awesome if I would just not even have to think or worry about that by matching.” So, yeah.

Gret Glyer
That creates the opportunity for me to just point out one more tip I have about storytelling, and that’s to use vivid imagery. So, when you said, “My wife would love it.” If you said, “My wife has really been wanting this red Camaro, and if I got this promotion, I’d be able to get that car for her.” That was a specific image in the person’s head that that creates a hook for them, and that image is going to resonate with them and make them think about it longer than they would’ve otherwise. So, using vivid imagery is a very powerful way to keep your recipients engaged.

Pete Mockaitis
Yeah, and I think that the red Camaro is vivid imagery and I guess I’m also thinking about, it’s like, to an extent, again, does it follow the principle of can they see themselves in that story? It’s just like, “Hey, I don’t drive a red Camaro. Nobody I know drives a red Camaro. Tell your wife she’s going to have to hold her horses, you know.”

Gret Glyer
Yeah, maybe more achievable kind of a red Corolla.

Pete Mockaitis
But it could really be just like, “Hey, you know what, she’s really wanting to spend some more time, I don’t know, like with a medical thing.” It’s like, “It would really be helpful if we could be able to do more trips to physical therapy,” or, “It’d be really handy for the kids, boy, they love music but it’s so hard to find the time to get out to the school of folk music. And it’d be so handy if we could, I don’t know, have a nanny or chauffeur, or something, that they can relate to their gift. It’s very important for children to have music in their lives.” I resonate with that and so that might be more compelling.

But you get the wheels turning here just by bringing up these principles which is great. So, maybe before we shift gears, tell me, do you have any other sort of top tips you want to share about maybe being persuasive?

Gret Glyer
Yeah, I just think tone is very important. You can get people’s attention lots of different ways. When you become a good storyteller, you become very good at hooking people in. We’re kind of graduating out of the era of clickbait, like people are starting to get wise to it, but there was a time when people used clickbait in attention-grabbing headlines to get more traffic onto their website or to get more attention for their cause.

But if you don’t have follow through and you don’t have substance behind your hook, then it’s a very bad long-term strategy. So, it’s just the whole package of starting with the attention-grabbing hook with a satisfying resolution, understanding that whole framework is really important to healthy storytelling.

Pete Mockaitis
Yeah, I think that’s dead on and I know what the expression was, it’s like, “All sizzle, no steak.” It’s like, “Ooh, what’s this about?” It’s like, “Oh, you don’t have it.” And, for me, it’s largely about, I don’t know, these days I’m getting so many messages on LinkedIn from people who want to sell me marketing services.

Gret Glyer
Yeah, I bet.

Pete Mockaitis
And it’s kind of like, “You know, I would love for my business to grow and I’d love to do more training and coaching and workshops and sell more courses or whatever.” But it’s kind of like, “I don’t know who the heck you are. And what would really persuade me, hey, is like I guess I want a story and with some data.”

It’s sort of like, “Hey, here is, I don’t know, a podcast or trainer person just like you, and here’s how they spent, whatever, $5,000 and then turned that into $50,000 with our help doing these cool things. And now they’re doing these great things with their business.” So, I think that will be way more compelling than, “Do you need more leads for high-ticket events?” It’s like, “Maybe, but I don’t know anything about you. It’s not the best way to start our relationship, new LinkedIn connection.”

Gret Glyer
I think you just made a really good point. The data is what makes your story more compelling but it’s definitely secondary to the storytelling itself. So, you’ve got the story, you’ve got the hook, and then people want to believe it. They want to believe that there’s this tension that can be resolved and you can be the person to resolve it. But if they don’t have the proof, then you’re going to lose them. So, I think having that data is so completely absolutely crucial but it should be embedded within the framework of telling a good story.

Pete Mockaitis
Cool. Well, now, can you share with us a favorite quote, something you find inspiring?

Gret Glyer
Yeah, I love this quote from Elon Musk, he says, “When something is important enough, you do it even if the odds are not in your favor.”

Pete Mockaitis
Yeah, I’m chewing on that. And how about a favorite study or experiment or bit of research?

Gret Glyer
So, I am someone who creates awareness about global poverty, so when I saw that I have the opportunity to talk about a statistic, I wanted to use that opportunity to talk about some statistics about global poverty very briefly.

So, if you earn $34,000 then you are in the global 1%. You are wealthier than 99% of the planet, which is mind-blowing to think about. But I’ve got two more that will kind of cement this. So, if you earn $4,000 a year, after adjusting for cost of living, then you are wealthier than 80% of the planet. So, it’s only 20% of the world who’s making $4,000 a year and up. And, finally, if you earn $1,000 a year, so about $3 a day, you’re wealthier than 50% of the planet.

So, there’s an exponential regression from the richest people in the world to the poorest people in the world, and that was what I wanted to bring up for my statistics.

Pete Mockaitis
Yeah, and that could be a little bit of you can take that in all sorts of ways, like, “Oh, wow, we have a lot of work to do to help people who are in need,” to, “Hey, I ain’t doing so bad.” I guess because we tend to compare ourselves, like you said in the very beginning, with neighbors and colleagues, folks who are right in your midst. But if you zoom out, take a global perspective, it’s like, “You know what, I feel like my salary is disappointing at, whatever, $43,000, which is 9,000 more than 34,000, but I’m a 1-percenter, so I could probably find a way to make ends meet after all.”

Gret Glyer
Yeah, and I bring that up not to make anyone feel guilty or anything like that. Really, the reason I bring it up is because what I learned is it was perspective shifting for me. I was a private school kid growing up. I grew up in one of the wealthiest suburbs in the U.S. and so when I learned these things, it totally changed how I look at the world and my own situation, and I hope that others can have that same experience.

Pete Mockaitis
And how about a favorite book?

Gret Glyer
So, this is another interesting one. So, if you’ve seen the movie Les Mis there’s a guy at the beginning of the movie, the bishop, and he brings someone into his house who’s a known thief, and he gives him a bed for the night because he doesn’t have anywhere to sleep, and the thief ends up stealing a bunch of his stuff and running away.

That’s like a split-second thing in the movie Les Mis, the most recent one. And what happens is the guy ends up coming, the police catch the thief, they bring him back, and the bishop, instead of making the thief kind of go to prison and go back to the gallows, the bishop says, “Oh, you brought him back. Thank you for doing that. I actually forgot to give him the most important gift of all.” And he goes and he gets these two silver candlesticks and gives it to the thief, and says like, “Be on your way.”

So, the thief kind of stole from him and then he gave him more money out of this act of charity. And then that kind of was this catalyst that turned the guy’s life around. So, in the movie that’s like a very brief thing, but the first 100 pages of the book Les Mis, the book Les Mis is about 1600 pages. The first 100 pages are all about that bishop. And I found those 100 pages, like exploring that guy’s character and the way that he thinks about the world, I found those 100 pages riveting. So, I thought that’d be a different thing to what your audience is used to, read the first 100 pages of Les Mis.

Pete Mockaitis
Yeah, it’s beautiful in terms of the power of mercy, and right on. Preach it. And how about a favorite tool?

Gret Glyer
Yeah. Well, the tool I was going to bring up, which I already mentioned earlier, is Facebook ads. Facebook does a really great job of reaching the audience that you are trying to find. And so, instead of you having to kind of say, “Well, people who like this, and who like this, send ads to them.” What Facebook does is it finds people who resonate with your ads, and then it shows more ads to people who have already resonated with it, like maybe they’ve clicked the Like, or left a comment, or something like that. And so, Facebook does a really good job of that and I highly encourage people to check out Facebook ads for that reason.

Pete Mockaitis
And a favorite habit?

Gret Glyer
I go to the gym four times a week whether I work out or not. So, in other words, even if I don’t lift weights or don’t get on the treadmill or anything like that, sometimes I just go to the gym and I walk around. My only threshold for what is a successful health week for me is whether or not I went into the building of the gym four times a week.

You know, once you’re in the gym, obviously, you’re like way more likely to work out and you’re around all these other people who are working out. But the threshold for a successful workout is so low that it’s kept me in shape for several years.

Pete Mockaitis
That’s great. Yeah, it does wonders for just keeping the habit alive even if you do almost nothing when you show up there. And how about a favorite nugget, something you share that really seems to connect with folks?

Gret Glyer
I always tell people to do what you’re afraid of. If the only reason you’re not doing something is because you’re afraid of it, then you have to do it. Sometimes you shouldn’t do something because it’s unwise, but maybe the thing that you’re afraid to do is you’re afraid to go skydiving. But you can afford it, there’s a place to skydive within 30 minutes from you, and the only reason you haven’t done it yet is because you’re afraid of it, do it, and that will help. That habit will help create many different opportunities for you in your life that that will lead to personal development.

Pete Mockaitis
And if folks want to learn more or get in touch, where would you point them?

Gret Glyer
So, right now, I’m using storytelling to sell my book, so I actually have a book that I’m fundraising for on Kickstarter, it’s called If The Poor Were Next Door, and I tell people to look it up on Kickstarter and back that project.

Pete Mockaitis
And do you have a final challenge or call to action for folks seeking to be awesome at their jobs?

Gret Glyer
Yes, so the final thing is we have setup a link DonorSee.com/awesome just for you guys. And if you go there, you’ll be able to join DonorSee and get video updates on your donations. And anyone who does that, there’s a special offer for getting T-shirts and hats and stuff like that, if that’s interesting to you. But, yeah, DonorSee.com/awesome.

Pete Mockaitis
All right. Well, Gret, thanks for sharing the good word today and the great work you’re doing at DonorSee. I wish you lots of luck in all the cool impact you’re making and folks you’re helping, and it’s really cool.

Gret Glyer
Thank you, Pete.